How to make it in film. Documentary, comedy & news Tom Kaufman. Cinematographer
Description
How to Make It In Film consists of a series of behind the scenes interviews with regional, national and international filmmakers, editors, directors, writers, cinematographers, producers and many others who work in the film industry. Each program includes questions taken from a live studio audience consisting of students in the film and film studies division at George Mason University. Covering all aspects of the filmmaking process, each program is designed to enlighten students and take them through all the steps to make it in film. From the roles of sound editors to assistant directors, scriptwriters to location managers, cinematographers to producers, webisode producers to film critics and documentary filmmakers to actors, they'll discover the role of each position and what it takes to make it in the business. TOM KAUFMAN, cinematographer for NOVA Series and Fahrenheit 9/11. He has worked for National Geographic, Discovery Channels, British Broadcasting Corporation, WGBH, WNET and Academy Award-winners Mark Jonathan Harris, Charles Guggenheim and Barbara Kopple. Kaufman has twice won the Gordon Parks Award for Cinematography and an Emmy for the 1994 documentary about deaf children, "See What I'm Saying".
Runtime
28 minutes
Series
Subjects
Contributor
Genre
Database
Alexander Street
Direct Link
Similar Films
American cinema. Film in the television age. 8
On China. Cinema
How much it costs to win an Oscar
How Hollywood Does It. Film History & Techniques of Early Cinema
The Business of Film. Agent & Entertainment Lawyer Eric Weissmann
Veronica Mars film campaign has earned $5m
How to make it in film. Producer & director Kathryn O'Sullivan & Paul Awad. Webisode producer
Hay un grupo que dice
Marketplace Africa. November 25, 2016. [304]
American cinema. Thinking and writing about film. 12
American cinema. Film noir. 7
Documentary Filmmaker. Film & TV Christian D'Andrea
Are sports films a good investment?
Tara Reid. 'Sharknado' future is limitless
How does a Golden Globe win help studios?