"filmID","creator","title","date_of_publication","runtime","series_title","summary","format_type","associated_entity","geography","subject_group","genre","image_url","direct_url"
"asp3394141-marc","","Pretty slick","","55 minutes","[]","Pretty Slick is the first film to fully reveal the devastating, untold story of BP's Corexit coverup following the 2010 Deepwater Horizon oil spill in the Gulf of Mexico. The spill is well-known as one of the largest environmental disasters in U.S. history. But what is not well-known is that BP, with U.S. government approval, attempted to sink the oil rather than clean it up, using the controversial dispersant Corexit -- and then covered up the practice. Some estimates are that 75% of the oil, 150 million gallons, is still unaccounted for. When filmmaker James Fox learned of this, he began a three year investigation, digging far deeper than any media outlet or film previously, to find the truth about the dispersant use and coverup. Pretty Slick questions whether public safety and environmental health took a backseat to restoring the tourist-based economy, and exposes the symbiosis between big oil and the U.S. government, which was as deep as the ocean is blue. Fox was on the ground and in the air with leading scientists, fisherman and other locals at the peak of the disaster, then returned for each of the three following years. During one visit, Fox met with Dr. Samantha Joye, who had traveled 5000 feet below the Gulf on a submarine to witness first-hand the spill's impact on the sea-bed floor. Despite the disaster, and subsequent revelations, Pretty Slick notes there has been little or no federal action to make oil drilling safer or prevent the use of toxic dispersants in the next spill.","stream","['BP (Firm)']","['Mexico, Gulf of', 'United States']","['BP Deepwater Horizon Explosion and Oil Spill, 2010', 'Dispersing agents', 'Oil spills', 'Offshore oil well drilling']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434565/1008434565-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394141"
"asp3394139-marc","","The polygon","","55 minutes","[]","The Polygon reveals the untold legacy of the Soviet Union's extensive Cold War nuclear testing program at the Semipalatinsk Test Site in Kazakhstan. Over 600 nuclear bombs were detonated at the formerly secret site, known as ""The Polygon"", from 1949 to 1991, including 116 above ground explosions. The massive mushroom clouds were witnessed by hundreds of thousands of nearby unprotected Kazakh villagers, unaware that nuclear fallout was raining down on them, their land and water. More than 18,000 square kilometers remain heavily contaminated. The radiation silently devastated three generations who have suffered serious health problems, including thyroid disease, cancer, birth defects, and more. Life expectancy in the region is seven years less than the national average in Kazakhstan. The full impact of radiation exposure was hidden by Soviet authorities, and only came to light after the test site was closed in 1991 after major protests. The tragic story is told in part by the villagers themselves, including Bolat Baltabek, a teacher and town leader, who lost his sister, brother, son, and countless neighbors to radiation-related diseases. Shot over 3 years, The Polygon revisits the history of these tragic Cold War experiments, and profiles the unfortunate victims that remain today, still suffering with little or no compensation, or global recognition of their plight.","stream","[]","['Kazakhstan']","['Nuclear weapons', 'Nuclear weapons testing victims', 'Radiation victims', 'Radiation carcinogenesis']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434563/1008434563-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394139"
"asp3394137-marc","","Plant this movie","","86 minutes","[]","Featuring leading urban farming advocates, the film explores the inspiring success story of Cuba, and travels globally to communities of urban farmers in Shanghai, Calcutta, Addis Ababa, London, and Lima.  In the US, the film visits innovative projects in New York, New Orleans, Los Angeles, Berkeley, Philadelphia and Portland – including the largest rooftop garden in the world, blighted areas transformed into urban farms, student-run gardens and CSA, and other projects that show the explosion of creative local efforts.  The film begins by tracing the evolution of the household yard in America from a necessary source for food to the ubiquitous lawn, now the # 1 irrigated urban crop. After the highly productive Victory Gardens of WWII, the country moved rapidly to a more centralized food system, and people became divorced from the source of their food.  As Plant This Movie vividly illustrates, the ingredients for scaling up urban farming and reconnecting people to the food we eat are now all around us. The movement provides hope that people across the nation and the world will once again have access to healthier, locally grown food, using the land near where they live as a primary source.","stream","[]","[]","['Urban agriculture', 'Sustainable agriculture']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434562/1008434562-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394137"
"asp3394135-marc","","Pictures from a Hiroshima schoolyard","","59 minutes","[]","Pictures from a Hiroshima Schoolyard presents the aftermath of the first atomic bomb through the remarkable drawings and untold stories of surviving Japanese school children who were part of an extraordinary exchange with their American counterparts. In 1995, a parishioner of the All Souls Church in Washington, D.C., discovered a long-forgotten box containing dozens of colorful drawings made by Japanese children from the Honkawa Elementary School in Hiroshima just two years after their city was destroyed. The surprisingly hopeful drawings were created and sent to the church nearly 50 years earlier in appreciation for much-needed school supplies received as part of the church's post-war humanitarian efforts. The Honkawa school was just 1100 feet from ground zero on August 6, 1945.  Nearly 400 children died in the schoolyard that fateful morning. Surviving students and teachers describe the horror of that day and reflect on their difficult lives amidst the rubble of their decimated city, as well as the hope they shared through their art. Classes resumed soon after in the window-less concrete shell of the remaining Honkawa school building to provide some sense of normalcy. The film features recently found archival footage that shows what life was like in the weeks and months after the bomb fell and how Hiroshima gradually recovered. The rediscovered drawings were restored by members of the All Souls Church, who several years later embarked on an emotional journey to Japan to exhibit the artwork at the Honkawa school and reunite the surviving artists for the first time with the drawings they created as children. The artists and church members reflect on the lessons that resulted from a compassionate exchange nearly 70 years ago between American and Japanese children following a bitter and devastating World War.","stream","['Honkawa Elementary School (Hiroshima Japan)', 'All Souls Church (Washington, D.C. : Unitarian)']","['Japan']","['Atomic bomb', ""Children's art"", 'World War, 1939-1945']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434561/1008434561-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394135"
"asp3394133-marc","","Pete McCloskey","","60 minutes","[]","Pete McCloskey: Leading from the Front tells the colorful story of former Republican Congressman Pete McCloskey, a true political ""maverick', who was both a Marine war hero in Korea and a leading peace advocate during Vietnam.  While representing California's 11th District from 1967 to 1983 (now Silicon Valley), McCloskey became one of the first members of Congress to oppose the war in Vietnam, and in 1972 ran against President Nixon as an anti-war Presidential candidate. In 1973, after the Watergate scandal broke, McCloskey was the first member of Congress from either party to call for the impeachment of Nixon, his own party's President.  Before he served in Congress, McCloskey was one of the nation's first environmental lawyers, and one of the first attorneys to racially integrate his legal practice. As a member of Congress, he co-chaired the first Earth Day in 1970, co-authored the Endangered Species Act, and contributed to other environmental laws including the Clean Air and Clean Water acts.  McCloskey did not go quietly into retirement. In 2006, at age 78, he was so outraged by the corruption in the Republican-controlled Congress and his party's anti-environmental policies that he led what he called 'the revolt of the elders.' McCloskey reentered politics to run against Congressman Richard Pombo in the Republican primary, which contributed to Pombo's defeat in the general election.  McCloskey's story offers an example of an authentic hero who dedicates his life to public service and follows his conscience, despite the prevailing political winds. The documentary cuts through contemporary biases based on ideologies and party affiliations to open a unique window onto an important span of our nation's history. In so doing, it enables that history to illuminate present day politics and issues in a new, even refreshing light.","stream","['McCloskey, Paul N']","['California']","['Environmental lawyers', 'Politicians', 'Environmental protection']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434559/1008434559-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394133"
"asp3394131-marc","","Pembe ya N'Dovu","","31 minutes","[]","Pembe ya Ndovu travels through the heart of Africa -- from Gabon's Atlantic coast, through the Congo Basin, to the savannahs of East Africa -- in a journey to uncover the serious threats to African wildlife and biodiversity.  Filmed in full HD, spectacular sequences of elephants, rhinos, gorillas and okapis in their natural habitats contrast with disturbing footage of markets selling illegal wildlife products, such as ivory, rhino-horn and bushmeat.  More than 100,000 elephants were slaughtered across the continent of Africa in the last few years for their ivory, with over 70% of this illegal ivory destined for China. The U.S. is the second biggest importer of ivory. The film travels to Asia to document the illegal ivory trade in Bangkok and high-end markets in Hong Kong. As China’s economy grows, it is becoming more reliant upon a variety of African resources.  Pembe dramatically shows the high cost of the ivory trade: the slaughter of whole elephant families, the endangerment of an entire species, and the murder of rangers and officers who try to protect them. Elephant slaughter has reached new heights, with criminal syndicates now moving in to poach Africa's last great herds of elephants.  The film features some of the courageous rangers and others who are seeking to protect African wildlife, including Chinese conservationist Laurel Chor, who goes undercover to expose an illegal wildlife market, and world famous scientist Dr. Jane Goodall, DBE, who campaigns against the ivory trade.","stream","[]","['Africa']","['Ivory industry', 'African elephant', 'Poaching']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434558/1008434558-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394131"
"asp3394129-marc","","Nuclear savage","","56 minutes","[]","""John is a savage, but a happy, amenable savage."" - 1950's newsreel footage of Marshall Islanders. Featuring recently declassified U.S. government documents, survivor testimony, and unseen archival footage, Nuclear Savage uncovers one of the most troubling chapters in modern American history: how Marshall islanders, considered an uncivilized culture, were deliberately used as human guinea pigs to study the effects of nuclear fallout on human beings. Between 1946 and 1958 the United States tested 67 nuclear weapons above ground on or near Bikini and Enewetok atolls. One hydrogen bomb was 1000 times larger than the Hiroshima bomb. Entire islands were vaporized and populated islands were blanketed with fallout. As the film shows, the heavily exposed people of Rongelap were then enrolled as human subjects in the top-secret Project 4.1 and evacuated to a severely contaminated island to study the effects of eating radioactive food for nearly 30 years. Many of the Marshall Islanders developed cancers and had babies that were stillborn or with serious birth defects. Nuclear Savage, follows the islanders today as they continue to fight for justice and acknowledgement of what was done to them. Despite recent disclosures, the U.S. government continues to deny that the islanders were deliberately used as human guinea pigs. The film raises disturbing questions about racism, the U.S. government's moral obligation to the people of the Marshall Islands, and why the government is continuing to cover up the intent of the tests and Project 4.1 after several decades.","stream","[]","['Marshall Islands']","['Nuclear weapons', 'Radiation', 'Operation Crossroads, Marshall Islands, 1946', 'Radiation injuries']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434551/1008434551-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394129"
"asp3394125-marc","","No otter zone","","17 minutes","[]","Sea Otters were once abundant from Russia's Kamchatka Peninsula all the way to Baja California, Mexico. High demand for their fur coats led to intense hunting that reduced their numbers to near-extinction levels  The otter population is now coming back, thanks to the Endangered Species Act and the Marine Mammal Protection Act, which provided refuge for the few remaining individual otters. But their return brings the potential for drastic change and conflict to the modern-day economics and ecology of Southern California.  For more than a decade, sea otters were exiled from their historic home range in Southern California, out of fear by fishermen that their return would deplete the profitable shellfish industry. The entire southern coast of California – from Pt. Conception, north of Santa Barbara, to the Mexico border - was established as a No Otter Zone.  The film presents the history and conflict over the otters, and illustrates the critical choice that must be made: whether to continue to protect some fisheries with a no otter zone, or allow this historic predator to repopulate throughout its natural range. The battle continues today in court.  Featured in the Film Lilian Carswell, Southern Sea Otter Recovery Coordinator, US Fish , Wildlife Service Steve Rebuck, Commercial Abalone Divers of California Steve Shimek, Founder, The Otter Project Rick Rosenthal, Marine Biologist Michael Harrington, Executive Committee, California Abalone Association.","stream","[]","['California']","['Shellfish fisheries', 'Sea otter']","['Documentary films', 'Nonfiction films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434548/1008434548-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394125"
"asp3394121-marc","","Money and life","","57 minutes","[]","Money and Life is a compelling cinematic journey that examines the origins of money, how the role of money has changed over time, how it shapes our lives and world today, and the emerging movement to create new economic models that redefine our relationships with money. The film presents a tapestry of expert interviews, narration, animated graphics and stories of individuals, communities, and small businesses who are seeking innovative ways to transform their relationship with money at the personal, local and global level. Experts include economists, authors, religious leaders, and a former JP Morgan executive. Money and Life helps viewers understand the history and fundamentals of money in order to be more informed participants in the economic transformation happening around us. Ultimately, the film asks, how can we move beyond being merely consumers, debtors, and creditors, and create a more equitable and sustainable economy that meets the needs and realities of the 21st Century?","stream","[]","[]","['Finance', 'Finance, Personal', 'Money']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434544/1008434544-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394121"
"asp3394119-marc","","The milky way","","94 minutes","[]","The U.S. has one of the lowest breastfeeding rates in the world, despite the fact it is the natural way to feed an infant. How did breastfeeding become the exception rather than the norm in America? And what would it take to restore this most natural act to its rightful place in our society? The Milky Way follows two accomplished lactation specialists, pediatric nurses Jennifer Davidson and Chantal Molnar, on a journey to discover how pervasive formula marketing and the modern challenges of motherhood changed the perception of breastfeeding in America, and why in other countries breastfeeding remains the standard. Through archival footage, ads, and personal stories, the film shows how formula companies launched a successful campaign that helped convince mothers to trade in their breasts for baby bottles, which quickly became the recognizable symbol of infancy. Visiting several European countries, Davidson and Molnar witness how these countries manage to support breastfeeding mothers, recognizing that the physiology of the infant and mother during nursing is health-promoting, as well as protective. Their journey energizes them to seek to change the cultural and political landscape back home in order to encourage women in America to breastfeed their babies. Davidson and Molnar advocate for elevating new mothers to a place in our society where they receive the necessary support to nurse their children, where scientific evidence overrides formula marketing and other contemporary influences, and a woman does not fear nursing in public.","stream","[]","['United States']","['Breastfeeding']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434543/1008434543-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394119"
"asp3394117-marc","","Lube job","","53 minutes","[]","Produced by two veteran journalists, Lube Job uncovers the oil and gas industries role in what could be one of the greatest environmental catastrophes in modern times, an ecological tragedy that threatens to eradicate much of southern Louisiana, including its revered fishing trade and age-old way of life. Louisiana supplies 30% of America's oil and gas, extracted largely from the state's coastal freshwater marshes, home for over 200 years to the region's unique Cajun culture and the source of 30% of the nation's seafood. More than 15,000 miles of pipeline canals dredged by the oil and gas giants now crisscross that landscape, enabling destructive salt water to wash in and erode up to a football field of land every hour -- taking with it wetlands vital to helping protect Louisiana from the ravages of major storms like Hurricane Katrina and to sustaining Cajun fishermen and their way of life. With archival footage and expert commentary, Lube Job explores the industry's beginnings in 1901 through the unregulated oil boom of the 1930's, to the decades of corruption that followed. The film presents proof of the industry's knowledge of the consequences of its actions and corrupt intent, disclosing internal memos and dramatic photographs. Stunning aerial footage shows the extent of wetlands destruction. Featuring leading historians, scientists, authors, politicians, oil industry executives and the Cajun people who know the area best, Lube Job also looks at legal efforts to make the oil industry accountable, and what it will take to restore the wetlands and protect the threatened Louisiana coast, including New Orleans, before it vanishes altogether.","stream","[]","['Louisiana']","['Petroleum industry and trade', 'Ecology', 'Wetland conservation']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434540/1008434540-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394117"
"asp3394115-marc","","Love hate love","","83 minutes","[]","Love Hate Love weaves together the stories of three families whose lives were torn apart by some of the most notorious terrorist attacks of the 21st century, yet refused to succumb to despair or hate. Liz Alderman's son Peter was murdered in the 9/11 attacks on the World Trade Center. Esther Hyman's only sister and a gifted artist was killed in the 2005 bus bombings in London. Australian business owner Ben Tullipan lost both his legs when a one-ton car bomb exploded outside a Bali night club in 2002. Love Hate Love follows these individuals and their families across five continents, as they struggle to overcome their deep anguish and build positive, world-changing legacies for their lost loved ones. Liz Alderman and her husband dedicate their lives to opening mental health clinics that help victims of war and terrorism return to productive lives in Cambodia, Rwanda, Uganda and Haiti. Esther and the rest of Miriam's family are devoted to bringing the gift of good vision to thousands of children in India, inspired by how Miriam's artistic talent went unrealized until her vision was corrected. Ben learned to walk again with two prosthetic legs and has become a championship golfer. His mission now is to give back by counseling other amputees to help them find the courage to live fully and walk again. Love Hate Love is a moving story about the resilience of the human spirit, and the power of hope and love to transform lives and help fight hate in the world.","stream","[]","[]","['Bali Bombings, Kuta, Bali, Indonesia, 2002', 'Grief', 'September 11 Terrorist Attacks, 2001', 'London Terrorist Bombings, London, England, 2005', ""Terrorism victims' families"", 'Terrorism', 'Memorialization']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434539/1008434539-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394115"
"asp3394113-marc","","Lords of nature. Life in a land of great predators","","58 minutes","[]","For centuries, humans have feared wolves, cougars and other top predators, driving them to the edge of extinction in our wildlands and prairies. But in recent years, scientists are learning that top predators play a vital role in maintaining healthy ecosystems, a critical reminder of the importance of preserving biodiversity. Shot in high definition, LORDS OF NATURE presents the science behind the findings that the great carnivores are revitalizing forces of nature, and introduces us to people learning to live with the beasts they once banished. The film follows biologists Bill Ripple and Bob Beschta, two leading pioneers in the quest to decipher the role of great predators in the web of life. Ripple and Beschta have found that without these predators, ecosystems are seriously degraded, and when returned to places like Yellowstone, they have a positive impact, restoring a lost balance. In Yellowstone, the film shows a chain of life flourishing once again since the return of wolves after a 70 year absence -- stream banks cloaked with willow and re-colonized by beavers and songbirds. Ripple and Beschta's research echoes a mounting body of evidence that reveals predators are essential to maintaining the diversity of life. But these finding have also raised a critical question: is it possible to incorporate top predators back into societies that once feared them? To answer that question, LORDS OF NATURE visits with rural ranchers, farmers and wildlife managers who live in the areas where wolves are returning. Among them are two of the largest sheep operators in Idaho and livestock producers in Minnesota, who are finding surprising success in a land running again with wolves. These success stories provide hope that, with proper technique and a dose of tolerance, people and predators can indeed co-exist.","stream","[]","[]","['Predatory animals', 'Top predators', 'Predation (Biology)']","['Documentary films', 'Nature films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434538/1008434538-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394113"
"asp3394111-marc","","Living for 32","","41 minutes","[]","On a snowy April day at Virginia Tech in 2007, 32 students and faculty were shot and killed by a lone gunman, 17 others were wounded, and six more were injured jumping out of windows. Through the personal story of survivor Colin Goddard, Living for 32 tells the tragic tale of one of the worst gun massacres in recent American history, along with Goddard's inspirational journey of renewal and hope. The then-21-year-old was shot four times and told he might never walk again. He lives today with three bullets still lodged in his body and a titanium rod in his left leg. Goddard revisits his former classroom for the first time in the film, and emotionally recounts the terror of that day. After recovering from his wounds and completing physical therapy, he made it his life's mission to help ensure that a tragedy like the Virginia Tech massacre would never happen again. The film couples footage of Goddard at Tech with several trips he made to gun shows across America. With the help of a hidden camera, he documents how easy it is for anyone to purchase a gun, with no ID or Brady background check, and just a handful of cash. Living for 32 vividly portrays the reality of the Virginia Tech shootings and raises important questions about the effectiveness of current gun laws and other efforts to curb gun violence in America.","stream","['Goddard, Colin', 'Virginia Polytechnic Institute and State University']","['Virginia', 'United States']","['Gun control', 'Virginia Tech Shootings, Blacksburg, Va., 2007', 'School violence', 'School shootings']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434537/1008434537-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394111"
"asp3394107-marc","","Life, liberty and the pursuit of happiness","","13 minutes","[]","Playfully updating the 1950's school documentary, this award-winning film offers up political and social satire regarding the current state of reproductive rights in a fast-paced sweet to swallow spoonful. Found-footage, animation and original images are interwoven into a collage containing the fictional stories of a conservative politician, a young couple, and a fundamentalist activist along with the decline in amphibian populations and the insidious creeping erosion of reproductive rights in the United States. All linked together through a Chinese dry cleaner.","stream","[]","['United States']","['Abortion', ""Women's rights""]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434534/1008434534-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394107"
"asp3394105-marc","","The last one","","71 minutes","[]","The Last One presents an updated history of the AIDS epidemic in America through the story of the AIDS Memorial Quilt. The film traces how what at first was labeled a ""gay disease"" now disproportionately impacts the African American community, including women and youth.  In the 1980s, as AIDS ravaged the gay community in the U.S., the AIDS Quilt was born as a tool to help promote understanding and treatment. Through the intensely personal stories of those involved with the Quilt, including founder Cleve Jones, The Last One examines how stigma, discrimination, and the lack of access to care exacerbated a disease that now infects over 1 million Americans, with nearly 50,000 new cases every year.  The film follows the path of the Quilt on tour, visiting a variety of communities and people, including a high school where a young African American woman born with AIDS speaks out to fight stigma in her community. Through her story and others the film explores the issues fueling HIV infections among youth today.  Now more than 50 miles long were it to be laid out end-to-end, the Quilt is displayed in communities and schools to promote AIDS awareness, with the hope that the last quilt panel will one day become a reality.","stream","[]","[]","['AIDS activists', 'NAMES Project AIDS Memorial Quilt', 'AIDS (Disease)', 'AIDS (Disease) and art']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434533/1008434533-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394105"
"asp3394101-marc","","The last ocean","","54 minutes","[]","With stunning footage of Antarctica's unique landscapes and wild life, The Last Ocean profiles the international battle over commercial fishing in the Ross Sea, the last pristine ocean ecosystem on earth. The Ross Sea is a vast, icy landscape that teems with life -- whales, seals and penguins carving out a place on the very edge of existence. This ‘living laboratory’ is one of the last places where the delicate balance of nature still prevails, largely untouched by humans. But an international fishing fleet has recently made its way to the Ross Sea, targeting the highly lucrative Antarctic Toothfish, sold as Chilean Sea Bass around the world. Californian ecologist Dr. David Ainley has studied the Ross Sea's unique ecosystem for more than forty years and knows that unless fishing is stopped, the natural balance will be lost forever. He rallies fellow scientists and builds a global campaign to protect this last pristine marine ecosystem.  Featuring top scientists, including Dr. Sylvia Earle and Dr. Daniel Pauly, as well as international political leaders, the film examines both the science and politics behind the debate over preserving Earth's last truly wild ocean.","stream","[]","['Antarctica']","['Environmental management', 'Marine ecosystem management', 'Dissostichus mawsoni fisheries', 'Dissostichus mawsoni']","['Documentary films', 'Nature films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434531/1008434531-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394101"
"asp3394099-marc","","Last call","","92 minutes","[]","Last Call provides a high-level examination of one of the most fundamental environmental questions of our time - are there limits to growth? In 1972 the publication of the book The Limits to Growth stimulated worldwide interest and debate, selling 30 million copies in 30 languages. It marked a turning point in thinking about the environment.  Prepared for the Club of Rome, the book was based on the work of a team of young scientists from MIT who created the first computer model to analyze the interaction over time of exponential growth with finite natural resources.Their primary message was that the human footprint, if unchecked, would grow beyond the carrying capacity of the planet on a sustainable basis. They concluded that humanity must adapt to the planet's limits or risk overshoot, which could result in the collapse of global support systems and human decline. Four decades later, the surviving authors and mentors of The Limits to Growth assess their earlier predictions, update where we stand today in relation to the earth's limits, and present a ""final call"" on what we need to do now to avoid global ecological collapse in the next few decades. Supported by archival footage and other materials, Last Call provides provocative insights into the fundamental reasons behind the ongoing global ecological and economic crises, and what it will take to ensure a more hopeful future.","stream","[]","[]","['Sustainability', 'Environmental management']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434455/1008434455-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394099"
"asp3394097-marc","","Joanna Macy and the Great Turning","","27 minutes","[]","Joanna Macy and the Great Turning is a short film about the societal shift now underway from an industrial growth society to a more sustainable civilization.   Based on an extensive interview with well-known writer, teacher, and activist Joanna Macy, the film lays out Macy's understanding of 'the Great Turning' as the third major revolution of human existence after the agricultural and industrial revolutions.  'The most remarkable feature of this historical moment on Earth,' says Joanna Macy, 'Is not that we are on the way to destroying the world - we've actually been on the way for quite a while. It is that we are beginning to wake up, as from a millennia-long sleep, to a whole new relationship to our world, to ourselves and each other.'  Macy considers how human beings have previously responded to the major challenges of our past and shows how we are doing so once again, in hundreds of ways both small and large.   Illustrated with beautiful footage shot around the world, the film is at once sobering, insightful, and inspiring. The Great Turning is ultimately a call to take part in this new 'great adventure' in order to help create a more life-sustaining world.","stream","[]","[]","['Biodiversity', 'Biodiversity conservation', 'Population', 'Sustainability', 'Ecology']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434453/1008434453-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394097"
"asp3394095-marc","","Jens Jensen. The living green","","55 minutes","[]","Jens Jensen The Living Green profiles the unsung pioneer landscape architect who became one of the nation's most influential urban designers and early conservationists, shaping the Midwest's physical and cultural landscape in an enduring way.  Danish born Jensen rose from immigrant street sweeper in the 1880's to 'dean of American landscape architects', as the New York Times called him upon his death in 1951.  When Jensen arrived in Chicago in 1885, it was one of the fastest growing cities in human history, and one of the least livable, especially for the working poor. Inspired by the Midwest prairie and plains, Jensen believed that urban dwellers needed the beauty of nature in their lives and 'green space to survive', and he found creative ways to bring it to them.  Jensen revered the region's indigenous scenery and native plants, creating the ""Prairie style"" of landscape architecture, and leading a movement to conserve threatened natural areas. He created Columbus Park on the western edge of Chicago, now a national historic landmark, as well as over 600 parks and gardens throughout the Midwest and other regions.  As a devout conservationist, Jensen led opposition to Andrew Carnegie and JP Morgan's industrialization of the Indiana shoreline, which later became Indiana Dunes National Park. Jens Jensen The Living Green is illustrated with archival footage, photos and interviews, including Jensen himself, that trace his remarkable rise, career, and lasting influence as a man ahead of his time. Half a century after his death, Jensen is now hailed as a pioneer of sustainable design, an early champion of native species, and an unsung American hero. Narrated by Jens Jensen's Great Granddaughter, Jensen Wheeler Wolfe.","stream","['Jensen, Jens']","['United States']","['Conservationists', 'Landscape architects', 'Native plant gardening']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434452/1008434452-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394095"
"asp3394091-marc","","Into eternity. A film for the future","","59 minutes","[]","The world's nuclear power plants have generated an estimated 300,000 tons of high-level radioactive waste that must be safely stored for 100,000 years or more. Every year, they generate another 12,000 metric tons of high-level waste. Into Eternity is the first feature documentary to explore the mind-boggling scientific and philosophical questions long-term nuclear waste storage poses.  Structured as a message to future generations, the film focuses on the Onkalo waste repository now under construction in Finland, one of the first underground storage facilities. Onkalo is a gigantic network of tunnels being carved out of bedrock that will start receiving Finland's nuclear waste in 2020. Once the repository is full, in about 100 years, it will be closed and hopefully remain sealed for at least 100,000 years. Into Eternity takes viewers deep into the Onkalo facility as it is being constructed and asks Onkalo representatives, scientists, theologians and others to address fundamental but challenging questions.  How can our civilization know what the world will be like in 100,000 years? The first modern homo sapiens appeared about that long ago and no human structure has survived more than 5000 years. How can we anticipate climate and geologic changes that far in the future? What will life on our planet be like then? How do we warn distant generations of the deadly waste our civilization left behind? What languages or signs will they understand? How do we prevent them from thinking they have located the pyramids of our time or some other treasures?  With its stark, stylistic approach, Into Eternity not only raises questions about the possibility of long-term nuclear waste storage, but also invites reflection on the limits of science and human knowledge, along with our responsibility to future generations.","stream","[]","[]","['Radioactive waste disposal', 'Radioactive waste repositories']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434450/1008434450-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394091"
"asp3394089-marc","","In organic we trust","","82 minutes","[]","Most Americans now purchase organic food in some form, but don't know what 'organic' really means. In Organic We Trust follows filmmaker Kip Pastor on a journey to answer the essential questions about organic: What exactly is certified organic? Is it really better for us, or just marketing hype? Is organic the key to transforming our food system?  The first half of the film digs deep to investigate what 'certified organic' means and the truth behind the labeling and marketing. The film presents a broad spectrum of views, including interviews with organic farmers, scientists, critics, and health, food and agriculture experts, mixed with creative graphics. Along the way, Pastor learns that what began as a grassroots movement of small-scale organic farmers has turned into a 30 billion dollar industry dominated by large corporate operations, most with little real interest in reforming our unhealthful food system. But in spite of the corporatization of organic, the grassroots philosophy that drove the original movement is making a comeback in many innovative and hopeful forms.  The second part of the film highlights the variety of ways this philosophy is now changing how we grow and eat our food on a broad scale, well beyond just growing organic. Pastor travels across the country to unearth the stories of those at the forefront of a renewed sustainable food movement: family farmers dedicated to stewardship of the land, a thriving 'locavore' subculture centered on farmer's markets, chefs feeding children healthy school meals, and urban gardens sprouting up to bring fresh food to low-income communities.  The film is divided into two parts: Part 1: ""Investigating Organic , Conventional Agriculture"" (40 Minutes) Part 2: ""Beyond Organic: Other Solutions"" (40 Minutes).","stream","[]","['United States']","['Organic gardening', 'Organic farming', 'Food supply', 'Pesticide residues in food']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434448/1008434448-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394089"
"asp3394087-marc","","In my lifetime","","110 minutes","[]","Directed by a former ABC network news executive producer, In My Lifetime provides a comprehensive look at the full scope and impact of the nuclear age from its beginnings to the present day, including the international efforts by citizens, scientists and political leaders to reduce or eliminate the nuclear threat. Through archival footage and contemporary interviews, In My Lifetime portrays the history of the nuclear era and the complex search for ""a way beyond"". Filmed in Europe, Japan and the U.S., the movie features international voices from many perspectives and different parts of the history.   Manhattan Project scientists, former military personnel, and survivors of the first atomic bombs remind us how the nuclear age began -- and what we seek to avoid from happening ever again. Central participants and historians recount the major developments that followed: the U.S. - Soviet Cold War, above-ground nuclear testing, the Cuban missile crisis, the historic summits between Reagan and Gorbachev, the spread of nuclear weapons, and nonproliferation efforts.  Through this history, the film attempts to uncover the forces that brought us to the present number of nuclear-armed countries, and the obstacles - both political and human - that have blocked the world from reaching the solution all ultimately desire. An inside view of the debates at a recent UN Non-Proliferation Treaty Review Conference is especially revealing, clearly showing how difficult it is for the world to move beyond the nuclear status quo. In My Lifetime challenges viewers to learn from this history and find a way to accomplish what might seem like the impossible, because it is an absolute necessity.","stream","[]","[]","['Nuclear weapons', 'Nuclear disarmament', 'Antinuclear movement']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434447/1008434447-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394087"
"asp3394083-marc","","The immortalists","","53 minutes","[]","The Immortalists follows two biomedical scientists seeking to radically extend human longevity through regenerative medicine. But not without controversy and concern.  Bill Andrews is a molecular biologist and famed long-distance runner now racing against the ultimate clock. ""Hundreds of years from now, we're going to look back and be shocked by this horrible world we used to live in where people get old and die,"" says Andrews. Aubrey de Grey is one of the most famous figures in anti-aging research, a theoretical biologist. He believes the first person who could live to be 1,000 is alive today.  Andrews and de Grey differ in style and approach, but are united in their common crusade: to cure aging or die trying. De Grey proposes an intervention that would delete the telomerase gene in the body. Andrew's research is fundamentally the opposite - he is trying to trigger the gene in cells to produce telomerase.  They both publicly disagree with other biologists who believe that curing aging is neither possible nor desirable. In an Oxford debate, de Grey spars with British neurobiologist Colin Blakemore over the basic scientific and ethical questions.  As Andrews and de Grey battle their own aging and suffer the loss of loved ones, their journeys toward life without end ultimately become personal.  The Immortalists raises fundamental questions beyond whether eternal life is possible. How would being 'forever young' alter the human condition and our world?","stream","['Andrews, William H', 'De grey, Aubrey D. N. J']","['Great Britain', 'United States']","['Longevity', 'Biologists', 'Aging', 'Immortality']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434444/1008434444-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394083"
"asp3394079-marc","","Idle threat. Man on emission","","38 minutes","[]","Idling engines consume more than 6 billion gallons of gasoline worldwide annually, a significant but little-known contributor to local air pollution, respiratory disease and global climate change.  Idle Threat is a lively look at one man's spirited struggle to improve public health by raising awareness about idling's impact, starting in New York City. Against all odds, he succeeds, helping improve local air quality, and in the process gains world-wide recognition for the anti-idling cause, with articles featured in the Wall Street Journal, New Yorker magazine, and the Financial Times.  In white shirt and tie, Wall Street banker and self-described 'Verdant Vigilante' George Pakenham has walked the streets of New York for over five years, courteously confronting over 3,000 motorists to explain idling's impact and the law prohibiting running a parked vehicle for more than a short time. Responses vary from thanks to anger, but Pakenham never wavers. He's determined that the problems idling poses be recognized, and lobbies successfully for the city to enforce its idling laws.  Featuring Click and Clack from NPR's Car Talk, and Mayor Michael Bloomberg, Idle Threat profiles one man's challenging quest to make his city and the world a healthier place, and shows that sometimes one person - and a simple act like turning a key - can make a big difference.","stream","[]","['New York (State)']","['Air', 'Automobiles', 'Air quality management']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434442/1008434442-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394079"
"asp3394077-marc","","The hungry tide","","54 minutes","[]","The central Pacific nation of Kiribati is expected to be one of the first countries to disappear as a result of climate change. Sea level rise and increasing salinity are threatening the homes and lives of 105,000 residents spread over 33 atolls. One of the least developed countries in the world, Kiribati has contributed little to worldwide carbon emissions, yet has the most to lose from global warming.  THE HUNGRY TIDE shows clearly the tragic impact of climate change on Kiribati, and exposes the stark global inequalities driving the global warming phenomenon. The film personalizes the story by following the life and work of Maria Tiimon, who evolves to become one of the most prominent advocates for the rights of Pacific Islanders. Originally from Kiribati, Maria works for an organization in Sydney as an impassioned campaigner for her sinking nation. But right from the start, Maria finds herself frequently torn between the needs of her family on Kiribati and her role on the world stage.  A rather shy Maria travels to the Climate Change Conference in Copenhagen to press for a new binding treaty to dramatically reduce greenhouse emissions. 'Industrial countries are causing change in the climate,' she says, 'and we are the first to feel the consequences.' Later, as a more confident advocate, she travels to Cancun for the next Climate Change Conference (COP16).  While Maria's life and work unfold, the situation in Kiribati deteriorates. Seawalls protecting an entire community are swept away. Only decisive global action will save Kiribati from disappearing. But pledges made at the climate change conferences to cut carbon emissions have fallen far short of their targets. And promises to assist poorer countries to adapt to climate change haven't materialized. As a result, Kiribati's President believes that relocation may be the only option. 'To plan for the day when you no longer have a country is indeed painful but I think we have to do that.'","stream","['Tiimon, Maria']","['Kiribati']","['Sea level', 'Climatic changes']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434441/1008434441-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394077"
"asp3394073-marc","","How I got over","","88 minutes","[]","How I Got Over is an intimate, innovative profile of 15 formerly homeless and incarcerated African-American women that dramatically reveals the social causes of their plight and how their lives were transformed.  The film follows the women for 12 weeks as they craft and rehearse an original play based on their harrowing, true-life stories. None have had any acting experience and are guided by the Theater Lab's ""Life Stories"" program. Their work together leads to an emotional, one-night only, sold-out performance at the Kennedy Center for the Performing Arts in Washington, DC.  All 15 are from the nation's capitol, where 21% of women live in poverty. Many seek shelter at N Street Village, a homeless and recovery facility, and the backdrop for the film.  As their stories unfold, we learn that most of them suffered earlier trauma and abuse -- including domestic violence and incest -- that led to their lives of drug abuse and homelessness. Reckoning with their troubled pasts in the play, addiction and homelessness look less like the result of personal choices and more clearly an outcome of the social circumstances they were born into.  How I Got Over begins by tracing how America has declared war on poverty over and over again without much, if any, success. The film ends with the women quite literally stepping out of the darkness and into the spotlight, with an uplifting performance that provides a call to reconsider the root causes of poverty and homelessness, and what might be accomplished if more resources were devoted to recovery support, as well as to the transformative power of theater and the arts.","stream","['N Street Village (Washington, D.C.)']","['Washington (D.C.)']","['African American homeless women', 'Women in the theater', 'Theater', 'Homeless women']","['Documentary films', 'Biographical films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434439/1008434439-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394073"
"asp3394069-marc","","Healing a soldier's heart","","72 minutes","[]","Over two million Americans served in the Vietnam War. Forty years later, tens of thousands of veterans still suffer from Post-Traumatic Stress Disorder (PTSD). But a groundbreaking approach provides hope for these psychologically wounded former warriors, as well as for veterans of more recent wars.  Healing A Soldier's Heart follows the courageous journeys of four Vietnam veterans, all suffering from severe PTSD, who return to Vietnam to face the demons that continue to haunt them and hopefully heal their PTSD. Under the guidance of pioneering psychotherapist Dr. Edward Tick, the vets visit their actual trauma sites - the places where they fought and killed their former enemies, or saw their friends and comrades die.  The film provides an unforgettable, transformative journey through what Dr. Tick calls 'their second, this time, willful descent into hell.' It carries viewers into the hearts and minds of the four veterans and their families, as they experience forgiveness and compassion from their former enemies. Through first-time contact with Vietnamese culture, the four vets are led to a new state of awareness and spiritual peace.  Healing A Soldier's Heart traces the veterans' gradual shift from terrorized nightmares, drug abuse and attempted suicides, to healed warriors - with profound lessons for PTSD-suffering younger veterans from the more recent wars in Iraq, Afghanistan. The film is a powerful story about the long-term, psychological effects of war, and of the reconnection of the human soul through Dr. Tick's innovative therapy.","stream","[]","[]","['Post-traumatic stress disorder', 'War', 'Veterans']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434436/1008434436-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394069"
"asp3394067-marc","","Growing up green","","29 minutes","[]","Growing Up Green profiles a unique statewide, hands-on environmental education program in Michigan, the Great Lakes Stewardship Initiative. For the very first time, both rural and urban schools across the state are working to increase academic performance by involving students in local efforts to improve the environments they inhabit. This coordinated statewide approach to ""place-based education"" presents a national model for increasing student engagement by making education more relevant, while also encouraging students to become lifelong stewards of the environment.  High school students in an interdisciplinary science and math class in Houghton developed ROV's (remotely operated vehicles) to use in underwater explorations looking for invasive species. Across the state in Alpena, elementary school students use similar ROV's to aid Fish and Game biologists in their research.   In Lansing and nearby Grand Rapids, elementary and high school students raise salmon in their classrooms, then restock local rivers, weaving science, math, history and art though their year-long curriculum. In Muskegon, elementary students plant a former dump site with non-invasive species, restoring a natural habitat, while learning valuable watershed lessons.  In Detroit's inner city, high school students renovate 800 houses with energy saving devices as part of their science and math program, while Detroit middle school students perform regular 'tire sweeps' of the neighborhood around their school, helping a local nonprofit in its recycling and poverty alleviation efforts.  Professional development is offered through nine hubs to help teachers facilitate inquiry-based learning and problem-solving, and to sustain school-community partnerships.","stream","['Great Lakes Stewardship Initiative']","['Michigan']","['Environmental education', 'Service learning', 'Environmental sciences', 'Children and the environment']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434434/1008434434-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394067"
"asp3394063-marc","","Geraldine Ferraro. Paving the way","","87 minutes","[]","Geraldine Ferraro: Paving the Way is a feature-length documentary about the life and legacy of the trailblazing woman who made history in 1984 as the first female Vice Presidential nominee on a major party ticket in the United States. The film profiles Ferraro's life from an impoverished childhood, the struggles she endured while growing up, and the hurdles she faced and overcame both professionally and personally in order to achieve what no woman had done before. The primary focus of the film is Ferraro's public service and political career, from District Attorney in Queens, NY, and later respected member of Congress, to the emotional night of her Vice Presidential nomination and acceptance speech, along with the tough campaign that followed. Though the Mondale-Ferraro ticket was defeated, the film explores how Ferraro's landmark nomination and her conduct during that campaign changed the national perception of what was possible for women. The film features never-before-seen archival footage and stills, intimate interviews with Ferraro, and commentary by many leading political figures, both Democrat and Republican, as well as journalists who covered her campaign.  With insider access, former NBC Today producer Donna Zaccaro, created a revealing personal portrait of her mother, a woman who changed the face of American politics forever.","stream","['Ferraro, Geraldine']","['United States']","['Legislators', 'Vice-Presidential candidates', 'Women political candidates']","['Documentary films', 'Biographical films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434407/1008434407-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394063"
"asp3394061-marc","","Garwin","","69 minutes","[]","Garwin is the first film to profile renowned physicist and inventor Richard Garwin, who helped shape history as designer of the first hydrogen bomb and later as a top science adviser on nuclear arms control and other issues.  In verite style, the documentary delves into the rich and controversial life and career of 85 year-old Garwin, offering personal insights into his thinking and actions. The film follows backpack-toting Garwin as he revisits the Los Alamos National Laboratory, attends a conference in Europe, travels to the White House, and meets with politicians, other scientists, and historians.  Garwin received his Ph.D. under Nobel Laureate Enrico Fermi, who later invited him to work at Los Alamos on the nation's nuclear weapons program. Fermi called Garwin ""the only true genius he ever met"". Garwin authored the final design used for the hydrogen bomb at age 23, assigned to the task by Edward Teller.  He later worked for IBM at its research center, while also serving as top science adviser to every president from Eisenhower to Obama on nuclear policy and many other technical issues. In recent years he was part of an elite group of scientists asked to help plug the BP oil spill and find solutions to contain the Fukushima nuclear disaster in Japan. His work was honored with the National Medal of Science.  While exploring Garwin's life and work, the film offers a rare look into the world of science and policy, notably the role of scientists like Garwin who regularly advise our leaders on solutions to the most critical issues of our time, from nuclear proliferation and disarmament, to climate change and energy.","stream","['Garwin, Richard L']","['United States']","['Physicists', 'Inventors', 'Science consultants', 'Scientists', 'Science and state']","['Documentary films', 'Biographical films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434406/1008434406-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394061"
"asp3394059-marc","","From billions to none. The passenger pigeon's flight to extinction","","58 minutes","[]","From Billions to None tells the compelling, little-known story of the rapid extinction of the once abundant passenger pigeon, and explores its lessons for today with the alarming decline of many species worldwide.  These sleek and beautiful birds darkened entire skies, like nothing in existence today. Yet in a matter of decades human activity drove the species from billions to extinction.   For millennia, the passenger pigeon was the most abundant bird in North America, and likely the world. Then as its forest habitats were cut down for lumber, it was hunted to extinction both as a cheap source of protein and as targets for sport shooting. By 1912, after a nationwide search, not a single bird could be found living in the wild. The last pigeon in captivity died in the Cincinnati Zoo in 1914.  Naturalist and author Joel Greenberg is the film's guide, explaining the biology of the passenger pigeon and taking us through the birds' tragic history. In one scene, Greenberg visits a nature preserve in Wisconsin that was once the largest ever passenger pigeon nesting site, where an estimated 136 million birds nested in an area equal in size to 37 Manhattan Islands.  Through computer animation, the film recreates the breathtaking natural phenomenon of massive flocks of passenger pigeons. One animated sequence recreates a passenger pigeon flock estimated by John James Audubon to be at least one billion birds. In 1813, while in Kentucky, Audubon wrote, 'The light of the noonday was obscured as by an eclipse. The pigeons passed in undiminished number, and continued to do so for three days.'  The film briefly explores the De-Extinction movement, a controversial attempt to bring back extinct species, and features an interview with the young scientist who has been tasked to bring back the lost bird.  The film also highlights scientists like Dr. Boris Worm at Dalhousie University in Nova Scotia, whose research is raising alarm about other species, including sharks. According to the International Union for Conservation of Nature (IUCN), one quarter of the world's sharks and rays are currently threatened with extinction due to overfishing.  'We're doing the same thing to our children and our grandchildren that our ancestors did to us,' concludes David Blockstein, Senior Scientist at the National Council for Science and the Environment, 'But we don't have the same excuse of ignorance.'   Joel Greenberg is a naturalist and author of several books, including A Feathered River Across the Sky: The Passenger Pigeon's Flight to Extinction (Bloomsbury, 2014). He is a research associate at the Field Museum and the Chicago Academy of Sciences Peggy Notebaert Nature Museum.  SPECIAL FEATURES  -Behind the Scenes: A Bird's Eye View, The Sound of Billions, Making 'Pigeon Pie'   -Deleted Scene: Warren Woods -Extras: A Special Specimen, From Chikagou to Chicago, Prairie Tours with Joel.","stream","[]","[]","['Passenger pigeon', 'Extinct birds']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434402/1008434402-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394059"
"asp3394057-marc","","Free the mind","","80 minutes","[]","Free the Mind profiles the pioneering work of renowned psychologist Richard Davidson, who, by studying the practices of Tibetan monks and others, found that it is possible to rewire the brain through meditation and mental training exercises. Named one of Time Magazine's 100 most influential people in 2006, Dr. Davidson has dedicated himself to applying this hopeful discovery to improve the lives of people throughout the world. He founded the Center for Investigating Healthy Minds at the University of Wisconsin to study whether and how contemplative traditions change our brains and can help people overcome mental trauma and live happier lives. Filmed at the Center, Free the Mind follows three test subjects on an emotionally-charged journey through life-changing experiments overseen by Dr. Davidson that delve into the deepest recesses of the human mind. Steve and Rich are American veterans who served in Iraq and Afghanistan and are tormented by painful wartime memories. Will is a five-year-old suffering from ADHD and severe anxiety whose parents are eager to find treatment options other than traditional medications. Can Dr. Davidson free these three from their troubled existences and help them lead happier lives? The film explores the intersection between modern neuroscience and ancient contemplative practices, as well as deeper questions about the nature of consciousness and how it manifests in the brain and body. Animated segments vividly depict the effects on the brain of the techniques being employed, helping viewers understand the complex ideas involved.","stream","['Davidson, Richard J']","[]","['Anxiety disorders', 'Attention-deficit hyperactivity disorder', 'Meditation', 'Post-traumatic stress disorder', 'Contemplation', 'Mindfulness-based cognitive therapy']","['Documentary films', 'Educational films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434401/1008434401-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394057"
"asp3394055-marc","","Forever wild","","59 minutes","[]","Forever Wild celebrates America's commitment to wilderness and its preservation. Shot in high definition, the film captures the glory of undeveloped, wild places through visually stunning images. It also profiles America's modern wilderness heroes - individuals who have volunteered countless hours and immeasurable energy to ensure that these wild places remain forever wild. In 1964, for the first time in human history, America created a law to keep the wildest lands wild and save part of the world from the dominion of man. The passage of the Wilderness Act also gave ordinary Americans a tool for protecting our most pristine mountains, forests, deserts, prairies, and rivers from the steady march of development.   Wilderness preservation advocates featured in the film include a 3rd generation logger, a school teacher in New Hampshire, a nurse in California and three busy mothers in Colorado. These volunteers, and so many more, have used their voices and our democracy to protect America's wildest mountains, forests, deserts, prairies, and rivers.  Today, energy development, sprawl, timber harvesting, and motorized recreation threaten to overrun many of America's unprotected wild places. Forever Wild renews our understanding of the majesty of wild lands, the ecological necessity of protecting them, and the important role individual Americans continue to play in preserving a legacy of wilderness for all to enjoy.","stream","['United States']","['King Range National Conservation Area (Calif.)', 'United States', 'Maroon Bells-Snowmass Wilderness (Colo.)']","['Wilderness areas', 'Nature conservation']","['Nature television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434399/1008434399-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394055"
"asp3394053-marc","","Forces of nature. Part 1","","51 minutes","['Forces of nature']","Profiles the inspirational grassroots work of 12 young people recognized with the nation's top youth environmental prize - the Brower Youth Awards. Named after famed environmentalist David Brower, the awards recognize people ages 13 to 22 in North America who have shown outstanding leadership on a project or campaign with positive environmental and social impact.  Forces of Nature is a beautiful examination of service work. Teachers who promote service learning and community engagement will find this an inspirational tool with their classes. The awardees are charismatic young heroes for planet Earth, whose stories, struggles, and victories inspire people of all ages.","stream","[]","[]","['Social change', 'Social history', 'Environmental protection', 'Energy consumption']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434398/1008434398-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394053"
"asp3394051-marc","","Finding the gold within","","93 minutes","[]","What is it like to grow up as a Black male in America today? Finding the Gold Within provides a rare, intimate look into the lives of six young Black men from Akron, Ohio, each of whom is determined to disprove society's stereotypes and low expectations.  The film follows the six for 3 ½ years as they make the challenging transition from high school through their first years of college. Along the way, they are faced with a variety of unexpected difficulties, from personal and family problems to overt racism. Each draws strength from a groundbreaking mentoring program for adolescents, Alchemy, Inc., which has been their second 'family' since sixth grade.  In the embracing circle of Alchemy they speak with disarming honesty about their inner lives, trials and triumphs. Alchemy and its leaders have worked in the Akron and Cleveland area since 2003 mentoring urban youth. This innovative program uses ancient stories and myths, drumming and journaling to help develop self-knowledge, confidence, discipline and a determination to succeed - enabling young people to become the heroes within their own stories.  In the film, we witness the struggles, composure and growth of the six young men. Each is on his own path, and each is tested. Can he break free of society's stereotypes of African-American men? Can he find the gold within? Despite hardships and disadvantages, the willingness of the six protagonists to be fully awake, to create new cultural identities, individually and collectively, is both revealing and inspirational.  By letting these young men speak for themselves, Finding the Gold Within provides an insightful contribution to the national dialogue about race and racism.","stream","[]","['Akron (Ohio)', 'Ohio']","['African American young men', 'African American college students', 'Racism', 'African Americans']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434395/1008434395-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394051"
"asp3394049-marc","","Drying for freedom","","53 minutes","[]","Drying For Freedom travels from America's clothesline-free yards to India's open-air laundromats to explore how the electric dream was marketed, without regard for its environmental and other impacts.   In post-war America, the push to 'Live Better Electrically', with Ronald Reagan as spokesman, was symbolized by the selling of energy hungry clothes dryers to replace the centuries-old zero energy outdoor clothesline. With archival TV ads and commentary, the film looks at how consumer demand was created for an electric utopia, where the dryer became a necessity and the clothesline became an ugly thing of the past.  Convenience trumped consequence, as energy consumption rose rapidly, with significant impacts on the environment – and personal freedom. Sixty years later, more than 50 million Americans live in communities where energy efficient clotheslines are banned as unsightly. But line-drying activist Alexander Lee has campaigned since 1997 across America for the 'Right to Dry', turning the age-old clothesline into a powerful symbol for efforts to reduce carbon emissions.   Drying For Freedom begins with the symbolic battle over the clothesline, but expands to the bigger potential global consequences of increasing energy usage in developing countries.  In India, we witness how the electric dream is now being marketed there, with the goal of bringing electricity to the 400 million Indian citizens now living without it. But will it be done in India, and in other countries, in a way that contributes to climate change, or will it be done in a different way? The future of our planet may hang in the balance.","stream","[]","[]","['Environmental education', 'Renewable energy sources', 'Environmental ethics', 'Household appliances, Electric', 'Power resources', 'Clotheslines', 'Energy development', 'Electric power consumption', 'Clothes dryers']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434390/1008434390-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394049"
"asp3394047-marc","","Designing healthy communities. Searching for Shangri-La. 4","","57 minutes","['Designing healthy communities']","Hosted by author and national health expert Dr. Richard Jackson, MD, MPH  Designing Healthy Communities is a 4 part series and companion book that takes a comprehensive look at the impact America's built environment has on public health, and at the people and communities working to turn things around through innovative solutions. Many of today's major health problems - obesity, diabetes, heart disease, asthma, cancer and depression - can be traced directly to nearly half-a-century of bad design decisions in urban and suburban areas. In each episode, Dr. Jackson travels the country to explore problems in a variety of communities, and profile best practice models. As Dr. Jackson illustrates, re-designing our built environment can improve both physical and mental health.  RETROFITTING SUBURBIA  The first episode investigates the connection between our nation's obesity and Type 2 Diabetes epidemic and suburban sprawl, fueled by dependency on the automobile. Communities profiled are seeking to combat the causes of diabetes by redesigning our car centric society.   Extra: ""What Does Healthy Design Look Like?"" Extended interview with Howard Frumkin, MD, Former Director, CDC's Center for Environmental Health  REBUILDING PLACES OF THE HEART  Many cities are struggling to resuscitate their dying downtowns and overcome a history of industrial pollution. This episode looks at how families and young people seek to repair main street America by rebuilding places of the heart.  Extra: ""Creating Healthy Spaces"" Lecture by Dr. Richard Jackson sponsored by the California Endowment.  SOCIAL POLICY IN CONCRETE  Where you live is one predictor of how long you will live. This episode explores the deadly consequences of economically challenged neighborhoods located near highly polluted areas, and urban pioneers who seek to improve the health of their challenged communities.  Extra: ""How Has Public Health Changed in Recent Years"" Extended interview with Anthony Iton, MD, MPH, Former Director, Alameda County Dept. of Public Health  SEARCHING FOR SHANGRI-LA  In the final episode, Dr. Jackson searches past and present America for model communities large and small that embody the intricate balance of health promoting design and human needs. Does the perfect community exist?  Extra: ""Place Matters"" Keynote presentation by Dr. Jackson before the American Public Health Association  About Dr. Richard Jackson, MD, MPH:   Winner of the Heinz Award for his work in the environment, Dr. Jackson is Chair of the Department of Environmental Health Sciences at UCLA’s School of Public Health. Formerly, he was Chief Public Health Officer for the State of California, and served for nine years as Director of the U.S. Centers for Disease Control's National Center for Environmental Health. Dr. Jackson was inducted into the Institute of Medicine, one of the highest honors a doctor can receive, and is the only medical doctor elected to the Board of the American Institute of Architects, as well as the American Society of Landscape Architects.","stream","[]","['United States']","['Community development', 'City planning', 'Sustainable urban development', 'Health planning']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434388/1008434388-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394047"
"asp3394043-marc","","Designing healthy communities. Rebuilding places of the heart. Episode 2","","57 minutes","['Designing healthy communities']","Hosted by author and national health expert Dr. Richard Jackson, Designing Healthy Communities is a 4 part series and companion book that takes a comprehensive look at the impact America's built environment has on public health, and at the people and communities working to turn things around through innovative solutions. Many of today's major health problems - obesity, diabetes, heart disease, asthma, cancer and depression - can be traced directly to nearly half-a-century of bad design decisions in urban and suburban areas. In each episode, Dr. Jackson travels the country to explore problems in a variety of communities, and profile best practice models. As Dr. Jackson illustrates, re-designing our built environment can improve both physical and mental health. Many cities are struggling to resuscitate their dying downtown and overcome a history of industrial pollution. This episode looks at how families and young people seek to repair main street America by rebuilding places of the heart.","stream","[]","['United States']","['City planning', 'Sustainable urban development', 'Public health']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434386/1008434386-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394043"
"asp3394039-marc","","Death makes life possible","","65 minutes","[]","Death is something that most people fear and don't want to think about. But is it possible that facing our mortality can inspire us to live our lives more fully?  Death Makes Life Possible follows cultural anthropologist and scientist Marilyn Schlitz, Ph.D., as she explores the mysteries of life and death from a variety of perspectives and world traditions. Sparked by her own near death experience as a teenager, Schlitz has been delving into the nature of consciousness and death for the past three decades. The film looks at how popular culture deals with the ever-present fear many have about our own mortality. Interviews with mental health experts, cultural leaders, and scientists explore the meaning of death and how we can learn to live without fear. The interviews and evidence presented are interwoven with personal stories of people facing their own death as well as those who report encounters beyond death. The narrative is illustrated with vivid imagery.  Death Makes Life Possible features some of the leading scientists, anthropologists, philosophers, spiritual teachers and thinkers of our time - including Yassir Chadley, Deepak Chopra, Mingtong Gu, Stuart Hameroff, Lauren Artress, Michael Bernard Beckwith, Dean Radin, Rupert Sheldrake, Rudy Tanzi, Luisah Teish, Dr. Jim Tucker and others.  Death Makes Life Possible offers a deep and thoughtful exploration into the ultimate question we all face.","stream","[]","[]","['Death']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434384/1008434384-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394039"
"asp3394029-marc","","California forever. The story of California state parks. Episode 1","","55 minutes","['California forever']","California Forever is a two-part series that tells the history and legacy of California's magnificent state parks, from Yosemite in 1864 to the present day. It is also the story of how the 'park idea' first started in California and led to the creation of the national park system. Together, the two one-hour episodes illustrate the importance of California's state parks for preserving the state's history, culture, and environment, as well as for public enjoyment. Many of the state's parks, now national icons, are facing a variety of challenges today. Episode One - California Forever: The History of California State Parks highlights the discovery and creation of California's state parks system and profiles the individuals and groups whose passion helped preserve and protect them for future generations, including John Muir. The episode takes viewers on a scenic, cultural and historical tour of California's state parks, highlighting key events and historic places that are crucial chapters of the California story, including Spanish colonists at Old Monterey, fortune seekers in Gold Country, the ill-fated Donner Party, and native tribes on the North Coast.","stream","[]","['California', 'United States']","['National parks and reserves']","['Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434374/1008434374-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394029"
"asp3394027-marc","","Cafeteria man","","57 minutes","[]","The USDA estimates 32 million school kids consume up to 50% of their calories at school, contributing to the obesity epidemic among young people. What does it take to reform school lunch programs and provide healthful, tasty meals to our nation's kids?  Cafeteria Man takes a behind the scenes look at Tony Geraci's sweeping, tenacious efforts to kick start school lunch reform in Baltimore's schools, a large urban district that serves 83,000 students, and later in Memphis schools, with 200,000 kids.  As the newly hired Food and Nutrition Director of the Baltimore's public school district, Geraci hatches an ambitious, multi-faceted plan to feed students healthy, locally-sourced meals, teach them nutritional awareness, and offer them training and vocational opportunities in the world of food. His bold vision includes a 33-acre teaching farm, school vegetable gardens, student-designed meals, and meatless Monday's. Cafeteria Man follows Geraci as he partners with a dedicated group of parents and students to overhaul a long-established, dysfunctional lunch program and battle the entrenched bureaucracy behind it. The film profiles Baltimore's experience as it becomes recognized as part a burgeoning national movement, and includes appearances by food author Michael Pollan, First Lady Michelle Obama, and Assistant White House Chef Sam Kass. Featuring the voices and images of students, parents, administrators, teachers and farmers, the film vividly documents this hopeful story, as well as honestly portraying the challenges. It makes clear that successfully transforming school lunch programs ultimately requires sustained efforts by a broad coalition acting on behalf of the well-being of students.","stream","['Geraci, Tony']","['Maryland']","['School lunchrooms, cafeterias, etc', 'School children']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434373/1008434373-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394027"
"asp3394021-marc","","Breaking point","","59 minutes","[]","Winner, Four Emmy Awards, Pacific Southwest. One of the worst ecological disaster in U.S. history is rapidly approaching, a casualty of the drought and ""water wars"" in the Southwest. California's largest lake - the Salton Sea in the Sonoran desert - is disappearing. As Breaking Point reveals, large swaths of lake bed are already exposed and salt levels drastically increased due to mandated water transfers to metropolitan areas along the California coast and other factors that limit water inflow. If no action is taken in the next few years, rising salinity will cause the deaths of 100 million fish, eliminating the main food source for hundreds of species of migratory birds -- the second-greatest diversity of bird species in the United States. The National Audubon Society considers the Salton Sea a bird site of global significance. There would also be substantial human impact. After years of agricultural runoff into the Sea, the lake bed is toxic, with high levels of arsenic, selenium and traces of the pesticide DDT. As the lake recedes, massive toxic dust storms will threaten the health of millions of people living in surrounding communities, including as far away as Los Angeles. Breaking Point mixes dramatic aerial images of the lake and close­ups of its shores with commentary from scientists, government officials and local residents to present the history of the Salton Sea, the missed opportunities that have plagued the Sea for decades, and the current options for saving it, which will likely cost billions of dollars. The Salton Sea has reached its breaking point, and time is running out.","stream","[]","['California', 'Salton Sea (Calif.)']","['Water-supply engineering', 'Lake restoration', 'Water conservation']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434370/1008434370-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394021"
"asp3394017-marc","","The black fatherhood project","","53 minutes","[]","In The Black Fatherhood Project, filmmaker Jordan Thierry leads viewers through an honest and essential exploration of fatherhood in Black America, providing historical context and conversation for an issue at the core of the Black experience today. Nationwide, 67 percent of Black children live in single-parent families, predominantly with their mother, a ratio that has tripled since the 1960's.  In the first half of the film, Thierry begins by telling his own family story, then with the help of historians and others, traces the roots of the fatherless Black home, revealing a history much more complex and profound than is commonly known. The film digs deep to explore how Black families functioned in Africa before slavery, and how slavery, racism, and other recent challenges such as mass incarceration affect Black fatherhood. It looks beyond major historical events and discusses their psychological impacts, and calls into question traditional family roles and cultural adaptation.  In the second half of the film, Thierry puts that history into contemporary perspective in a candid dialogue among a diverse group of Black fathers. These dads talk openly about their experiences and the value systems they employ to raise their own families. Their stories serve as positive role models for inspiring other dads to help break the cycle of fatherless families. Thierry closes the film by sharing insights and solutions to ensure the power of a father's love is not lost on America's Black children.","stream","[]","['United States']","['African American families', 'Fatherhood', 'African American fathers']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434366/1008434366-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394017"
"asp3394015-marc","","Bipolarized","","77 minutes","[]","Millions of Americans every year are diagnosed with a serious mental illness and prescribed drugs as the standard treatment. But are these diagnoses always correct? And are drugs the only or best way to treat their symptoms?  Diagnosed with bipolar disorder, Ross McKenzie's psychiatrist told him he would have to take lithium to control his symptoms for the rest of his life. But the daily dose of the drug felt like a chemical lobotomy to Ross, leaving him in a foggy haze.  Ross believed there had to be a better way and even wondered if the diagnosis was correct. He detoxed off lithium and sought to uncover the root causes of his mental breakdown and pursue alternative treatments. Bipolarized follows Ross's troubled personal journey, while telling a larger story about mental illness and conventional drug treatments. The film questions whether many people are incorrectly diagnosed, and challenges whether toxic psychotropic drugs are the only way to treat mental illness.  Weaving together Ross's raw, heartfelt experiences with commentary from psychiatrists and mental health activists, the film recounts the alternative path Ross used to regain his mental, emotional and physical health.  Ross is now healthy, living a full life, without the debilitating side effects of psychotropic drugs. His experience is not unique, as the film reveals. Many are now questioning the standard diagnosis and treatment of mental illness, and finding that by choosing to discover the varied root causes of mental health symptoms, it may be possible for many to create a vibrant life, free from mental health disease, without the use of drugs.","stream","['McKenzie, Ross']","['Canada']","['Manic-depressive illness', 'Manic-depressive persons']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434365/1008434365-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394015"
"asp3394013-marc","","Big boys gone bananas!*","","90 minutes","[]","What is the impact on freedom of speech and the press when a big corporation attempts to suppress criticism and manipulate the media? Documentary filmmaker Fredrik Gertten found out when he debuted his previous film, Bananas!, which portrays the struggle of 12 Nicaraguan plantation workers who brought a lawsuit challenging fruit giant Dole Food's use of a banned pesticide. Shortly after Bananas! was selected to premiere at the Los Angeles Film Festival, Gertten received an unsettling note that the festival had withdrawn the film from competition. Soon after, a scathing article about the film appeared in the L.A Business Journal. Within weeks, the filmmaker was embroiled in a major legal and public relations battle with Dole to save their premiere, their film, their reputations, and their freedom of speech.  Corporate efforts to censor criticism gain startling immediacy as Gertten decides to film the whole confrontation with Dole. Eventually, he takes the offensive, filing a countersuit and organizing a media campaign of his own to challenge Dole's tactics. The resulting film, Big Boys Gone Bananas!*, is a dramatic cautionary tale about corporate power and press manipulation, a reminder of the importance of independent film in today's more timid media world, and a case study of how individuals can fight back to protect freedom of speech and encourage a truly free press. The film would be useful in a variety of classes, including journalism, film, law, business, ethics and environmental policy.","stream","['Gertten, Fredrik', 'Dow Chemical Company', 'Dole Food Company']","['United States']","['Torts']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1008434xxx/1008434364/1008434364-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394013"
"asp3394009-marc","","Bat city USA","","37 minutes","[]","Bat City USA is a compelling documentary about how a city overcame its fear of one of the world's most misunderstood creatures and now heartily embraces them, largely thanks to the efforts of one man. A giant colony of Mexican Free-tailed bats moved into an Austin, Texas bridge in the 1980's after a reconstruction project created an ideal roosting habitat. The ""bat invasion"" launched a media hoopla and alarm among residents worried about bat attacks and rabies. When the city threatened to exterminate the bats, a zealous conservationist named Merlin Tuttle stepped in and fought to save them. Tuttle, a bat researcher at a Milwaukee museum, moved to Austin, which he called the epicenter of ""worldwide bad bat publicity"", and founded Bat Conservation International to promote a positive image of bats. To overcome local opposition, he worked tirelessly to change public perception of the bats - from scary disease carriers to desirable creatures who help keep moths and mosquitoes in check, among other environmental benefits. As a pioneering bat photographer whose images were published in National Geographic, Tuttle used his striking photos as one important weapon in his battle for the bats. Thanks to Tuttle's efforts, Austin now loves its bats. Thousands of tourists annually are drawn to the downtown setting for a fascinating, close-up glimpse of the world's largest urban bat colony - nearly one million bats.","stream","['Tuttle, Merlin D']","['Texas']","['Bats', 'Wildlife conservationists']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434361/1008434361-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394009"
"asp3394007-marc","","The atomic states of America","","93 minutes","[]","In 2010, the United States approved the first new nuclear power plant in 32 years, heralding a ""Nuclear Renaissance"". But that was before the Fukushima accident in Japan renewed a fierce public debate over the safety and viability of nuclear power. The Atomic States of America journeys to nuclear reactor communities around the country to provide a comprehensive exploration of the history and impact to date of nuclear power, and to investigate the truths and myths about nuclear energy. From the gates of Three Mile Island, to the cooling ponds of Braidwood, IL, the film introduces people who have been on the front lines of this issue for decades: community advocates, investigative journalists, renowned physicists, nuclear engineers, Nuclear Regulatory Commission inspectors, and former government leaders. Based in part on Kelly McMaster's book ""Welcome to Shirley"", about growing up in the shadow of the Brookhaven National Lab on Long Island, the film explores the evidence for serious health consequences documented by people living in Shirley, as well as near other nuclear facilities. Their concerns call into question who can be trusted to provide truthful information, and how much influence the nuclear industry has over the Nuclear Regulatory Commission and its decisions. As the nation stands at the crossroads of a possible Nuclear Renaissance, The Atomic States of America inspires informed discussion on the safety, viability and future of nuclear power in the United States.","stream","[]","['United States']","['Nuclear power plants', 'Nuclear energy']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434359/1008434359-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394007"
"asp3394005-marc","","Arise","","80 minutes","[]","On every continent, women are taking the lead to protect and restore the natural environment, and are empowering others to respect the earth. Arise presents the stories of a diverse group of 13 women in five countries who have initiated solution-oriented environmental projects in their communities, towns and villages. These women are engaged in a variety of innovative efforts profiled in the film: replanting trees in Kenya, conserving biodiversity in India, preserving sacred Native lands, protecting the rainforest in Ecuador, building more sustainable local communities, transforming food through urban agriculture, creating safe outdoor places to play, training women to build and install solar lights, and organizing to combat climate change, among others. Arise gives voice to these powerful women, and weaves together their inspiring stories with stunning images, poetry and music by well-known writers and musicians, including Alice Walker and Michael Franti. Through these hopeful examples and new models, the women in the film challenge our current way of thinking about the environment, and encourage a shift in values to find a different, healthier way to view our relationship to the earth.","stream","[]","[]","['Environmentalism', 'Women environmentalists']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434358/1008434358-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394005"
"asp3394001-marc","","All of me","","53 minutes","[]","Through the personal stories of three severely obese women who choose weight-loss surgery, All of Me shines a fresh light on the causes, challenges, and intense psychological struggles surrounding obesity in our society, as well as our attitudes and prejudices towards the obese. The ""girls"", as they call themselves, have been friends for years, having met through the Size Acceptance Movement. They've unsuccessfully tried every diet and pill in an effort to lose weight. Getting older and facing more health and mobility challenges, they choose gastric band or gastric bypass surgery as a last resort. With searing honesty, the girls take us through their struggles before and after surgery, including a host of issues and consequences, some they expected, some they feared, and some they never could have imagined. They have varied post-op experiences, but one reality is true for all of them -- the surgery means the loss of their primary coping strategy (eating).  And trying to shed hundreds of pounds changes everything in their lives -- their health, their self-images, their marriages, and even their friendships. These women's stories represent the more than 200,000 Americans a year who choose weight-loss surgery, 80% of them women, as well as the millions of Americans who struggle with obesity and weight loss. Our society's standard diet and exercise talking points do not compute for many of those needing to lose a significant amount of weight. All of Me provides a unique and thoughtful look at a community of people that is often vilified, the butt of jokes, or quite simply ignored in our society, and encourages viewers to examine their own prejudices and complicated relationships with food, fat, and their bodies.","stream","[]","['United States']","['Overweight women', 'Obesity in women', 'Obesity']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434351/1008434351-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3394001"
"asp3393999-marc","","The age of aluminium","","52 minutes","[]","Aluminum is an integral part of our daily lives, from cooking pans and computers, to soda cans, cosmetics and vaccines. But how much do we know about its impact on human health and the environment? Based on Bert Ehgartner's groundbreaking book Dirty Little Secret - The Aluminum Files, The Age of Aluminum is the first film to explore the metal's little-known darker side. Through interviews with leading scientists and researchers, along with the personal stories of several individuals, the film reveals how aluminum exposure has triggered serious health consequences and environmental damage. Representatives of the aluminum industry defend its safety record. Long known as a neurotoxin, many scientists suspect aluminum is linked to such modern scourges as breast cancer, Alzheimer's disease, allergies and autism. The documentary looks at how aluminum may be the ""universal toxin"" underlying the increase in epidemic levels of chronic illness and age-related neurological disorders. Aluminum mining and manufacturing have also created acute environmental problems in several parts of the world. The film documents the devastating effects of aluminum mining in South America, as well as environmental disasters in Hungary and the UK. Ultimately, The Age of Aluminum asks, why isn't more research urgently being conducted on aluminum and human health, and what can we do now to avoid its negative impact on our lives?","stream","[]","[]","['Aluminum']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008434xxx/1008434350/1008434350-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3393999"
"asp3392816-marc","","Prometheus bound","","68 minutes","[]","A talented cast brings this Greek masterpiece to the stage with song, dance and an innovative set which allows the immortal story about resisting tyranny to come alive. The staging also features Peter Arnott's audience tested translation.  The dance platform on the top of the skēnē building allows the chorus of Oceanids to first appear above Prometheus as in the original. Features performances by Casey McIntyre, Christopher Thomas, Milila Shah, Alisha Desai and James Thomas as Prometheus.","stream","['Prometheus', '(Greek deity)']","[]","['Mythology, Greek']","['Filmed plays']","https://d3crmev290s45i.cloudfront.net/frames/1008429xxx/1008429855/1008429855-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392816"
"asp3392810-marc","","Oresteia. Eumenides. Part 3","","69 minutes","['Oresteia']","Director James Thomas, brings together a talented young cast and Peter Arnott's faithful translation, to unleash the gruesome raw power of the Oresteia. This beautifully-spoken original staging makes vivid the poetry and wisdom - and the themes of terror, revenge, and justice - that are Aeschylus' eternal trilogy. Eumenides is part three of the Oresteia trilogy.","stream","['King of Argos (Mythological character)', 'Orestes']","[]","['Erinyes (Greek mythology)']","['Filmed plays']","https://d3crmev290s45i.cloudfront.net/frames/1008429xxx/1008429852/1008429852-disc001-file001-frame00290-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392810"
"asp3392808-marc","","Oresteia. The libation bearers. Part 2","","65 minutes","['Oresteia']","Director James Thomas, brings together a talented young cast and Peter Arnott's faithful translation, to unleash the gruesome raw power of the Oresteia. This beautifully-spoken original staging makes vivid the poetry and wisdom - and the themes of terror, revenge, and justice - that are Aeschylus' eternal trilogy. Libation Bearers is part two of the Oresteia trilogy.","stream","['Orestes', '(Greek mythological figure)', 'Clytemnestra', 'Queen of Mycenae', 'King of Argos (Mythological character)', 'Electra']","[]","[]","['Filmed plays']","https://d3crmev290s45i.cloudfront.net/frames/1008429xxx/1008429851/1008429851-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392808"
"asp3392806-marc","","Oresteia. Agamemnon. Part 1","","91 minutes","['Oresteia']","Director James Thomas, brings together a talented young cast and Peter Arnott's faithful translation, to unleash the gruesome raw power of the Oresteia. This beautifully-spoken original staging makes vivid the poetry and wisdom - and the themes of terror, revenge, and justice - that are Aeschylus' eternal trilogy. Agamemnon is part one of the Oresteia trilogy.","stream","['(Legendary character)', 'King of Mycenae (Mythological character)', 'Cassandra', 'Clytemnestra', 'Queen of Mycenae', 'Agamemnon']","[]","['Aegisthus (Greek mythology)']","['Filmed plays']","https://d3crmev290s45i.cloudfront.net/frames/1008429xxx/1008429850/1008429850-disc001-file001-frame00230-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392806"
"asp3392804-marc","","Lysistrata","","84 minutes","[]","This is the feature film of Lysistrata, Aristophanes' shocking comic masterpiece, that won Remi Gold at the Huston International Film Festival.  The production features Candace Janee as Lysistrata, Heather Gault as Stratyllis, Morgan Marcum as Myrine and Tanya Rodina (Miss Ukraine) as the Goddess Peace.  This production has the benefit of setting the comic scenes in the ancient Greek locations that are hinted at in the drama but which are hard for modern audiences to imagine.  So, for example, you see the interior of the Parthenon for the scenes where Lysistrata outwits the Official.","stream","['(Fictitious character)', 'Aristophanes', 'Lysistrata']","['Greece']","['Peace movements']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008429xxx/1008429849/1008429849-disc001-file001-frame00275-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392804"
"asp3392800-marc","","Lysistrata. Female power & democracy","","58 minutes","[]","This PBS documentary about ancient archetypes reveals much about the forces that hold women back and which undermined Hillary Clinton's campaigns.  Themed around Aristophanes' timeless comic masterpiece about a sex strike and a power grab,  the program reveals much about the ancient forces still impacting current political thought. Interviews include Jane Fonda, Katrina vanden Heuvel, Carol Jenkins, Senator Liz Krueger, Katha Pollitt, Norma Kamali, the Dean of Hofstra Drama James Kalb, Yale Greek drama scholar Victor Bers, Elizabeth Scharffenberger from Columbia, Mary English from Montclair State (on the role of women), and Jeffrey Hurwit.  Jane Fonda - actress, writer and antiwar activist. She rose to fame in the 1960s with films such as Barbarella and won Academy Awards for Klute and Coming Home, the story of a Vietnam War veteran. Recent work includes Monster in Law (2005) and Georgia Rule (2007). Fonda has served as a forceful opponent of the Vietnam War and more recently to the Iraq War.","stream","['Aristophanes']","[]","['Women', 'Greek drama', 'Power (Social sciences)']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008429xxx/1008429847/1008429847-disc001-file001-frame00220-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392800"
"asp3392796-marc","","The Bacchae","","100 minutes","[]","This beautifully staged production of Euripides 406 BC masterpiece is based on Peter Arnott's audience-friendly translation. The story follows Dionysos (played by Mia Perovetz) visiting Thebes disguised as a charismatic young leader at the center of a horde of erotic female bacchae. The immortal play exposes the dangers of fanaticism and deals with the timeless human quest to balance order and spontaneity.","stream","['Pentheus', 'Dionysus', 'King of Thebes (Mythological character)', '(Greek deity)']","[]","['Bacchantes']","['Filmed plays']","https://d3crmev290s45i.cloudfront.net/frames/1008429xxx/1008429845/1008429845-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392796"
"asp3392794-marc","","Medea","","83 minutes","[]","The ""Olivia Sutherland Medea"" is directed by James Thomas and brings to stage Peter Arnott's line-by-line translation of the Euripides masterpiece. The effect - is the rarely-experienced complexity and poetic impact of the original text. It includes the romantic scenes with Aegis, all the poetic choral odes, and the triumphant ending.","stream","['Medea', 'consort of Aegeus, King of Athens (Mythological character)']","[]","['Jason (Greek mythology)']","['Filmed plays']","https://d3crmev290s45i.cloudfront.net/frames/1008429xxx/1008429844/1008429844-disc001-file001-frame00155-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392794"
"asp3392701-marc","","Pervert park","","76 minutes","[]","Florida Justice Transitions is home to 120 convicted sex offenders. Like in many other U.S. states, sex offenders are not allowed to live within 1000 feet of places frequented by children. Because of this, many sex offenders live under bridges or in woods - or in the trailer park Florida Justice Transitions - also known as ""Pervert Park"". The crimes committed by the residents range from simple misdemeanors to horrendous acts unbearable to contemplate. The characters in Pervert Park are all fighting their own very different battles and demons. In this film they tell us their stories as they have never told them before. We meet Bill, Jamie, Tracy and Patrick, all residents in the park. And we meet Don, the therapist who started out working with the victims of sex offenders, but because many of the victims asked him to treat their abusers - often a parent or a family member - he did. Florida Justice Transitions is a private institution, founded by a mother of a convicted sex offender who couldn't find a place to live after his release. The name is meant to signal a hope for justice and the belief that people can change. But can we talk about justice when we're dealing with the sexual abuse of children and minors? Or have the offenders forfeited this right forever by doing what they did? Pervert Park is a film about the people no one wants as a neighbor. It follows the every day life of the sex offenders in the park as they struggle to reintegrate into society, and gives us a chance to understand who they are and how the destructive cycle of sexual abuse and the silence can be broken.","stream","[]","['Florida']","['Sex offenders', 'Criminals', 'Ex-convicts']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008375xxx/1008375752/1008375752-disc001-file001-frame00590-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392701"
"asp3392314-marc","","Fashion classics. Coast guards. Vol. 5, Episode 13","","25 minutes","['Fashion classics']","This edition of Fashion Classics highlights swimwear from Spring 2006.","stream","[]","[]","['Fashion design', 'Fashion', 'Bathing suits', 'Fashion designers', 'Fashion shows']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183231/1006183231-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392314"
"asp3392313-marc","","Fashion classics. Mission statement. Volume 5, Episode 12","","25 minutes","['Fashion classics']","This video, produced by Videofashion, is about American style in spring 2006.","stream","[]","['United States']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183229/1006183229-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392313"
"asp3392312-marc","","Fashion classics. Tutto Milano. Volume 5, Episode 11","","25 minutes","['Fashion classics']","This episode of Fashion Classics presents fashion designers and their fashion creations for the 2005 spring season in Milan, Italy.","stream","[]","['Italy']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183227/1006183227-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392312"
"asp3392311-marc","","Fashion classics. Paris premiere. Volume 5, Episode 10","","25 minutes","['Fashion classics']","This episode of Fashion Classics presents fashions and fashion designers during a benefit fashion show held in honor of Coco Chanel at the Metropolitan Museum of Art, as well as events held in 2005 during Paris Fashion Week.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183225/1006183225-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392311"
"asp3392310-marc","","Fashion classics. Anglomania. Volume 5, Episode 9","","25 minutes","['Fashion classics']","This episode of Fashion Classics takes a look back at English fashions and fashion designers during the fall of 2006, and also includes a foray into the Metropolitan Museum of Art to an event there titled 'AngloMania: Tradition and Transgression in British Fashion, 2006.'","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183223/1006183223-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392310"
"asp3392309-marc","","Fashion classics. Mid-terms. Volume 5, Episode 5","","25 minutes","['Fashion classics']","This episode of Fashion Classics takes a look back at 2004 and presents fashion designers working for French design houses along with their fashion creations.","stream","[]","['France']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183215/1006183215-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392309"
"asp3392308-marc","","Fashion classics. American idols. Volume 5, Episode 4","","25 minutes","['Fashion classics']","This episode of Fashion Classics is focused on the American fashion industry and presents well-known American fashion designers and their fashion creations, as well as providing commentary on those creations, and discussing their continuing success as designers.","stream","[]","['United States']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183213/1006183213-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392308"
"asp3392307-marc","","Fashion classics. Retro redux. Volume 5, Episode 3","","25 minutes","['Fashion classics']","This episode of Fashion Classics presents fashion designers discussing their work, and includes a section where those same designers recall unfulfilling jobs they had prior to becoming fashion designers.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183211/1006183211-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392307"
"asp3392306-marc","","Fashion classics. Ecole de Beaux Arts. Volume 5, Episode 2","","25 minutes","['Fashion classics']","This issue of Fashion Classics presents 2004 fall fashions and French fashion designers at a fashion show held at the Ecole de Beaux Arts. Included is a section on the founding of the Musee Yves Saint Laurent, Paris.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183209/1006183209-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392306"
"asp3392305-marc","","Fashion classics. Au revoir, bonjour. Volume 5, Episode 1","","25 minutes","['Fashion classics']","This issue of Fashion Classics presents French fashions, French design houses such as Celine, Givenchy, and Hermes, and perspectives from designers Michael Kor, Jean Paul Gaultier, and Roberto Menichetti.","stream","[]","['France']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183207/1006183207-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392305"
"asp3392304-marc","","Fashion classics. New York 9.11. Volume 4, Episode 13","","25 minutes","['Fashion classics']","This issue of Fashion Classics presents a look back at New York's fashion industry and a fashion show held there not long after the tragedy which occurred on 9/11.","stream","[]","['New York (State)']","['Fashion shows', 'Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183205/1006183205-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392304"
"asp3392303-marc","","Fashion classics. Undercover. Volume 4, Episode 12","","25 minutes","['Fashion classics']","This episode of Fashion Classics presents fashion designers and their fashion creations, fashion creations described by some as risque, but also celebratory of women and their sex appeal.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183203/1006183203-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392303"
"asp3392302-marc","","Fashion classics. Rainbow nation. Volume 4, Episode 11","","25 minutes","['Fashion classics']","This episode of Fashion Classics presents a look at South African fashions, and the South African fashion designers who create those fashions.","stream","[]","['South Africa']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183201/1006183201-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392302"
"asp3392301-marc","","Fashion classics. Spirit of New York. Volume 4, Episode 10","","25 minutes","['Fashion classics']","This episode of Fashion Classics presents a look at American fashions, along with a number of American fashion designers and their perspectives on their own creations.","stream","[]","['United States']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183199/1006183199-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392301"
"asp3392300-marc","","Fashion classics. Exoticism in fashion. Volume 4, Episode 8","","25 minutes","['Fashion classics']","This episode of Fashion Classics presents a look at Indian fashions, Indian fashion designers, and, along with materials used in their creations, how Indian fashion continues to influence Western fashion design.","stream","[]","['India']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183195/1006183195-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392300"
"asp3392299-marc","","Fashion classics. Passport to Singapore. Volume 4, Episode 7","","25 minutes","['Fashion classics']","In this issue of Fashion Classics, get your passport out, as we explore the newest fashion destination: Singapore.","stream","[]","['Singapore']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183193/1006183193-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392299"
"asp3392298-marc","","Fashion classics. Tres French. Volume 4, Episode 6","","25 minutes","['Fashion classics']","This episode of Fashion Classics presents a look at French fashions and fashion designers during 2001.","stream","[]","['France']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183191/1006183191-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392298"
"asp3392297-marc","","Fashion classics. Crafted in the U.K. Volume 4, Episode 5","","25 minutes","['Fashion classics']","This episode of Fashion Classics features a look at fashion in the UK, including a behind-the-scenes tour of Scotland's Ballantyne Cashmere.","stream","[]","['Great Britain']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183189/1006183189-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392297"
"asp3392296-marc","","Fashion classics. Canadian classics. Volume 4, Episode 4","","25 minutes","['Fashion classics']","This episode of Fashion Classics features a look at the fashion world in Toronto, Canada.","stream","[]","['Canada']","['Fashion design', 'Fashion']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183187/1006183187-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392296"
"asp3392295-marc","","Fashion classics. Style down the aisle. Volume 4, Episode 3","","25 minutes","['Fashion classics']","This episode of Fashion Classics features a look at fashion designs for brides as well as for bridesmaids, including a spotlight on Carolina Herrera.","stream","['Herrera, Carolina']","[]","['Weddings', 'Wedding costume', 'Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183185/1006183185-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392295"
"asp3392294-marc","","Fashion classics. A Ford farewell. Volume 4, Episode 2","","25 minutes","['Fashion classics']","This episode of Fashion Classics features a look at the career of fashion designer Tom Ford as he prepared to leave the house of Gucci.","stream","['Ford, Tom']","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183183/1006183183-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392294"
"asp3392293-marc","","Fashion classics. Power of a name. Volume 4, Episode 1","","25 minutes","['Fashion classics']","This episode of Fashion Classics features a look at the house of Chanel, including a talk by Chanel makeup artist Susan Sterling.","stream","['Sterling, Susan', 'Chanel (Firm)']","[]","['Fashion design', 'Makeup artists']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183181/1006183181-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392293"
"asp3392292-marc","","Fashion classics. Singapore swings. Volume 3, Episode 11","","25 minutes","['Fashion classics']","This Fashion Classics video presents a look at design and fashion in Singapore.","stream","[]","['Singapore']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183175/1006183175-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392292"
"asp3392291-marc","","Fashion classics. The best of India. Volume 3, Episode 10","","25 minutes","['Fashion classics']","This episode of Fashion Classics presents a look at India's first Fashion Week, which took place in August 2000.","stream","[]","['India']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183173/1006183173-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392291"
"asp3392290-marc","","Fashion classics. Fall's fashion guide. Volume 3, Episode 9","","25 minutes","['Fashion classics']","This episode of Fashion Classics features noteworthy people in the fashion industry from the fall of 2000 and includes a look at fashion industry mergers as well as the popularity of Brazilian models.","stream","[]","['Brazil']","['Models (Persons)', 'Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183171/1006183171-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392290"
"asp3392289-marc","","Fashion classics. Theater of fashion. Volume 3, Episode 6","","25 minutes","['Fashion classics']","This episode of Fashion Classics features a look at noteworthy people in the fashion industry in the year 1998 and looks at a fashion retrospective at The Louvre.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183165/1006183165-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392289"
"asp3392288-marc","","Fashion classics. Current impact. Volume 3, Episode 5","","25 minutes","['Fashion classics']","This episode of Fashion Classics presents a look at noteworthy people in the fashion industry in the year 1999.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183163/1006183163-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392288"
"asp3392287-marc","","Fashion classics. Fashion fortunes. Volume 3, Episode 4","","25 minutes","['Fashion classics']","This episode of Fashion Classics presents a look at noteworthy people in the fashion industry in the year 1998, including a shoe designer, clothing designers, a model, a stylist, a hairstylist, and a jewelry and luxury goods brand.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183161/1006183161-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392287"
"asp3392286-marc","","Fashion classics. The young renegades. Volume 3, Episode 3","","25 minutes","['Fashion classics']","This episode of Fashion Classics presents a look at noteworthy fashion designers and models from the year 1998.","stream","[]","[]","['Models (Persons)', 'Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183159/1006183159-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392286"
"asp3392285-marc","","Fashion classics. Americans in Paris. Volume 3, Episode 2","","25 minutes","['Fashion classics']","This video, produced by Videofashion, is about American fashion designers in Paris.","stream","[]","['Paris (France)']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183157/1006183157-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392285"
"asp3392284-marc","","Fashion classics. Fall in. Volume 2, Episode 13","","25 minutes","['Fashion classics']","This video, produced by Videofashion, is about fashion trends in the 1993 Spring-Summer season.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183153/1006183153-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392284"
"asp3392283-marc","","Fashion classics. Youthquake. Volume 2, Episode 9","","25 minutes","['Fashion classics']","This video, produced by Videofashion, is about the youthquake fashion trend of the 1995 Spring-Summer season.","stream","[]","['England', 'Milan (Italy)']","['Youth', 'Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183145/1006183145-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392283"
"asp3392282-marc","","Fashion classics. Tinseltown. Volume 2, Episode 7","","25 minutes","['Fashion classics']","This video, produced by Videofashion, is about the impact of Hollywood on the 1995 fashion season.","stream","[]","['California', 'Los Angeles (Calif.)']","['Cosmetics', 'Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183141/1006183141-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392282"
"asp3392281-marc","","Fashion classics. Mod squad. Volume 2, Episode 6","","25 minutes","['Fashion classics']","This video, produced by Videofashion, is about the mod fashion trend in the 1995 Fall-Winter season.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183139/1006183139-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392281"
"asp3392280-marc","","Fashion classics. Battle of the sexes. Volume 2, Episode 3","","25 minutes","['Fashion classics']","This video, produced by Videofashion, is about trends in the 1991 fashion season.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183133/1006183133-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392280"
"asp3392279-marc","","Fashion classics. Sweater girls. Volume 2, Episode 2","","25 minutes","['Fashion classics']","This video, produced by Videofashion, is about trends in sweaters in the 1993 Fall-Winter fashion season.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183131/1006183131-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392279"
"asp3392278-marc","","Fashion classics. Best of the season. Volume 1, Episode 12","","25 minutes","['Fashion classics']","This video, produced by Videofashion, is about the best fashion trends of the 1996 Spring-Summer season.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183125/1006183125-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392278"
"asp3392277-marc","","Fashion classics. Top ten. Volume 1, Episode 11","","25 minutes","['Fashion classics']","This video, produced by Videofashion, is about the Top Ten fashion trends in the 1995 Fall-Winter season.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183123/1006183123-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392277"
"asp3392276-marc","","Fashion classics. Fake it! Volume 1, Episode 9","","25 minutes","['Fashion classics']","This video, produced by Videofashion, is about the 1994 Fall-Winter fashion season.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183119/1006183119-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392276"
"asp3392275-marc","","Fashion classics. Laugh track. Volume 1, Episode 8","","25 minutes","['Fashion classics']","This video, produced by Rebecca Reeder, is about fun fashion in the 1994 Fall-Winter season.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183117/1006183117-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392275"
"asp3392274-marc","","Fashion classics. New classics. Volume 1, Episode 5","","25 minutes","['Fashion classics']","This video, produced by Mercedes Ildefonso Woods, is about the classic styles of the 1992 Spring-Summer fashion season.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183111/1006183111-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392274"
"asp3392273-marc","","Fashion classics. Back to the 60's. Volume 1, Episode 4","","25 minutes","['Fashion classics']","This video, produced by Mercedes Ildefonso Woods, is about the impact of 1960s fashion on the 1991 Spring-Summer season.","stream","[]","[]","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183109/1006183109-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392273"
"asp3392272-marc","","Elements of style. Fashion goes glossy. Volume 2, Episode 8","","24 minutes","['Elements of style']","This video, produced by Elizabeth Uss, is about fashion magazines.","stream","[]","[]","['Fashion design', 'Periodicals']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183065/1006183065-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392272"
"asp3392271-marc","","Elements of style. Finishing touches. Volume 2, Episode 5","","24 minutes","['Elements of style']","This video, produced by Elizabeth Uss, is about fashion accessories, including hats and handbags.","stream","[]","[]","['Fashion design', 'Fashion designers', 'Dress accessories']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006183xxx/1006183059/1006183059-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392271"
"asp3392268-marc","","Youth","","108 minutes","[]","Twin brothers Yaki and Shaul's comfortable middle-class existence is threatened when their father loses his job and they are on the brink of losing their apartment. Older brother Yaki takes advantage of his recently acquired assault rifle (courtesy of his compulsory military service) to put into action a plan equally inspired by desperation and a lifelong diet of violent mainstream American cinema thanks to Shaul's part-time job at a local movie theater. The brothers set their sights on Shaul's pretty young classmate and what starts out as a simple plan quickly spirals out of control as the clock ticks down.","stream","[]","['Israel']","['Abduction', 'Brothers', 'Youth']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/content/1008386xxx/1008386521/1008386521-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392268"
"asp3392266-marc","","Volta à terra","","78 minutes","[]","Volta à Terra tells the story of an endangered community: farmers who practice subsistence farming in a mountainous village of northern Portugal, deserted due to emigration. Between the evocation of the past and their uncertain future, we follow the 49 inhabitants through four seasons. Daniel, a charismatic young farmer in northern Portugal, is dedicated to the farming methods of his forbearers. But will dreams of love take him away from his homeland? A bittersweet coming-of-age story featuring illuminating, hypnotic photography of the Portuguese countryside amid the changing seasons, Volta à Terra is a poetic love song to traditional ways of life.","stream","[]","['Portugal']","['Subsistence farming', 'Farmers']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1008386xxx/1008386520/1008386520-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392266"
"asp3392264-marc","","Tenshin","","122 minutes","[]","One hundred years after the death of Tenshin Okakura, director Katsuya Matsumura pays tribute to this legendary artistic leader. Born in 1863, Okakura Tenshin became a well-known government official and an artistic leader. He was also a man of international perspective, he published ""The Book of Tea"" in English and introduced Japanese and other East Asian cultures and art to westerners. TENSHIN follows the great Okakura Kakuzo (Tenshin) as he establishes himself as a trailblazer in the art world who ultimately lead to the development and preservation of modern Japanese art in the Meiji era (a period during which dramatic westernization took place). Featuring standout performances from international stars, Shido Nakamura (Letters From Iwo Jima, Red Cliff) and Naoto Takenaka (Shall We Dance?, Hara-Kiri: Death of a Samurai) TENSHIN takes a close examination into the inspiring and sometimes volatile life of who most consider, the ""father"" of Japanese modern art.","stream","['Okakura, Kakuzō']","['Japan']","['Art, Japanese']","['Feature films', 'Biographical films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/content/1008386xxx/1008386519/1008386519-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392264"
"asp3392262-marc","","Song from the forest. Feature film version","","96 minutes","[]","As a young man American Louis Sarno heard a song on the radio that gripped his imagination. He followed the mysterious sounds all the way to the Central African rainforest and found their source with the Bayaka Pygmies a tribe of hunters and gatherers. He never left. Today twenty-five years later Louis Sarno has recorded more than 1000 hours of unique Bayaka music. He is a fully accepted member of the Bayaka society and has a 13-year-old son Samedi. Once when Samedi was a baby he became seriously ill and Louis feared for his life. He held his son in his arms through a frightful night and made him a promise: ""If you get through this one day I'll show you the world I come from."" Now the time has come to fulfill his promise and Louis travels with Samedi from the African rainforest to another jungle one of concrete glass and asphalt: New York City. Together they meet Louis' family and old friends including his closest friend from college Jim Jarmusch.","stream","[]","[]","['Music', 'Yaka (African people)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1008386xxx/1008386518/1008386518-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392262"
"asp3392258-marc","","Mission to Lars","","77 minutes","[]","Tom Spicer has Fragile X syndrome, a form of autism. He has a dream, to meet his hero. His brother and sister hatch a half-baked plan to make it happen. However, their hopes of good times and bonding along the way are short-lived as Tom's disability, his dysfunctional family, and heavy metal's labyrinthine backstage world thwart the mission at every turn.","stream","[]","['Great Britain']","['Fragile X syndrome']","['Feature films', 'Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/content/1008386xxx/1008386516/1008386516-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392258"
"asp3392256-marc","","June bride. Redemption of a Yakuza","","80 minutes","[]","The June Bride is not your ordinary bar. And former Yakuza mobster Tatsuya Shindo is about the furthest thing from your ordinary pastor. After Shindo falls into a life of crime and repeated imprisonment he finds that religion is his ultimate ticket to redemption. So Shindo cuts off his pinkie finger to appease his former Yakuza boss and finalizes his transformation into Pastor Shindo. Set to a hypnotic score by Miho Hatori (Cibo Matto) June Bride begs the question can a former criminal effectively preach the word of God? And is leaving one of the most notorious crime syndicates in the world going to be that easy?","stream","[]","['Japan']","['Yakuza', 'Clergy', 'Redemption', 'Organized crime']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1008386xxx/1008386515/1008386515-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392256"
"asp3392254-marc","","I think you are totally wrong. A quarrel","","88 minutes","[]","Loosely based on the book of the same name writers David Shields and his collaborator and fellow-combatant Caleb Powell decide to put their friendship on the line by spending four days together in a cabin in the Cascades. The men barely make it down the driveway before an argument breaks out. On the drive to the cabin things degenerate even further as they variously debate the idea of life versus art. On the first day of shooting an actual fight breaks out over what and who can be talked about in the course of the film with the director getting dragged into the mix along the way. As the three men and their respective egos circle and jab at each other you wait for someone to get punched in the face. The gladiatorial aspects of the film are only a beginning as the weekend continues something altogether more surprising happens - genuine and real communication.","stream","[]","[]","['Quarreling', 'Self-actualization (Psychology)', 'Criticism']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1008386xxx/1008386514/1008386514-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392254"
"asp3392252-marc","","Fall and winter","","102 minutes","[]","This stunning film takes you on a Koyaanisqatsi-style journey, reaching to the past to understand the origins of the catastrophic environmental transitions we now face. Over two years, director Matt Anderson traveled 16,000 miles to document firsthand the environmental destruction and urban wastelands across America. Some of today's most progressive thinkers, from anthropologists and bio- architects to psychologists and journalists, collectively recreate a story of humanity and the history of Earth, presenting a desperately needed survival guide to make the transition in the coming ecological and psychological crisis.","stream","[]","['United States']","['Industrialization', 'Environmental responsibility']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1008386xxx/1008386513/1008386513-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392252"
"asp3392250-marc","","Bayou Maharajah","","99 minutes","[]","Bayou Maharajah explores the life, times and music of piano legend James Booker, who Dr. John described as ""the best black, gay, one-eyed junkie piano genius New Orleans has ever produced."" This roller coaster portrait traces Booker's life from his early years as a chart-topping child prodigy, to his star-studded years touring and playing as a sideman, through his outrageous solo career in America and Europe. First-person narrators lead the viewers through Booker's unbelievable onstage performances, occasionally in his underwear, dishing out drug-fueled conspiracy theories. Featuring interviews with the likes of Harry Connick Jr., Dr. John, Irma Thomas and Allen Toussaint, together with a generous helping of archival footage, the film brings to life the unforgettable story of this amazing and forgotten musician.","stream","['Booker, James']","['Louisiana']","['Pianists']","['Feature films', 'Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/content/1008386xxx/1008386512/1008386512-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392250"
"asp3392248-marc","","ももいろそらを. About the pink sky","","113 minutes","[]","Izumi is a feisty high school girl whose hobby is rating newspaper articles with positive or negative values. One day Izumi finds a wallet that contains 300,000 yen belonging to a boy her age. She considers returning the wallet but upon learning who it belongs to makes a decision that sends here down a path altogether unexpected.","stream","[]","['Japan']","['High school students']","['Feature films']","https://d3crmev290s45i.cloudfront.net/content/1008386xxx/1008386511/1008386511-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3392248"
"asp3391308-marc","","Suite for five","","25 minutes","[]","Suite for Five (1956) was created by adding a trio, a duet and a quintet to Cunningham's earlier Solo Suite in Space and Time (1953). By 1958, the original piece had been modified so that Cunningham's five solos were reduced to three, and a solo for Carolyn Brown was added. The classic purity and tranquility of Suite for Five is acknowledged in the program notes, which read, ""The events and sounds of this ballet revolve around a quiet center, which though silent and unmoving, is the source from which they happen."" The score, Cage's Music for Piano, and the choreography, relied on the imperfections in paper and on chance operations, to determine both the musical composition and the movement of the ballet. It is one of the first examples of Cunningham abandoning meter and relying on each dancer's timing in executing the length of the phrase. Robert Rauschenberg designed the vibrantly hued colored leotards and tights, with lighting designed by Beverly Emmons. The film was commissioned by the Cunningham Dance Foundation and funded by Save America's Treasures in an effort to capture historic Cunningham works that were not yet recorded on film. Longtime Cunningham collaborator Charles Atlas filmed the performances at PepsiCo Theatre at SUNY Purchase in June 2006.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407027/1008407027-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391308"
"asp3391306-marc","","Squaregame video","","26 minutes","[]","As its title suggests, this playful piece is much like a game. Squaregame was first performed on a surface resembling an athletic court. The set design by Mark Lancaster consisted of a white floor cloth surrounded by bands of green Astroturf - otherwise the stage was bare - and the costumes were practice clothes, with the dancers dressed in sweatpants and ankle socks. The duffel bags that defined the space played a part in the choreography: inactive dancers would sit on or against them on the sidelines, as if they were on the sidelines at a sporting event. A recurring theme was that of people hanging on to others and being carried or dragged along by them. This can be seen several times throughout the dance, as in when one of the male dancers lunged from side to side, doing a series of contractions, with a female dancer hanging on to his waist. In the finale, the dancers toss the duffel bags back and forth before assembling in a tableau resembling a family portrait. Squaregame was the first Cunningham dance for which Takehisa Kosugi wrote the score. S.E. Wave/E.W. Song explores the use of ""ready-made"" materials consisting of several pre-existing pieces of music and text that are then manipulated by the musicians.  Two children's songs are used in sections for violin and melodica, wherein the musicians play notes from the songs backwards, out of order, and in other non-standard manners.  Similarly, pre-existing texts are explored using experimental methods in the vocal sections. During performance, the instrumental performances and vocalizations are treated with delay and phaser effects of varying densities, and spatialized to created a 6-channel soundscape. Cunningham conceived Squaregame while on tour with a video adaptation in mind. The resulting Squaregame Video was created during a period of prolific video explorations in collaboration with director Charles Atlas. The choreography fit in a square area measured upon the larger rectangular space of the stage that was then transposed to the Westbeth studio for filming. Shot on a recently acquired black and white video camera, the film is the only document of Cunningham performing the dance with the original cast.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407026/1008407026-disc001-file001-frame00260-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391306"
"asp3391304-marc","","Split sides 46","","42 minutes","[]","Split Sides (2003) was a work for the full company of fourteen dancers. The choreography, music and design elements for the dance were each created in two parts, which were varied for each performance. Chance procedures decided which of the two versions of each element would be paired together. Mathematically, there were thirty-two different possible versions of Split Sides. Cunningham choreographed the two 20-minute sections with the aid of the software DanceForms. There were a number of ensemble (often unison) passages, solos, duets and trios that feature much inventive partnering and complex movement patterns. The order of the choreographic sections, music compositions, décor, costumes and lighting cues were all determined onstage, prior to the opening of the dance by the rolling of dice. The music that accompanied Split Sides was comprised of two compositions - one by the British rock band Radiohead, one by the Icelandic experimental group Sigur Rós. Both were 8-channel soundscapes, the former, more synthetic, using specialized and filtered audio stems, the latter, more tactile, employing amplified music boxes and pointe-shoe instruments. Visually, the alternating décors by photographers Robert Heishman (black and white) and Catherine Yass (full color), paralleled James Hall's monochromatic and colorful costume designs. The films Split Sides 45 and Split Sides 46, then, reflect two opposite configurations of numerous possible versions of the dance. The films were commissioned by the Cunningham Dance Foundation and funded by the Mellon Foundation in an effort to capture historic Cunningham works that were not yet recorded on film. Longtime Cunningham collaborator Charles Atlas filmed the performances at PepsiCo Theatre at SUNY Purchase in May 2005.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407025/1008407025-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391304"
"asp3391302-marc","","Split sides 45","","42 minutes","[]","Split Sides (2003) was a work for the full company of fourteen dancers. The choreography, music and design elements for the dance were each created in two parts, which were varied for each performance. Chance procedures decided which of the two versions of each element would be paired together. Mathematically, there were thirty-two different possible versions of Split Sides. Cunningham choreographed the two 20-minute sections with the aid of the software DanceForms. There were a number of ensemble (often unison) passages, solos, duets and trios that feature much inventive partnering and complex movement patterns. The order of the choreographic sections, music compositions, décor, costumes and lighting cues were all determined onstage, prior to the opening of the dance by the rolling of dice. The music that accompanied Split Sides was comprised of two compositions - one by the British rock band Radiohead, one by the Icelandic experimental group Sigur Rós. Both were 8-channel soundscapes, the former, more synthetic, using specialized and filtered audio stems, the latter, more tactile, employing amplified music boxes and pointe-shoe instruments. Visually, the alternating décors by photographers Robert Heishman (black and white) and Catherine Yass (full color), paralleled James Hall's monochromatic and colorful costume designs. The films Split Sides 45 and Split Sides 46, then, reflect two opposite configurations of numerous possible versions of the dance. The films were commissioned by the Cunningham Dance Foundation and funded by the Mellon Foundation in an effort to capture historic Cunningham works that were not yet recorded on film. Longtime Cunningham collaborator Charles Atlas filmed the performances at PepsiCo Theatre at SUNY Purchase in May 2005.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407024/1008407024-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391302"
"asp3391300-marc","","Septet","","17 minutes","[]","The title Septet refers not to the number of dancers but to the seven-part structure and stylistic variations of Eric Satie's score entitled Trois morceaux en forme de poire. The piece was choreographed for six dancers, with each of the seven movements ranging from grave to playful, as in the somber lyrical duet with Cunningham and Carolyn Brown, to the comical ""solo of a desperate clown"". The ballet was later described by Cage as ""an experience that one is unable to resolve, leaving one, as a dream often does, uncertain of its meaning."" Cunningham chose no scenery and simple costuming, with each of the three couples dressed in basic, unadorned fitted tops and pants. This performance of Septet was filmed by Finnish filmmaker Heikki Seppälä as part of a program that also featured Story, Night Wandering and Antic Meet. The program was broadcast live before a Finnish audience from a theater in Helsinki during the Cunningham Dance Company's 1964 World Tour. The film was recently located in the Finnish YLE broadcast archives and digitized from the original kinescope. It is the only motion picture to capture Cunningham performing Story and Septet, and the only film of Night Wandering and Antic Meet performed by Cunningham and the original cast on a proscenium stage rather than adapted for a television studio.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407023/1008407023-disc001-file001-frame00090-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391300"
"asp3391298-marc","","Pond way","","24 minutes","[]","""Ponds are a way of life: bogs, water lilies, a haven for birds, myriad layers of different activities,"" Cunningham said. One of Cunningham's ""nature studies,"" Pond Way is a lyrical, contemplative, often sensuous piece evoking the motions of water, at times reminiscent of the game of skipping stones over the surface of a pond, which Cunningham had loved to play as a child. Primarily a full-company dance, the performers move in large, complex formations across the stage with movements beginning and ending at random, evoking the image of sunlight shimmering across the water's surface. Brian Eno created New Ikebukkuro (For 3 CD Players), an immersive generative composition, for the dance. The score consists of ten unique tracks randomly played within and across each performance, with the soundscape distributed through a six-channel surround sound array. Suzanne Gallo designed the costumes--loose fitting white tops and pants. The décor was a patterned backcloth, reminiscent of bubbles of water, based on Roy Lichtenstein's painting Landscape with Boat. Filmmaker and longtime Cunningham collaborator Charles Atlas filmed the dance in 2000 at La Filature Scène Nationale, Mulhouse, France.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407022/1008407022-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391298"
"asp3391294-marc","","Ocean","","100 minutes","[]","Ocean (1994), one of Merce Cunningham's most ambitious works, was originally conceived by John Cage in 1991 as a dance to be performed in the round, with the audience surrounding the dancers, and the musicians (112 of them) surrounding the audience. Although it was not possible for the two to realize this project at the time, a commission for performances in Brussels and Amsterdam in 1994 later made this grand concept a reality. Cunningham choreographed the work in nineteen sections, using a chance process based on the number of hexagrams in the I Ching-64 that was then doubled for length. This multiplicity of phrases allowed for solos, duets, trios, quartets, and group sections. To accustom the dancers to dancing in the round, Cunningham told them ""you have to put yourself on a merry-go-round that keeps turning all the time."" Andrew Culver, following Cage's concept, composed Ocean 1-95 for an unamplified orchestra of 122 or 150, to be performed in the round with the aid of video monitors displaying clock time for the musicians' reference. The piece is complemented by David Tudor's Soundings: Ocean Diary, which is performed simultaneously. This electronic composition, scored for four or more musicians, is amplified with two rings of speakers. Marsha Skinner designed unitards in varied colors for all of the dancers as well as iridescent chiffon dresses for the women to don during the course of the dance. Filmmaker and longtime Cunningham collaborator Charles Atlas filmed the last performances of Ocean, held in the Rainbow Quarry in Minnesota, September 2008. Using a five-camera crew, Atlas filmed three performances of this epic production, which he then edited into a single film. Atlas's films stand as the final living record of many of Cunningham's seminal works, and the feature-length Ocean marked his final Cunningham project.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407020/1008407020-disc001-file001-frame00745-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391294"
"asp3391292-marc","","Merce Cunningham teaching","","3 minutes","[]","Dance Horizons was a modern dance company established from 1958 - 1977 in Highland Park, Chicago by Suzanne Ettlinger, Martha ""Marti"" Koplin, and Dorothy Mozen, which offered classes for children and adults. Students had the opportunity to attend special workshops with guest instructors, which were occasionally filmed in by amateur photographer Alan Koplin. This silent film, digitized from 16mm, features Merce Cunningham teaching technique to a classroom of students.","stream","[]","[]","[]","['Filmed dance', 'Silent films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407019/1008407019-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391292"
"asp3391290-marc","","Melange","","8 minutes","[]","Melange is a videodance by Merce Cunningham and filmmaker Charles Atlas, created over September 30 - October 2, 1999 during the filming of Atlas' documentary Merce Cunningham: A Lifetime of Dance. The videodance is comprised of a series of excerpts that alternate between the austere/minimal geometric spaces of INA Studios, Bry-sur-Marne, and the urban industrial landscape outside Les Frigos, an artists' squat-turned-contemporary arts complex in Paris' 13th Arrondissement. The scenes feature choreography that would later be incorporated into the dance titled Interscape (2000). The music is likewise comprised of selections from environmental sound recordings materials recorded for John Cage's Instances of Silence (1982).","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407018/1008407018-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391290"
"asp3391288-marc","","How to pass, kick, fall, and run","","40 minutes","[]","Cunningham's How to Pass, Kick, Fall and Run (1965) had an athletic theme - a flavor of the sportif, as David Vaughan put it - but without any references to specific sports or games. The choreography, performed before the unadorned back wall of the stage, kept the dancers constantly in motion, with two or three things simultaneously occurring on stage at all times. For this fun and lively dance the dancers wore tights and sweaters that they chose themselves. The sound consisted of stories written by John Cage and read by both Cage and David Vaughan that were each read in one minute regardless of length.  The stories originally came from Cage's lecture Indeterminacy, first given in Brussels in 1958.  Later, other stories were added from various writings of Cage's.  Each of the two readers independently created their own selection of stories, wherein they read for eleven minutes total and were silent for eleven minutes total.  This created a sound score of simultaneous narrations, a single reader's voice, and silence. The film, shot and broadcast live during the Festival of the Arts Today held at SUNY Buffalo, is part of a program that included Scramble (1967) and Place (1966), as well as How to Pass, Kick, Fall, and Run. It is the only known motion picture to capture the entire dance with the original cast. It opens with composer and Festival organizer Allen Sapp interviewing John Cage and, later, conductor Lukas Foss. During the performance that follows Cage and the company's archivist David Vaughan can be seen popping bottles of champagne, which they then sip while reading their parts.","stream","['Cage, John', 'Sapp, Allen']","[]","[]","['Filmed dance', 'Filmed interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407017/1008407017-disc001-file001-frame00755-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391288"
"asp3391286-marc","","Crises","","23 minutes","[]","First performed at the 13th American Dance Festival in the summer of 1960, Crises was described by Cunningham as ""an adventure in togetherness."" Choreographed for four women and one man, the dance focused on physical contact between the dancers. The physical entanglements came both through holding each other and being held, and through elastic bands, worn around a wrist, an arm, a waist or a leg, which connected the dancers in various positions. Cage noted, ""This is a dramatic, though not a narrative, dance concerned with decisive moments in the relationship between a man and four women."" Conlon Nancarrow's musical score reinforced the dance's harsh atmosphere with an assortment of jangling rhythms, and Rauschenberg's costumes were leotards in various shades of red, evoking the romance of the piece. This film, shot during rehearsal at the 1961 American Dance Festival at Connecticut College, has historically been the definitive reference for the dance Crises, and is the only motion picture of Cunningham performing the dance with the original cast. The newly restored Crises was digitized from the original black and white 16mm reversal print held in the American Dance Festival Archives, and coupled with an audio restoration of the original recording of Nancarrow's Rhythm Studies for Player Piano.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407016/1008407016-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391286"
"asp3391284-marc","","Biped","","48 minutes","[]","Cunningham wrote of this dance that it gave him ""the feeling of switching channels on the TV ... the action varies from slow formal sections to rapid broken-up sequences where it is difficult to see all the complexity."" Cunningham used the DanceForms computer software to develop the choreography for the dance, which unfolds in a number of sections: solos, duets, trios, and ensemble dances. The décor for BIPED was a collaborative exploration of the possibilities of the animation technology of motion capture. The digital artists Paul Kaiser and Shelley Eshkar, working with Cunningham, captured 70 choreographed phrases performed by two dancers. The phrases were transposed into animated digital images and abstract patterns (vertical and horizontal lines, dots, clusters) and, during performance, were projected on to a scrim at the front of the stage, behind which the live dancers may be seen. Gavin Bryars composed the same-titled score for BIPED for an ensemble comprised of electric guitar, cello, violin, percussion (amplified stones and glass materials), and an optional part for double bass & synthesizer performed by Bryars himself. The ensemble is accompanied by a backing track of electronics. Suzanne Gallo's costumes were constructed from a light-reflecting metallic fabric. At one point in the dance the men, additionally clothed in outfits of a transparent fabric, bring tops in the same fabric for the women. Aaron Copp designed the lighting to divide the stage floor into squares lit in an apparently random sequence, as well as curtained booths at the back of the stage that permitted the dancers to appear and disappear. Filmmaker and longtime Cunningham collaborator Charles Atlas filmed the dance in 2000 at La Filature Scène Nationale, Mulhouse, France.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407015/1008407015-disc001-file001-frame00190-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391284"
"asp3391282-marc","","Assemblage","","58 minutes","[]","Assemblage is a recently rediscovered film produced for broadcast by San Francisco's public television station KQED in November 1968. Created in collaboration with director and former dancer Richard Moore, the film features Cunningham dancing with early dance company members in a public ""happening"" in San Francisco's Ghirardelli Square. Conceived from the beginning as a dance staged for the camera, the performance is amplified by Moore's special effects and complemented with a soundtrack by John Cage, David Tudor and Gordon Mumma. A testament to Cunningham's groundbreaking investigations of dance and movement within the virtual spaces of film, Assemblage presents a dance that unfolds across fractured space and inside shattered time. Cunningham explained that ""the finished film [would] deal not so much with dance in the narrow sense, but with various motions - boats moving, people walking, and, of course, groups dancing."" On screen, Cunningham's dancers walk, frolic, and scramble through the shopping concourses and promenades of the square. The soundtrack, assembled contemporaneously by Cage, Tudor and Mumma, was likewise comprised of concrete sounds mostly recorded on-site around San Francisco.Cunningham and his company spent three weeks rehearsing and filming on location in fall 1968, creating what Moore described as ""movement modules."" From these sequences, Moore and film editor Bill Yahraus crafted a motion picture collage of overlapping movements and moments, which occur sometimes in fragmented film windows, sometimes within superimposed planes. Moore used extensive optical illusion and process photography, dancers were filmed as silhouettes and superimposed on different backgrounds. In one composited sequence, Cunningham's company becomes a miniaturized troupe of Lilliputian dancers, weaving in and out of the dancing legs of gigantic versions of themselves. Rediscovered after Cunningham's death, the restored Assemblage was transferred and colorized the film from the original 16mm prints by filmmaker Charles Atlas, a longtime collaborator on Cunningham's dance films.","stream","[]","[]","[]","['Dance films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1008407xxx/1008407014/1008407014-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391282"
"asp3391267-marc","","Misfits","","73 minutes","[]","In Tulsa, Oklahoma, a tiny youth center called OpenArms Youth Project is squeezed in between two of the city's two thousand churches.  The center welcomes young LGBT kids between thirteen and nineteen, who have decided to come out in a very religious society. But the prize for being yourself is high – and you end up becoming a MISFIT.  The three main characters: Larissa, Benny and “D†all go to the center, where they find love and support to confront the daily drama they are facing.  While the general public opinion towards gays in the USA is slowly changing, this coming-of-age story closely follows the three young protagonists as they struggle to achieve a sense of self in a community that still widely condemns homosexuality.","stream","[]","['Oklahoma']","['Coming out (Sexual orientation)', 'Youth centers', 'Gay teenagers']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008427xxx/1008427978/1008427978-disc001-file001-frame00740-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391267"
"asp3391263-marc","","Ningal Aranaye Kando? Have you seen the Arana?","","74 minutes","[]","In a world that has grown more dynamic and uncertain, where diversity and differences make way for standardization and uniformity, the film explores the effects of a rapidly changing landscape on lives and livelihoods. Set in Wayanad, in South India, 'Have you seen the arana?' is a journey through a rich and bio-diverse region that is witnessing drastic transformation in the name of 'development'.  A traditional healer's concern over the disappearance of medicinal plants from the forest, a farmer's commitment to growing traditional varieties of rice organically, and a cash crop cultivator's struggle to survive amidst farmers' suicides offer fresh insights into shifting relations between people, their knowledge systems and the environment.  Interwoven into contemporary narratives is an ancient tribal creation myth that traces the passage of their ancestors across this land, recalling past ways of reading and mapping the terrain.  As hills flatten, forests disappear and traditional knowledge systems are forgotten, the film reminds us that this diversity could disappear forever, to be replaced by monotonous and unsustainable alternatives.","stream","[]","['India']","['Rural development', 'Traditional farming', 'Economic development']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008399xxx/1008399747/1008399747-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391263"
"asp3391261-marc","","Planning workouts for sprinters & hurdlers","","51 minutes","[]","Planning Workouts for Sprinters & Hurdlers outlines ways in which sprint/hurdle coaches can avoid the training pitfalls that can derail an otherwise successful season. The video reviews the key factors involved in a systematic-philosophical approach that sprint/hurdle coaches can employ to develop a plan for the season that provides validity to their athletes’ weeks and months of hard work, rather than merely working them out. The DVD discusses the difference between speed development and speed work and details the role that endurance plays in the development of a sprinter or hurdler.Among the topics covered: • Systematic coaching• Philosophical training• Speed development• How do you get faster?• Endurance training• Base training• Know the systems• Knudson overs and unders• Compatibility• Compatible sprint training• Non-compatible sprint training• Let’s see some workouts.","stream","[]","[]","['Hurdling (Track and field)', 'Physical education and training', 'Sprinting']","['Filmed lectures', 'Educational films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008388xxx/1008388442/1008388442-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3391261"
"asp3390932-marc","","National Archives and Records Administration. Tape no. 9","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from the 1950s, including segments with eyeglasses and designs with Asian influence (including fashions from Japan, India, and Vietnam).","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849183/1006849183-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390932"
"asp3390930-marc","","National Archives and Records Administration. Tape no. 8","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from the late 1940s and 1950s, including a segment with clothes from Hawaiian designers.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849182/1006849182-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390930"
"asp3390928-marc","","National Archives and Records Administration. Tape no. 7","","26 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newreels with fashion from the 1930s, including fur coats and swimsuits.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849181/1006849181-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390928"
"asp3390926-marc","","National Archives and Records Administration. Tape no. 61","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with news and fashion from the early 1960s and video with fashion from the 1980s.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849180/1006849180-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390926"
"asp3390924-marc","","National Archives and Records Administration. Tape no. 60","","28 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with U.S. and international events, and fashion from 1960.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849179/1006849179-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390924"
"asp3390922-marc","","National Archives and Records Administration. Tape no. 6","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. The video from Videofashion shows newsreels with fashion from 1961, including  the introduction of permanent press fabric.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849178/1006849178-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390922"
"asp3390920-marc","","National Archives and Records Administration. Tape no. 59","","29 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion and world events from the late 1950s.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849177/1006849177-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390920"
"asp3390918-marc","","National Archives and Records Administration. Tape no. 58","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video of Videofashion features clips of various worldwide historical events which include politics, entertainment, and sports. The video starts with a fashion parade set in Europe.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849176/1006849176-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390918"
"asp3390916-marc","","National Archives and Records Administration. Tape no. 57","","33 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video of Videofashion features clips of various worldwide historical events which include politics, entertainment, and sports. The video starts with French president Charles de Gaulle's visit to Canada.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849175/1006849175-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390916"
"asp3390914-marc","","National Archives and Records Administration. Tape no. 56","","29 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.  This video of Videofashion features clips of various worldwide historical events which include politics, entertainment, and sports. The video starts with Thailand King Bhumibol Adulyadej visit in New York.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849174/1006849174-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390914"
"asp3390912-marc","","National Archives and Records Administration. Tape no. 55","","26 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video of Videofashion features clips of various worldwide historical events which include politics, entertainment, and sports. The video starts with a news of violence from Congo.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849173/1006849173-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390912"
"asp3390910-marc","","National Archives and Records Administration. Tape no. 54","","33 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video of Videofashion features clips of various worldwide historical events which include politics, entertainment, and sports. The video starts with Ice Capades' show in Atlantic City.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849172/1006849172-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390910"
"asp3390908-marc","","National Archives and Records Administration. Tape no. 53","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video of Videofashion features clips of various worldwide historical events which include politics, entertainment, and sports. The video starts with Fidel Castro and Nikita Khrushchev arriving in New York for a UN meeting.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849171/1006849171-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390908"
"asp3390906-marc","","National Archives and Records Administration. Tape no. 52","","43 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video of Videofashion features clips of various worldwide historical events which include politics, entertainment, and sports. The video starts with Yousuf Karsh's exhibit at the National Gallery of Canada.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849170/1006849170-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390906"
"asp3390904-marc","","National Archives and Records Administration. Tape no. 51","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video of Videofashion features clips of various worldwide historical events which include politics, entertainment, and sports. The video starts with Queen Elizabeth in the Opening of Parliament.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849169/1006849169-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390904"
"asp3390902-marc","","National Archives and Records Administration. Tape no. 50","","30 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newreels with fashion from 1961.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849168/1006849168-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390902"
"asp3390900-marc","","National Archives and Records Administration. Tape no. 5","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newreels with fashion from the 1950s.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849167/1006849167-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390900"
"asp3390898-marc","","National Archives and Records Administration. Tape no. 49","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with 20th century fashion.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849166/1006849166-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390898"
"asp3390896-marc","","National Archives and Records Administration. Tape no. 48","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.  This video of Videofashion features clips of various worldwide and American historical events which include politics, military and entertainment happened in 1961. The video starts with Korea, where General Jung Do Young holds press conference.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849165/1006849165-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390896"
"asp3390894-marc","","National Archives and Records Administration. Tape no. 47","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video of Videofashion features clips of various worldwide and American historical events which include politics, military, religious, economics, sports and entertainment happened in 1961. The video starts with State Visit as U.S. Welcomes Japan's Premier.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849164/1006849164-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390894"
"asp3390892-marc","","National Archives and Records Administration. Tape no. 46","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.  This video from Videofashion features newsreel clips of various worldwide and American historical events which include politics, military, economics, sports and entertainment happened in 1961. The video starts with Gala Premiere of ""Tammy"" Sequel in Brilliant Bow.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849163/1006849163-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390892"
"asp3390890-marc","","National Archives and Records Administration. Tape no. 45","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video from Videofashion features newsreel clips of worldwide and American historical, political, military, economic, sports, fashion, and entertainment events that happened in 1961. The video starts with muscle men on stage flexing for Mr. Europe Contest.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849162/1006849162-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390890"
"asp3390888-marc","","National Archives and Records Administration. Tape no. 44","","28 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion features clips of various worldwide and American historical, political, entertainment, and arts events that happened 1961. The video starts with Jackie Kennedy giving a speech in Spanish in South America with John F. Kennedy at her side. It also features a clip of swimwear fashion.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849161/1006849161-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390888"
"asp3390886-marc","","National Archives and Records Administration. Tape no. 43","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video of Videofashion features clips of various worldwide and American historical political, military, fashion events that happened in 1961. There are also clips of fashion parade of spring suits and hats. The video starts with a B-52 bomber seen from above in Madrid.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849160/1006849160-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390886"
"asp3390884-marc","","National Archives and Records Administration. Tape no. 42","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion includes newsreels of the entertainment industry and political events in the U.S. and around the world. It includes footage of Jackie Kennedy visiting India.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849159/1006849159-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390884"
"asp3390882-marc","","National Archives and Records Administration. Tape no. 41","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video from Videofashion features clips of various worldwide and American historical, political, military, entertainment, fashion events etc., which happened in 1962. The video starts with Boston coast guard ship returns from Antarctica where families on dock to greet sailors.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849158/1006849158-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390882"
"asp3390880-marc","","National Archives and Records Administration. Tape no. 40","","29 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video from Videofashion features clips of various worldwide and American historical events including politics, military, fashion etc., which happened in 1962. The video starts with motorcade in streets of Spain for the 23rd Anniversary of Francisco Franco, the ruler of Spain.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849157/1006849157-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390880"
"asp3390878-marc","","National Archives and Records Administration. Tape no. 4","","30 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows fashion from the 1940s and 1950s and Hollywood stars participating in a fashion show for charity.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849156/1006849156-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390878"
"asp3390876-marc","","National Archives and Records Administration. Tape no. 39","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows fashion from the early 1960s as captured in news briefs from the political, social, economic and entertainment arenas.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849155/1006849155-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390876"
"asp3390874-marc","","National Archives and Records Administration. Tape no. 38","","26 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video of Videofashion features clips of various worldwide and American historical events which include politics, military, fashion etc., happened in 1962. The video starts with Franklin D. Roosevelt, Eleanor Roosevelt, and their family.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849154/1006849154-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390874"
"asp3390872-marc","","National Archives and Records Administration. Tape no. 37","","22 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video of Videofashion features clips of various worldwide and American historical events which include politics, military, fashion etc., happened in 1962. The video starts with Atoms for Peace view from ground level, two shots of huge explosions.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849153/1006849153-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390872"
"asp3390870-marc","","National Archives and Records Administration. Tape no. 36","","41 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video of Videofashion features clips of various worldwide and American historical events which include politics, military, entertainment, etc., happened in 1963. The video starts with Franklin D. Roosevelt's funeral, shots of procession on street.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849152/1006849152-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390870"
"asp3390868-marc","","National Archives and Records Administration. Tape no. 35","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.    This video of Videofashion features clips of various worldwide and American historical events which include politics, military, entertainment, etc., that happened in 1963. The video starts with a scene at the HMS Dreadnought (S101), United Kingdom's first nuclear-powered submarine.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849151/1006849151-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390868"
"asp3390866-marc","","National Archives and Records Administration. Tape no. 34","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video of Videofashion features clips of various worldwide and American historical events which include politics, military, etc., happened in 1963. The video starts with the triumphant Cooper rocket launch.","stream","[]","[]","['History,Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849150/1006849150-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390866"
"asp3390864-marc","","National Archives and Records Administration. Tape no. 33","","30 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video of Videofashion features clips of various worldwide and American historical events which include politics, military, entertainment, etc., happened in 1962-1963. It also includes video clip featuring clothes from Doris Day's movie ""The Thrill of It All"".","stream","[]","[]","['Fashion design', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849149/1006849149-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390864"
"asp3390862-marc","","National Archives and Records Administration. Tape no. 32","","26 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video of Videofashion features clips of various worldwide and American historical events which include politics, military, etc., happened in 1962-1963. The video starts with a clip of military in action and the face of destruction brought by war in Vietnam.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849148/1006849148-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390862"
"asp3390860-marc","","National Archives and Records Administration. Tape no. 31","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video from Videofashion features clips of various worldwide and American historical events which include politics, military, etc., happened in 1962-1963. The video starts with Miss World Competition in London with contestants in their swimsuits.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849147/1006849147-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390860"
"asp3390858-marc","","National Archives and Records Administration. Tape no. 30","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage.   This video from Videofashion features clips of various worldwide and American historical events which include politics, military, etc., happened in 1964. The video starts with a clip of King Paul's solemn funeral procession thru the streets of Athens.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849146/1006849146-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390858"
"asp3390856-marc","","National Archives and Records Administration. Tape no. 3","","4 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from VideoFashion shows newsreel footage of 20th century fashion.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849145/1006849145-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390856"
"asp3390854-marc","","National Archives and Records Administration. Tape no. 29","","27 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from 1964.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849144/1006849144-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390854"
"asp3390852-marc","","National Archives and Records Administration. Tape no. 28","","23 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from 1964.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849143/1006849143-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390852"
"asp3390850-marc","","National Archives and Records Administration. Tape no. 27","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from 1964.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849142/1006849142-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390850"
"asp3390848-marc","","National Archives and Records Administration. Tape no. 26","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion has newsreels with fashion from 1966, including women's tennis outfits.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849141/1006849141-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390848"
"asp3390846-marc","","National Archives and Records Administration. Tape no. 25","","24 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from 1965.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849140/1006849140-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390846"
"asp3390844-marc","","National Archives and Records Administration. Tape no. 24","","26 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from 1966.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849139/1006849139-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390844"
"asp3390842-marc","","National Archives and Records Administration. Tape no. 23","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from 1966.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849138/1006849138-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390842"
"asp3390840-marc","","National Archives and Records Administration. Tape no. 22","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from 1967.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849137/1006849137-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390840"
"asp3390838-marc","","National Archives and Records Administration. Tape no. 21","","30 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from 1967.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849136/1006849136-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390838"
"asp3390836-marc","","National Archives and Records Administration. Tape no. 20","","12 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels from 1965.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849135/1006849135-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390836"
"asp3390834-marc","","National Archives and Records Administration. Tape no. 2","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreel footages of fashion from the 1950s and 1960s.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849134/1006849134-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390834"
"asp3390832-marc","","National Archives and Records Administration. Tape no. 19","","18 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video shows newsreels with fashion from the 1960s.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849133/1006849133-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390832"
"asp3390830-marc","","National Archives and Records Administration. Tape no. 18","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from the 1960s.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849132/1006849132-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390830"
"asp3390828-marc","","National Archives and Records Administration. Tape no. 17","","1 minute","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels from 1965.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849131/1006849131-disc001-file001-frame00005-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390828"
"asp3390826-marc","","National Archives and Records Administration. Tape no. 16","","30 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from the 1960s.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849130/1006849130-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390826"
"asp3390824-marc","","National Archives and Records Administration. Tape no. 15","","32 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from the 1950s and 1960s and features several beauty contests.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849129/1006849129-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390824"
"asp3390822-marc","","National Archives and Records Administration. Tape no. 14","","30 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels of fashion from the 1960s.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849128/1006849128-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390822"
"asp3390820-marc","","National Archives and Records Administration. Tape no. 13","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from 1960-1963.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849127/1006849127-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390820"
"asp3390818-marc","","National Archives and Records Administration. Tape no. 12","","16 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newreels of fashion from the 1930s and 1960s, including dresses made from paper.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849126/1006849126-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390818"
"asp3390816-marc","","National Archives and Records Administration. Tape no. 11","","31 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from the 1920s, 1930s, and 1960s.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849125/1006849125-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390816"
"asp3390814-marc","","National Archives and Records Administration. Tape no. 10","","26 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from Videofashion shows newsreels with fashion from approximately 1958 to 1960.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849124/1006849124-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390814"
"asp3390812-marc","","National Archives and Records Administration. Tape no. 1","","29 minutes","['National Archives and Records Administration']","Please be advised that this video contains sound issues due to the historical nature of the footage. This video from VideoFashion contains newsreel footage of fashions from the 1920s and 1960s.","stream","[]","[]","['History, Modern', 'Fashion']","['Newsreels']","https://d3crmev290s45i.cloudfront.net/frames/1006849xxx/1006849123/1006849123-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3390812"
"asp3388883-marc","","A midsummer night's dream","","145 minutes","[]","From the mind of award-winning director Julie Taymor (The Lion King on Broadway, Frida, Titus) comes a Shakespeare adaptation like none other, A MIDSUMMER NIGHT'S DREAM. Rich with Taymor's trademark creativity, this immersive and darkly poetic cinematic experience brings the play's iconic fairies, spells and hallucinatory lovers to life. Filmed at her sold-out stage production with cinematography by Rodrigo Prieto (Argo, Frida) and music by Academy Award-winning composer Elliot Goldenthal, the feats of visual imagination are ingenious and plentiful, but beating at the center of the film is an emotionally moving take on the deeper human aspects of Shakespeare's beloved tale.","stream","['Shakespeare, William']","[]","['Magic', 'Love', 'Courtship', 'Man-woman relationships']","['Filmed plays']","https://d3crmev290s45i.cloudfront.net/frames/1008388xxx/1008388477/1008388477-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3388883"
"asp3388047-marc","","One River Many Relations. Cree","","63 minutes","[]","One River Many Relations explores the Athabasca Oil Sands from a marginalized and often silenced perspective: Communities that live downstream. The film is a collaborative community effort featuring interviews with local Cree, Dene and Métis members from Fort Chipewyan. It gets to the heart of their concerns for their families, traditional ways and territories as the Oil Sands encroach closer and closer.","stream","[]","['Alberta', 'Athabasca Oil Sands Region (Alta.)']","['Cree Indians', 'Oil sands industry', 'Community life', 'Human ecology']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1008381xxx/1008381904/1008381904-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3388047"
"asp3388045-marc","","Confronting the past. Different lives, different stories. Episode 3","","48 minutes","['Confronting the past']","Confronting the Past is an award-winning three-part series about Aboriginal children being adopted to non-Aboriginal homes in the 60s, 70s and early 80s.","stream","['Gott family']","['Manitoba']","['Interracial adoption', 'Indian children', 'Intercountry adoption', 'Adoption', 'Indigenous children']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008381xxx/1008381903/1008381903-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3388045"
"asp3388043-marc","","Confronting the past. Episode 2","","46 minutes","['Confronting the past']","Confronting the Past is an award-winning three-part series about Aboriginal children being adopted to non-Aboriginal homes in the 60s, 70s and early 80s.","stream","['Gott family']","['Manitoba']","['Interracial adoption', 'Indian children', 'Intercountry adoption', 'Adoption', 'Indigenous children']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008381xxx/1008381902/1008381902-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3388043"
"asp3383929-marc","","Zwel Indianer Aus Winnipeg","","3 minutes","[]","Two ersatz ""Indian warriors"" chase a beautiful Indian maiden through the streets of Winnipeg but she loves Chief Big Bear. Who is the hunter, and who the hunted in this tableau? Based on the 1964 German song, ""Zwei Indianer Aus Winnipeg"", our heroes are in for a surprise when they reach The Ancient Lake of Schwinestieger.","stream","[]","['Canada']","['Indians of North America']","['Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982683/1007982683-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383929"
"asp3383927-marc","","Treaty Number Three","","5 minutes","[]","Through a competitive selection process, Danielle Sturk was awarded a commission by the Canada Council for The Arts to produce a unique video portrait of visual and performance artist Rebecca Belmore, 2013 Laureate of the Governor General’s Award in Visual and Media Arts. The filmmaker collaborated with Belmore who created a new visual art/performance artwork specifically for this video. The new work is inspired by the spoken words of chief Mawe-do-pe-nais from an 1873 treaty negotiation recording of Belmore's ancestral land.","stream","[]","[]","['Women artists', 'Women performance artists', 'Indians of North America', 'Performance art']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982679/1007982679-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383927"
"asp3383925-marc","","Tontos","","1 minutes","[]","Tontos, a short by Darryl Nepinak, is a satirical take on the opening credits of the 1950s television show, The Lone Ranger.","stream","[]","[]","['Satire', 'Television programs', 'Indians of North America']","['Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982677/1007982677-disc001-file001-frame00010-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383925"
"asp3383923-marc","","Last of the Nepinaks","","3 minutes","[]","Last of the Nepinaks, a short film by Darryl Nepinak, is a light-hearted spoof depicting the last remaining member of his family on an arduous journey through the snowy wilderness toward civilization.","stream","[]","[]","['Indians of North America']","['Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982675/1007982675-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383923"
"asp3383921-marc","","Overburden. Aboriginal voices on life in the sands","","16 minutes","[]","Underneath the woods and the muskeg of northern Alberta lie roughly two trillion barrels of oil, fifteen percent of the world's known reserves and six times more than what's left in Saudi Arabia. The oil fields are also the homeland of two small aboriginal communities, Fort Mackay and Fort Chipewyan, which lie along the Athabasca River. The people of these communities are trying to preserve their traditional way of life in the midst of the largest and most destructive oil recovery operation the world has ever know. They are being blocked from hunting and trapping on their traditional lands. Their air and water is being polluted. The fish, berries and wildlife they depend on are being contaminated. They are suffering from some of the highest cancer rates in the world. These are their voices.","stream","[]","['Alberta', 'Saskatchewan', 'Canada']","['Oil sands industry', 'Petroleum industry and trade', 'Oil sands', 'Indians of North America']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982667/1007982667-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383921"
"asp3383919-marc","","One river many relations. Dene","","63 minutes","[]","One River Many Relations explores the Athabasca Oil Sands from a marginalized and often silenced perspective: Communities that live downstream. The film is a collaborative community effort featuring interviews with local Cree, Dene, and Métis members from Fort Chipewyan. It gets to the heart of their concerns for their families, traditional ways and territories as the Oil Sands encroach closer and closer.","stream","[]","['Alberta', 'Athabasca Oil Sands Region (Alta.)']","['Oil sands industry', 'Community life', 'Human ecology', 'Chipewyan Indians']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982666/1007982666-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383919"
"asp3383917-marc","","Kwoni","","3 minutes","[]","Part of a trilogy of experimental films, Kwoni tells the story of a young man that had to leave its remote community in northern Manitoba to access an education in the city of Winnipeg. South East Collegiate is a boarding school in Winnipeg where students have the chance to participate in the Mino Bimaadiziwin program where they are challenged to restrain from drugs and alcohol for a full academic year.","stream","[]","[]","['Indians of North America']","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982657/1007982657-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383917"
"asp3383915-marc","","It's the Norval Morriseau, Jackson Beardy, Carl Ray, Eddie Cobiness, Daphne Odjig, Joe Sanchez and Alex Janvier Show","","10 minutes","[]","A 70's TV sitcom set around a young group of artists.","stream","[]","[]","['Indian artists', 'Indians of North America']","['Television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982654/1007982654-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383915"
"asp3383913-marc","","Indian","","2 minutes","[]","At the Canadian National Spelling Bee speller Darryl Nepinak stumbles upon a familiar word.","stream","[]","['Canada']","['Indians of North America', 'Spelling bees']","['Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982652/1007982652-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383913"
"asp3383911-marc","","I'm Métis","","9 minutes","[]","A resourceful young Métis man comes to the rescue of family, friends and strangers in this amusing short film.","stream","[]","[]","['Indians of North America', 'Métis']","['Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982651/1007982651-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383911"
"asp3383909-marc","","I for NDN","","2 minutes","[]","Retro children's TV takes a comical jab when one letter of the alphabet gets a new association.","stream","[]","[]","[""Children's television programs"", 'Indians of North America']","['Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982649/1007982649-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383909"
"asp3383907-marc","","Farandole","","11 minutes","[]","This short documentary captures the essence of a multidisciplinary creative project that brings together Franco-Manitoban visual artist Colette Balcaen, and embroiderer and stylist from Brittany Pascal Jaouen, who collaborated with renowned Manitoban artisans Métis embroiderers Jennine Krauchi and Jenny Meyer, as well as Manitoban weaver Carole James.","stream","[]","[]","['Artists', 'Indian artists', 'Clothing and dress', 'Métis artists']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982643/1007982643-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383907"
"asp3383905-marc","","Empty","","6 minutes","[]","Set to music by Little Hawk, this animated and starkly honest story is a daughter's tribute to her estranged mother.","stream","[]","[]","['Alcoholics', 'Children of alcoholics', 'Mothers']","['Short films', 'Animated films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982642/1007982642-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383905"
"asp3383903-marc","","Confronting the past. Episode 1","","46 minutes","['Confronting the past']","Confronting the Past is an award-winning three-part series about Aboriginal children being adopted to non-Aboriginal homes in the 60s, 70s and early 80s.","stream","['Gott family']","['Manitoba']","['Interracial adoption', 'Indian children', 'Intercountry adoption', 'Adoption', 'Indigenous children']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982641/1007982641-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383903"
"asp3383901-marc","","Back to Pikangikum","","64 minutes","[]","An Aboriginal and former television reporter, filmmaker Coleen Rajotte was deeply affected by a trip to the Pikangikum First Nation in 1994. Pikangikum, located in northwestern Ontario, has one of the highest suicide rates in the world. What has changed since Rajotte's visit? Has the suicide epidemic worsened or improved? What is being done in communities across Canada to tackle this problem? What Coleen Rajotte finds out will shock and outrage viewers.","stream","[]","['Ontario, Northern', 'Pikangikum (First Nation)']","['Suicide', 'Indians of North America']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982636/1007982636-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383901"
"asp3383899-marc","","A good Indian","","8 minutes","[]","A fair skinned first nations person has his pride and identity put to the test when two bar patrons involve him in a discussion.","stream","[]","[]","['Indians of North America', 'Racism']","['Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007982xxx/1007982631/1007982631-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383899"
"asp3383778-marc","","Madres con ruedas","","70 minutes","[]","Mónica tuvo poliomielitis a los seis años, durante una de las epidemias nacionales, en 1957. A pesar de que la enfermedad le ha dejado una severa disminución de la movilidad de sus brazos y piernas, Mónica ha tenido el espíritu para desarrollar su vida, trabajando como maestra particular de inglés, más tarde enamorándose y enfrentando el desafío de ser mamá. Tras el nacimiento de su hija, Mónica sintió la necesidad de testimoniar la experiencia de las mujeres en condiciones similares a la suya y emprendió la realización de un documental sobre sus ""colegas"", las ""madres con ruedas"", con la ayuda de su esposo, el cineasta Mario Piazza.","stream","[]","['Argentina']","['Parents with disabilities', 'Motherhood']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006977xxx/1006977646/1006977646-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383778"
"asp3383775-marc","","Yo y ella","","45 minutes","[]","Documental sobre los cementerios, los trabajadores y nuestra formas de enterrar a los muertos.","stream","[]","['Uruguay']","['Funeral rites and ceremonies', 'Burial', 'Cemeteries']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386893/1008386893-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383775"
"asp3383773-marc","","Liberarse","","26 minutes","[]","Documental sobre el asesinato de Líber Arce. Primer mártir estudiantil en Montevideo, Uruguay.","stream","[]","['Uruguay']","['Police-community relations', 'Government aid to higher education', 'Demonstrations', 'Student movements']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386892/1008386892-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383773"
"asp3383771-marc","","Dance on. Bruce Wells","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Bruce Wells.","stream","['Wells, Bruce']","['United States']","['Male dancers', 'Choreographers', 'Ballet dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386806/1008386806-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383771"
"asp3383769-marc","","Dance on. Eddie Villella","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews American ballet dancer Edward Villella, who served as principal dancer of the New York City Ballet in the 1960s.","stream","['Bolender, Todd', 'Villella, Edward', 'Balanchine, George']","['United States']","['Choreographers', 'Ballet dancers']","['Unedited footage', 'Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386805/1008386805-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383769"
"asp3383767-marc","","Dance on. Eddie Verso","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Eddie Verso.","stream","[]","['United States']","['Musical theater', 'Ballet', 'Dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386804/1008386804-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383767"
"asp3383765-marc","","Dance on. Luis Torres","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Luis Torres.","stream","[]","['Puerto Rico']","['Ballet', 'Dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386803/1008386803-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383765"
"asp3383763-marc","","Dance on. Lynne Taylor-Corbett","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Lynn Taylor-Corbett.","stream","['Taylor-Corbett, Lynne']","['United States']","['Choreographers', 'Musical theater']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386802/1008386802-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383763"
"asp3383761-marc","","Dance on. Jamal Story","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Jamal Story.","stream","[]","['United States']","['Musical theater', 'Dance teachers', 'Dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386801/1008386801-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383761"
"asp3383759-marc","","Dance on. Dr. Robert Stephens Ph.D","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Dr. Robert Stephens, Ph.D., author of The Healthy Dancer: Dance Medicine for Dancers, Dance Medicine: A Comprehensive Guide and The Dancer's Complete Guide to Healthcare and A Long Career.","stream","['Stephens, Robert']","[]","['Dancing injuries', 'Dance', 'Dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386800/1008386800-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383759"
"asp3383757-marc","","Dance on. Victoria Simon","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Victoria Simon.","stream","['Simon, Victoria', 'Balanchine, George']","['United States']","['Ballerinas', 'Women choreographers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386799/1008386799-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383757"
"asp3383755-marc","","Dance on. Margo Sappington. Part 2","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Margo Sappington in the second of two interviews.","stream","['Sappington, Margo']","['United States']","['Choreographers', 'Ballet']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386798/1008386798-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383755"
"asp3383753-marc","","Dance on. Margo Sappington. Part 1","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Margo Sappington in the first of two interviews.","stream","['Sappington, Margo']","['United States']","['Choreographers', 'Musical theater']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386797/1008386797-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383753"
"asp3383751-marc","","Dance on. Michael Pink","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Michael Pink.","stream","['Pink, Michael']","['United States']","['Choreographers', 'Ballet']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386796/1008386796-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383751"
"asp3383749-marc","","Dance on. Dance on archives","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Broadway and television actress Bebe Neuwirth.","stream","['Neuwirth, Bebe']","['United States']","['Musical theater', 'Dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386795/1008386795-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383749"
"asp3383747-marc","","Dance on. Robert Moses","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Robert Moses.","stream","[]","['United States']","['Dance', 'Choreographers', 'Choreography']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386794/1008386794-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383747"
"asp3383745-marc","","Dance on. Donald McKayle","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews African American modern dancer, choreographer, and teacher Donald McKayle, famously known for his work with Martha Graham, Alvin Ailey, Anna Sokolow, and Merce Cunningham.","stream","['McKayle, Donald']","['United States']","['Dance teachers', 'Modern dance', 'African American dancers', 'African American choreographers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386793/1008386793-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383745"
"asp3383743-marc","","Dance on. Donald Mahler","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews American ballet dancer, choreographer and stage director Donald Mahler, who worked with the Metropolitan Opera Ballet for over 20 years.","stream","['Mahler, Donald']","['United States']","['Theatrical producers and directors', 'Choreographers', 'Ballet dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386792/1008386792-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383743"
"asp3383741-marc","","Dance on. Sabrina Madison-Cannon","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Sabrina Madison-Cannon.","stream","['Madison-Cannon, Sabrina']","['United States']","['Dance teachers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386791/1008386791-disc001-file001-frame00180-size-fit-250x250.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383741"
"asp3383739-marc","","Dance on. Russell Kaiser","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Russell Kaiser.","stream","['Kaiser, Russell']","['United States']","['Male dancers', 'Choreographers', 'Ballet dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386790/1008386790-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383739"
"asp3383737-marc","","Dance on. Mary Pat Henry. Part 2","","34 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Mary Pat Henry in the second of two interviews.","stream","['Henry, Mary Pat']","['United States']","['Dancers', 'Women choreographers', 'Dance teachers', 'Women deans (Education)']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386789/1008386789-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383737"
"asp3383735-marc","","Dance on. Mary Pat Henry. Part 1","","34 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Mary Pat Henry in the first of two interviews.","stream","['Henry, Mary Pat']","['United States']","['Dancers', 'Women choreographers', 'Dance teachers', 'Women deans (Education)']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386788/1008386788-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383735"
"asp3383733-marc","","Dance on. Gus Giordano","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Gus Giordano.","stream","['Giordano, Gus', 'Jazz Dance World Congress']","['United States']","['Jazz dance', 'Male dancers', 'Choreographers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386787/1008386787-disc001-file001-frame00555-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383733"
"asp3383731-marc","","Dance on. Judith Fugate","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Judith Fugate.","stream","['Fugate, Judith']","['United States']","['Ballerinas']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386786/1008386786-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383731"
"asp3383729-marc","","Dance on. Eugene Louis Faccuito","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Eugene Louis Faccuito.","stream","['Faccuito, Eugene Louis']","['United States']","['Jazz dance', 'Male dancers', 'Dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386785/1008386785-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383729"
"asp3383727-marc","","Dance on. Kimberly Cowen","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Kimberly Cowen.","stream","['Cowen, Kimberly']","['United States']","['Ballerinas']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386784/1008386784-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383727"
"asp3383725-marc","","Dance on. Christine Colby-Jacques. Part 2","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Christine Colby-Jacques in the second of two interviews.","stream","['Colby-Jacques, Christine']","['United States']","['Dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386783/1008386783-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383725"
"asp3383723-marc","","Dance on. Christine Colby-Jacques. Part 1","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Christine Colby-Jacques in the first of two interviews.","stream","['Colby-Jacques, Christine']","['United States']","['Dance', 'Dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386782/1008386782-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383723"
"asp3383721-marc","","Dance on. Evelyn Cisneros","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Evelyn Cisneros, the first prima ballerina of Hispanic descent and lead dancer at the San Francisco Ballet for nearly two decades.","stream","['Cisneros, Evelyn']","['California']","['Ballerinas']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386781/1008386781-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383721"
"asp3383719-marc","","Dance on. Danny Carroll","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Danny Carroll.","stream","['Carroll, Danny']","['United States']","['Male dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386780/1008386780-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383719"
"asp3383717-marc","","Dance on. Devon Carney","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Devon Carney.","stream","['Carney, Devon']","['United States']","['Choreographers', 'Ballet', 'Dancers']","['Filmed interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386779/1008386779-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383717"
"asp3383715-marc","","Dance on. Elyse Borne","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Elyse Borne.","stream","['Borne, Elyse']","['United States']","['Choreographers', 'Ballet', 'Dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386778/1008386778-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383715"
"asp3383713-marc","","Dance on. 1983 archive. Todd Bolender","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Todd Bolender.","stream","['Bolender, Todd']","['United States']","['Choreographers', 'Ballet', 'Dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386777/1008386777-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383713"
"asp3383711-marc","","Dance on. Sally Brayley Bliss","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Sally Brayley Bliss.","stream","['Bliss, Sally Brayley']","['Canada']","['Choreographers', 'Ballet', 'Dancers']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386776/1008386776-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383711"
"asp3383709-marc","","Dance on. Judith Chazin-Bennahum","","30 minutes","['Dance on']","In this episode of Dance On, Billie Mahoney interviews Judith Chazin-Bennahum.","stream","['Chazin-Bennahum, Judith']","['United States']","['Ballet', 'Dancers']","['Filmed interviews']","https://d3crmev290s45i.cloudfront.net/frames/1008386xxx/1008386775/1008386775-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383709"
"asp3383707-marc","","Videofashion! World beat. Volume 19, Episode 28","","25 minutes","['Videofashion!']","In this issue, feel the rhythm of the World Beat. Prada and Miu Miu hit all the right notes. Katharine Hamnett stays in tune. Magic Circle strikes a chord. Vivienne Tam lays new track. And Iceberg composes a sweet song. Cerruti keeps a back beat, while Etro plays on. Plus Angela Missoni and more, composing this World Beat.","stream","[]","[]","['Fashion shows', 'Fashion design', 'Fashion designers', 'Fashion']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1008381xxx/1008381863/1008381863-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383707"
"asp3383705-marc","","Kaho'olawe Aloha 'Āina","","57 minutes","[]","Kaho'olawe Aloha 'Aina focuses on the cultural, political and military significance of the ""target island"" of Kaho'olawe in the Hawaiian archipelago. The Hawaiian term aloha 'Āina refers to love of the land, the basis of Hawaiian cultural belief that animates the current movement to bring the island back to life. This video, produced by the Protect Kaho'olawe 'Ohana and directed by NÄ Maka o ka 'Āina, traces the history of the island, from ancient times through the years of ranching, U.S. military bombardment and the modern-day struggle to stop the bombing and reclaim the island. An ancient chant set against sweeping aerial views of the island opens the program as the viewer sets out on a tour of Kaho'olawe's historic past. The island's summit was used in ancient times as an astronomical observatory and its southern point provided a prime launching site for canoe voyages to Tahiti. The program traces the later history of the island, from the degradation of the island's environment through the introduction of goats, sheep, cattle, to military bombing. The 1970's saw a turnaround in the history of Kaho'olawe as Hawaiians began to occupy the island, protesting its desecration. Out of a commitment to stop the bombing was born the Protect Kaho'olawe 'Ohana (Family). Their visits to Kaho'olawe for archeological surveys, water studies, re-planting and religious rituals are highlighted by the annual observance of Makahiki, a season of peace celebrated with dance, music and feasting. Finally the program takes a look at the debate over the future of Kaho'olawe. An order by President George H. W. Bush to stop the bombing in 1990 was followed by congressional action to appropriate funds for the removal of ordnance and to return the island to the sovereign nation of Hawai'i, pending its recognition. Featuring Uncle Harry Kunihi Mitchell, Nalani Kanakaole, Noa Emmett Aluli, Davianna McGregor, Leslie Kuloloio, Steve Tachera, Kate Vandemoer, Palikapu Dedman, Ku Kahakalau, Kealohikina, Attwood Makanani, Kelii ""Skippy"" Ioane, Kala Mossman, Lopaka Williams, Malama Chun, Craig Neff, Rodney Morales, Coochie Cayan, Moke Kim, Shannon Lima, Dan Holmes, Capt. Walter Tobias, USN, Rear Admiral William Earner, USN, Capt. Mittendorf, Col.Wallace Campbell, USMC. Narrated by John Dominis Holt and Ekela Kaniaupio. ""Kaho'olawe I Feel Your Pain"" composed by Lester Bailey, performed by Liko Martin Executive Producer: Davianna McGregor.","stream","[]","['Hawaii', 'Kahoolawe (Hawaii)']","['Bombing and gunnery ranges', 'Hawaiians', 'Cultural property']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008375xxx/1008375769/1008375769-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383705"
"asp3383703-marc","","The tribunal","","85 minutes","[]","In August 1993, Nā Maka o ka ‘Āina spent twelve days capturing on video the proceedings Ka Ho'okolokolonui Kānaka Maoli - Peoples' International Tribunal Hawai'i, 1993, in which the United States and the state of Hawai'i were put on trial for crimes against the original people of Hawai'i, the Kānaka Maoli. A panel of international judges was convened to hear the charges, which included genocide, ethnocide, the taking of our sovereign government and the destruction of our environment. During those days of testimony, the Tribunal traveled to five islands to see and hear firsthand the words and personal experiences of witnesses, many of whom faced arrest and eviction from native lands. The Tribunal judges and prosecutor/advocates from Japan, Aotearoa (New Zealand), Jordan, Korea, Africa, the U.S., Puerto Rico and the Cree, Cherokee, Shawnee and Creek nations brought to the proceedings a familiarity with the changing dynamics of international law regarding indigenous peoples. At the end of ten days, the Tribunal called upon the United States and the world to recognize the fact that our sovereignty has never been extinguished. It also called for the restoration and return of all lands to which Kānaka Maoli have a claim. Spoken testimony is supplemented visually with graphics, political cartoons, archival photos and film, aerial shots and contemporary footage of land occupations and struggles. Music by Kalani Kahalepauole, Jon Osorio, Stephen Brown, Henry Kapono, Ilona Moritsugu, Liko Martin, Helen ""Didi"" Lee Kwai. Produced in cooperation with Ka Ho'okolokolonui Kānaka Maoli - Peoples' International Tribunal Hawai'i 1993, Dr. Kekuni Blaisdell, Convener. Partial funding from Hui Na'auao, Pacific Islanders in Communication, United Church Board for World Ministries.","stream","[]","['Hawaii', 'United States']","['Indigenous peoples', 'Hawaiians', 'Sovereignty', 'Self-determination, National']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1008375xxx/1008375768/1008375768-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383703"
"asp3383701-marc","","The Hawaiian art of healing","","69 minutes","[]","From the age of five, Henry Auwae learned the art of la'au lapa'au (herbal medicine) from his grandmother, a woman whose knowledge extended back to nineteenth century Hawai'i. In this two-disk documentary series, 'Papa' Auwae shares this traditional knowledge. At a workshop in Keaukaha, Hawai'i island, he demonstrates the preparation of healing herbs and mineral rock ('alaea). In a visit to the Wao Kele o Puna rainforest, he identifies rare medicinal plants and speaks to the importance of preserving them in their natural habitat. This digitally remastered DVD set contains two and a half hours of material, replacing the original 33-minute program released in 1991. The newly edited and expanded feature documentary and special bonus features contain virtually all the footage recorded of Henry Auwae at the Hawaiian Health Fair in Keaukaha, Hawai'i, May 5, 1990, along with footage recorded at his residence in Keaukaha, and during a drive to and hike through Wao Kele o Puna rainforest, Sept. 27, 1989. Also appearing, Sabina Mahelona, Puhipau, Ipo Nihipali, Kunani Nihipali.","stream","[]","['Hawaii']","['Healing', 'Materia medica', 'Medicinal plants', 'Hawaiians']","['Documentary films', 'Educational films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1008375xxx/1008375767/1008375767-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3383701"