"filmID","creator","title","date_of_publication","runtime","series_title","summary","format_type","associated_entity","geography","subject_group","genre","image_url","direct_url"
"asp3223229-marc","","Videofashion news. Spring summary. Vol. 26, Episode 29","","24 minutes","['Videofashion news']","In this issue of Videofashion, travel the globe for the best of spring fashion! Michael Kors shows a romantic escape, and Viktor & Rolf are all about white. Phoebe Philo takes the reins at Chloe, and Tom Ford pays homage to Yves Saint Laurent himself. Plus, trends, accessories, beauty, and more!","stream","[]","[]","['Fashion', 'Fashion design', 'Fashion designers', 'Fashion shows']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010840/1007010840-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223229"
"asp3223227-marc","","Videofashion news. New York 9.11. Vol. 26, Episode 28","","24 minutes","['Videofashion news']","In this special issue of Videofashion, the New York fashion community unites in response to the worst terrorist attack in US history. Calvin Klein shares his collection, and Anne Klein pushes on. Fashion’s elite enables the downtown community to show abbreviated collections to key retailers and press. Ralph Lauren reflects patriotic spirit, and Donna Karan’s collection was dedicated to her late husband. Watch as the community comes together to show that they care.","stream","[]","['New York (State)']","['Fashion', 'Fashion design', 'Fashion designers', 'September 11 Terrorist Attacks, 2001']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010839/1007010839-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223227"
"asp3223225-marc","","Videofashion news. The power of a name. Vol. 26, Episode 27","","24 minutes","['Videofashion news']","In this issue of Videofashion, see the power of a couture label.Through its golden age in the 1950's when models created elegantly in couture salons. A time when designers like Christain Dior and Hubert de Givenchy were still designing their own couture lines.Through the 60's when Yves Saint Laurent was the first couturier who opened the ready-to-wear boutique. Now the couture label is reinterpreted. Also meet a new designer with couture in his genes, and two of the biggest names in fashion, Christian Lacroix, Chanel and more.","stream","[]","[]","['Fashion', 'Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010838/1007010838-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223225"
"asp3223223-marc","","Videofashion news. Manhattan melange. Vol. 26, Episode 26","","24 minutes","['Videofashion news']","In this issue of Videofashion, New York designers get progressive using classics with contemporary elements. Pia Myrvold goes for hi-tech experimentation. The stars come out to support Kenneth Cole as designer and social activist. William Reid gets greedy for Fall 2001. Rapper turned designer Sean Combs bring the bling-bling to the fashion world.","stream","[]","['New York (State)']","['Fashion', 'Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010837/1007010837-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223223"
"asp3223221-marc","","Videofashion news. The next generation. Antwerp. Vol. 26, Episode 25","","24 minutes","['Videofashion news']","In this issue of Videofashion, come explore and tour Belgium and the new generation of fashion designers. Tour Antwerp Hotspots with Miss Belgium. Discover the Royal Academy of Fine Arts where famous designers got their start. Meet an Italian in Antwerp, the talented Angelo Figus. And diamonds are forever, especially when they are from Antwerp.","stream","[]","['Belgium', 'Antwerp (Belgium)']","['Fashion', 'Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010836/1007010836-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223221"
"asp3223219-marc","","Videofashion news. International pieces. Vol. 26, Episode 24","","24 minutes","['Videofashion news']","In this issue of Videofashion, designers around the world mixed it up for Fall 2001. Designer Michael Kors envisions a feminine mélange at Celine. Hussein Chalayan gives an exclusive tour of his collection in Paris. Edgy eclecticism prevails at Marc by Marc Jacobs. The stars line up at BCBG. Emanuel Ungaro celebrates 35 years in fashion, and more.","stream","[]","[]","['Fashion', 'Costume design', 'Fashion designers', 'Fashion shows']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010835/1007010835-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223219"
"asp3223217-marc","","Videofashion news. Italian intuition. Vol. 26, Episode 23","","24 minutes","['Videofashion news']","In this issue of Videofashion, Tom Ford proposes a duality of dressing at Gucci. Meet the latest generation defining the future at La Perla. Visit with Milan's latest neighbor Paul Smith. Giorgio Armani looks to dancers for Fall inspiration, and more.","stream","[]","['Italy']","['Fashion', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010834/1007010834-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223217"
"asp3223215-marc","","Videofashion news. Fun in the Big Apple. Volume 26, Episode 22","","25 minutes","['Videofashion news']","In this issue of Videofashion, designers paint the Big Apple with exuberance.","stream","[]","['New York (State)', 'New York (N.Y.)']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010833/1007010833-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223215"
"asp3223213-marc","","Videofashion news. Parisian power dressing. Volume 26, Episode 21","","25 minutes","['Videofashion news']","In this issue of Videofashion, designers in Paris show their strong suit, with high-powered looks.","stream","[]","['France']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010832/1007010832-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223213"
"asp3223211-marc","","Videofashion news. Asian allure. Volume 26, Episode 20","","25 minutes","['Videofashion news']","This issue of Videofashion presents fall fashions, Asian styles in fashion, and a number of fashion designers and their creations.","stream","[]","['Asia']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010831/1007010831-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223211"
"asp3223209-marc","","Videofashion news. Brits in Paris. Volume 26, Episode 2","","25 minutes","['Videofashion news']","This issue of Videofashion News is about British fashion designers, their creations, and the fashion industry in Paris.","stream","[]","['France', 'Great Britain']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010830/1007010830-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223209"
"asp3223207-marc","","Videofashion news. British independents. Volume 26, Episode 19","","25 minutes","['Videofashion news']","This issue of Videofashion News presents British fashions and British fashion designers.","stream","[]","['London (England)', 'Great Britain']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010829/1007010829-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223207"
"asp3223205-marc","","Videofashion news. Tres unique. Volume 26, Episode 18","","25 minutes","['Videofashion news']","This issue of Videofashion News presents fashion designers and fall fashions in Paris.","stream","[]","['France']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010828/1007010828-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223205"
"asp3223203-marc","","Videofashion news. A luxe liaison. Volume 26, Episode 17","","25 minutes","['Videofashion news']","This issue of Videofashion News presents a look at the Italian fashion industry and includes information about Italian design houses and Italian fashion designers.","stream","[]","['Italy']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010827/1007010827-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223203"
"asp3223201-marc","","Videofashion news. Noteworthy New York. Volume 26, Episode 16","","25 minutes","['Videofashion news']","This issue of Videofashion News presents a number of fashion designers of note in the New York area, along with their fashion creations.","stream","[]","['New York (State)', 'New York (N.Y.)', 'New York(State)']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010826/1007010826-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223201"
"asp3223199-marc","","Videofashion news. Rocker chic. Vol. 26, Episode 15","","24 minutes","['Videofashion news']","In this issue of Videofashion, designers in Paris turned to evoke rocker chic. It's a fabulous Fall melange at Chanel. Young designers show their talent at Workshop Paris. Go front row at Christian Dior for caffeinated cool. Christian Lacroix explores a street smart attitude, and more.","stream","[]","['France']","['Fashion', 'Rock music', 'Fashion designers', 'Fashion shows']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010825/1007010825-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223199"
"asp3223197-marc","","Videofashion news. Thoroughly modern. Vol. 26, Episode 14","","24 minutes","['Videofashion news']","In this issue of Videofashion, New York's message is modern for Fall. Badgley Mischka trades in signature evening glamour for an edgy allure. Narciso Rodriguez returns to New York. Meet Karolina Kurkova, the Czech-based defining this season. Visit Richard Tyler's new residence in the hip meat-packing district. And the autumn collection of Calvin Klein, and more.","stream","[]","['New York (State)']","['Fashion', 'Fashion designers', 'Fashion shows']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010824/1007010824-disc001-file001-frame00710-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223197"
"asp3223195-marc","","Videofashion news. Kaleidoscopic coterie. Vol. 26, Episode 13","","24 minutes","['Videofashion news']","In this issue of Videofashion, Milan celebrates autumn with color and exuberance. Experience the new buzz behind Giorgio Armani's Emporio Collection. From her home to runway the eclectic inspirations behind the designs of Patty Shelabarger. Go into the fantasy footwear world of new designer Guido Bruno. And sure to melt all winter's snow from Roberto Cavalli. Donatella Versace puts glamour back on the catwalk, and more.","stream","[]","['Italy']","['Fashion', 'Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010823/1007010823-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223195"
"asp3223193-marc","","Videofashion news. Decade surfing. Volume 26, Episode 12","","25 minutes","['Videofashion news']","This issue of Videofashion News presents New York-based fashion designers and their fashion creations.","stream","[]","['New York (State)', 'New York(State)']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010822/1007010822-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223193"
"asp3223191-marc","","Videofashion news. Style of the season. Volume 26, Episode 11","","25 minutes","['Videofashion news']","This issue of Videofashion News features fall fashions and fashion designers in a show held in the New York Metropolitan Museum of Art.","stream","[]","['New York(State)']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010821/1007010821-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223191"
"asp3223189-marc","","Videofashion news. London by design. Volume 26, Episode 10","","25 minutes","['Videofashion news']","This issue of the Fashion News program is about fashion, fashion designers, and fashion design houses in Great Britain.","stream","[]","['London (England)', 'England']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010820/1007010820-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223189"
"asp3223187-marc","","Videofashion news. Volume 26, Episode 1","","12 minutes","['Videofashion news']","This issue of Videofashion News is about fashion and the fashion industry in Singapore.","stream","[]","['Singapore']","['Fashion design', 'Fashion designers']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007010xxx/1007010819/1007010819-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3223187"
"asp3220610-marc","","Sign painters","","81 minutes","[]","At a time when most American cityscapes are dominated by computer created signage, Sign Painters takes a close look at the past, present, and hopeful future of the hand paint sign industry in the USA.","stream","[]","['United States']","['Signs and signboards', 'Painters']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1007601xxx/1007601443/1007601443-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3220610"
"asp3219006-marc","","For the life of me. Between science and the law","","85 minutes","[]","Patricia was only diagnosed with cancer once it had already spread to her brain. She saw that the National Cancer Institute described marijuana as having cancer-fighting potential.  With the grimmest of prognoses, she decided to try it. So Patricia, who had never had as much as a puff of pot, started a hunt for marijuana, and for evidence of its medicinal potential. Shot over the course of a year, from acquiring the marijuana, through labs and brain scans, this film is a document of her own human drug trial.","stream","['Crone, Patricia']","['United States']","['Marijuana']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007776xxx/1007776281/1007776281-disc001-file001-frame00600-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3219006"
"asp3218997-marc","","Diagnosing mental disorders. DSM-5 and ICD-10. Personality disorders","","26 minutes","['Diagnosing mental disorders']","Our personalities are in large part how we define ourselves as individuals, influencing how we perceive, relate to and think about ourselves, our environment and those around us. Some of our personality traits may be determined by nature, some by nurture: as children we may demonstrate traits that parents or caregivers may choose to encourage or discourage. Over time, we perhaps adapt these traits and behaviors to fit in with those of our society, as they comprise the fluid aspects of our personalities. However, for some, during childhood or adolescence, these traits can develop into continuing patterns, expressed in ways that can cause clinically significant distress to the individual or those around them and impairing their ability to function in a variety of situations. If this is the case, the individual may have a personality disorder, which is pattern of outward behavior and internal experience that is decidedly different from how the individual's society expects people to behave. Around 30 million, or roughly 15% of adults in the United States have one or more personality disorders. Therefore, being familiar with the markers of a personality disorder is crucial for a clinician to recognize these traits in a patient, in order to make a diagnosis.","stream","[]","[]","['Mental illness', 'Personality disorders']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/content/1007713xxx/1007713501/1007713501-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3218997"
"asp3218995-marc","","Diagnosing mental disorders. DSM-5 and ICD-10. Addictive disorders","","33 minutes","['Diagnosing mental disorders']","Addictive disorders occur when an individual uses a substance or medication to the point where they experience clinically significant stress or functional impairment, leading to possible intoxication, abuse, addiction, and withdrawal. Those suffering from addictive disorders may have their cognition, perceptions, or physiology debilitated. They may continue to use substances, even with they experience negative effects. They may be so dependent, that ceasing or reducing substance use causes negative consequences.","stream","[]","[]","['Mental illness', 'Substance abuse']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/content/1007713xxx/1007713500/1007713500-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3218995"
"asp3218993-marc","","Diagnosing mental disorders. DSM-5 and ICD-10. Impulse and conduct disorders","","19 minutes","['Diagnosing mental disorders']","Because children are discovering the world and don't have much experience, they tend to act on their impulses. Due to the lack of verbal skills to express themselves, they may yell, hit, and take the things they want without much thought until they begin to mature. Through a variety of factors, some nature, some nurture, many children learn to better manage these impulsive emotions and behaviors so that they can reflect on their actions to become more caring, considerate members of society. However, some children may grow into adolescents and adults who are unable to control their emotions and behaviors: they may break rules, lie, steal, or physically harm other people, regardless if they recognize that these things are disruptive to others' lives and their own. Individuals with these disorders share a common difficulty in resisting impulses.","stream","[]","[]","['Mental illness', 'Impulse control disorders', 'Conduct disorders in adolescence']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/content/1007713xxx/1007713499/1007713499-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3218993"
"asp3218991-marc","","Diagnosing mental disorders. DSM-5 and ICD-10. Sleep disorders","","23 minutes","['Diagnosing mental disorders']","For many people, sleep is a welcome end to a long day. We climb into our beds to restore our energy and prepare us for the day to come. It is so vital, in fact, that the average person will spend a third of their life sleeping. While there are many theories, research has yet to find a conclusive reason for our need to sleep. What they do know is that disrupted or the lack of sleep can be extremely distressing, and in rare cases, even fatal. Most of us have experienced trouble sleeping at one time or another, which may interrupt one or more of these types of sleep. However, for some, trouble sleeping can become habitual, to the point it causes significant distress in an individual's life. These challenges may be due to difficulty falling asleep, intense nightmares, breathing issues, or the effects of a substance or medication. They can even continue into the day, affecting or interrupting an individual's wakeful period. If any of these appear to be the case, the individual may have a sleep disorder, also called a sleep-wake disorder. Because sleep is so vital to our experiences as human beings, individuals with sleep-wake disorders may find these disturbances go well beyond their  periods of sleep, negatively affecting every aspect of their lives.","stream","[]","[]","['Mental illness', 'Sleep disorders']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/content/1007713xxx/1007713498/1007713498-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3218991"
"asp3218989-marc","","Diagnosing mental disorders. DSM-5 and ICD-10. Eating disorders","","21 minutes","['Diagnosing mental disorders']","Food plays an important role in our society -- it offers an opportunity to socialize with one's community, brings pleasure through different smells and tastes, and most importantly provides nourishment. However, for individuals dealing with an eating disorder, the benefits of food can become overshadowed by fear, shame, or incapacitating malnourishment. Because both food and eating are such critical aspects of our culture and our survival, these disorders may lead to functional impairment in every facet of an individual's life. Eating Disorders are grouped due to their shared characteristics of disturbances in eating or behavior associated with eating, which causes significant physical or psychological distress.","stream","[]","[]","['Mental illness', 'Eating disorders']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/content/1007713xxx/1007713497/1007713497-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3218989"
"asp3218987-marc","","Diagnosing mental disorders. DSM-5 and ICD-10. Dissociative disorders","","20 minutes","['Diagnosing mental disorders']","We all may have times that we are unaware of our actions--where we go on ""autopilot"" so that our mind wanders to some other place while our body goes through the motions. Maybe we've been so caught up in a thought while driving that we've been going for miles without even realizing it. Or in an emotional moment, like after a break-up or losing a job, we may feel overwhelmed, so that minutes pass without us even knowing how we spent them. It could even be that at some random moment, we've experienced a surreal kind of detachment, where we feel disconnected from our thoughts, bodies or surroundings. For most of us, these moments of dissociation pass, and even when we may find them troubling, they usually don't cause ongoing and significant distress in our lives. For some people, however, this dissociation not only persists, but can make so that a person has no memory of an aspect, or aspects, of their lives. They may even find that during this gap in memory, they behaved in a way that was incongruous with their own sense of identity, as if another personality state had taken control of their body. And even if they don't have gaps in memory, they may experience a disconnect from themselves or their surroundings. This is the case for individuals with dissociative disorders. These individuals experience symptoms, some of them positive--meaning something has been added, such as flashbacks or intrusive identities, some of them negative--meaning something almost seems taken away, such as memories in the case of amnesia. But all of them have the potential to leave the individual feeling disconnected from themselves, their lives and the world around them.","stream","[]","[]","['Dissociative disorders', 'Mental illness']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/content/1007713xxx/1007713496/1007713496-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3218987"
"asp3218628-marc","","Ultimate career skills for fitness professionals","","53 minutes","[]","Considering the current environment in the fitness industry, this program details skills and strategies that can lead to professional success.","stream","[]","[]","['Exercise', 'Health', 'Physical fitness']","['Nonfiction films', 'Educational films', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1006610xxx/1006610214/1006610214-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3218628"
"asp3218626-marc","","Trends in medical nutrition","","96 minutes","[]","Exploring the current state of nutrition, this program shows how nutrition fits into the medical model. The DVD also considers the use of food in medical settings.","stream","[]","[]","['Diet therapy', 'Dietary supplements', 'Vitamins in human nutrition', 'Nutrition']","['Nonfiction films', 'Educational films', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1006610xxx/1006610213/1006610213-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3218626"
"asp3218624-marc","","Programming success for older adults","","63 minutes","[]","This program outlines the needs of aging clients, reviews the key factors involved in successful programming for older adults, and explains how to create programs that provide older adults with a sense of importance and belonging. The DVD also offers examples of successful and effective programs for the aging population.","stream","[]","[]","['Sports for older people', 'Sports']","['Nonfiction films', 'Educational films', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1006610xxx/1006610193/1006610193-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3218624"
"asp3217080-marc","","I see your (dis)ability. Inclusion in the classroom","","23 minutes","[]","Listen 2 the Kids as they talk about the inclusion of their friends with special needs in the classroom, on the playground and in the lunchroom. This brief study fo the inclusion process in an exemplary elementary school accents the joys and challenges of everyday life. The culture of acceptance is evident throughout. This film is a must see for teachers, teachers in training, counselors, psychologists, parents and advocates for the education of special needs students everywhere. Challenging and uplifting!","stream","[]","[]","['Inclusive education', 'Students with disabilities']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1007489xxx/1007489464/1007489464-disc001-file001-frame00200-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217080"
"asp3217078-marc","","Wedding advice. Speak now or forever hold your peace","","58 minutes","[]","Award-winning filmmakers Karen and Fred have been partners for 18 years. Despite mutual commitment and external pressure to wed, they feel ambivalent about marriage. Are they alone in this? What social and political forces contribute to their doubts? They decide to seek advice. With an engaging blend of humor, personal testimony, and expert analysis, this thought-provoking documentary explores the history and contemporary relevance of the institution of marriage.Interviewees include people who are married, divorced, single, heterosexual, bisexual, gay, and in unmarried, committed relationships; they represent diverse relationships to and perspectives on marriage. Commentators examine the social, economic, and political context in which marriage exists in America and illuminate issues of gender equity, female identity, religious considerations, the exclusion of certain groups (gays/lesbians) from the institution, and the intrusion of commerce and commodification into the celebration.Re-framing the traditional question, ""is there any reason why the two of us should not wed?"" the filmmakers ask their subjects: ""Is there any reason why the two of us should wed?"" As others tell their marriage stories and offer their wedding advice, the film reveals a conflicting desire for and fear of marriage traditions in contemporary American culture. Sections of the film follow traditional marriage scripts from the proposal onward and feature recent marriage-related happenings. The film concludes with the ""advice"" the filmmakers have received.At once entertaining and informative and both deeply personal and political, ""Wedding Advice"" is sure to capture student interest and stimulate thoughtful discussion in a variety of courses in sociology, psychology, women's and gender studies, popular culture, and cultural anthropology. It was produced by Karen Sosnoski and Fred Zeytoonjian.","stream","[]","['United States']","['Families', 'Marriage', 'Weddings', 'Marriage customs and rites']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764843/1007764843-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217078"
"asp3217076-marc","","True-hearted vixens","","58 minutes","[]","Imagine 22 women in tights, shoulder pads, and helmets, poised on either side of the scrimmage line, ready to smash each other as hard as they can. Never mind that women aren't supposed to play tackle football. Forget that women's pro leagues rarely succeed. These are committed athletes and this is their one, slim chance to realize their dreams of professional sports careers.This remarkable documentary follows the fortunes of two women during the Women's Professional Football League's inaugural season of six exhibition games. One of the women is a young political consultant-turned linebacker and the other is an elite amateur basketball player and single mother taking a shot at wide receiver. Both traveled from afar, trading security and leaving jobs and loved ones for this long-shot at stardom.They won't be paid unless the league turns a profit. And in order to be successful, the players themselves must become involved in marketing their games and are forced to confront powerful stereotypes about women athletes and sexuality. But the league is relying on conventional images of women -- and a Hooter's model - to build an audience. Can the athletes overcome their growing unease and can the league fulfill its promises?As the women struggle through their first season, balancing self-sacrifice with moments of great satisfaction in an effort to make the league both a financial and personal success, the film explores whether women can be anything other than a novelty act in a sport like football, so identified with masculine strength, power, and athleticism. It also probes deeply into what the experience means to the women involved.""True-Hearted Vixens"" is fundamentally about cultural change, seen through the lens of sports. It illustrates with insight, compassion, and candor the challenges that women face when they venture into any male-dominated arena. It was produced by Mylene Moreno for the Independent Television Service with funding provided by the Corporation for Public Broadcasting. ""True-Hearted Vixens"" is a presentation of the Independent Television Service.","stream","['Vixens (Football team)', ""Women's Professional Football League""]","['United States']","['Sports for women', 'Sex discrimination in sports', 'Women football players', 'Women athletes']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764841/1007764841-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217076"
"asp3217074-marc","","To catch a dollar. Muhammad Yunus Banks on America","","60 minutes","[]","This thought-provoking and powerful documentary follows Nobel Peace Prize winner Muhammad Yunus as he brings his revolutionary microfinance program to the United States, establishing Grameen America. The first stop: Queens, New York, 2008, just as the financial crisis explodes and the American economy plummets.The groundbreaking Grameen Bank in Bangladesh was built on the radical notion that if it loaned poor women money within the context of peer support, not only would they repay their loans and sustain the bank, but they would also elevate their communities in the process. But will the principles of solidarity that work so well in the Third-World translate to an ethnically diverse group of inner-city women in this country? Can nonprofit financiers really succeed in importing revolutionary Third-World social-justice enterprise to the very bastion of First-World capitalism? With an intimate camera eye and a deft editing hand, the film relates the compelling stories of the first women borrowers, capturing moments of both triumph and despair. It incisively explores the challenges the women face and the successes they achieve as they learn sustainable methods to rise from poverty by starting and growing their own businesses with the education, support, and collateral-free microloans they receive.At the same time, the film also examines the experiences of the young Grameen America workers, showing how their hope and idealism are deeply tested by the realities of their jobs in organizing and motivating the micro-entrepreneurs in a collapsing economic environment.To Catch a Dollar is alternately intense, humorous, heartbreaking, and exhilarating. It provides an unflinching, honest, but ultimately hopeful portrait of the initial audacious work of Grameen America. It will certainly capture and hold student attention and inspire thought, discussion, and analysis in a wide variety of courses in American studies, economics and development issues, sociology and social problems, women's studies, social psychology, and intercultural communication, among many others. It was produced by the much-lauded documentary filmmaker, Gayle Ferraro.","stream","['Grameen Bank', 'Yunus, Muhammad']","['United States', 'Queens (New York, N.Y.)']","['Social responsibility of business', 'Microfinance', 'Banks and banking']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764840/1007764840-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217074"
"asp3217072-marc","","The democratic promise. Saul Alinsky and his legacy","","56 minutes","[]","This exceptional and compelling documentary, narrated by Alec Baldwin, examines the life and legacy of legendary community organizer Saul Alinsky. From the late 1930s until his death in 1972, Alinsky led the movement to empower disenfranchised communities through collective action. Today, hundreds of community organizations nationwide have embraced Alinsky's vision and are using it to reshape America's body politic. In a larger sense, the film explores the restoration of American democracy through shared public participation in civic life -- a vital concern in an era of increased citizen alienation and political apathy, even among college students.The first half of the film focuses on Alinsky's organizing methods and is filled with a rich combination of archival film clips and photographs as well as eyewitness testimonials. It provides case studies of three key Alinsky organizations to show the development of his methods over time. The Back of the Yards Neighborhood Council in Chicago's stockyards neighborhood was the pioneering first organization, started by Alinsky in 1939. The Woodlawn Organization, in Chicago's predominantly African-American South Side, was founded in 1959 and won several landmark concessions in important battles with Mayor Richard Daley's powerful Democratic Party machine. In the mid-1960s, the FIGHT organization in Rochester, New York, took on the Eastman-Kodak company over racist hiring practices and won a series of impressive victories.These three organizations show how Alinsky's ideas, in turn, influenced the Civil Rights Movement, the farmworkers' struggle, and many Vietnam-era political protests.The second half of the film jumps forward to the late 1990s and examines two contemporary organizations that share Alinsky's enduring legacy. The East Brooklyn Congregations is shown struggling with various New York City administrations to fulfill its goal of building 1,200 low-income housing units in one of America's most blighted neighborhoods. In Dallas, members of Dallas Area Interfaith are shown lobbying state legislators in an effort to increase funding for an innovative public education program called the Alliance Schools Initiative.""The Democratic Promise"" will inspire discussion and analysis in a wide variety of courses in American history and American studies, sociology, urban studies, political science, and African American studies, among other disciplines. It was produced by Bob Hercules and Bruce Orenstein and is a presentation of the Independent Television Service.","stream","['Alinsky, Saul David']","['United States']","['Social justice', 'Political participation', 'Social reformers', 'Political psychology', 'Radicalism', 'Community organization']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764839/1007764839-disc001-file001-frame00065-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217072"
"asp3217070-marc","","Still revolutionaries","","17 minutes","[]","This compelling documentary explores the lives of two women who were in the Black Panther Party between 1969 and 1975. Katherine Campbell and Madalynn Rucker reflect on the reasons and events that led to their joining the Black Panthers, the type of work they did within the Party, and the challenges they faced as they chose to leave it and reconstruct their lives. The film takes a very personal look at the passions these women hold dearest and their motives for putting their lives on the line for their community. The women share the difficulties they encountered as they began to feel the structure of the Party disintegrating around them. The excruciating decision to leave the Party and re-enter ""mainstream"" life posed specific challenges as they strove to integrate their radical values into their jobs and families. The women discuss how they have carried the strengths and beliefs inspired by the Black Panther Party throughout their lives and the ways in which they have tried to pass them on to their own children.Through the two women's eloquent, clear-eyed evaluations of their experiences, Still Revolutionaries provides both a foot soldier's and a woman's point of view on the Black Panther Party and its legacy. The film will generate discussion in a variety of classes in American history and studies, African-American studies, sociology, psychology, and women's studies. It was produced by Sienna McLean.","stream","['Black Panther Party']","['United States']","['African American women', 'Black power', 'African American women civil rights workers']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764838/1007764838-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217070"
"asp3217068-marc","","Science or sacrilege. Native Americans, archaeology and the law","","58 minutes","[]","Well into the 20th century, Native American physical remains were frequently harvested like trophies, and ritual objects and artwork often reached museums under questionable circumstances. Such glaring offenses of 'imperial archaeology' ultimately motivated Congress to pass the Native American Graves Protection and Repatriation Act (NAGPRA) in 1990.This provocative, in-depth documentary examines the Act's underlying moral and political issues, its practical consequences, and the prospects for science in the post-NAGPRA world. Some (though not all) archaeologists and scientists claim that NAGPRA will prevent important study and research. Native Americans say that no one has the right to dig up and examine their ancestors' remains.Divergent realities of power, responsibility, and history make the debate vociferous, and simple answers impossible. This unique video is sure to provoke discussion and raise awareness in all courses in anthropology, archaeology, Native American studies, and museum studies. It was produced by Nicholas Nicastro.","stream","['United States']","['United States']","['Human remains (Archaeology)', 'Indians of North America']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764837/1007764837-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217068"
"asp3217066-marc","","Roots of health","","57 minutes","[]","At a time when health care dominates the news, there is a strong sense that good health is all about access to doctors, hospitals, medicine, and insurance. This thought-provoking and insightful documentary demonstrates otherwise. Using incisive case studies from around the world, it explores how people's health and well-being is primarily determined by where they live, their educational, social, and economic status, and the degree of control they have over their lives. The film illustrates that these are the true roots of health '“ though generally overlooked in the contentious national debate over health care - and they can be improved dramatically for whole communities through social and political action. Roots of Health features three powerful stories filmed in London, England, Ahmedabad, India, and Oakland, California. Each story looks at the socio-economic conditions that contribute to illness, and how people can take charge of their own lives and health.","stream","[""Self Employed Women's Association (Ahmadābād, India)""]","['California', 'India', 'England']","['Equality', 'World health', 'Control (Psychology)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764836/1007764836-disc001-file001-frame00095-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217066"
"asp3217064-marc","","Record store","","36 minutes","[]","As the American music industry struggles to find its place in the digital world, many music enthusiasts, audiophiles, and DJ's continue to buy and collect vinyl records, sometimes to their financial and emotional detriment. This remarkable documentary, shot over a three-year period, explores the various urban subcultures at an independent record store in Philadelphia, focusing on the store's owners, employees, and customers. Although divergent in musical taste and style, they are all united as self-identified vinyl addicts.With a keen ethnographic eye, filmmaker Matthew Durington captures telling commentary and provides a compelling case study of the addictive drive to collect that cuts across all cultures. The film also examines such topics as the relative value of material culture and how the world of popular urban music relates to larger social issues such as race and gender.One of the film's prominent themes is the racial and class issues that arise from the fact that the record store caters to a largely African American customer base that buys urban music (i.e., Rap and Hip Hop), yet the store itself does not reflect this customer base in its ownership and employees. Consequently, the employees are forced to deal with their own racial identities in addition to the racial and class dynamics of their urban clientele.Record Store is a rich and vital cultural portrait that will draw and hold the attention of today's digital-age students. It will inspire reflection and generate discussion in a wide variety of classes in American studies, sociology, cultural anthropology, social psychology, communication, and popular culture. It was produced by Matthew Durington.","stream","[]","['United States', 'Pennsylvania']","['Sound recordings', 'Record stores', 'Rap (Music)', 'Subculture', 'Hip-hop', 'Secondhand trade']","['Ethnographic films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764835/1007764835-disc001-file001-frame00100-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217064"
"asp3217062-marc","","Radical disciple. The story of Father Pfleger","","59 minutes","[]","Regarded as a hero by many and a renegade by some in the Catholic Church hierarchy, Michael Pfleger, longtime pastor of Chicago's St. Sabina parish, has consistently used the power of his pulpit to battle social inequity and engage in high profile campaigns to end drug-dealing, prostitution, and the exploitation of the poor by liquor and tobacco companies.This powerful and thought-provoking documentary captures the charisma of the crusading priest while it explores the tensions between the Catholic Church and its African-American flock.Mike Pfleger almost defines the word iconoclast: He is a white priest in a nearly all-black parish; an outspoken maverick in a rigidly conservative archdiocese; a preacher whose sermons are more akin in style and tone to Black Baptist traditions than to White Catholic. He has repeatedly challenged orthodoxy -- from his adoption of three boys to his frequent political activism -- making him a constant irritant to the Church hierarchy. Yet Pfleger has also transformed a dying parish into one of the city's most vibrant, while leading the economic revival of one of Chicago's most impoverished neighborhoods.Radical Disciple relates the remarkable story of this Catholic rebel and in so doing examines such broader contemporary issues as the frayed relationship between the Church and the African-American community, the power and importance of the mass media in shaping people's perceptions, and the tension between the social consciousness of Pfleger's ""gospel of the streets"" and traditional notions of religious ""neutrality"" in political issues.The film investigates the early influences that motivated Pfleger to devote his life to fighting racism and injustice, especially his shock at witnessing the bitter protest against Martin Luther King, Jr., in Chicago's Marquette Park in 1966, and shows how he has learned to ""use"" the media in a sophisticated way to spread awareness of his message. It also documents how Pfleger's larger-than-life personality sometimes becomes a story in itself and obscures the larger issues he is addressing, such as with his notorious rant against Hillary Clinton during the 2008 Presidential contest.Commentators and critics who appear in the film include Rev. Jesse Jackson, Catholic activists Tom Roeser and Mary Anne Hackett, journalist Carol Marin, Univ. of Chicago theologian Dwight Hopkins, and Chicago religion writer Tim Unsworth.Radical Disciple and its charismatic subject will engage students and inspire thought and discussion is a wide variety of courses in sociology and social issues, American studies, ethnic studies, communication and the media, and religious studies. It was produced by Bob Hercules.","stream","['Pfleger, Michael', ""St. Sabina's (Church : Chicago, Ill.)""]","[]","['Social justice', 'Church and social problems']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764834/1007764834-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217062"
"asp3217060-marc","","No place like home","","25 minutes","[]","This brilliant documentary explores eight months in the life of a broken family in Seattle and powerfully depicts the cycles that keep families tied to poverty and violence from one generation to the next.The film focuses on a young girl, Barbara, who lives with her mother, brother, and sister in homeless shelters and cheap motels. They spend their days stretching welfare checks and shuttling between shelters while they wait for public housing and a future that never seems to arrive.Barbara's mother recounts a childhood of abuse and violence and a period of imprisonment as an adult. As Barbara tells her story -- trying to make sense of a legacy of domestic violence, poverty, and abandonment -- she emerges as the primary target of her own anger. At ten, she's ""tired of moving, tired of packing-- everything."" She speaks dispassionately of being beaten by her father, of homelessness and the fears it engenders, of her mother's prison time. Her eerie calm belies the dangers she faces, and it is clear that her home is only the latest in a long series of losses. Her resignation, her acceptance of the unacceptable, is heartbreaking. The film makes no pretense of providing answers, but it clearly shows, through the eyes of one young girl, the questions. ""No Place Like Home"" is a classic documentary that is sure to engage students and generate thought, analysis, and discussion in a wide variety of courses in sociology, psychology, American studies, and women's studies. It was produced by Kathryn Hunt.","stream","[]","['Washington (State)']","['Homeless children', 'Poor', 'Homelessness', 'Victims of family violence', 'Welfare recipients']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764833/1007764833-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217060"
"asp3217058-marc","","Men at work. Voices from Detroit's underground economy","","60 minutes","[]","In Detroit, the most segregated American city, vast stretches of boarded-up storefronts and weed-choked lots evidence decades of white and middle-class flight from the black central city. In the last 60 years, Detroit has lost more than half its residents, falling from a zenith of two million in the '50s during its heyday as an automotive mecca to a population of 700,000. After decades of factory layoffs and amid aftershocks of the current economic crisis, more than a third of Detroit's remaining population and nearly half of its children live below the poverty line. Twenty-nine Detroit schools closed recently, and nearly half of the city's adults are functionally illiterate.Particularly hard hit are Detroit's men, with an unofficial unemployment rate hovering near 50% and a third incarcerated or on parole. Not surprisingly, Detroit, which recently came in first on Forbes magazine's ""Miserable Cities Index,"" is viewed as the national reference point for all that has gone wrong in the urban landscapes of America.But abandonment and decay are not the only stories in the poorest, most dramatically shrinking major American city. Detroit is also a tale of ingenuity and reinvention born of necessity. This thought-provoking and richly discussable documentary profiles a number of the original and creative individuals who are finding ways to survive in a time of turmoil.This is the story of how, in an economic climate apparently designed to ensure their failure, some resilient men find work on their own terms, get food and shelter, and raise their children -- often making up the means to do so as they go along.Men at Work focuses on eight essentially well-meaning men and explores their efforts to improvise a reality that succeeds for them. Although their survival strategies are largely ""off the books,"" most have been willing, even anxious, to tell their stories. In one example, a handyman gives a new slant to the concept of ""living off the grid,"" as he explains the dangerous process by which many residents jury-rig utility meters to pirate electricity and gas. Like many others he knows, he is a squatter in a bank-foreclosed home and says of himself: ""I'm not in the system. I don't exist.""There are stories, too, of recycling and reassembly, but not in the sense that the mainstream uses these terms. A craftsperson pulls down the cornice moldings and copper wiring from an abandoned house and fashions them into tables and sculptures, selling the leftovers on the junk market. This is what day-to-day life looks like in many Detroit neighborhoods - the reassembly of a city, being piloted solo and without a map or navigation system. Men at Work provides viewers an opportunity to hear these stories told in the voices of those who live them and listen, for once, to the full explanation.Men at Work will open students' eyes and hearts to stories ignored by the mainstream media and hidden from the national consciousness. It will inspire thought and discussion in a wide variety of classes in sociology and social issues, ethnic studies, urban studies, psychology, social work, and gender studies. It was produced by H. James Gilmore and Carolyn Kraus for Acadia Pictures, Inc.","stream","[]","['Michigan', 'Detroit (Mich.)']","['African Americans', 'African American men', 'Working poor', 'Informal sector (Economics)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764832/1007764832-disc001-file001-frame00140-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217058"
"asp3217056-marc","","Laid to waste. A Chester neighborhood fights for its future","","53 minutes","[]","Simply put, this acclaimed documentary is the best case study of environmental injustice and racism available on video. In the economically depressed, largely African-American 'West End' of Chester, Pennsylvania, Zulene Mayfield lives next door to the fourth-largest trash-to-steam incinerator in the nation and a few doors away from a large processing facility for infectious and hazardous medical waste. The county's sewage treatment plant sits adjacent to her neighbors' homes a block away, and additional waste-processing facilities have been proposed for the community.Daily, trucks from Pennsylvania, Delaware, and as far away as Virginia roll past homes on Chester's Second Street, delivering thousands of tons of waste. Residents believe that their lives are being disrupted, their health threatened, their community destroyed, and the very air they breathe dangerously polluted. A grassroots organization called Chester Residents Concerned for Quality Living (CRCQL) has taken an active role in opposing the facilities and in publicizing the plants' impact on their community. Representatives of the waste-processing companies argue that their facilities are safe and that they bring much-needed jobs to Chester.""Laid to Waste"" documents a community's attempt to deal with the complex issues of environmental injustice. The story unfolds dramatically as the residents seek to discover and confront the forces that have chosen their community for such facilities. Though CRCQL receives threats and its office is vandalized, the group continues to protest and to challenge the waste industry. Ultimately, a controversy surrounding an obscure legal maneuver used by the Pennsylvania Supreme Court draws statewide attention to the situation, and brings the Pennsylvania House Judiciary Committee to Chester's West End to investigate allegations of corruption and collusion at the highest levels of government and the waste industry. 'Laid to Waste' is a must-see in any course dealing with environmental issues, urban studies, public policy, African American studies, sociology, or social problems. It was produced by Robert Bahar and George McCollough.","stream","[]","['Pennsylvania', 'Chester (Pa.)']","['Waste disposal sites', 'Refuse disposal facilities']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764831/1007764831-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217056"
"asp3217054-marc","","Homeland","","58 minutes","[]","Set against the stunning backdrop of the Northern Plains, this rich and engaging documentary weaves together the stories of four Lakota Indian families from the Pine Ridge Indian Reservation in South Dakota. Shot over the course of several years, the film provides an inspiring and intimate portrait of contemporary Native American life as well as a unique and compelling depiction of the strength and vitality of Native culture as it unfolds to the viewer over the course of the years.Ultimately the film balances the many troubles that beset the reservation system with the resilience and fortitude of Lakota culture and spirituality. In doing so, it challenges viewers to recognize and appreciate the power of family, the immense spirit of the natural world, and the healing potential of humor and faith.Those featured include Michael Little Boy, a spiritual leader who has lived for more than 20 years in a one-room home with his family of seven. He is followed through the tension-filled but gratifying experience of first gaining a new home, and then seeing his family transformed by its arrival.Grandmother Doris Eagle is determined to put an end to her family's history of alcoholism, a disease that has devastated Native life over several centuries. The film follows Doris as she steadily rebuilds the strength of her family with love and a keen sense of humor.Thurman Horse is an artist who struggles to raise his four children in ""cluster housing"" -- a reservation-style ghetto. Over the course of the film, Thurman moves off the reservation twice to find work and a better education for his kids.Like many people on the reservation, Marian White Mouse is searching for a space that belongs to her alone, a place not regulated by the tribe or federal government. With few resources, Marian tries to build a home on an inherited piece of land in an effort to return to a life of self-sufficiency that is honored in traditional Lakota culture.""Homeland"" will motivate discussion in classes in Native American studies, cultural anthropology, sociology, American studies and history, and comparative religion. It was directed by Jilann Spitzmiller and Hank Rogerson and was produced by Philomath Films in association with the Independent Television Service, with funding provided by the Corporation for Public Broadcasting.","stream","[]","['Pine Ridge Indian Reservation (S.D.)', 'South Dakota']","['Indians of North America', 'Indian reservations', 'Lakota Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764830/1007764830-disc001-file001-frame00115-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217054"
"asp3217052-marc","","Confederacy theory","","57 minutes","[]","This powerful and thought-provoking documentary explores the complexities of a controversy steeped in American history and racial divisiveness: the debate over the Confederate flag in South Carolina, the last state to fly the flag on its capitol. Using never-before-seen archival footage and exclusive interviews with politicians, pundits, activists, and scholars, ""Confederacy Theory"" traces the impact of the Confederate emblem on Southern culture, history, and identity -- from the Civil War to the front lines of a modern-day secessionist movement.Although the Civil War ended long ago, across the American South this century-old defeat holds a prominent place in the popular psyche, to the point that talk of the ""war between the states"" often peppers daily conversation. Now a contemporary cultural war has erupted over the meaning and use of the Confederate battle flag, which many see as a racist symbol celebrating the Southern defense of slavery during the Civil War and Southern resistance to the Civil Rights Movement in the 1960s. The flag's defenders, meanwhile, cling to the notion of a Southern ""lost cause"" and in many respects echo the resentments of their Confederate ancestors. Today this heated controversy has become one of the most contentious issues in the South since desegregation.With its engaging attention to detail and its deft, even-handed treatment of its thorny subject matter, ""Confederacy Theory"" will spark analysis and discussion in a wide variety of courses in sociology and popular culture, social psychology, American history and studies, and African-American studies. It was produced by Ryan Deussing.","stream","[]","['United States', 'Confederate States of America', 'Southern States']","['Political culture', 'Flags', 'Slavery', 'Symbolism in politics']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764829/1007764829-disc001-file001-frame00120-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217052"
"asp3217050-marc","","Chronicle of an American suburb","","59 minutes","[]","This fascinating, multifaceted documentary is an extraordinary portrait of one of America's quintessential postwar suburbs, Park Forest, Illinois, from its founding to the present. The film deftly interweaves remarkable archival footage and contemporary interviews to explore the ideals and aspirations of the town's builders and residents, the sociology of the suburban ""Organization Man"" as documented in William H. Whyte's famous Park Forest research in the 1950s, and the town's subsequent struggles to survive economic, racial, and societal change.Looking at the real-estate situation after World War II, a group of Chicago businessmen saw a huge population of returning veterans, but little available housing. Why not, they thought, build an entire new community for these people? They bought up 2,400 acres of cornfields 30 miles south of Chicago and designed clusters of rental apartments around a central shopping mall, with ranch-style and split-level houses for sale on the periphery. They marketed affordable homes and the promise of happiness.Park Forest opened in 1948. Unlike the Levittowns, Park Forest was planned and built to be a complete, self-contained village. It provided housing, utilities, local shopping, and a citizen-based town council -all designed to create a new way of living. The idea seemed to work. In the 1950s Park Forest became famous through William H. Whyte's social analysis in 'The Organization Man.' Park Forest, he wrote, was 'like every other suburb, only more so ... a harbinger for the way America is going to be. 'By the 1960s the schools were excellent, the median educational level was the highest of any Illinois community, and the population had grown to 30,000, including a cross-section of races and religions. While much of the country was wrestling with segregation and discrimination, Park Forest became a model of peaceful integration in suburbia. But societal changes in the late 1960s and 1970s hit Park Forest hard. The companies that had promised 'The Organization Man' a lifetime of employment security reneged on their promises. Big shopping malls were springing up, and the central shopping plaza that had been the heart of the village failed. As quickly as Park Forest had been built, it had become outdated. Many residents eagerly left town in search of newer suburban utopias offering four-bedroom houses, two-car garages, and half-acre lots.For better or for worse, Park Forest helped create the suburban nation that America is today. Award-winning filmmaker and former Park Forest resident H. James Gilmore returned home during the town's 50th anniversary celebrations to interview the pioneers of the planned community and document the rise, fall, and attempted revival of a unique American dream. 'Chronicle of an American Suburb' will stimulate thought and discussion in a variety of courses in American history and studies, sociology, urban and regional planning, social psychology, and political science. It was produced by H. James Gilmore.","stream","[]","['Illinois', 'Park Forest (Ill.)']","['Suburbs', 'Suburban life', 'New towns']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764828/1007764828-disc001-file001-frame00135-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217050"
"asp3217048-marc","","Can you see the color gray?","","56 minutes","[]","This unique and provocative documentary examines the development, expression, and communication of racial and ethnic prejudices and stereotypes. It is sure to provoke discussion and self-reflection in any course that deals with racial differences and stereotypes.""Can You See the Color Gray?"" shows numerous people from diverse racial and ethnic backgrounds as they grapple with probing questions about their racial attitudes and their feelings about their own ethnicity. The video is particularly revealing in its exploration of the subtle development of racial attitudes in children of varying ages, some of whom are followed over a two-year period.The video is divided into two logical parts of 27 minutes each, which can be shown at different times. Each part is followed by a brief intermission, providing an opportunity to address questions or begin discussing the issues that have been raised.This is a must-see for students of psychology, sociology, ethnic studies, multiculturalism, American studies, counseling, and education. It was produced by Alexandra Corbin.","stream","[]","['United States']","['Children', 'Racism']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764827/1007764827-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217048"
"asp3217046-marc","","Boomtown","","54 minutes","[]","Suquamish, Washington, is a small Pacific Coast reservation town in the heart of the Port Madison Indian Reservation. At the start of every summer, tribal members from the Suquamish Nation transform the quiet seaside village into a volatile marketplace devoted to the sale of fireworks for the upcoming Fourth of July.This fascinating and thought-provoking documentary chronicles the many challenges faced by Suquamish families in the fireworks business and explores the complex and often thorny issues of tribal sovereignty, treaty rights, and the pursuit of life, liberty, and happiness in Indian Country.Although most Americans celebrate July Fourth by simply watching fireworks displays, for many of the Suquamish the selling and setting off of huge displays of fireworks for Independence Day is a vital summer ritual. It is also big business and an important part of the local reservation economy. The main character in the film, Bennie Armstrong, Chairman of the Suquamish Tribal Council, has sold fireworks for three decades.For Armstrong and others, selling fireworks entails calculated risk and detailed planning. One first-time stand owner puts her house in the balance by using mortgage money to buy a stock of fireworks. A veteran seller has long depended on fireworks sales to make up the income shortfalls between salmon runs. Another couple uses income from their stand to start a Baptist Church on the reservation.For Armstrong, the right to sell fireworks is symbolic of a larger political context in which tribes throughout the United States struggle to maintain their sovereignty. In his view, the sale of fireworks is a justly poetic blend of politics, economics, and independence.Nevertheless, the irony of celebrating Independence Day is not lost on Armstrong and other tribal members. But while some see the history of Indian-white relations as a litany of displacement, broken treaties, and cultural destruction, others see a story of Native deeds and contributions to the strength and development of the country as a whole. In reality, Armstrong and other Indians are dual citizens. As both American entrepreneurs and as Indians with an outlook unique to their experiences and traditions, they walk in two worlds.In a place where federal, state, and local policies routinely collide with Native sovereignty, 'Boomtown' provides a multi-layered, subtle, and often-poignant portrait of contemporary Indian life, showing that Native tradition can meet today's economic realities with unexpectedly successful results.""Boomtown"" will motivate discussion in classes in Native American studies, American studies and history, cultural anthropology, and sociology. It was produced by Bryan Gunnar Cole.","stream","[]","['Port Madison Indian Reservation (Wash.)', 'Washington (State)']","['Suquamish Indians', 'Fireworks']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764826/1007764826-disc001-file001-frame00690-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217046"
"asp3217044-marc","","Beyond the politics of life and choice. A new conversation about abortion","","62 minutes","[]","Probably no issue in contemporary America is more divisive and emotionally charged than the debate over abortion rights. And classroom discussions of this polarizing topic can be very difficult, since the moral stakes and the positions of those on both sides of the issue are frequently deeply entrenched. Often most of a class will hold one view and those with the minority position will find it hard to speak out.Put simply, Beyond the Politics of Life and Choice is the best classroom tool available for moving the debate over abortion away from politicized battle lines and into a compassionate and sensitive space, where people with opposing views can better understand the deep concerns of one another. As Prof. Katherine McLaughlin of Keene State College writes, ""What is so helpful about this exceptionally thought-provoking film is that it articulately presents both sides of the abortion debate, giving weight to the arguments of both the majority and the minority in my class, while modeling respectful dialogue and disagreement between those on both sides of the issue. In my class on Women's Sexual Rights, the film enabled active participation in the discussion from those with very different points of view, and resulted in some students seeing glimmers of truth in the arguments of those opposing their positions and most students getting a deeper grasp of the complexities of the issue. ""The film weaves together thoughtful and eloquent commentary by activists, legal experts, theologians, seminarians, college students, service providers, and women for whom the decision to terminate or not to terminate a pregnancy has been a formative event in their lives. All bring admirable nuance and insight to a subject often avoided and fraught with prejudice, stereotypes, tension, and fear. Scenes filmed at protest demonstration, prenatal care centers, abortion clinics, college campuses, and in Third-World countries provide additional context to the commentary. The film explores a wide array of overlapping issues and questions at the heart of the abortion debate: When does new life begin and when does a fetus become a person? Does the potential for personhood make a fetus a person immediately? What does openness to creation really mean in practice? Should reverence for life include reverence for the complexity of life? Is 'innocent life' not threatened by poverty, domestic abuse, social violence, and war as well as by abortion? Do our theories of right and wrong address reality? Is sex for procreation only? What about intimacy and commitment? What about sex education? Will criminalizing abortion make it go away? Does abortion liberate women, or does it burden them with grief and shame? What are the rights and responsibilities of men with regard to unintended pregnancies? The film concludes with a poignant conversation between Angie and Barbara, two longtime friends whose simultaneous pregnancies highlighted their opposing views on abortion. The DVD also contains Special Features that delve deeper into related issues that could not be covered adequately in the film itself, including such topics as adoption, religion and abortion, reproductive justice and women of color, the possibility of finding common ground, and a conversation with Dan and Sidney Callahan, a loving married couple whose opposing views on abortion demonstrate the disparity and complexity of opinion on this subject. Such conversations remind us of our capacity to love and respect those who disagree with us.Beyond the Politics of Life and Choice will inspire compassionate listening and open-hearted discussion in a variety of courses in women's and gender studies, psychology, sociology, ethics, political science, public health, social justice, communication, conflict resolution, and contemporary social problems. The film was produced by John Ankele and Anne Macksoud for Old Dog Documentaries.","stream","[]","['United States']","['Pro-choice movement', 'Pro-life movement', 'Abortion']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764825/1007764825-disc001-file001-frame00150-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217044"
"asp3217042-marc","","All for the taking. 21st-century urban renewal","","59 minutes","[]","In a highly controversial and precedent-setting decision in mid-2005, the U.S. Supreme Court ruled that the Constitution permitted local governments to use their power of eminent domain to forcibly acquire private property and transfer it to another private owner. In so doing, the Court put its stamp of approval on a nationwide epidemic of eminent domain abuse. This timely and thought-provoking documentary provides an insightful case study of the uses and abuses of the power of eminent domain by the city of Philadelphia as it attempts to redefine itself through ""urban renewal"" and planned gentrification. On April 18, 2001, the City of Philadelphia approved the Neighborhood Transformation Initiative (NTI) -- the most ambitious urban renewal project in its history. With a proposed budget of 1.6 billion dollars over five years, the NTI is designed to reverse a 50-year pattern of population decline, brought about in part by the city's earlier wave of postwar urban renewal. Through the use of eminent domain, the city has authorized the seizure of thousands of homes -- mostly owned or rented by the elderly, the poor, and by people of color -- in order to create a massive land bank to entice private developers to rebuild some of its most historic neighborhoods. The film explores the consequences of the city's urban renewal policies on the lifelong residents of the communities affected and places their opposition to the city in the context of an increasingly global economic order that devalues labor, local economies, and the sense of community that once formed the core of urban America. The film demonstrates that urban renewal and eminent domain policies are usually aimed at community residents who are unaware of their rights and are easily confused and frightened by the powerful forces that are changing their neighborhoods and disrupting their lives. 'All for the Taking' examines the personal struggles of residents impacted by Philadelphia's urban renewal program and illustrates how housing activists are fighting eminent domain abuse. Background commentary is provided by Dr. Mindy Fullilove, Prof. of Clinical Public Health, Columbia Univ., and author of 'Root Shock: How Tearing Up City Neighborhoods Hurts America and What We Can Do About It,' and by Scott Bullock, a senior attorney who litigates cases involving property rights and free speech for the Institute for Justice, in Washington, D.C. This powerful documentary will engage students and generate analysis and discussion in a variety of courses in sociology and social issues, urban studies, American studies, ethnic studies, development studies, and public policy. It was produced by George McCollough.","stream","[]","['Pennsylvania']","['Urban renewal', 'Eminent domain', 'Urban policy', 'City planning', 'Relocation (Housing)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007764xxx/1007764824/1007764824-disc001-file001-frame00110-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217042"
"asp3217038-marc","","Doon School Chronicles. Part 2","","74 minutes","['Doon School Chronicles']","This intimate and groundbreaking study of India's most prestigious boys' boarding school is one of the most acclaimed works of renowned ethnographic filmmaker David MacDougall. In this original and beautifully photographed film, MacDougall examines not only the life of the boys in the school and the culture associated with that life; he also inquires into the school's 'social aesthetics,' the qualities of place, material objects, and social interaction that provides a distinctive backdrop for the everyday life of this community. Sometimes called 'the Eton of India,' Doon School has nevertheless developed its own characteristic style and presents a curious mixture of privilege and egalitarianism. The school was established by a group of Indian nationalists in the 1930s to produce a new generation of leaders who would guide the nation after Independence. Since then it has become highly influential in the creation of the new Indian elites and has come to epitomize many aspects of Indian post-coloniality. Shot over a two-year period, the film explores the social aesthetics and ideology of the school through its rituals, the physical environment it has created, and its effects upon several boys of different ages and temperaments. The film is divided into ten ""chapters,"" each headed by a text taken from school documents. This narrative structure lends great cohesiveness to the film and at the same time facilitates classroom use and helps focus discussion on the key themes and issues explored. Doon School Chronicles will take its place among the classics of ethnographic cinema. It is essential viewing for a wide array of classes in cultural anthropology, Asian and Indian studies, visual anthropology, education and childhood studies, and post-colonial studies. An excellent accompaniment to the film is the book, Constructing Post-Colonial India: National Character and the Doon School, by anthropologist Sanjay Srivastava (Routledge, 1998).","stream","['Doon School']","['India']","['Boarding schools', 'Boarding school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707415/1007707415-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217038"
"asp3217036-marc","","Doon School Project. With morning hearts","","110 minutes","['Doon School Project']","This remarkable new documentary by renowned ethnographic filmmaker David MacDougall continues his long-term study of the Doon School, India's most prestigious boys' boarding school. Sometimes called ""the Eton of India,"" Doon School has nevertheless developed its own characteristic style and presents a curious mixture of privilege and egalitarianism. With great sensitivity to social, material, and aesthetic details and a keen eye for significant moments of interaction and emotion, 'With Morning Hearts' focuses on a group of twelve-year-olds during their first year in one of the ""houses"" for new boys. The film explores the boys' attachment to the house but, more importantly, their attachment to one another in a communal life. It follows, in particular, the experiences of one boy and several of his close associates, from their initial homesickness, to their life as members of the group, to their separation from the house at the end of the year.The film's title is taken from a school prayer: Call us up with morning faces, And with morning hearts, Eager to labor, eager to be happy, If happiness shall be our portion, And if the day be marked for sorrow, Strong to endure it. Doon school was established by a group of Indian nationalists in the 1930s to produce a new generation of leaders who would guide the nation after Independence. Since then it has become highly influential in the creation of the new Indian elites and has come to epitomize many aspects of Indian post-coloniality. Along with 'Doon School Chronicles,' 'With Morning Hearts' is a revelatory cultural portrait that will take its place among the classics of ethnographic cinema. It will stimulate discussion and analysis in a wide array of classes in cultural anthropology, Asian and Indian studies, visual anthropology, education and childhood studies, and post-colonial studies.","stream","[]","['India']","['Boarding schools', 'Boarding school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707414/1007707414-disc001-file001-frame00220-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217036"
"asp3217034-marc","","Who owns the past?","","57 minutes","[]","This outstanding documentary relates the powerful history of the American Indian struggle for control of their ancestral remains. In 1990, after a long struggle between Indian rights groups and the scientific establishment, the Native American Graves Repatriation and Protection Act (NAGPRA) returned to Indian people the right to control the remains of their ancestors.For American Indians, this was perhaps the most important piece of civil and human rights legislation of the 20th century. Skeletons and grave goods that had been gathering dust in museums around the country could come home again, and Indian graves would be protected from further desecration. Indian people were not only being heard; their moral claims on their past were being turned into law.Now a new case is testing these claims. The discovery of a 9,000-year-old skeleton on the banks of the Columbia River near Kennewick, Washington has re-ignited the conflict between anthropologists and Indian people over the control of human remains found on ancestral Indian lands. Anthropologists insist that these remains hold the key to America's past and must be studied for the benefit of mankind, while many Indian people believe that exhuming and studying them is a desecration of their ancestors. At the heart of the conflict are two very different and seemingly irreconcilable belief systems. ""Who Owns the Past?"" uses the Kennewick Man case as a frame to explore the roots of this conflict, roots that reach back to the very beginnings of American history. By exploring the historical events that led to the passage of NAGPRA and the current controversy over Kennewick Man, the film provides a clear context for understanding the issues involved. Perhaps most important, the film illuminates the two very different world views that inform this controversy and that will continue to have tremendous impact on Indian people and on all Americans long into the future. ""Who Owns the Past?"" is essential viewing for a wide array of classes in American history and studies, Native American studies, ethnic studies and multiculturalism, anthropology, and archaeology. It was produced by Jed Riffe and narrated by Academy-Award-winning actress Linda Hunt.","stream","[]","['United States']","['Human remains (Archaeology)', 'Indians of North America', 'Cultural property', 'Archaeology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707413/1007707413-disc001-file001-frame00095-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217034"
"asp3217032-marc","","Under the palace wall","","53 minutes","[]","From the 16th century, the Indian village of Delwara in southern Rajasthan was ruled as a principality of the kingdom of Mewar. Its imposing palace, which overlooks the village, is now a luxury hotel -- a world remote from the daily life of the villagers.Following on from his film SchoolScapes, which was inspired by the early cinema of Lumiere, noted ethnographic filmmaker David MacDougall here employs a masterful series of precisely observed scenes to explore Delwara's local primary school and contemporary village life. Conventional documentary filmmaking practices are set aside here. There are no interviews and no narration.However, the beautifully composed, arresting imagery, mesmerizing background sounds and conversations, and incisive, thought-provoking editing juxtapositions powerfully convey to the viewer not just the surface of Delwara's daily life, but also its inner dimensions and rhythms, all of which unfold 'under the palace wall.' Under the Palace Wall will challenge viewers and generate thought and discussion in a wide range of courses in Indian and Asian studies, cultural anthropology, and film studies. It will certainly join the long list of classic ethnographic masterpieces produced by David MacDougall.","stream","[]","['Rajasthan (India)', 'India']","['Palaces', 'Schools']","['Ethnographic films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707412/1007707412-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217032"
"asp3217030-marc","","Under the men's tree","","15 minutes","[]","At Jie cattle camps in Uganda men often gather under a special tree to make leather and wooden goods and talk, relax, and sleep. This brilliant ethnographic documentary by renowned filmmakers David and Judith MacDougall captures one particularly riveting discussion one afternoon under the men's tree.The conversation on this particular afternoon becomes a kind of reverse ethnography, centering on the European's most noticeable possession, the motor vehicle. This is a uniquely delicate and intimate film, filled with the humor of the Jie and, implicitly, the ironic wit of the filmmakers.","stream","[]","['Karamoja Province (Uganda)', 'Uganda']","['Cattle herders', 'Jie (African people)', 'Men']","['Ethnographic films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707411/1007707411-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217030"
"asp3217028-marc","","Turkana Conversations. The wedding camels. 2","","104 minutes","['Turkana Conversations']","In this, the second film in renowned ethnographic filmmakers David and Judith MacDougall's classic Turkana Conversations Trilogy, one of Lorang's daughters, Akai, is going to marry one of his friends and age-mates, Kongu. Because of the close ties between the two men everything should go smoothly, but the pressures within the two families are such that the wedding negotiations over the bridewealth become increasingly tense.Arranging the number and type of animals to be given as bridewealth demands an intricate balance between psychology and economics: Kongu must offer enough animals to please Lorang and his relatives, but not so many that he appears weak or foolish, or depletes his own family's herds.Negotiations drag on for several days, then threaten to break down altogether. The outcome depends not only on traditional patterns of behavior, but also on the influence exerted by Lorang's wives and the manner in which Lorang chooses to resolve the dilemma that confronts him.","stream","[]","[]","['Turkana (African people)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707410/1007707410-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217028"
"asp3217026-marc","","Doon School Project. The New Boys. 4","","101 minutes","['Doon School Project']","This landmark documentary is the fourth film in renowned ethnographic filmmaker David MacDougall's long-term, five-part study of childhood and adolescence at the Doon School in northern India.This film focuses on life in a school dormitory. A new group of 12-year-old students is arriving to start their lives at the school. The film follows them from their first day, exploring their emotional and intellectual lives as they experience homesickness, fights, classroom teaching, and the stirrings of group identity. Although these boys are the same age as those in the earlier ""With Morning Hearts,"" the group dynamics captured here are very different from that film.Within the group are boys of varied personalities and backgrounds -- some natural leaders, some subject to teasing and bullying, some argumentative, some peace-makers. Especially notable are the conversations among the boys about such matters as the causes of aggression and warfare, homesickness, restaurant food, and how to speak to a ghost.Along with 'Doon School Chronicles,' 'With Morning Hearts,' and 'Karam in Jaipur,' this profound cultural portrait will take its place among the classics of ethnographic cinema. It will generate thought and discussion in a wide range of classes in cultural anthropology, Asian and Indian studies, visual anthropology, education and childhood studies, and post-colonial studies.","stream","[]","['India']","['Boarding schools', 'Boarding school students']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707409/1007707409-disc001-file001-frame00145-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217026"
"asp3217024-marc","","The Art of Regret","","60 minutes","[]","This brilliant and keenly observed documentary, by renowned ethnographic filmmaker Judith MacDougall, explores the digital revolution in China, where photography is known as the 'art of regret.' A profound and seminal meditation on the uses of photography and image-making in a culture very much in flux, the film demonstrates that difficult choices about how to regard history, reality, and material culture face everyone in contemporary China.Filmed in the rapidly changing city of Kunming, The Art of Regret incisively examines one of the most vexing and provocative questions surrounding photography today: do people want photography to be a medium of preservation and evidence, or of transformation and fantasy? While the Chinese cherish old photographs and the memories those photographic relics preserve, they also can -- and do -- visit computerized photo stalls in department stores and become transformed into movie stars.The film blends a rich array of thought-provoking sequences along with insightful and engaging commentary by the filmmaker herself. Downtown, in a big commercial complex, the old are made young again and everyone is made more ""beautiful."" A big photographic studio uses a traditional wooden camera to make a family portrait and then retouches it in a high-tech computer lab. A man tells of photos lost in the Cultural Revolution. A digitally restored photo brings three generations of women together. One photographer regrets that a photograph must always contain something that is missing.The Art of Regret is a compelling and eye-opening work that will inspire reflection and discussion in a variety of courses on China, Asian studies, cultural anthropology, development studies, popular culture, and photography. It was produced by Judith MacDougall.","stream","[]","['Kunming Shi (China)']","['Photography']","['Ethnographic films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707408/1007707408-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217024"
"asp3217022-marc","","Doon School Project. The Age of Reason. 5","","87 minutes","['Doon School Project']","This is the fifth and final film in renowned ethnographic filmmaker David MacDougall's Doon School Quintet, his long-term study of India's most prestigious boys' boarding school. In this film he focuses on the life of one student whom he discovers at the school. The film explores the thoughts and feelings of Abhishek, a 12-year-old from Nepal, during his first days and weeks as a Doon student.This remarkable and intimate documentary is at once the story of the encounter between a filmmaker and his subject and a glimpse into the mind of a child at 'the age of reason.' Along with 'Doon School Chronicles,' 'With Morning Hearts,' 'Karam in Jaipur,' and 'The New Boys,' this compelling individual and cultural portrait will take its place among the classics of ethnographic cinema. It will stimulate thought and discussion in a wide range of classes in cultural anthropology, Asian and Indian studies, visual anthropology, education and childhood studies, and post-colonial studies.","stream","['Doon School']","['India']","['Boarding schools', 'Boarding school students']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707407/1007707407-disc001-file001-frame00405-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217022"
"asp3217020-marc","","Tempus de Baristas","","102 minutes","[]","Time of the Barmen is one of the most acclaimed works of renowned ethnographic filmmaker David MacDougall. It profiles three goatherders in the mountains of eastern Sardinia and, with extraordinary insight and nuance, explores a traditional way of life that is rapidly disappearing as commercial farming displaces herding and young people drift to the coast for the higher pay and glamour of the tourism industry.Pietro, a boy of 17, loyally helps his father in the herding and milking of their goats. His father Franchiscu, 62, would like his son to stay in the mountains but knows he will probably have to leave to further his education and his prospects. Their friend Miminu, in his 40s and still unmarried, knows all his goats by name but faces a future of increasing poverty and isolation.For Pietro, the lives of his father and Miminu provide reference points against which to measure himself and consider his future in a changing world.This extraordinary film was directed by David MacDougall and produced by the Istituto Superiore Regionale Etnografico and Fieldwork Films, in association with BBC Television.","stream","[]","['Italy', 'Sardinia (Italy)']","['Manners and customs', 'Goat farmers']","['Ethnographic films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707406/1007707406-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3217020"
"asp3216996-marc","","Casper the friendly ghost. Boo moon","","8 minutes","[]","As you'll see from this fantastic restoration of Boo Moon, the grandiose lunar settings and epic special effects show that the money did indeed reach the screen. Famous specialized in a children audience, and there's no doubt the cartoon, released at the height of Casper's popularity, passes their approval. But the depth and extent of the 3-D in Boo Moon ensures that an audience of any age will find it as fun and satisfying as anything ever done in the process.","stream","[]","['Moon']","['Ghost plays']","['Comedy films', '3-D films', ""Children's films"", 'Short films', 'Animated films']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095634/1007095634-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216996"
"asp3216994-marc","","I'll sell my shirt","","10 minutes","[]","Low comedy meets high technology in I'll Sell My Shirt, a burlesque film unseen anywhere in 3-D for over 60 years. Corky Marshall, known as ""The Clown Princess of Comedy"" and ""Da Brooklyn Lovebird,"" receives top billing but the real mirthmakers are George ""Beetlepuss"" Lewis and Charlie Crafts, cited as ""One of Burlesque's Greatest Comedy Teams"" by Billboard magazine. This restoration of I'll Sell My Shirt was taken from the original 35mm left/right elements and displays Thompson's deep stereoscopic widescreen cinematography better than ever before. (It was only shown in red/green anaglyphic 3-D in its original release.) The short was rescued just in time. The elements are shrunken and rapidly deteriorating with vinegar syndrome.","stream","[]","[]","[]","['Filmed burlesque acts', '3-D films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095632/1007095632-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216994"
"asp3216992-marc","","The adventures of Sam Space","","9 minutes","[]","In trade-journal announcements (July 3, 1953), Robert Angus and James Banks, of Volcano Productions, envisioned The Adventures of Sam Space as the first in a  series of theatrical 3-D puppet cartoons, utilizing the animation seen in George Pal's Puppetoons. In fact, writer-director Paul G Sprunck had worked on the Puppetoons and similar shorts. He also designed the character of Sam Sawyer in 1950 for Sawyer's Inc. Production began on July 22, 1953 at General Service Studios with ""Photography and Special Effects"" by the Howard A. Anderson Company, utilizing a stereoscopic camera system. Arthur C. Pierce, then a cameraman with the Anderson firm, received ""Screen Adaptation and Production Supervisor"" credit. Character voices were supplied by the legendary Paul Frees (Boris Badenov, Ludwig von Drake, Pillsbury Doughboy), with animation by Herb Price and music score by Clarence Wheeler (Puppetoons). Filming wrapped the week of October 17.","stream","[]","['Outer space']","[]","['Short films', '3-D films', 'Stop-motion animation films']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095631/1007095631-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216992"
"asp3216990-marc","","Doom town","","15 minutes","[]","The first 3-D documentary, Doom Town was made by independent producer Lee Savin, who was intrigued by the atomic-bomb tests at Yucca Flats in Nevada. Filming began March 17, 1953. Photographed with the Dunning Three-Dimensional Process, it captured the devastating effects of an atomic blast.","stream","[]","['Nevada', 'Yucca Flat (Nev.)']","['Nuclear explosions', 'Nuclear weapons']","['Documentary films', '3-D films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095630/1007095630-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216990"
"asp3216988-marc","","Stardust in your eyes","","6 minutes","[]","Shot by producer-director Phil Tucker in May 1953 as an opening for his 3-D cult favorite Robot Monster, Stardust in Your Eyes showcases ""My Heart is Owned and Operated By You,"" a song composed by nightclub comic Slick Slavin --misspelled ""Slaven"" in the credits -- who is actually Trustin Howard, a respected comedy writer (The Joey Bishop Show), actor (Career, King Creole, The Bride and the Beast), composer (he wrote the classic rockabilly title song for 1958's Speed Crazy and also sang it in the film) and author (Winchell and Runyon: The True Untold Story)--and highlights his impressions of Cary Grant, Jimmy Stewart, Ronald Colman, James Cagney, Humphrey Bogart, Larry Parks as Al Jolson (a great in-joke for movie buffs), Peter Lorre, Sydney Greenstreet and Charles Laughton. This delightful standup routine has proven to be a big hit at 3-D festivals.","stream","[]","[]","[]","['Musical films', '3-D films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095628/1007095628-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216988"
"asp3216986-marc","","Rocky Marciano, champion vs. Jersey Joe Walcott, challenger","","17 minutes","[]","The first and only 3-D newsreel, Rocky Marciano vs. Jersey Joe Walcott documents the heavyweight championship bout between champ Marciano and challenger Walcott at the Chicago Stadium on May 15, 1953, presented by the International Boxing Club.","stream","[]","[]","['Boxing matches']","['Newsreels', '3-D films', 'Filmed boxing matches']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095626/1007095626-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216986"
"asp3216984-marc","","Natural Vision 3-dimension. November, 1952","","5 minutes","[]","Milton Lowell Gunzburg, president of Natural Vision Corporation, supervised prominent 3-D productions, including Bwana Devil, House of Wax and The Charge at Feather River. Made as a prologue to Arch Oboler's Bwana Devil, this short explains how Natural Vision 3-D works and is ""healthy and beneficial"" for your eyes. Lloyd Nolan (A Tree Grows in Brooklyn) serves as our guide, introducing us to Beany and Cecil (voiced by Daws Butler and Stan Freberg, respectively), stars of Bob Clampett's Time for Beany television show, and Miss U.S.A. of 1949, Shirley Tegge, newly-christened ""Miss Third Dimension"". According to Natural Vision cameraman Lothrop Worth, this footage was shot in the library of the Berch Estate, a Beverly Hills mansion.","stream","[]","[]","['3-D video (Three-dimensional imaging)']","['Documentary films', '3-D films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095624/1007095624-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216984"
"asp3216982-marc","","Bolex Stereo. June, 1952","","10 minutes","[]","This is a true time capsule with shots of the liner S. S. United States in its first year, travelogue and cheesecake, all tied together with period narration that entertains  and informs. For instance, who knew the message of the exotic hula dance contained instructions on how to project Bolex stereo! More helpful is the narration for the remarkable underwater scenes, the highlight of the Rialto show. We're told they are the first 3-D movies taken underwater. It's very likely, as this is the earliest known example from a submerged camera.","stream","[]","[]","['Camcorders', '3-D video (Three-dimensional imaging)']","['Documentary films', '3-D films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095623/1007095623-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216982"
"asp3216980-marc","","Around is around is around is a film","","7 minutes","[]","The second of the two 3-D films -- the first is Now Is the Time -- commissioned by the British Film Institute to Norman McLaren for the Festival of Britain. It photographs moving oscilloscope patterns given stereoscopic form through the control of different left-eye and right-eye image positions. Music by Louis Applebaum.","stream","[]","[]","[]","['Animated films', '3-D films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095619/1007095619-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216980"
"asp3216978-marc","","New dimensions. May, 1940: a three-dimensional polaroid film","","9 minutes","[]","With In Tune with Tomorrow averaging over 250,000 viewers a month during the 1939-40 New York World's Fair, Chrysler once again enlisted Loucks & Norling to top itself with yet another stereo promotional film. Expanding upon the brief animations shown in the first short, New Dimensions would be all about the Plymouth and how it was made. Shot stop-motion, full-scale and in color, John Norling had a significantly expanded budget to work with.","stream","['Chrysler Corporation']","[]","['Automobiles']","['Short films', 'Documentary films', '3-D films', 'Stop-motion animation films']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095617/1007095617-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216978"
"asp3216976-marc","","Thrills for you. May, 1940","","8 minutes","[]","One year after visitors to the 1939 New York World's Fair were introduced to polarized 3-D projection with Chrysler's promotional short, In Tune with Tomorrow, the Pennsylvania Railroad gave Polaroid 3-D its west coast premiere with this film at the Golden Gate International Exposition in San Francisco. Produced by the same team as the Chrysler film, but rather than featuring whimsical stop-motion animation, this one takes a documentary approach with careful composition in depth and dynamic point-of-view angles to impart the sensation of traveling on ""the world's most modern railroad."" Only the new polarized ""magic moves"" could be sufficiently modern to provide no less than five proud shots of the iconic streamlined, Raymond Loewy designed GG1 electric locomotive. Equally in depth are the muscular K4 engines under full steam.","stream","['Pennsylvania Railroad']","['Pennsylvania']","['Railroads']","['Documentary films', '3-D films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095616/1007095616-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216976"
"asp3216974-marc","","William T. Crespinel/Jacob Leventhal tests. 1924-1927","","6 minutes","[]","Following the success of Movies of the Future, Jacob Leventhal partnered with Frederick E. Ives to produce the Plastigrams, a self-distributed 300-foot anaglyphic short that played January 1924 in New York at the Rialto, and the following month at the Rivoli. Educational Pictures picked up distribution rights not long thereafter, and the short was distributed nationally in March. Ives and Leventhal followed this up in June 1924 with a short for Educational called Stereoscopiks. The following year, the Ives-Leventhal Stereoscopiks brand licensed by Pathè films for a series of quickie 10-minute shorts with unusual names like Ouch, Zowie, Luna-cy and A Runaway Taxi which gained much national notoriety. Uncredited but an integral part of all these films was William T. Crespinel, who photographed and processed most of these films at Prizma and Kelleycolor laboratories. He seemingly put together this ""best of"" reel around 1927/1928.","stream","[]","[]","['3-D video (Three-dimensional imaging)']","['Screen tests', '3-D films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095614/1007095614-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216974"
"asp3216972-marc","","Kelley's Plasticon pictures","","8 minutes","[]","This demonstration reel, including the follow-up film Thru' the Trees -- Washington, D.C. (this time specifically shot by William T. Crespinel -- Kelley's business partner at Prizma) was prepared for a June 27, 1923 technical meeting in Swampscott, MA, followed by a meeting in Ottawa, Canada of the Society of Motion Picture Engineers from October 1-4, 1923. It is likely, but unconfirmed, that the opening portion and closing portion of this surviving short is Movies of the Future in totem or perhaps a truncated version of the short shown at the Rivoli.","stream","[]","['United States']","['3-D video (Three-dimensional imaging)']","['Documentary films', '3-D films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095613/1007095613-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3216972"
"asp3215448-marc","","In short. Yellowstone. Episode 227","","3 minutes","['In short']","Episode 227 – Yellowstone: Yellowstone National Park proclaimed by President Ulysses S. Grant in 1872 is the world's oldest national park. Yellowstone provides a habitat for hundreds of species of birds, fish and mammals including Bison, Elk and Grizzly Bears.","stream","[]","['Yellowstone National Park', 'Wyoming']","['National parks and reserves']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007770xxx/1007770198/1007770198-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3215448"
"asp3215446-marc","","In short. X-38. Episode 172","","3 minutes","['In short']","Episode 172 - X-38: The X-38 was an experimental prototype for a spacecraft that could carry as many as 7 people. It was designed to carry all seven space station astronauts back to Earth in the event of an emergency.","stream","['International Space Station']","[]","['Space rescue operations', 'Space vehicles']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007770xxx/1007770253/1007770253-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3215446"
"asp3215444-marc","","In short. X-29. Episode 120","","3 minutes","['In short']","Episode 120 - X-29: In the late 1980s the Grumman Corporation was asked to build an experimental aircraft known as the X-29.","stream","[]","[]","['Grumman X-29A (Research plane)', 'Airplanes', 'Research aircraft']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007770xxx/1007770305/1007770305-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3215444"
"asp3215442-marc","","In short. Wright Brothers. Episode 128","","3 minutes","['In short']","Episode 128 - Wright Brothers: In December 1903, Wilbur and Orville Wright; bicycle makers from Ohio, made the world's first powered flight.","stream","['Wright, Orville', 'Wright, Wilbur']","['United States']","['Airplanes', 'Inventors']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007770xxx/1007770297/1007770297-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3215442"
"asp3215440-marc","","In short. World Heritage. Episode 130","","3 minutes","['In short']","Episode 130 - World Heritage: After the devastation of the Second World War the United Nations was organised to foster cooperation between nations. Almost immediately its offshoot UNESCO came into being and one of its first major projects was in Egypt.","stream","['Unesco']","[]","['Cultural property', 'World Heritage areas']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007770xxx/1007770295/1007770295-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3215440"
"asp3215438-marc","","In short. Windshear. Episode 175","","3 minutes","['In short']","Episode 175 – Windshear: Windshear is a sudden and unpredictable change in wind direction. For aircraft taking off and landing, when there is little room for error, this sudden gust can spell disaster.","stream","[]","[]","['Winds', 'Wind shear', 'Aircraft accidents']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007770xxx/1007770250/1007770250-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3215438"
"asp2859610-ahiv","","Your weekly address. [It's time for Congress to help the middle class]","","4 minutes","['Your Weekly Address']","In this week's address, President Obama discusses the new monthly jobs report and the fact that our economy created over 200,000 new jobs in July for the sixth straight month -- the longest streak since 1997.","stream","[]","['United States']","['Job creation', 'Presidents']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151394/1007151394-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859610"
"asp2859608-ahiv","","Your weekly address. [Closing corporate tax loopholes]","","4 minutes","['Your Weekly Address']","In this week's address, the President continues his call for the nation to rally around an economic patriotism that says rather than protecting wasteful tax loopholes for a few at the top, we should be investing in things like education and job training that grow the economy for everybody.","stream","[]","['United States']","['Corporations', 'Presidents']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151393/1007151393-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859608"
"asp2859606-ahiv","","Your weekly address","","5 minutes","['Your Weekly Address']","In this week's address, the President recaps his visits with folks who have written him letters about their own American stories -- their successes and struggles. While Congressional Republicans are blocking meaningful measures that would strengthen the middle class, the President continues looking for ways to grow the economy and expand opportunity for more hard-working Americans.","stream","[]","['United States']","['Presidents']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151392/1007151392-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859606"
"asp2859604-ahiv","","Your weekly address. [Celebrating Independence Day]","","3 minutes","['Your Weekly Address']","In this week's address, President Obama commemorates Independence Day by noting the contributions and sacrifices from individuals throughout the history of this country -- from the Founding Fathers to the men and women in the military serving at home and abroad.","stream","[]","['United States']","['Presidents']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151391/1007151391-disc001-file001-frame00075-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859604"
"asp2859602-ahiv","","Your weekly address","","4 minutes","['Your Weekly Address']","In this week's address, the President discusses his recent trip to Minneapolis, where he met a working mother named Rebekah. Rebekah wrote the President to share the challenges her family  -- and many middle-class Americans -- are facing, where they work hard and sacrifice yet still can't seem to get ahead.","stream","[]","['United States']","['Presidents']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151390/1007151390-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859602"
"asp2859600-ahiv","","First Lady Michelle Obama and Dr. Jill Biden launch joining forces","","4 minutes","[]","First Lady Michelle Obama and Dr. Jill Biden launch Joining Forces -- a comprehensive national initiative to mobilize all sectors of society to give our service members and their families the opportunities and support they have earned. Hear from the First Lady and Dr. Biden, meet some of America's military families and watch the First Lady and Dr. Biden surprise a meeting with military families, veterans and volunteers.","stream","[]","['United States']","['Veterans', 'Families of military personnel']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151389/1007151389-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859600"
"asp2859598-ahiv","","Catching up with the curator. Dec. 31st 1862: waiting for the hour. Watch meeting","","3 minutes","['Catching up with the curator']","Go inside the White House with White House Curator Bill Allman as he gives insight into the painting, 'Watch Meeting--Dec. 31st 1862--Waiting for the Hour' by William Carlton, and learn why President Obama hand-picked this painting to hang just outside his office in the West Wing.","stream","['United States', 'White House (Washington, D.C.)', 'Obama, Barack', 'President (1861-1865 : Lincoln)']","[]","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151388/1007151388-disc001-file001-frame00125-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859598"
"asp2859596-ahiv","","Clinton Bush Haiti fund PSA","","1 minutes","[]","Former Presidents Bill Clinton and George W. Bush urge Americans to help the people of Haiti after the devastating January 12th earthquake.","stream","[]","['Haiti']","['International relief']","['Television public service announcements']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151387/1007151387-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859596"
"asp2859594-ahiv","","President George W. Bush farewell address to the nation, January 15, 2009","","14 minutes","[]","Washington D.C. President George W. Bush delivers a farewell address to the nation.","stream","[]","[]","[]","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151386/1007151386-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859594"
"asp2859592-ahiv","","President George W. Bush remarks and signing of No Child Left Behind Education Bill, January 8, 2002","","23 minutes","[]","Hamilton, Ohio. President George W. Bush delivers remarks and signs the bipartisan No Child Left Behind Education Act.","stream","['United States']","[]","[]","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151385/1007151385-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859592"
"asp2859586-ahiv","","The corn dancers","","22 minutes","[]","Highlights southwestern Pueblo Culture. Shows cooking practices, weaving, pottery, and irrigation methods. Discusses Native American Education and shows Laguna and Taos Pueblos.","stream","[]","[]","['Pueblo Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151382/1007151382-disc001-file001-frame00175-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859586"
"asp2859580-ahiv","","Nuremberg. Army television-release version","","75 minutes","[]","This film was made as an historical document to record permanently and accurately the trial of the Nazi defendants at Nuremberg. It consists of footage from German films documenting Nazi personalities and activities interwoven with film shot during the trials -- including testimony and statements from defendants, prosecuting attorneys, judges, and witnesses. It follows the story of the rise and fall of Nazism from the putsch in a Munich beer hall to the Nuremberg trials, and contains flashbacks of a variety of Nazi crimes against humanity.","stream","[]","['Germany']","['Nuremberg Trial of Major German War Criminals, Nuremberg, Germany, 1945-1946', 'War crime trials', 'World War, 1939-1945']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151379/1007151379-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859580"
"asp2859578-ahiv","","Esquimaux leap-frog","","1 minutes","[]","The film, photographed from a single camera position, shows buildings resembling igloos on ice floes, in front of which persons clothed as Eskimos play a game of leapfrog. From a contemporary Edison film company catalog: SCENE IN THE ESQUIMAUX VILLAGE. Ungulado. [code for telegraphic orders]. This shows several Esquimaux at the game of 'Misheetak,' or leap frog, which differs somewhat from the civilized game, and is quite amusing, the photography of which is perfect.","stream","[]","['United States']","['Exhibitions', 'Eskimos']","['Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151378/1007151378-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859578"
"asp2859576-ahiv","","The Esquimaux village","","1 minutes","[]","The first of three camera positions shows a low building resembling an igloo beside a small pool, and an ice floe. Dark-complexioned people dressed as Eskimos run up and down alongside the pool, and a dog pulls a sled. Next, some sled dogs are led in front of the camera. The last camera position shows the same dogs running into a tent made from animal skins. From a contemporary Edison film company catalog: THE ESQUIMAUX VILLAGE. Unguineuse. [code for telegraphic orders]. One of the principal features at the Pan-American Exposition is the Alaskan or Esquimaux Village. In this most interesting exhibit, scenes are enacted just as they take place in the far away frozen North. In this subject we depict a large number of Esquimaux clothed in their native costumes and seated on their sleds, which are drawn by spans of four Esquimaux dogs. They are engaged in a race and are to be seen running over the ice and snow at a high rate of speed. There is a pond in the foreground of the picture on the shores of which the home stretch of the race takes place. The picture is perfect photographically, and the figures stand out clear and sharp, throwing a most perfect reflection on the pond.","stream","[]","['United States']","['Exhibitions', 'Eskimos', 'Eskimo dogs']","['Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151377/1007151377-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859576"
"asp2859574-ahiv","","Drill by Providence police","","2 minutes","[]","'In the center of a town square, a company of uniformed policemen equipped with nightsticks is standing at attention. The policemen execute several close-order drill maneuvers similar to those of any army infantry company. They end as they began, company front'-- Early motion pictures.","stream","[]","['Rhode Island']","['Marching drills', 'Police']","['Silent films', 'Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151376/1007151376-disc001-file001-frame00060-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859574"
"asp2859572-ahiv","","Cutting sugar cane","","1 minutes","[]","The poor condition of the film, its short length, and the distance of the subject matter from the camera position do not permit much description other than saying some workers are in a field. In the foreground, it can be seen that workers have been harvesting a crop of the cane family.","stream","[]","[]","['Sugarcane']","['Silent films', 'Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151375/1007151375-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859572"
"asp2859570-ahiv","","Governor Roosevelt and staff","","2 minutes","[]","From the Biograph picture catalogue: 65 feet. Taken during the land parade in honor of Admiral Dewey, just before the turn into 72nd Street, with Grant's tomb and decorated residences in the background. This entire series of pictures [of the Dewey land parade] has a very high photographic quality, and the various organizations appear at their best.","stream","['Roosevelt, Theodore', 'Dewey, George']","['New York (State)']","['Spanish-American War, 1898', 'Parades', 'Naval ceremonies, honors, and salutes']","['Filmed parades', 'Silent films', 'Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151374/1007151374-disc001-file001-frame00045-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859570"
"asp2859568-ahiv","","Levi & Cohen, the irish comedians","","2 minutes","[]","Opens on a vaudeville or variety stage with a flat painted curtain of a stone fence and garden. On the right side of the stage sits a sign that reads 'Zuzu Daffy, Singing Soubret.' A boy in an usher's uniform crosses the stage and replaces the sign with one that reads 'Levi and Cohen, Irish Comedians.' The boy exits, and the curtain rises to reveal a painted backdrop of a pharmacy storefront. Two men strut onto the stage; one in a black beard, black coat with tails, light-colored pants, and a black top hat, and the other with a bald pate and large nose, dressed in a dark coat and vest, plaid pants, and a bowler, and carrying a cane. The pair go into their act, which seems to consist of the bearded man repeatedly knocking the bowler off the head of his partner while enthusiastically telling a joke or story. The unfortunate man finally has enough, and jumps his bearded friend. The 'audience' of this act are apparently displeased with the performance, and two men sitting between the camera and the stage stand up and begin pelting the comedians with eggs or vegetables. While Levi and Cohen try to shield themselves from the barrage, both of them --as well as the set -- are soon splattered with stains. 'Showing two typical concert hall knock-about teams in a very poor performance. It ends up being in their being egged by the audience. Very realistic and very funny. 61 feet' - -Biograph bulletin no. 55.","stream","[]","[]","['Impersonation', 'Irish', 'Theater audiences']","['Comedy films', 'Silent films', 'Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151373/1007151373-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859568"
"asp2859566-ahiv","","Mckinley and party","","2 minutes","[]","From the Biograph picture catalogue: 54 feet. This picture has been very popular wherever it has been shown on the Biograph. To begin with, the film is unusually fine photographically, and the picture is taken from a point of view which shows the immense distances of Camp Wikoff with its multitude of tents in the background. The President, with Vice-President Hobart and Secretary of War Russell A. Alger, appear in an open carriage escorted by a large number of officers, notable among whom are Gen. Wheeler, Gen. Gates, and Col. John Jacob Astor. This picture is brought to a rather humorous ending by the efforts of a newspaper photographer to get Col. Astor to pose for a picture. He is unsuccessful, and as the gallant colonel gallops away, the photographer's chagrin is apparent.","stream","['McKinley, William']","['New York (State)']","['Military camps']","['Silent films', 'Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151372/1007151372-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859566"
"asp2859564-ahiv","","Charleston chain-gang","","2 minutes","[]","Apparently, the film was photographed from a compound bordered by high walls and buildings. At a distance of fifty yards in the direction that the camera is pointed a column of men can be seen walking backwards and holding a chain under their arms. All the men are dressed the same. Two men carrying shotguns gesture to indicate the chain gang should move. They walk toward camera position, continuing until the last man in the column passes the camera.","stream","[]","['South Carolina']","['Prisoners']","['Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151371/1007151371-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859564"
"asp2859562-ahiv","","Kindergarten ball game","","1 minutes","[]","A row of approximately twenty-five children under the age of six can be seen facing the camera. They stand in front of a long blackboard with the words 'Kansas City, Mo.' written on it. As the film continues, the children bounce the balls they have in their hands, then form a circle and march around the bouncing balls.","stream","[]","[]","['Kindergarten', 'Play', 'Games']","['Silent films', 'Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151370/1007151370-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859562"
"asp2859560-ahiv","","Buffalo dance","","1 minutes","[]","Short early clip from the Edison Manufacturing Co. featuring Native American Sioux Hair Coat, Last Horse, and Parts His Hair, dancing.","stream","[]","['North America']","['Indian dance', 'Buffalo dance']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151304/1007151304-disc001-file001-frame00010-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859560"
"asp2859558-ahiv","","Behind these scenes","","11 minutes","[]","Shows the Capitol Dome and the Interior Department Building in Washington, D.C., and flashes of offices in the Interior Building. Secretary of the Interior Chapman speaks. President Truman signs the Defense Production Act of 1950. Includes scenes of field and factory, coal mines, steel mills, and aerial views of Boulder Dam, Lake Meade Reservoir, irrigation channels at Bonneville, and electric power lines at Boulder and Parker dams.","stream","['United States']","[]","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151303/1007151303-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859558"
"asp2859556-ahiv","","A nation-wide system of parks","","17 minutes","[]","Reel 1, unemployed workers stand in line at the gates of closed factories. Shows views of South Carolina's Edista State Park and Myrtle Beach State Park, and Georgia's Santo Domingo State Park. CCC men work in the park, destroy caterpillars and other pests, transplant trees, attend classes, and feed animals. Shows the home of Alexander Stevens, vice president of the Confederacy, being renovated. Reel 2 shows various views of State parks in Vermont, Massachusetts, Virginia, Louisiana, New York, New Jersey, Colorado, Wyoming, New Mexico, and Texas. CCC men work in the parks.","stream","['Civilian Conservation Corps (U.S.)']","['United States']","['Forest reserves']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151302/1007151302-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859556"
"asp2859552-ahiv","","Alabama highlands","","11 minutes","[]","Shows Birmingham and views of Alabama's mountains, homes, factories, mines, railways, and its State Parks, including Oak Mountain State Park, Weogufka State Park, De Soto State Park, and Cheaha State Park. CCC men in the parks crack rocks, construct lodges and roads, operate bulldozers and dump trucks, and study first aid and artificial respiration. Includes views of tourists driving into the parks, picnicking, and wading in streams.","stream","[]","['Alabama']","['Forest reserves']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151300/1007151300-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859552"
"asp2859550-ahiv","","Annie Oakley","","1 minutes","[]","Annie Oakley was probably the most famous marksman/woman in the world when this short clip was produced in Edison's Black Maria studio in West Orange, New Jersey. Barely five feet tall, Annie was always associated with the wild west, although she was born in 1860 as Phoebe Ann Oakley Mozee (or Moses)in Darke County, Ohio. Nevertheless, she was a staple in the Buffalo Bill Wild West Show and similar wild west companies. Because of her diminutive stature, she was billed as 'Little Sure Shot.' The man assisting her is this appearance is probably her husband, Frank E. Butler. Annie had outshot Butler (a famous dead-eye marksman himself) in a shooting contest in the 1880s. Instead of nursing his bruised ego because he had been thoroughly outgunned by a woman, Butler fell in love, married Little Sure Shot, and became her manager. Theirs was a solid and happy marriage that lasted 44 years, and when Annie died on November 3, 1926, at age 66, a heartbroken Butler followed her to the grave 18 days later.","stream","['Oakley, Annie']","['United States']","['Shooting', 'Rifle practice']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151299/1007151299-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859550"
"asp2859548-ahiv","","Admiral cigarette","","1 minutes","[]","Early advertising film from the Edison Manufacturing Co.","stream","[]","['United States']","['Advertising', 'Cigarette industry']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151298/1007151298-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859548"
"asp2859546-ahiv","","Arizona and its natural resources","","39 minutes","[]","Rangers examine petrified wood. Men saw trees, herd cattle, and dress as Spanish conquistadors. Shows citrus trees; snow-capped mountains; a dude ranch; a Santa Fe train; Spanish missions; Roosevelt, Coolidge and Hoover dams; irrigation ditches, electric lines and transformers; cattle feed and water holes; Phoenix; Tucson; Pueblo; Flagstaff; the University of Arizona; Ariz. State at Flagstaff; health resorts; parades; rodeos; Indian dances; cacti and century plants; wild life in Coconino National Forest; forest fires; and old Apache women. Dramatizations show prospectors in mountains and a gun fight in Tombstone. Maps principal cities. Describes copper mining and smelting operations. Logs are brought to mills and made into lumber. Fruits, vegetables, wheat, cotton and alfalfa are harvested. Apaches round up and brand cattle. Hopi women fashion pottery in an ancient village and men make religious dolls. Navajos herd sheep and women make jewelry, prepare food, weave, and live in brush shelters. Shows cliff dwellings on the Colorado, ruins in Monument Valley, the Grand Canyon, the Painted Desert, Sunset Crater and Petrified Forest National Monument.","stream","[]","['Arizona']","['Natural resources']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151297/1007151297-disc001-file001-frame00215-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859546"
"asp2859544-ahiv","","A better Minnesota","","10 minutes","[]","On Works Progress Administration (WPA) projects in Minnesota. Civilian Conservation Corps (CCC) and WPA units battle a forest fire. Shows dams under construction at Lakeland, St. Paul, etc. WPA members supervise nursery school operations. Children are given medical examinations. Shows household training classes and scenes at a children's vacation camp. Sioux and Chippewa Indians weave, embroider, and make beads. Pink granite is quarried and building construction begins. Shows WPA exhibits at the 1936 State Fair and fair ground improvements made by the WPA. County roads are graded and surfaced.","stream","[]","['Minnesota']","['Public works']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151296/1007151296-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859544"
"asp2859542-ahiv","","A visit to Yosemite National Park","","10 minutes","[]","Shows Yosemite National Park's mountains, trees, highways, ranger headquarters, the valley, Yosemite Falls, Bridal Veil Falls, El Capitan, Illilouette Falls, Cathedral Spires, Mirror Lake, Merced River, and Grand Canyon of the Tuolume. Tourists visit scenic points in the park, fish, and wade in streams.","stream","[]","['Yosemite National Park (Calif.)', 'Yosemite Valley (Calif.)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151295/1007151295-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859542"
"asp2859540-ahiv","","A visit to Yellowstone National Park","","22 minutes","[]","Reel 1 shows rock formations, hot springs, waterfalls, geysers, cascades, and birds and deer in the park. Reel 2 shows 'Old Faithful' erupting, tourists swimming in a pool, waterfalls, and tourists feeding bears.","stream","[]","['Yellowstone National Park']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151294/1007151294-disc001-file001-frame00190-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859540"
"asp2859538-ahiv","","A visit to Mesa Verde National Park","","17 minutes","[]","On Mesa Verde National Park. Reel 1, tourists ride horses through the park, inspect the ancient cliff dwellings, visit the park museum, and study old stone implements and artifacts. Reel 2, tourists climb ladders to the cliff dwellings, inspect 'Balcony House' and the 'Sun Temple,' ride horseback over winding trails, and gather round a campfire. Navajo Indians do the 'Yebitchai' and 'Scalp Dance.' A park ranger lectures to a group of tourists.","stream","[]","['Mesa Verde National Park (Colo.)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151293/1007151293-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859538"
"asp2859536-ahiv","","A visit to the land of flaming canyons","","12 minutes","[]","Tourists detrain in Cedar City, Utah, and are taken by bus to Grand Canyon, Bryce Canyon, and Zion National parks. They ride horseback through Zion and Bryce Canyon parks and view points of interest. Includes views of deer and squirrels. Tourists wave from the rear of a departing railroad car.","stream","[]","['Zion National Park (Utah)', 'Grand Canyon (Ariz.)', 'Bryce Canyon National Park (Utah)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151292/1007151292-disc001-file001-frame00185-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859536"
"asp2859534-ahiv","","Beautiful Washington","","12 minutes","[]","Shows aerial views of Washington, D.C., and close-ups of the Capitol Dome, Union Station Plaza, the White House, Arlington Amphitheater, the Tomb of the Unknown Soldier, the memorial to the Maine, Great Falls, cherry trees in bloom around Tidal Basin, Lincoln Memorial, Washington Monument, National Airport, and the Commerce Department Building. Edward Mead, Commissioner of Reclamation, and his employees pose on the steps of the Interior Department Building. Includes views of an Army Day parade on Pennsylvania Avenue and a building under construction.","stream","[]","['Washington (D.C.)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151291/1007151291-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859534"
"asp2859532-ahiv","","Bryce Canyon National Park","","12 minutes","[]","Shows aerial views of the Park's mountains, gorges, and peaks; and close-ups and distant views of rock formations, including those known as 'The Queen's Garden,' 'Great Cathedral,' and 'Silent City.' Tourists, escorted by a guide, hike through the forest and along mountain trails and ride horseback through Bryce Canyon.","stream","[]","['Bryce Canyon National Park (Utah)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151290/1007151290-disc001-file001-frame00185-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859532"
"asp2859530-ahiv","","Animal life of the national parks","","9 minutes","[]","A buffalo herd grazes, mule deer play, antelope run across a field, elk drink from a lake in Yellowstone National Park, moose frolic in water, big horn sheep run up a mountain, bears climb trees, and chipmunks, porcupines, and beavers sit near their abodes.","stream","[]","['United States']","['Animals', 'National parks and reserves', 'Wildlife conservation']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151289/1007151289-disc001-file001-frame00190-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859530"
"asp2859528-ahiv","","A forest playground","","9 minutes","[]","This film is on Maryland's Patapsco Forest State Park. The footage shows the park's forests and streams and a close-up of Avalon Dam on the Patapsco River. Scenes show Civilian Conservation Corps (CCC) men as they worked on the park's roads with picks and shovels, cleared the banks and drained swampy areas, laid out trails, drilled and broke rock, and slept in outdoor quarters. The footage includes a panoramic view of Baltimore, Maryland.","stream","[]","['Patapsco Valley State Park (Md.)', 'Maryland']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151288/1007151288-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859528"
"asp2859526-ahiv","","Carpenter-Whitney expedition. Alaska","","33 minutes","[]","Reel 1, shows the route of the Carpenter-Whitney expedition on a map of Alaska. The expedition's ship passes sea gulls and sea lions. A train leaves Anchorage with the expedition. Shows the Alaska Agricultural College and School of Mines near Fairbanks; deer, goats, sheep, and husky dogs. The expedition departs from the Arctic Circle and eats lunch on a river bank. Reel 2 shows a trapper's camp, dogs pulling a toboggan through the forest and a small boat along a river, a salmon wheel, and caribou. Part 3 shows ptarmigan, wild foxes, and sheep. A bear charges a cameraman. Reel 4, a game commissioner arrives at Tustumena Lake.","stream","['Alaska Railroad']","['Alaska']","['Animals', 'Travel']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151287/1007151287-disc001-file001-frame00195-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859526"
"asp2859524-ahiv","","A day at a nature leader's camp","","19 minutes","[]","Documentary: A group of young people are instructed on how to become 'nature leaders'. Most classes are held in the forest where they observe and study flora and fauna. They take an afternoon swim and sing songs around a campfire after dinner.","stream","[]","[]","['Nature']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151286/1007151286-disc001-file001-frame00185-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859524"
"asp2859522-ahiv","","Big bend. National park service. 194","","7 minutes","[]","Travelogue: On Big Bend National Park. Shows mountains, arid flat lands and the Rio Grande River. Shows vegetation such as wild flowers, cactus, and bluebonnets.","stream","[]","['Big Bend National Park (Tex.)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151285/1007151285-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859522"
"asp2859520-ahiv","","Attack at Pearl Harbor (simulated action), Japanese view point and reaction","","11 minutes","[]","LS Torpedo launched (at dawn) from sub; hits USS Arizona (BB-39) (model). MS Sub comes to surface; burning battleships and naval installations in background (simulated). MS Young Japanese officer looking at blazing battleship through binoculars (good). ML USS Arizona buckling amidship from torpedo explosion (simulated; good). LS PAN Night scene at Pearl Harbor after Japanese attack (poor model). MS Interior of sub: Officer sending Morse code signal (reporting battle result) (good shot). MS Communication room aboard Japanese ship number of radiomen in view; Captain comes in and asks if any report has been received. CU Telegram reading: 'We have succeeded in the attack.' MS High-ranking Japanese officer in wardroom receiving reports of battle (long). MS Members of family listening to radio, which is broadcasting news of their son's honorable death. MS Another family of son's friends listening to radio; also his school teacher. MS Girl in kimono goes into art room, kneels near the picture of a flaming ship and prays for the the dead. ML Front view of shrine; high torii (gate) in scene (poor).","stream","[]","[]","['Pearl Harbor (Hawaii), Attack on, 1941']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151284/1007151284-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859520"
"asp2859518-ahiv","","Adventure in inner space","","31 minutes","[]","The life and training of a nuclear submariner from recruitment through assignment.","stream","[]","[]","['Nuclear submarines', 'Submariners']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151283/1007151283-disc001-file001-frame00195-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859518"
"asp2859516-ahiv","","Actual battle scenes","","12 minutes","[]","German film showing Stukas, JU-88's, ME-109's, ME-110's in aerial action. MS: Scenic view. CU: German fueling Stuka. German on wing of Stuka. German unloading box from truck. German carrying box. German EM pushing bomb on carriage. German EM bombing up Stuka. German pilot climbs into cockpit of Stuka. German EM hands camera to EM in rear cockpit of Stuka. LS: Stukas taking off. A: Stukas in formation. ACU: Stukas in formation. ADS: Bomb bursts. AMS: Stukas in dives. ADS: Bomb burst. ALS: Stukas in flight. Int: cockpit of Stuka. AMS: Stukas in flight. ADS: bomb urst. AMS: Stukas in flight. ADS: Bomb burst. AMS: Stuka in dive. ADS: Bomb bursts. CS: German Nazi sign. CU: German ME-109 takes off. ME-109 taxiing. MS: ME-109 taking off. ALS: JU-88's in formation. ACU: JU-88 in flight. CS: German pilots at controls of JU-88. AMS: JU-88's in formation. Int CS: German pilots at controls of JU-88. AMS: British Spitfire in flight. A: Aerial action. ALS: ME-109 in flight. Int: German pilot at controls. A: British Spitfire and ME-109 in aerial action. Spitfire hit and on fire. ME-109 in flight. ADS: Unidentified burning aircraft. AMS: JU-88 in flight. JU-88 in flight, bombs away. JU-88 in flight. A: Bombs away. AMS: ME-11O in flight. A: JU-88 in flight, bombs away. AUS: ME-110 in flight, bombs away. A: ME-110 in flight. ACU: Stuka in flight. CS: Cockpit of Stuka, ALS: Stukas in formation. ADS: Terrain. ACS: Bombs away. A: Terrain. ACS: Bombs away. A: Terrain. ACU: Stukas in flight. ADS: Bombed airfield. smoke from burning bldg. ALS: Stukas in formation. ACU: Stuka in flight. CS: Pilot (German) in cockpit of unidentified air craft. A: Terrain. ACS: Bombs away. AUS: Stukas in flight. A: Smoke. ADS: Terrain as seen from nose of unidentified plane. CS: Instrument panel of unidentified plane. German sign 'Stabstaffel'. MS: German EM. CU: Two German EM carrying ammo belts. German EM loading ME-109. German pilot climbs into cockpit of plane. CS: same as the above eight items. CU: German pilot puts on helmet. CS: ME-109 parked. CS: Nose of ME-109. Tail of ME-109. CU: ME-109 taxiing. MS: ME-109 taking off. ALS: ME-109 in formation. ACU: ME-109 in formation. ME-109's in flight. ADS: Unidentified ship underway.","stream","[]","[]","['World War, 1939-1945']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151282/1007151282-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859516"
"asp2859514-ahiv","","1940 census of housing","","11 minutes","[]","Explains to enumerators how answers to certain questions should be recorded. Consists mostly of dramatizations of enumerators obtaining information and filling out schedules. Includes views of various kinds of habitation to be included in or excluded from the census.","stream","[]","['United States']","['Housing']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151281/1007151281-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859514"
"asp2859512-ahiv","","1940 census","","11 minutes","[]","Explains the purposes and values of the census and briefly relates its history. Describes the responsibility of enumerators and dramatizes one's experience with a woman reluctant to answer his questions. Editors, punch card machine operators, and statisticians work at compiling reports. Director William L. Austin speaks on enumerator's abilities.","stream","[]","['United States']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151280/1007151280-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859512"
"asp2859510-ahiv","","1940 census of population","","11 minutes","[]","Instructs enumerators how to secure and record relevant census information, particularly regarding employment. Shows, in dramatizations, how certain facts are elicited and recorded. Includes scenes illustrating various kinds of living quarters and employment.","stream","[]","['Census,1940']","['United States']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151279/1007151279-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859510"
"asp2859508-ahiv","","1940 census of agriculture","","11 minutes","[]","Explains to enumerators the meaning of certain elements of a schedule and shows, in dramatizations, how correct information is obtained and recorded. Includes agricultural scenes illustrating kinds of farms, partial and total crop losses, causes of losses (dust, flood, grasshoppers, frost), and livestock.","stream","[]","['United States', 'Census,1940']","['United States', 'Agriculture']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151278/1007151278-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859508"
"asp2859506-ahiv","","Inside the White House. The garden","","8 minutes","[]","First Lady Michelle Obama and White House chef Sam Kass tell the story of the first garden on White House grounds since Eleanor Roosevelt's Victory Garden during World War II. This new garden was planted in the Spring of 2009 with the help of local elementary school children and has yielded a constant supply of fresh produce for the First Family and White House guests.","stream","['White House (Washington, D.C.)']","[]","['Kitchen gardens', 'Physical fitness']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151277/1007151277-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859506"
"asp2859504-ahiv","","Inside the White House. Letters to the president","","6 minutes","[]","Every day, President Obama reads ten letters from the public in order to stay in tune with America's issues and concerns. 'Letters to the President' is an exclusive behind-the-scenes look at the process of how those ten letters make it to the President's desk from among the tens of thousands of letters, faxes, and e-mails that flood the White House each day.","stream","['Obama, Barack']","['United States']","['Presidents']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151276/1007151276-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859504"
"asp2859502-ahiv","","Inside the White House. The marine sentries","","5 minutes","[]","Learn about some of the Marines who stand sentry outside the West Wing -- and their feelings towards Christmas trees.","stream","['White House (Washington, D.C.)']","[]","['Marines']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151275/1007151275-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859502"
"asp2859500-ahiv","","Inside the White House. The Situation Room","","5 minutes","[]","An exclusive look inside one of the most secure spaces in the country, the White House Situation Room.","stream","['White House (Washington, D.C.)']","[]","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151274/1007151274-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859500"
"asp2859498-ahiv","","Inside the White House. The cabinet","","6 minutes","[]","President Obama and Cabinet members share their perspectives on their bimonthly meetings in this exclusive, behind-the-scenes video.","stream","['Obama, Barack']","[]","['Cabinet officers']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151273/1007151273-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859498"
"asp2859496-ahiv","","Catching up with the curator. The White House fire of 1814","","2 minutes","['Catching up with the curator']","Go inside the White House with White House Curator Bill Allman as he shows you how the effects of the White House fire of 1814 still linger to this day.","stream","['White House (Washington, D.C.)']","['United States', 'Washington (D.C.)']","[]","[]","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151271/1007151271-disc001-file001-frame00055-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859496"
"asp2859494-ahiv","","Catching up with the curator. The presidential seal","","3 minutes","['Catching up with the curator']","Go inside the White House with White House Curator, Bill Allman, as he talks about the Presidential Seal and shows you a sample of the locations where it is hiding in plain sight.","stream","[]","['United States']","['Emblems, National']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151270/1007151270-disc001-file001-frame00070-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859494"
"asp2859492-ahiv","","President George W. Bush address to joint session of Congress, September 20, 2001","","35 minutes","[]","U.S. Capitol, Washington, D.C. President George W. Bush addresses a joint session of Congress and the American People.","stream","[]","[]","['September 11 Terrorist Attacks, 2001']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151269/1007151269-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859492"
"asp2859490-ahiv","","Inside the White House. The Medal of Honor","","5 minutes","[]","The Medal of Honor is the highest military honor awarded by the United States. Take a look behind the scenes at what goes into the award presentation at the White House.","stream","['White House (Washington, D.C.)']","[]","['Medal of Honor']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151267/1007151267-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859490"
"asp2859488-ahiv","","President George W. Bush remarks from Barksdale Air Force Base, September 11, 2001","","3 minutes","[]","Barksdale Air Force Base, Lousiana. President George W. Bush delivers remarks to the nation regarding the terrorist attacks on the United States.","stream","[]","[]","['September 11 Terrorist Attacks, 2001']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151266/1007151266-disc001-file001-frame00075-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859488"
"asp2859486-ahiv","","Inside the White House. Beer brewing","","5 minutes","[]","Go behind the scenes to see the White House home-brewing process in this recent, behind-the-scenes video.","stream","['White House (Washington, D.C.)']","[]","['Beer', 'Brewing']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151264/1007151264-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859486"
"asp2859484-ahiv","","#LoveWins. Marriage equality in the United States","","3 minutes","[]","On June 26, 2015, the Supreme Court took a huge step forward in our progress toward a more perfect union.","stream","[]","[]","['Same-sex marriage']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151263/1007151263-disc001-file001-frame00060-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859484"
"asp2859482-ahiv","","Inside the White House. Bees!","","3 minutes","[]","This beehive on the South Lawn is a first for the White House. The busy bees pollinate the kitchen garden, flora all over Washington, and provide honey for the White House kitchen. Take a look at the 2010 colony, estimated at about 70,000 bees, and listen to how the idea for a beehive on the South Lawn came about.","stream","['White House (Washington, D.C.)']","[]","['Bee culture']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151262/1007151262-disc001-file001-frame00075-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859482"
"asp2859480-ahiv","","Your weekly address","","5 minutes","['Your Weekly Address']","In this week's address, the President previews the first-ever White House Summit on Working Families, where he will bring together business leaders and workers to discuss the challenges that working parents face every day and lift up solutions that are good for these families and American businesses.","stream","[]","['United States']","['Social policy', 'Presidents']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151261/1007151261-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859480"
"asp2859478-ahiv","","Catching up with the curator. The presidential portrait of John F. Kennedy","","3 minutes","['Catching up with the curator']","Go Inside the White House with curator Bill Allman as he discusses the inspiration behind the presidential portrait of the 35th President, John Fitzgerald Kennedy.","stream","['Kennedy, John F', 'Onassis, Jacqueline Kennedy']","['United States']","['Presidents']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151260/1007151260-disc001-file001-frame00080-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859478"
"asp2859476-ahiv","","Catching up with the curator. The Steinway piano","","4 minutes","['Catching up with the curator']","Go inside the White House with White House curator Bill Allman as he talks about one of the White House's most recognized artifacts, The Steinway Piano, and learn about the famous piano that has helped to establish the East Room of the White House as a focal point for the performing arts.","stream","['White House (Washington, D.C.)']","[]","['Steinway piano']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151259/1007151259-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859476"
"asp2859474-ahiv","","Catching up with the curator. The White House map room","","4 minutes","['Catching up with the curator']","White House curator Bill Allman takes you inside the White House Map Room to tell you how it got its name.","stream","[]","['United States']","['Maps', 'Presidents']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151258/1007151258-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859474"
"asp2859472-ahiv","","Catching up with the curator. The Obama State China Service","","4 minutes","[]","For a new State China Service, First Lady Michelle Obama wanted it to have modern elements, but also for it to be practical, in the sense that it would be complementary to the preceding historic state services. The Obama State China Service consists of eleven-piece place settings for 320.","stream","[]","['United States']","['Ceramic tableware', 'Table setting and decoration', 'Presidents']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151257/1007151257-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859472"
"asp2859470-ahiv","","All the president's pens","","3 minutes","[]","Why do presidents use so many pens to sign legislation? White House Staff Secretary Lisa Brown explains.","stream","[]","['United States']","['Presidents']","[]","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151255/1007151255-disc001-file001-frame00080-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859470"
"asp2859468-ahiv","","President George W. Bush address to the nation, March 19, 2003","","5 minutes","[]","Washington, D.C. President George W. Bush delivers an address to the nation from the Oval Office announcing the start of Operation Iraqi Freedom.","stream","[]","[]","['Iraq War, 2003-2011']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151254/1007151254-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859468"
"asp2859466-ahiv","","Catching up with the curator. Presidential portrait of Theodore Roosevelt","","2 minutes","['Catching up with the curator']","Go inside the White House with White House curator Bill Allman as he gives insight behind President Theodore Roosevelt's portrait in the East Room.","stream","['Roosevelt, Theodore']","['United States']","['Presidents']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151253/1007151253-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859466"
"asp2859464-ahiv","","Inside the White House. The State of the Union","","5 minutes","[]","Go behind the scenes as President Obama and his team get ready for the 2011 State of the Union address.","stream","['Obama, Barack']","['United States']","['Presidents']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151252/1007151252-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859464"
"asp2859462-ahiv","","President George W. Bush inaugural address January 20, 2005","","22 minutes","[]","U.S. Capitol, Washington, D.C. Presidnet George W. Bush delivers the Inaugural Address following the second term swearing-in ceremonies.","stream","[]","[]","['Presidents']","['Documentary films', 'Speeches']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151251/1007151251-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859462"
"asp2859460-ahiv","","Being Biden. Stories from vice president Biden","","3 minutes","[]","Join Vice President Biden as he heads to Capitol Hill to swear in the the United States Senate.","stream","['Biden, Joseph R']","[]","['Vice-Presidents']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151250/1007151250-disc001-file001-frame00065-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859460"
"asp2859454-ahiv","","What is the answer. Ford safety","","2 minutes","[]","This video, produced by the Ford Motor Company, is about safety at Ford plants.","stream","[]","[]","['Automobile factories', 'Industrial safety']","['Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1005701xxx/1005701083/1005701083-disc001-file001-frame00060-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859454"
"asp2859452-ahiv","","With the Fordson in Ohio","","3 minutes","[]","This video, produced by the Ford Motor Company, is about Fordson farm equipment.","stream","[]","['Ohio']","['Fordson tractors']","['Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1005701xxx/1005701082/1005701082-disc001-file001-frame00080-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859452"
"asp2859450-ahiv","","Keep the boy on the farm","","7 minutes","[]","This video, produced by the Ford Motor Company, is about farming equipment.","stream","[]","[]","['Farm equipment']","['Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1005701xxx/1005701080/1005701080-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859450"
"asp2859448-ahiv","","With the Fordson in Texas","","6 minutes","[]","This video, produced by the Ford Motor Company, is about Fordson farming equipment.","stream","[]","['Texas']","['Fordson tractors']","['Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1005701xxx/1005701079/1005701079-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859448"
"asp2859446-ahiv","","Yellowstone Park. Part 3","","15 minutes","['Yellowstone Park']","This video, produced by the Ford Motor Company, is about Yellowstone Park.","stream","[]","['Yellowstone National Park']","[]","['Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1005701xxx/1005701078/1005701078-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859446"
"asp2859444-ahiv","","Mountains","","3 minutes","[]","This video, produced by the Ford Motor Company, is a silent clip that contains images of mountains.","stream","[]","[]","['Mountains']","['Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1005701xxx/1005701077/1005701077-disc001-file001-frame00065-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859444"
"asp2859421-clmv","","Dvořák Festival. Romance for Violin and Orchestra, Opus 11","","100 minutes","[]","The music of the quintessentially Czech composer Dvořák is, above all, enjoyable and is a perennial favourite in the Romantic repertoire. This series of concerts is performed by the Prague Symphony Orchestra and Chorus and the Prague Philharmonic Choir, with three leading Czech conductors on the podium: Petr Altrichter, Jiří Bělohlávek and Libor Pesek. Guest soloists include soprano Lucia Popp, alto Eva Randova, tenor Josef Protschka, bass Peter Mikulas, pianist Igor Ardasev, violinist Ivan Zenaty and cellist Mischa Maisky, who plays Dvořák's Cello Concerto, one of his finest works.","stream","[]","[]","['Violin with orchestra']","[]","https://d3crmev290s45i.cloudfront.net/content/1004504xxx/1004504079/1004504079-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;2859421"
"asp2859420-clmv","","Dvořák Festival. Slavonic Dances Series Two, Opus 72","","100 minutes","[]","The music of the quintessentially Czech composer Dvořák is, above all, enjoyable and is a perennial favourite in the Romantic repertoire. This series of concerts is performed by the Prague Symphony Orchestra and Chorus and the Prague Philharmonic Choir, with three leading Czech conductors on the podium: Petr Altrichter, Jiří Bělohlávek and Libor Pesek. Guest soloists include soprano Lucia Popp, alto Eva Randova, tenor Josef Protschka, bass Peter Mikulas, pianist Igor Ardasev, violinist Ivan Zenaty and cellist Mischa Maisky, who plays Dvořák's Cello Concerto, one of his finest works.","stream","[]","[]","['Dance music', 'Orchestral music', 'Violin with orchestra']","[]","https://d3crmev290s45i.cloudfront.net/content/1004504xxx/1004504079/1004504079-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;2859420"
"asp2859406-clmv","","The Secret Life of Alban Berg","","82 minutes","[]","Alban Berg (1885-1935) lived in the mainstream of well-to-do Austrian society. His marriage to the beautiful Hélène was thought to be made in heaven. But how can this doyen of Viennese respectability be reconciled with the composer who wrote the dark operas Wozzeck and Lulu? In this multi-layered film, director Krišs Rusmanis explores the private world behind the composer's public image and reveals the double life Berg led, despite his moving protestations of fidelity and devotion to his wife. While condemning the moral hypocrisy of society in Lulu, he concealed the existence of his illegitimate daughter, Albine, continued more than one clandestine love affair and frequented the sleazy haunts that flourished in Vienna. This multi-layered film explores Berg's double life. Soprano Kristine Ciesinki, who features in specially-staged extracts from Lulu and Wozzeck, travels to Vienna, Prague, the USA and Germany to track down important archive documents and people who can recall the composer's presence in their lives.","stream","['Berg, Alban']","[]","['Composers']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1004504xxx/1004504090/1004504090-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;2859406"
"asp2859360-ahiv","","Nature's classics","","7 minutes","[]","This video, produced by the Ford Motor Company, is about the splendor of nature.","stream","[]","[]","['Nature']","['Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1005700xxx/1005700867/1005700867-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859360"
"asp2859357-ahiv","","Great speeches. Today's women. Volume 2","","103 minutes","['Great speeches']","This DVD presents important speeches by women. It includes Margaret Thatcher's fiftieth anniversary commemoration of Winston Churchill's Iron Curtain Speech, Mary Fisher's address on AIDS, Tipper Gore's tribute to women in the U.S., Heather Lamm's speech on Generation X, and Elizabeth Dole's chronicles of her husband's life.","stream","[]","[]","['Speeches, addresses, etc., American', 'Women orators', 'Speeches, addresses, etc., English']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006604xxx/1006604121/1006604121-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859357"
"asp2859344-ahiv","","Shirley Chisholm. 3 excerpts from presidential run","","2 minutes","[]","This video consists of a series of clips of speeches by Shirley Chisholm as she runs for the Presidency of the United States.","stream","[]","['United States']","['Presidents']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759408/1006759408-disc001-file001-frame00060-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859344"
"asp2859323-ahiv","","Bucking bronco","","1 minutes","[]","From Raff & Gammon price list: An out-of-door scene. The men and horse of this subject are from 'Buffalo Bill's Wild West.' 15.00. From Maguire & Baucus catalogue: A cowboy riding an unruly 'bronco.' From Edison films catalog: A fine exhibition of horsemanship by Lee Martin, a genuine cowboy. This particular broncho is an unusually wicked one.","stream","[]","['United States']","['Horsemanship', 'Horses', 'Wild west shows', 'Rodeos', 'Horse sports', 'Cowboys']","['Nonfiction films', 'Short films', 'Silent films', 'Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151247/1007151247-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859323"
"asp2859321-ahiv","","Boat race","","3 minutes","[]","Two standard U.S. Navy eight-oar pulling boats, each commanded by a coxswain at the steering position in the stern, are seen abeam of one another. At a signal, both pulling boats begin moving and it can be seen that the camera was positioned on a vessel following the two competing pulling boats. The camera stays with the two boats until their destination is disclosed as a navy battle cruiser at anchor. The cruiser, unidentified, is flying an American flag. The film ends as the two pulling boats come abeam of the cruiser Indiana with their oars in the 'boat oar' position.","stream","[]","[]","['Rowing']","['Nonfiction films', 'Short films', 'Silent films', 'Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151246/1007151246-disc001-file001-frame00060-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859321"
"asp2859319-ahiv","","25th Infantry","","2 minutes","[]","From the Biograph picture catalogue: Gen. Frederick D. Grant and Gen. A.S. Burt [commander of the 25th Infantry Regiment] returning from Mt. Ariat [sic], at the head of the famous 25th Infantry, colored.","stream","['United States', 'Burt, Andrew', 'Infantry Regiment, 25th', 'Grant, Frederick Dent', 'Army']","['Philippines']","['African American soldiers']","['Nonfiction films', 'Short films', 'Silent films', 'Actualities (Motion pictures)']","https://d3crmev290s45i.cloudfront.net/frames/1007151xxx/1007151245/1007151245-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859319"
"asp2859267-ahiv","","Joycelyn Elders. Address at Butler University","","21 minutes","[]","United States Surgeon General Joycelyn Elders speaks about health care and social conditions in the United States at Butler University.","stream","[]","['United States']","['Children', 'Medical care']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759490/1006759490-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859267"
"asp2859265-ahiv","","Elijah Muhammad. Saviour day address 1973","","114 minutes","[]","The leader of the Nation of Islam, Elijah Muhammad, makes his address on Saviour's Day in 1973.","stream","[]","['United States']","['Black Muslims']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759454/1006759454-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859265"
"asp2859263-blsv","","Thurgood Marshall Nominated to Supreme Court","","1 minute","[]","This newsreel, distributed by Educational Video Group, is about Lyndon B. Johnson's nomination of Thurgood Marshall to the Supreme Court.","stream","['United States', 'Johnson, Lyndon B', 'Marshall, Thurgood', 'Supreme Court']","['United States']","['Judges']","['Newsreels', 'Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759450/1006759450-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?BLSV;2859263"
"asp2859261-ahiv","","Thurgood Marshall. Silent clips & reaction from Ted Kennedy","","2 minutes","[]","This video is a series of clips relating to the nomination of Thurgood Marshall to the Supreme Court.","stream","['United States', 'Marshall, Thurgood', 'Supreme Court']","['United States']","['Judges']","['Television program clips']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759448/1006759448-disc001-file001-frame00055-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859261"
"asp2859259-ahiv","","Barbara Jordan. 1992 DNC address","","27 minutes","[]","Barbara Jordan speaks at the 1992 Democratic National Convention.","stream","['Democratic Party (U.S.)']","['United States']","[]","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759444/1006759444-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859259"
"asp2859257-ahiv","","Barbara Jordan. 1988 DNC nominating Lloyd Bentsen","","10 minutes","[]","Barbara Jordan talks about the Democratic Vice Presidential nomination of Lloyd Bentsen at the 1988 Democratic National Convention.","stream","['Democratic Party (U.S.)', 'Bentsen, Lloyd']","['United States']","['Vice-Presidents']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759442/1006759442-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859257"
"asp2859255-ahiv","","Barbara Jordan. 1976 DNC keynote address","","20 minutes","[]","Barbara Jordan gives the keynote address at the 1976 Democratic National Convention.","stream","['Democratic Party (U.S.)']","['United States']","[]","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759440/1006759440-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859255"
"asp2859253-ahiv","","Barbara Jordan. Statement on impeachment of Richard Nixon","","14 minutes","[]","Barbara Jordan speaks to the House of Representatives Judiciary Committee at the Nixon impeachment hearings on 25 July 1974.","stream","['Nixon, Richard M']","['United States']","['Impeachments']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759438/1006759438-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859253"
"asp2859251-ahiv","","Jesse Jackson. 1992 DNC address","","28 minutes","[]","Jesse Jackson speaks at the 1992 Democratic National Convention.","stream","['Democratic Party (U.S.)']","['United States']","[]","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759436/1006759436-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859251"
"asp2859249-ahiv","","Jesse Jackson. 1988 DNC address","","47 minutes","[]","Jesse Jackson speaks at the 1988 Democratic National Convention.","stream","['Democratic Party (U.S.)']","['United States']","[]","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759434/1006759434-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859249"
"asp2859247-ahiv","","Jonathan and Maxine Marshall Distinguished Lecture Series. Lecture at ASU. Nikki Giovanni","","71 minutes","['Jonathan and Maxine Marshall Distinguished Lecture Series']","Poet and activist Nikki Giovanni brought her perspective to Arizona State University when she delivered the 2011 Jonathan and Maxine Marshall Distinguished Lecture. Titled 'The Compassion, The Courage, The Challenge of Poetry,' the lecture focuses on the individual and the power that an individual has to make a difference in oneself and the lives of others.","stream","[]","[]","['Poetry', 'Self-actualization (Psychology)']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759426/1006759426-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859247"
"asp2859245-blsv","","[Louis Farrakhan]. [eulogy of Rep. Julia Carson]","","14 minutes","[]","This speech/address, given by Louis Farrakhan, is a eulogy of Representative Julia Carson.","stream","['Carson, Julia']","[]","['African American women politicians']","['Filmed speeches', 'Eulogies']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759424/1006759424-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?BLSV;2859245"
"asp2859243-ahiv","","Myrlie Evers-Williams. 2013 inaugural invocation","","7 minutes","[]","Myrlie Evers-Williams speaks at the 2013 inauguration of President Barack Obama.","stream","['Obama, Barack']","['United States']","['Presidents']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759422/1006759422-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859243"
"asp2859241-ahiv","","Marian Wright Edelman. Tulane University commencement address","","18 minutes","[]","Marian Wright Edelman delivers the Commencement address to the 2001 graduating class of Tulane University.","stream","[]","['United States']","['Self-actualization (Psychology)']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759420/1006759420-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859241"
"asp2859239-blsv","","[Eldridge Cleaver]. [Brigham Young University speech]","","75 minutes","[]","This speech/address, given at Brigham Young University by Eldridge Cleaver, is about Cleaver's life experiences and beliefs, including his belief in Jesus and his experiences both in prison and with the Black Panther Party.","stream","[]","['United States']","['Christian converts', 'African American political activists']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759414/1006759414-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?BLSV;2859239"
"asp2859235-blsv","","[Ralph Bunche]","","3 minutes","[]","This speech/address, given by Ralph Bunche, is a series of clips from his return from Palestine, including silent and spoken footage.","stream","[]","[]","['Israel-Arab War, 1948-1949']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759404/1006759404-disc001-file001-frame00090-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?BLSV;2859235"
"asp2859233-ahiv","","Julian Bond. Address at Weber State University","","47 minutes","[]","NAACP Chairman Julian Bond speaks at Weber State University in 2010.","stream","[]","['United States']","[]","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759400/1006759400-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859233"
"asp2859231-blsv","","[Daisy Bates]. [excerpt from March on Washington]","","1 minute","[]","This speech/address, given by Daisy Bates, is an excerpt from the March on Washington.","stream","[]","['United States']","['Civil rights', 'African Americans']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759398/1006759398-disc001-file001-frame00010-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?BLSV;2859231"
"asp2859229-blsv","","[Maya Angelou]. [poem at Clinton inaugural]","","6 minutes","[]","This speech/address, given by Maya Angelou, is a reading of her poem at former President Bill Clinton's 1993 inauguration.","stream","['Clinton, Bill']","[]","['American poetry']","['Filmed literary readings']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759392/1006759392-disc001-file001-frame00135-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?BLSV;2859229"
"asp2859227-blsv","","[Muhammad Ali]. [rumble in the jungle interview]","","2 minutes","[]","This speech/address, given by boxer Muhammad Ali,  is about Ali's ""Rumble in the Jungle"" match with George Forman.","stream","[]","[]","['Boxing', 'Boxing matches']","['Filmed speeches']","https://d3crmev290s45i.cloudfront.net/frames/1006759xxx/1006759390/1006759390-disc001-file001-frame00060-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?BLSV;2859227"
"asp2859221-marc","","Occupational medicine and cumulative trauma disorders","","33 minutes","[]","Virtually every practicing physician encounters patients presenting with symptoms associated with the workplace. Sometimes the answer is an easy ergonomic fix, other times the underlying problems are more complex. In this video, Dr. Horn provides historical perspectives on the development of workplace safety protocols and provides practical case anecdotes of workplace-related health issues and managing cumulative trauma disorders.","stream","[]","[]","['Occupational diseases', 'Medicine, Industrial', 'Overuse injuries']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1007097xxx/1007097077/1007097077-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;2859221"
"asp2859219-ebap","","Medical radiation. Controversy and dose reduction tips","","52 minutes","[]","Contemporary imaging technologies provide remarkable views and diagnostic/treatment guidance in numerous regions of the human body. But how safe are these technologies to the patient in terms of radiation exposure? In recent years, several reports on the evening news, some based on study results in respected peer-reviewed journals, have created significant alarm and concern. In this presentation, excerpted from the Penn Radiology Review: An Update in Thoracic, Cardiovascular, Breast, and Body Imaging (available on-demand at www.hegalaxy.com), Dr. Gotway reviews the basics of radiation exposure with the use of medical imaging and systematically examines studies that have measured safety. While acknowledging that radiation is a carcinogen, he balances the exposure risk with clinical benefit, and compares medical imaging radiation exposure with common environmental radiation. Recommendations for medical radiation dose reduction are also covered in this balanced presentation separating the fears from the facts.","stream","[]","[]","['Radiography, Medical', 'Radiation', 'Radiotherapy']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1007097xxx/1007097076/1007097076-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?EBAP;2859219"
"asp2859217-ebap","","Heart failure in clinical perspective","","36 minutes","[]","The burden of heart failure (HF) continues to grow, making HF one of the single most expensive and deadly health care problems in the United States today. Medical therapies and non-pharmacologic measures for HF can reduce patients' need for re-hospitalization, lower costs of care, and improve survival. Unfortunately, these strategies are underutilized in conventional practice settings. Dr. Fonarow addresses multidisciplinary pathways to implement evidence-based HF therapies that optimize the care of patients with HF, including measures to prevent HF from developing in patients at risk.","stream","[]","['United States']","['Heart failure']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1007097xxx/1007097075/1007097075-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?EBAP;2859217"
"asp2859215-ebap","","Promoting heart-healthy eating to optimize cardiovascular nutrition","","40 minutes","[]","For weight control and reducing the risk of heart disease, stroke, and diabetes, a focus on healthy foods and overall dietary patterns -- rather than individual nutrients -- is most consistent with modern nutritional evidence. In this video segment, excerpted from the weeklong Brigham and Women's 'Cardiovascular Medicine Update for the Practitioner' Board Review Course, Dr. Mozaffarian reviews contemporary principles of healthy eating and explores several evidence-based approaches to maximize behavior changes such as shared setting of focused, proximal goals; regularly scheduled follow-up; self-monitoring, and in-person, telephone, or electronic feedback. According to Dr. Mozaffarian, community and policy approaches are also effective, and healthcare providers or organizations should advocate such measures to improve the health of their patients, their communities, their families, and themselves.","stream","[]","[]","['Cardiovascular system']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1007097xxx/1007097074/1007097074-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?EBAP;2859215"
"asp2859213-ebap","","Hypertension. Clinical perspectives on a persistent problem","","38 minutes","[]","While major strides have been made in cardiology, hypertension continues to challenge both clinicians and patients alike. Using illustrative case studies, Dr. Watson examines key clinical barriers that can result in suboptimal management, and offers evidence-based best practices and updated guidelines to overcome them.","stream","[]","[]","['Hypertension']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1007097xxx/1007097073/1007097073-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?EBAP;2859213"
"asp2859211-ebap","","Contemporary issues in management of COPD and asthma","","41 minutes","[]","The 2013 Global Initiative for Chronic Obstructive Disease (GOLD) Guidelines defines chronic obstructive pulmonary disease (COPD) as 'a common preventable and treatable disease characterized by persistent airflow limitation that is usually progressive and associated with an enhanced chronic inflammatory response in the airways and the lung to noxious particles or gases. Exacerbations and comorbidities contribute to the overall severity in individual patients.' Similarly, the Global Initiative for Asthma characterizes asthma as airflow obstruction but typified by variable and recurring symptoms, bronchial hyperresponsiveness and underlying inflammation of the airways. The nuances between these two conditions can be challenging. In this video, Dr. Make differentiates COPD from asthma and provides current approaches to comprehensive COPD management.","stream","[]","[]","['Lungs', 'Asthma']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1007097xxx/1007097072/1007097072-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?EBAP;2859211"
"asp2859209-ebap","","Why are we still talking about hypertension?","","55 minutes","[]","Hypertension is strongly associated with an increased risk of morbidity and mortality. One in three US adults have the condition, which is defined as a blood pressure greater than 140 mm Hg systolic and/or greater than 90 mm Hg diastolic. In 2013, an estimated 20% of adults affected by hypertension in the US are not aware of it, 30% are not being treated for it, and greater than 50% do not have it under control. In this video, Dr. Hershon presents evidence-based, practical methods to improve high blood pressure detection and control.","stream","[]","[]","['Hypertension']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1007097xxx/1007097071/1007097071-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?EBAP;2859209"
"asp2859207-ebap","","BREATHE. Better results and therapeutic efficacy","","58 minutes","[]","A 41-year-old woman with a 35-year history of asthma, allergic rhinitis, recurrent sinusitis, and bronchitis visits her new primary care physician for the first time. See how this challenging case unfolds from the initial presentation through key decision points during testing, imaging, lab work, diagnosis, treatment and environmental control. In an unusual twist, our patient visits a pulmonologist 16 years later with related complaints marked by several significant differentiating factors. How has her living circumstances changed? What is her new environment like? How are the presenting signs and symptoms different than those from her primary care visit 16 years earlier? Using illustrative patient video vignettes, two experts in pulmonology and immunology explore the diagnosis and management of asthma and COPD. Practice guidelines and study results are presented to support the evidence-based management recommendations.","stream","[]","[]","['Lungs', 'Asthma']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1007097xxx/1007097070/1007097070-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?EBAP;2859207"
"asp2859205-ebap","","Inpatient management of diabetes. Admission to discharge","","29 minutes","[]","Achieving optimal outcomes for hospitalized patients with diabetes requires implementation of current, evidence-based guidelines and protocols for glycemic control. Uncontrolled hyperglycemia in the inpatient setting is a common occurrence and is associated with an increase in morbidity and mortality. In this video, Dr. Inzucchi presents the rationale for implementing updated glycemic control strategies, including the latest recommendations from the American Diabetes Association and American Association of Clinical Endocrinologists. A focused approach based on different patient characteristics and clinical settings within the hospital is discussed. Effective discharge planning to ensure continuity of care between inpatient and outpatient management is also emphasized.","stream","[]","[]","['Diabetics', 'Hyperglycemia', 'Diabetes']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1007097xxx/1007097069/1007097069-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?EBAP;2859205"
"asp2859187-vast","","Marry me! Series 1","","27 minutes","['Marry me!']","This documentary, directed by Kuldeep Dhadda, Cassie Farrell, and Emma Hancorn, features a couple who are preparing to get married in London.","stream","[]","['England']","['Weddings', 'Love']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1005010xxx/1005010213/1005010213-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?VAST;2859187"
"asp2859172-ahiv","","The first battle. The battle for equality in war-time Hawaii","","57 minutes","[]","A mix of archival footage and historical recreations tells the story of the Japanese Hawaiians' efforts to maintain equal rights and fair treatment during World War II. Fearing that Japan's involvement in the war would stoke racial hatred, Americans of Japanese descent living in Hawaii effectively anticipated and countered the type of harsh treatment that forced Japanese-Americans on the U.S. mainland into internment camps.","stream","[]","['Hawaii']","['World War, 1939-1945', 'Japanese Americans']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006345xxx/1006345407/1006345407-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859172"
"asp2859170-ahiv","","Color of honor. The Japanese American soldier in WWII","","90 minutes","[]","A vivid, collective portrayal of Japanese Americans during World War II. Three distinct stories are told: the 442nd Regimental Combat Team, the most decorated military unit in U.S. history; M.I.S. (Military Intelligence Service), linguists who decoded Japanese military plans; and the thousands of draft resisters and army protesters who challenged the constitutionality of the internment camps.","stream","[]","[]","['World War, 1939-1945', 'Japanese Americans']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006345xxx/1006345363/1006345363-disc001-file001-frame00115-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2859170"
"asp2856977-food","","Fair trade chocolate. The Divine story","","28 minutes","[]","This program profiles fair trade chocolate supplier Divine Chocolate, which was established by a co-op of cocoa farmers in Ghana to give them a share in the profits from their crops. The video describes the company's niche in the confectionery market, discusses Divine Chocolate's marketing efforts, and assesses the company's success in changing acceptable business standards.","stream","[]","['Ghana']","['Cocoa trade', 'Chocolate industry', 'Competition, Unfair']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006624xxx/1006624162/1006624162-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FOOD;2856977"
"asp2856975-food","","Innocent drinks. A story of ethics and orange pips","","27 minutes","[]","This program profiles the U.K.-based smoothie firm Innocent Drinks and discusses the company's product, profitability, and marketing strategies. It also highlights Innocent's contributions to sustainable development in its supplier countries and looks at its environmental practices.","stream","['Innocent (Firm)']","['England']","['Natural foods industry', 'Business ethics', 'Smoothies (Beverages)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006624xxx/1006624128/1006624128-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FOOD;2856975"
"asp2856972-food","","The Cola conquest. How Coca-Cola took over the world. 2","","39 minutes","['The Cola conquest']","This program examines Coca-Cola's rise to become a top-selling beverage worldwide. It shows how Coca-Cola tried to overcome China's long history of tea drinking, explains how it won acceptance in 149, and discusses the deaths of workers in Guatemala when a local bottling company resisted unionization.","stream","['Coca-Cola Company']","[]","['Soft drink industry', 'Cola drinks']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006624xxx/1006624118/1006624118-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FOOD;2856972"
"asp2856969-food","","The Cola conquest. A classic marketing story. 1","","42 minutes","['The Cola conquest']","This video details the rise of Coca-Cola and the birth of modern advertising. It offers examples of classic advertisements, explores Coke's marketing techniques, considers its long-running brand rivalry with Pepsi, and includes commentary from advertising experts.","stream","['Coca-Cola Company']","[]","['Soft drink industry', 'Cola drinks']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006624xxx/1006624117/1006624117-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FOOD;2856969"
"asp2856963-marc","","Anna and Vincent","","61 minutes","[]","In 1890, 42-year-old painter Anna Bloch visits the Annual Salon des XX in Brussels, and buys a painting by an unknown artist named Vincent Van Gogh.  He dies later that same year.  She remains the only person to have ever purchased one of his paintings during his lifetime.  Six months later, Anna buys a second painting by Van Gogh and becomes the first person to acknowledge his skill and importance as an artist.  A painter herself, Anna hangs both Van Goghs in her studio, to use as inspiration.  Instead, she spends many years painting in their shadow, unable to live up to the genius she admires.  Finally, fully defeated by the strength and audacity of both paintings, she sells them, to free herself of the burden of living up to their standard.  The story of Anna, an unrealized artist, and her relationship to one of the most famous artists of all time, is told in this charming film that juxtaposes her life in grey, industrial Belgium, with that of Van Gogh's in sunny, Southern France.  Anna was the first person to ever purchase a Van Gogh, but just like so many who came after her, Van Gogh's work resonated so deeply within her, that her life was forever changed.","stream","['Bloch, Anna', 'Gogh, Vincent van']","[]","['Painters', 'Artists', 'Painting']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1007154xxx/1007154712/1007154712-disc001-file001-frame00045-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;2856963"
"asp2856961-marc","","A Camera That Goes Anywhere. The Legacy of American Documentary Cinema","","61 minutes","[]","The title, La Camera Passe-Partout, inspired by an article written by Leacock for Cahiers du Cinema in April 1959 wherein he, at this very early stage of the development of a 'new kind of cinema', begins to articulate his aesthetic ambition and artistic aspiration as a filmmaker. Weiner's camera enters the world of American Direct Cinema through 35 years of conversations with Leacock and four others—D.A. Pennebaker, Bob Drew, Terry Macartney Filgate and Al Maysles. In La Camera Passe-Partout, we discover how these five cineastes came together at an incredibly dynamic and defining moment of observational documentary filmmaking.","stream","[]","[]","['Documentary films', 'Motion picture producers and directors']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1007096xxx/1007096443/1007096443-disc001-file001-frame00710-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;2856961"
"asp2856957-fln4","","The thread","","62 minutes","[]","The Thread is a documentary that exposes how the internet manhunt for the Boston Marathon bombers changed the face of journalism forever, and discusses the undeniable impact amateur internet writers are having on journalism today.  Following the deadly attacks at the 2013 Boston Marathon, amateur internet sleuths took to Twitter and Reddit, intent on identifying the individuals responsible for the biggest terror attack on U.S. soil since 9/11.  More than 3 million people followed the manhunt on Reddit, many of whom were convinced they were qualified to identify clues or suspects, based upon their internet investigations. Set against a backdrop of the official, week-long hunt for the terrorists on the streets of Boston, this documentary reveals the parallel, unofficial, online investigation that captured the world's imagination, but led to innocent people being accused of the crime.  This thought-provoking documentary explores how the media landscape has been transformed by widespread use of social media, and questions the future of traditional journalism.  The documentary features interviews with journalists and executives of global media giants, as well as social media users, to ask important questions about the media and society.","stream","[]","[]","['Boston Marathon Bombing, Boston, Mass., 2013', 'Journalists', 'Online journalism', 'Journalism', 'Internet']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007087xxx/1007087830/1007087830-disc001-file001-frame00340-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLN4;2856957"
"asp2856935-cbsv","","60 minutes. Governor Romney. Campaign 2012. Part two","","3 minutes","['60 minutes']","In separate interviews, President Barack Obama and his challenger, Republican presidential candidate Mitt Romney, discuss the election year's hot-button issues. This is part 2 of Scott Pelley's interview with Governor Mitt Romney.","stream","['Romney, Mitt']","['United States']","['Presidential candidates', 'Presidents']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944336/1006944336-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856935"
"asp2856933-cbsv","","60 minutes. Gotti. Part two","","9 minutes","['60 minutes']","John Gotti, Jr. tells Steve Kroft how he told his father, the late John 'Teflon Don' Gotti, that he wanted to leave the family business and quit the mob. This is part two of a three-part segment.","stream","['Gotti, John A']","['United States']","['Mafia', 'Mafia trials']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944335/1006944335-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856933"
"asp2856931-cbsv","","60 minutes. Gospel for teens. Part two","","11 minutes","['60 minutes']","Lesley Stahl spends a year following the inspirational leader of a gospel music program for teenagers in Harlem and her students as they learn to sing this original American art form and build the confidence and character it inspires. This is part two of a two-part segment.","stream","[]","['New York (State)']","['Choirs (Music)', 'Group counseling for teenagers', 'Gospel singers']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944334/1006944334-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856931"
"asp2856929-cbsv","","60 minutes. Fathers, sons and brothers. Part two","","14 minutes","['60 minutes']","War has always been about families making sacrifices, and nowhere is that more evident than in the towns across America where the citizen soldiers of the National Guard and Reserve have placed their civilian lives on hold to fight for their country. In honor of these fathers, sons, brothers and their families, 60 Minutes devotes it's entire Memorial Day broadcast to the 1st Battalion of the 133rd Infantry of the Iowa National Guard serving in Iraq. This is part two.","stream","['United States', 'Infantry Regiment, 133rd', 'Army']","['Iowa']","['Soldiers', 'Iraq War, 2003-2011']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944313/1006944313-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856929"
"asp2856927-cbsv","","60 minutes. Face blindness. Part two","","13 minutes","['60 minutes']","Imagine you couldn't recognize people's faces, and even your own family looked unfamiliar. Lesley Stahl reports on face blindness, a puzzling neurological disorder. This is part two of a two-part segment.","stream","[]","[]","['Prosopagnosia', 'Face perception']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944309/1006944309-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856927"
"asp2856925-cbsv","","60 minutes. Eyewitness. Part two","","13 minutes","['60 minutes']","So how accurate is eyewitness testimony? As Lesley Stahl found out firsthand, memory is malleable and can easily be influenced and corrupted. This is part two of a two-part segment.","stream","[]","[]","['Recollection (Psychology)', 'Recognition (Psychology)', 'Eyewitness identification']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944308/1006944308-disc001-file001-frame00060-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856925"
"asp2856923-cbsv","","60 minutes. ""Doctor Death"" and his accomplice. Part two","","13 minutes","['60 minutes']","60 Minutes investigates a link between a California doctor and a South African scientist who specialized in germ warfare. Mike Wallace reports.","stream","['Basson, Wouter']","['South Africa', 'California']","['Biological warfare', 'Biological weapons']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944289/1006944289-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856923"
"asp2856921-cbsv","","60 minutes. Could it be true? Part two","","13 minutes","['60 minutes']","A look at the human test trials of SU5416, a new angiogenesis inhibitor, which shows promise as a cancer treatment. This is part two of a two-part segment. Ed Bradley reports.","stream","[]","[]","['Neovascularization inhibitors', 'Cancer']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944256/1006944256-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856921"
"asp2856919-cbsv","","60 minutes. Case closed? Part two","","10 minutes","['60 minutes']","Louise Woodward was accused of killing an 8-month-old baby in her care, Matthew Eappen.  Mike Wallace investigates new evidence in the case. This is part two of a two-part segment.","stream","['Woodward, Louise']","['United States']","['Trials (Infanticide)']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944221/1006944221-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856919"
"asp2856917-dimg","","Nursing X-Ray Interpretation. Wrist and Hand. Part 7","","7 minutes","['Nursing X-Ray Interpretation']","This module covers x-ray interpretation of normal, variants and common pathology of the wrist and hand.","stream","[]","[]","['Diagnostic imaging', 'Hand', 'Wrist']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1006841xxx/1006841928/1006841928-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DIMG;2856917"
"asp2856915-cbsv","","60 minutes. At the center of the storm. Part two","","14 minutes","['60 minutes']","Former CIA director, George Tenet, breaks his silence in part two of this segment. Scott Pelley reports.","stream","['Tenet, George']","['United States']","[]","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944172/1006944172-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856915"
"asp2856913-ebap","","Masterworks. Sir John Everett Millais","","10 minutes","['Masterworks']","'1000 Masterpieces from the Great Museums of the World' is one of the most successful TV series about art. The original, with improved image quality, takes us on a fascinating journey through the history of art. Comprehensively illustrated and compellingly presented -- the well-known authors of ten short art surveys provide a full introduction to the masterpieces of painting. Great artists of various epochs were fascinated by dramas, myths and legends. Masters such as Millais, van Dyck, Massys or von Stuck developed their own unique interpretations of themes like passion, courage, tragedy or fate -- and these have retained their magical allure right down to the present day.","stream","['Ophelia', 'Millais, John Everett', '(Fictitious character)']","[]","[]","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1004670xxx/1004670375/1004670375-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?EBAP;2856913"
"asp2856905-ahiv","","Prospects of mankind with Eleanor Roosevelt. What shape shall it take? The Peace Corps","","60 minutes","['Prospects of mankind with Eleanor Roosevelt']","Mrs. Roosevelt and her guests discuss the creation of the Peace Corps.","stream","['Peace Corps (U.S.)']","[]","[]","['Filmed interviews', 'Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1006219xxx/1006219217/1006219217-disc001-file001-frame00215-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2856905"
"asp2856903-ahiv","","Prospects of mankind with Eleanor Roosevelt. The American image abroad","","60 minutes","['Prospects of mankind with Eleanor Roosevelt']","Mrs. Roosevelt and her guests discuss the American image abroad.","stream","[]","['United States']","[]","['Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1006219xxx/1006219215/1006219215-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2856903"
"asp2856900-ahiv","","Prospects of mankind with Eleanor Roosevelt. The first step to arms control. Nuclear test ban","","60 minutes","['Prospects of mankind with Eleanor Roosevelt']","Mrs. Roosevelt and her guests discuss the international test ban negotiations and their strategic effectiveness.","stream","[]","[]","['Nuclear arms control', 'Nuclear weapons']","['Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1006219xxx/1006219205/1006219205-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2856900"
"asp2856899-ahiv","","Prospects of mankind with Eleanor Roosevelt. Challenge to the United Nations. Congo","","60 minutes","['Prospects of mankind with Eleanor Roosevelt']","Includes a roundtable discussion hosted in 1960 by former First Lady Eleanor Roosevelt. Tackles critical issues concerning the United Nations intervention in the Belgian Congo after their independence and the struggle to establish sovereignty. Guests in the roundtable included Ambassador Adlai Stevenson (Governor of Illinois from 1949-53 and American representative to the United Nations), G. Mennen Williams (Governor of Michigan from 1949-61), Jana Wachuku (chairman of the United Nations appointed Congo Conciliation Commission), Rajeshawar Dayal (representative in the Congo), William Frye (United Nations correspondent of the Christian Science Monitor).","stream","[]","['Congo (Democratic Republic)']","['Intervention (International law)']","['Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1006219xxx/1006219183/1006219183-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2856899"
"asp2856897-ahiv","","Prospects of mankind with Eleanor Roosevelt. America's propaganda capabilities","","60 minutes","['Prospects of mankind with Eleanor Roosevelt']","Mrs. Roosevelt and her guests discuss the American mass media political role.","stream","[]","[]","['Propaganda', 'Mass media and propaganda']","['Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1006219xxx/1006219171/1006219171-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2856897"
"asp2856895-ahiv","","Ford educational weekly. I'm forever using soap. Bubbles","","9 minutes","['Ford educational weekly']","This documentary, produced by the Ford Motor Company, is about the history and uses of soap.","stream","[]","[]","['Soap']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1005586xxx/1005586125/1005586125-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2856895"
"asp2856883-marc","","Leadership and management. Introduction and case study","","41 minutes","[]","This program explores the qualities of leaders and discusses different management styles. It presents case studies of managers from such companies as Blakeway, General Mills U.K., and Centor and shows management lessons that can be learned from each.","stream","[]","[]","['Leadership', 'Management']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006624xxx/1006624171/1006624171-disc001-file001-frame00165-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;2856883"
"asp2856877-whiv","","The ancient tea road","","47 minutes","[]","As historical as the Silk Road, the Ancient Tea Road, stretching over 4,000 km in China, used to be an important commercial passage for trading tea, salt and other commodities. However the once prosperous road has become deserted with the quick pace of modernization since the 1950s. Against the breathtaking scenery of the mysterious Qingzang Plateau, tea merchant Zhao Baochang organized a huge caravan composed of 99 horses and 55 herdsmen, retraced the footsteps of their ancestors and revisited this ancient pathway. During the months of travel from Yunnan to Lhasa, they have to brave the challenge of harsh weather, altitude sickness and experience life and death. As the memorable journey draws to an end at the eve of the opening of the Qingzang Railway, the ancient pathway along with hooves beats and clear bells also fade away.","stream","[]","['China']","['Trade routes', 'Draft horses']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006936xxx/1006936673/1006936673-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?WHIV;2856877"
"asp2856875-whiv","","Lost world","","49 minutes","[]","A young woman from the modern world enters a primeval society. A cave-dwelling tribe is living in a time warp. An encounter between the present and the past shatters decades of tranquility. What changes will this bring to the fate of the cave village? Deep in the remote mountains, a young lady leaves her job in the city to help the cave-dwelling children living a primitive life at Guiyang City in southwest part of China. She volunteers to be a schoolteacher at the only school in the area for some children of China's Miao ethnic minority. An inspiring story of selfless sacrifice and dedication to a higher ideal, she lives in the cave with them, enduring the same hardships, to bring a glimmer of hope and knowledge to young lives cut-off from the modern world.","stream","[]","['China', 'Guiyang (Guizhou Sheng, China)']","['Cave dwellings']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006936xxx/1006936679/1006936679-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?WHIV;2856875"
"asp2856873-whiv","","Fading of the Iron Curtain. Revealing the Rason Special City of North Korea","","61 minutes","[]","In the extreme northeast of North Korea, there is a rarely mentioned city called Rason. With its advantageous geographical location near the borders of China and Russia, Rason Special City was among the first to become North Korea's special economic zone in 1991. Domestic economic reforms and foreign investment projects are in full swing in this special area. Aquatic products processing activity contributed much to the domestic economic development of Rason Special City. Workers of Suchobong Aquatic Products Company worked extremely hard to process the aquatic products to be ready for export in return for an annual foreign earning of USD 1 million for North Korea. Rason Special City welcomes foreign investment. Among the foreign investors, Russia had leased a pier on Rajin Port for 49 years, while China had constructed a highway connecting Wonjeong Customs and Rajin Port. China also sent experts and modern equipment to Rason Special City to teach the local farmers how to improve farming methods and increase yields. Since Kim Jong-un became the leader of North Korea, he had been trying to show a new and modern image of the country to the world. Though the diplomatic relations are still tense, Rason Special City is conducting economic reforms at its own pace. Following the entertaining and fashionable music performed by Moranbong Band, an all-female westernized band set up by Kim Jong-un, the programme reveals the current situation in this experimenting economic zone.","stream","[]","['Korea (North)']","['Economic zoning']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006936xxx/1006936687/1006936687-disc001-file001-frame00065-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?WHIV;2856873"
"asp2856871-ant2","","Barrie Machin's India. Kahika. Part 8","","20 minutes","[""Barrie Machin's India""]","This video, filmed by Barrie Machin, shows the Kahika festival in Himachal Pradesh, India.","stream","[]","['India']","['Rites and ceremonies', 'Festivals']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006473xxx/1006473669/1006473669-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2856871"
"asp2856869-ant2","","Supermen of Malegaon","","53 minutes","[]","India loves movies. Not only do they turn out in droves to see them, there are others that want to try their hand at making them - little budget, no stars but a lot of initiative. This documentary is about the making of the movie ""MALEGAON KA SUPERMAN"" by a motley crew of Malegaons for whom filmmaking is a labor of love and not a commercial endeavor.   Juxtaposing the frenzied production activities agains the stark socio-economic backdrop of Malegaon, the film reveals the cathartic and spellbinding importance of the ""magic of movies"", a temporary escape into the fantastical world of cinema.","stream","[]","['India', 'Mālegaon (India)']","['Motion picture industry', 'Motion pictures']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1005334xxx/1005334815/1005334815-disc001-file001-frame01575-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2856869"
"asp2856867-ant2","","Barrie Machin's Greece. Asi Gonia Sewing","","1 minutes","[""Barrie Machin's Greece""]","This video, filmed by Barrie Machin, is about sewing in Asi Gonia, Crete.","stream","[]","['Crete (Greece)', 'Greece']","['Sewing']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006473xxx/1006473711/1006473711-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2856867"
"asp2856865-ant2","","Barrie Machin's Greece. Wool dyeing Asi Gonia","","2 minutes","[""Barrie Machin's Greece""]","This video, filmed by Barrie Machin, is about dyeing wool in Asi Gonia, Crete.","stream","[]","['Crete (Greece)']","['Dyes and dyeing']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006473xxx/1006473751/1006473751-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2856865"
"asp2856864-cbsv","","60 minutes. Killing to die","","14 minutes","['60 minutes']","60 Minutes investigates the case of Daniel Colwell, a mentally ill man who killed someone for the sole purpose of receiving the death penalty. Dan Rather reports.","stream","[]","['United States']","['Trials (Murder)', 'Mental health laws', 'Insanity (Law)']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944989/1006944989-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856864"
"asp2856862-cbsv","","60 minutes. Personal foul. Part two","","10 minutes","['60 minutes']","December 6, 2009 - Tim Donaghy's bets on NBA games were hugely successfully, but it all came unraveled when he says the mob wanted a piece of the action. And that put him on the FBI's radar. Bob Simon reports.","stream","['National Basketball Association', 'Donaghy, Tim']","['United States']","['Basketball']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944481/1006944481-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856862"
"asp2856860-cbsv","","60 minutes. President Ahmadinejad. Part two","","10 minutes","['60 minutes']","Mahmoud Ahmadinejad, the president of Iran gives few interviews to Western journalists, but met with 60 Minutes correspondent Mike Wallace last August at his palace in Tehran. So we were able to give Americans a close-up look at this important Islamic leader who is outspoken, crafty and, as you will see, a challenging interview. This is part two of a two-part interview.","stream","['Ahmadinejad, Mahmoud']","['Iran']","[]","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944385/1006944385-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856860"
"asp2856858-cbsv","","60 minutes. Inside the collapse. Part two","","8 minutes","['60 minutes']","Michael Lewis talks about the current situation on Wall Street, the large bonuses still being paid and his predictions for the future of the industry. This is part two of a two-part interview. Steve Kroft reports.","stream","['Lewis, Michael']","['United States']","['Brokers', 'Securities industry']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944382/1006944382-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856858"
"asp2856856-cbsv","","60 minutes. Hitler's lake. Part two","","14 minutes","['60 minutes']","It looks as serene as an Alpine postcard, but Lake Toplitz, high in the Austrian Alps, has long been suspected of harboring evidence of Nazi crimes under Adolf Hitler. Until now, no one has been able to successfully complete a comprehensive sweep of the deep and dark lake floor to determine exactly what might have been dumped there more than a half century ago. This is part two of a two-part segment. Scott Pelley reports.","stream","[]","['Toplitzsee (Austria)']","['Holocaust, Jewish (1939-1945)', 'National socialism', 'World War, 1939-1945']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944359/1006944359-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856856"
"asp2856854-cbsv","","60 minutes. Hard measures. Part two","","14 minutes","['60 minutes']","Jose Rodriguez, the former head of the CIA's Clandestine Service, defends the ""enhanced interrogation techniques"" used on high-level al Qaeda detainees and says he has no regrets. This is part two of a two-part segment. Lesley Stahl reports.","stream","['United States', 'Directorate of Operations', 'Central Intelligence Agency', 'Rodriguez, Jose A']","['United States']","['Torture', 'Unlawful combatants', 'Terrorism']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1006944xxx/1006944350/1006944350-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856854"
"asp2856733-ahiv","","Liberty. The times that try men's souls, 1776-1777. Episode 3","","54 minutes","['Liberty']","Days after the Declaration of Independence is signed, a British force arrives in New York harbor. Washington and his troops are driven to New Jersey. With only a few days of enlistment left for many of his volunteers, a desperate Washington leads his army quietly across the Delaware River on the day after Christmas, 1776, to mount a surprise attack on a sleeping garrison in Trenton.","stream","[]","['United States']","['Constitutional history']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006806xxx/1006806973/1006806973-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?AHIV;2856733"
"asp2856531-cbsv","","60 minutes. Unsafe haven. Part one","","17 minutes","['60 minutes']","Falsified records. Dangerous conditions. Doctors who barely spoke to their patients. This is what 60 Minutes II and Ed Bradley found during a year-long investigation of Charter Behavioral Health Systems, the largest chain of private psychiatric hospitals in the country. This is part one.","stream","[]","[]","['Psychiatric hospitals', 'Mentally ill']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1007088xxx/1007088217/1007088217-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CBSV;2856531"
"asp2856529-asv2","","Learn to Reform","","77 minutes","[]","In the past 20 years education reform in Taiwan has been through heated debate and is still under scrutiny. In this film reform advocates, government officials, critics, teachers, students, and parents are interviewed in an attempt to review the purposes of education reform from a historical perspective; to gain insights on the dilemmas it faces; and to learn about the reasons behind the movement. Borrowing the format of an elementary school classroom, the film is structured to look, layer by layer, into the core of education reform, while looking into the center of sociocultural reform in Taiwan.","stream","[]","['Taiwan']","['Education', 'Educational change']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1007087xxx/1007087007/1007087007-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ASV2;2856529"
"asp2856527-asv2","","KJ Music and Life","","92 minutes","[]","Ka-jeng is a 17-year-old music prodigy from a well-to-do family. At the age of 11 he is invited to play Beethoven's Concerto for Piano No. 1 with a professional orchestra in the Czech Republic. Despite all his gains, he begins to question incessantly about his life. This documentary goes deep down into his mind to review his thoughts, his struggles and his choices. It is a story of a genius, but also a story of everyone who laments their unrecognized talents while brewing their dream-come-true.","stream","['Huang, Jiazheng']","['China']","['Pianists']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1007087xxx/1007087006/1007087006-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ASV2;2856527"
"asp2856525-asv2","","Home School","","61 minutes","[]","This film looks at four different families - the Polish and Taiwanese CHEN-WERNIK family, the traditional ZHAN family, the LUO family, who adjusted to traditional education yet still chose homeschooling, and the MALCOLM family, who had experienced hurdles in school and found solace in a non-traditional school - and examines their backgrounds which led them all to homeschooling, their situations, and their stories.","stream","[]","['Taiwan']","['Home schooling']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1007087xxx/1007087005/1007087005-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ASV2;2856525"
"asp2856523-asv2","","Hip-Hop Storm","","80 minutes","[]","Thirty-four year-old Alun formed the first hip-hop dance group 'The Party' soon after totalitarian rule ended in Taiwan in the early 90s. The group eventually disbanded, but Alun's passion for hip-hop remained. He's about to compete in Juste Debout, a worldwide street dance competition to take place in Paris. Where will this journey take him? Eight high school students born in the 90s, and half the age of Alun, make up 'Undergradu-eight.' Supported by a more open society that has come to embrace pop culture, what is the dream they're hoping to achieve through hip-hop?","stream","[]","['Dancers', 'Hip-hop dance']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1007087xxx/1007087004/1007087004-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ASV2;2856523"
"asp2856521-asv2","","Game Theory","","94 minutes","[]","Farmers rely on their land for survival. However, in China, those who rely on their land have neither ownership of this land, nor the guarantee of land-use rights. Farmers have paid an especially heavy price in their efforts to protect their land-use rights in the face of accelerated industrialization and urbanization perpetuated by the government and business enterprises. This film documents the forced demolition and relocation of two villages over the course of 5 years, from 2005 to 2009.","stream","[]","['China']","['Land use, Rural', 'Land tenure', 'Right of property', 'Eminent domain']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1007087xxx/1007087003/1007087003-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ASV2;2856521"
"asp2856519-asv2","","Fu-Jia's Home Movie","","70 minutes","[]","Fu-jia the farmer grows lemons on a riverside flood-land. He borrowed a camera in 2009, saying that he would make a documentary on why market price for lemons remains low. Not even a month later, Typhoon Morakot caused havoc in Taiwan, resulting in the largest flood in 50 years. Fu-jia then documented the devastation with his camera. Upon learning Fu-jia's story, we decided to make a documentary entitled 'Fu-jia's Home Movie' – about the man who has been making a documentary.","stream","[]","['Taiwan']","['Farmers', 'Floods']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1007087xxx/1007087002/1007087002-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ASV2;2856519"
"asp2856517-asv2","","Duckweed","","73 minutes","[]","WU Yu was penniless twenty years ago. He never expected to be a billionaire. He is now well known in Shenzhen's business circles. 'Now I am rich, but I have no root. I float in Shenzhen, just like duckweed.'","stream","[]","['Shenzhen Shi (China)', 'China']","['Businessmen']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1007086xxx/1007086999/1007086999-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ASV2;2856517"
"asp2856515-asv2","","Dragon Boat","","85 minutes","[]","The annual dragon boat race is a major event for the villagers of Lianxi, an island in southern China. With the construction of University Town in 2003, the villagers were forced to resettle. Today, the island has been turned into a mini city, and the former site of Lianxi has been transformed into a folk culture resort. Resettled villagers return to the site every year to continue their tradition of dragon boat racing. Will the dragon boat remain the link between the villagers and their former homeland? Lianxi's fate profoundly reflects many ongoing encounters between native cultures and modernization in China today.","stream","[]","['Guangzhou Shi (China)', 'China']","['Dragon boat festivals', 'Urbanization']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1007086xxx/1007086998/1007086998-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ASV2;2856515"
"asp2856511-asv2","","Bazaar Jumpers","","62 minutes","[]","Two Uigur brothers and a friend are in love with parkour, a kind of extreme sport. Regardless of opposition from their worried mothers, the boys train themselves to be the best in an upcoming parkour event in Beijing while managing to iron out additional difficulties. They lose the game, but eventually they learn much more about their true selves.","stream","[]","['China']","['Teenagers', 'Uighur (Turkic people)', 'Parkour']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1007086xxx/1007086993/1007086993-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ASV2;2856511"