"filmID","creator","title","date_of_publication","runtime","series_title","summary","format_type","associated_entity","geography","subject_group","genre","image_url","direct_url"
"asp3795099-marc","","Beyond the wheel","","59 minutes","[]","Across cultures, tradition bars women from engaging in activities of a certain kind like, the plough, the fishing net or the potter's wheel. 'Beyond the Wheel' takes a look at three women in Indian pottery, across the rural-urban, modern-traditional divides, with reference to the taboo of the wheel. For the 'modern' artist, Shampa, the taboo of course does not exist. 'Traditional' artists Sara and Neelmani do not touch the wheel. The film looks at how the taboo is turned on its head as they find a creative route to its circumvention, in the process inventing their 'own wheel'.","stream","[]","['India']","['Potters', 'Pottery, Indic', 'Women potters']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009289xxx/1009289581/1009289581-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795099"
"asp3795093-marc","","The story of film. Episode 15","","65 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history.Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 15 In the final part of The Story of Film: An Odyssey, movies come full circle. They get more serious after 9/11, and Romanian movies come to the fore, followed by David Lynch’s Mulholland Drive becoming one of the most complex dream films ever made and Inception turning film into a game. In Moscow, master director Alexander Sokurov talks exclusively about his innovative films and then there’s a surprise: The Story of Film goes beyond the present, to look at film in the future.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009394xxx/1009394132/1009394132-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795093"
"asp3795091-marc","","The story of film. Episode 14","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history.Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 14 This is the story of the brilliant, flashy, playful movies in the English-speaking world in the 90s. We look at what was new in Tarantino’s dialogue and the edge of the Coen brothers. The writer of Starship Troopers and Robocop talks exclusively about their irony. In Australia, Baz Luhrmann talks about Romeo + Juliet and Moulin Rouge and we plunge into the digital world to see how it changed the movies forever.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009394xxx/1009394131/1009394131-disc001-file001-frame00830-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795091"
"asp3795089-marc","","The story of film. Episode 13","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st.The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history.Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 13 Few saw it coming, but cinema around the world in the 90s entered a golden age. The story starts in Iran, where we meet Abbas Kiarostami, who rethought movie making and made it more real. Then we meet Shinya Tsukamoto, who laid the ground for the bold new Japanese horror cinema. From Tokyo, the story moves to Paris where one of the world’s greatest directors, Claire Denis, talks exclusively about her work. The story ends in Mexico with the blossoming of its new films.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009394xxx/1009394130/1009394130-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795089"
"asp3795087-marc","","OSS 117. Rio ne répond plus","","101 minutes","[]","The pride of French intelligence, Hubert Bonisseur de la Bath -- code named OSS 117 -- has a new mission that takes him to the Bossa Nova Brazil of the 1960's. Teaming up with a sexy Mossad agent, he has to capture a Nazi blackmailer with an embarrassingly long list of World War II French collaborators.","stream","['Bruce, Jean']","['Brazil']","['Nazis', 'Nazi hunters', 'Espionage, French']","['Feature films', 'Spy films', 'Parody films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009394xxx/1009394129/1009394129-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795087"
"asp3795083-marc","","Bill W","","104 minutes","[]","Bill W. tells the story of William G. Wilson, co-founder of Alcoholics Anonymous, a man included in TIME Magazine's ""100 Persons of the 20th Century"". Interviews, recreations, and rare archival material reveal how Bill Wilson, a hopeless drunk near death from his alcoholism, found a way out of his own addiction and then forged a path for countless others to follow. With Bill as its driving force, A.A. grew from a handful of men to a worldwide fellowship of over 2 million men and women – a success that made him an icon within A.A., but also an alcoholic unable to be a member of the very society he had created. A reluctant hero, Bill Wilson lived a life of sacrifice and service, and left a legacy that continues every day, all around the world.","stream","['Alcoholics Anonymous', 'W., Bill']","[]","['Alcoholics']","['Documentary films', 'Biographical films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009381xxx/1009381806/1009381806-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795083"
"asp3794939-marc","Verdi, Giuseppe, 1813-1901, composer","Giuseppe Verdi's Luisa Miller","","152 minutes","[]","Giuseppe Verdi's ""Luisa Miller"" is an opera in three acts based on Schiller's ""Kabale und Liebe"" (Intrigue and Love). Just before Christmas 2012, it was recorded at the Malmö Opera, the leading opera house in the expansive region of Öresund in Sweden. ""Luisa Miller"" is the story of the lovers Luisa and Rodolfo. Their love is challenged  by class distinctions between their families. Despite the couple's struggle, the story eventually ends in inevitable tragedy.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371397/1009371397-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3794939"
"asp3789659-marc","","The story of film. Episode 9","","63 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history.Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 9 This is the remarkable story of the maturing of American cinema of the late 60s and 70s. Buck Henry, who wrote The Graduate, talks exclusively about movie satire of the time. Paul Schrader in New York reveals his thoughts on his existential screenplay for Taxi Driver. Writer Robert Towne explores the dark ideas in Chinatown, and director Charles Burnett talks about the birth of Black American cinema.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375922/1009375922-disc001-file001-frame00405-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789659"
"asp3789655-marc","","Martin Walker. Mein Périgord","","44 minutes","[]","Born in Scotland in 1947, Martin Walker has made a literary memorial to his adopted home, the French region of Périgord. His successful crime novels about the sympathetic village policeman ""Bruno"" play in this region and treat beside the criminal cases the rich history and the culinary specialties of the Périgord. The graduate historian and economist worked for 25 years as a journalist and foreign correspondent for the British newspaper ""The Guardian"". He has authored numerous nonfiction books, including on the Cold War, perestroika, Mikhail Gorbachev and Bill Clinton. To this day, he also manages a ""think tank"" in Washington, which analyzes trends in the global economy for major business enterprises and politicians. Martin Walker presents in this documentary his favorite places and the historically most important sites of Périgord.","stream","['Walker, Martin']","['Périgord (France)']","['Authors']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371398/1009371398-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789655"
"asp3789653-marc","","The nutcracker and the mouse king","","108 minutes","[]","Going to see Nutcracker with the whole family has been a tradition in other countries for many years. Now it is a tradition in the Netherlands as well. It became apparent that the Netherlands had also adopted this tradition in 1996, when the Dutch National Ballet presented its own version of the famous fairytale ballet. It is a magical production that has won the hearts of more than 250,000 people to date. Choreographers Toer van Schayk and Wayne Eagling created a Nutcracker for the children and adults of today. It is more dynamic and exciting, and less sweet than usual. They also chose to give a Dutch twist to their interpretation of the story, with skaters on the canals and a living room that transforms into a snowy forest. Unlike the original story, the production by Eagling and Van Schayk (who also designed the delightful sets and costumes) does not take place on Christmas Eve in a German town, but during St. Nicholas celebrations in Amsterdam, around 1810.","stream","[]","[]","['Ballets']","['Filmed ballets']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371396/1009371396-disc001-file001-frame00670-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789653"
"asp3789649-marc","","Triangle of the squinches","","62 minutes","[]","""Triangle of the Squinches"" is set to a commissioned score by legendary musician Mickey Hart and features an innovative kinetic set by cutting-edge architect Christopher Haas. In this piece, Alonzo King explores the inner and outer space of the body: how do we strive to touch something infinite with our material forms? What is the resonance between the bodies we inhabit and the forms we create?","stream","[]","[]","['Ballets']","['Filmed ballets']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371384/1009371384-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789649"
"asp3789647-marc","","Caravaggio. Making of a ballet","","29 minutes","[]","""Caravaggio - Making of a Ballet"" is a documentary, which accompanies the working process of the ballet ""Caravaggio"". The film includes interviews with the choreographer Mauro Bigonzetti. The backstage and rehearsal footage shows his way of working and implementing projects. Furthermore, it includes interviews with the composer and soloists.","stream","[]","[]","['Ballet']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371381/1009371381-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789647"
"asp3789645-marc","","Don Quichot","","128 minutes","[]","Don Quichot - an audience favourite of prestigious companies worldwide - is a dazzling display of high spirits, virtuosity and Spanish temperament. The flamboyant leaps, dizzying pirouettes and crisp pointe work that are standard features of the production give the performers every opportunity to show off their technical prowess. But at the same time, the comic story based on Cervantes' masterpiece makes strong demands on the dancers' acting abilities.","stream","[]","[]","['Ballets']","['Filmed ballets']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371380/1009371380-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789645"
"asp3789633-marc","","The story of film. Episode 8","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history.Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 8 This is the story of the dazzling 1960s in cinema around the world. In Hollywood, legendary cinematographer Haskell Wexler reveals how documentary influenced mainstream movies. Easy Rider and 2001: A Space Odyssey begin a new era in America cinema. And as the new wave in cinema sweeps around the world, we discover the films of Roman Polanski, Andrei Tarkovsky, and Nagisa Oshima. Black African cinema is born and we talk exclusively to the Indian master director Mani Kaul.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375921/1009375921-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789633"
"asp3789631-marc","","The story of film. Episode 7","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history. Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 7 This is the explosive story of film in the late 50s and 60s. The great movie star Claudia Cardinale talks exclusively about Federico Fellini. In Denmark, Lars Von Trier describes his admiration for Ingmar Bergman, and Bernardo Bertolucci remembers his work with Pier Paolo Pasolini. We discover how French filmmakers planted a bomb under the movies and see how the new wave it caused swept across Europe.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375920/1009375920-disc001-file001-frame00190-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789631"
"asp3789629-marc","","The story of film. Episode 6","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history. Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 6 This part explores the story of sex and melodrama in the movies of the 50s. We discover James Dean, On the Waterfront and the glossy weepies of the time, but also travel to Egypt, India, China, Mexico, Britain and Japan to find that movies there were also full of rage and passion. Features exclusive interviews with the people who worked with Satyajit Ray, with legendary actress Kyoko Kagawa--who starred in films by Akira Kurosawa and Yasujiro Ozu, and the first great African director, Youssef Chahine.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375919/1009375919-disc001-file001-frame00230-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789629"
"asp3789627-marc","","The story of film. Episode 5","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history.Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 5 This part of The Story of Film shows how the trauma of war made cinema more daring. The story starts in Italy, and then we go to Hollywood, discover Orson Welles and chart the darkening of American film and the drama of the McCarthy era.  Screenwriters Paul Schrader and Robert Towne discuss theses years. The director of Singin’ in the Rain, Stanley Donen, talks exclusively about his career, and we discover that British films like The Third Man best sum up these extraordinary years.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375918/1009375918-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789627"
"asp3789625-marc","","The story of film. Episode 4","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history.Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 4 In part 4, we see how the coming of sound in the 1930s upended everything. We watch the birth of new types of film: screwball comedies, gangster pictures,horror films, westerns and musicals, and discover a master of most of them: Howard Hawks. Far away from Hollywood, in England Alfred Hitchcock hits his stride and French directors become masters of mood. And we discover that three of the great films of 1939 – The Wizard of Oz, Gone with the Wind and Nintochka – have something in common.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375917/1009375917-disc001-file001-frame00405-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789625"
"asp3789623-marc","","The story of film. Episode 3","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history.Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 3 The 1920s were a golden age for world cinema. In this part, we visit Paris, Berlin, Moscow, Shanghai and Tokyo to discover the places where movie makers were pushing the boundaries of the medium. German Expressionism, Soviet montage, French impressionism and surrealism were passionate new film movements, but less well known are the glories of Chinese and Japanese films and the moving story of one of the great, now forgotten, movie stars: Ruan Lingyu.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375916/1009375916-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789623"
"asp3789621-marc","","The story of film. Episode 2","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history.Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 2 This is the fascinating story of the movies in the roaring 20s. We see how Hollywood became a glittering entertainment industry and how star directors like Charlie Chaplin and Buster Keaton emerged. But the gloss and fantasy was challenged by movie makers like Robert Flaherty, Eric Von Stroheim and Carl Theodor Dreyer, who wanted films to be more serious and mature. Filmed in Hollywood, Denmark and Moscow, this part looks at the battle over the soul of cinema and some of the greatest movies ever made.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375915/1009375915-disc001-file001-frame00730-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789621"
"asp3789619-marc","","The story of film. Episode 12","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st.The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history.Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 12 With Ronald Reagan in the White House and Margaret Thatcher in Downing Street, the 1980s were the years of protest in the movies. This is the story of how brave filmmakers spoke truth to power. American independent director John Sayles talks exclusively about these years. In Beijing we discover the blossoming of Chinese cinema before the Tian’anmen crackdown. In the Soviet Union, the past wells up in astonishing films, and in Poland the master director Krzysztof Kieslowski emerges.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375914/1009375914-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789619"
"asp3789617-marc","","The story of film. Episode 11","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history.Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 11 Star Wars, Jaws and The Exorcist created the multiplexes, but they were also innovative. The Story of Film: Part 11 explains how, and then travels to India where the world’s most famous movie star, Amitabh Bachchan, shows how Bollywood was doing new things in the 70s. And we discover that Bruce Lee movies in Hong Kong kickstarted the kinetic films of Hong Kong, where Master Yuen Wo Ping talks exclusively about his action movies and his wire fu choreography for The Matrix.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375913/1009375913-disc001-file001-frame00660-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789617"
"asp3789615-marc","","The story of film. Episode 10","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history.Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 10 This is the story of the movies that tried to change the world in the 70s. We start in Germany with Wim Wenders, head to Britain in the 70s and talk exclusively to Ken Loach, travel to Italy, see the birth of new Australian cinema, and then arrive in Japan, which was making the most moving films in the world. Even bigger, bolder questions about film were being asked in Africa and South America, and the story ends with John Lennon’s favorite film, the extraordinary, psychedelic The Holy Mountain.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375912/1009375912-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789615"
"asp3789613-marc","","The story of film. Episode 1","","64 minutes","['The story of film']","The Story of Film: An Odyssey is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe. Guided by film historian Mark Cousins, this bold 15-part love letter to the movies begins with the invention of motion pictures at the end of the 19th century and concludes with the multi-billion dollar globalized digital industry of the 21st. The Story of Film: An Odyssey heralds a unique approach to the evolution of film art by focusing on the artistic vision and innovations of filmmaking pioneers. Cousins’ distinctive approach also yields a personal and idiosyncratic rewriting of film history. Filmed at key locations in film history on every continent, from Thomas Edison’s New Jersey laboratory, to Hitchcock’s London; from post-war Rome to the thriving industry of modern day Mumbai--this landmark documentary is filled with glorious clips from some of the greatest movies ever made and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Wim Wenders, Abbas Kiarostami, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale. SYNOPSES: Part 1 The opening of The Story of Film: An Odyssey shows the birth of a great new art form, the movies. Filmed in the very buildings where the first movies were made, it shows that ideas and passion have always driven film, more than money and marketing. We hear the story of the very first movie stars, close-ups and special effects and then we travel to Hollywood to see how it became a myth. The story is full of surprises, such as the fact that the greatest, and best, paid writers in these early years were women. And then there’s the glamour: the building of the great movie cathedrals.","stream","[]","[]","['Motion picture producers and directors', 'Motion picture industry', 'Cinematography', 'Silent films', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375911/1009375911-disc001-file001-frame00820-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789613"
"asp3789611-marc","","Maison Close. Season 2, Episode 8","","57 minutes","['Maison Close']","Torcy oversees the faithful's donations to the Sacred Heart, which add up to a tidy sum. Mosca jumps at the opportunity to strike a fatal blow to the chief commissioner and replenish his coffers at the same time. Meanwhile, the women of the Paradise are worried that Kertel and Bak are trying to overthrow Mosca for control of the streets.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375910/1009375910-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789611"
"asp3789609-marc","","Maison Close. Season 2, Episode 7","","53 minutes","['Maison Close']","Mosca and Rose get lost in a world of drugs and sex. So Kertel takes matters into his own hands with the help of Bak. Angéle contracts syphilis but the women of the Paradise refuse to report it and instead decide to treat her on site. Having no idea that Jeanne has been seeing Bak, Véra searches for a furnished apartment to satisfy her daughter's desire for independence.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375909/1009375909-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789609"
"asp3789607-marc","","Maison Close. Season 2, Episode 6","","55 minutes","['Maison Close']","The prefect demands that Torcy restore calm to the streets of Paris, and suggests he find some common ground with Mosca. Thus Torcy proposes to Mosca that he protect the peace at the Paradise and even take control over the streets. Véra wants Jeanne to believe that she was born out of love and that her father was killed in a duel.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375908/1009375908-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789607"
"asp3789605-marc","","Maison Close. Season 2, Episode 5","","48 minutes","['Maison Close']","The prefect reproaches Torcy for the increasing number of prostitutes in the streets and the amount of clean-up to be done immediately. His head is on the chopping block. Not wanting to be outdone by Mosca, the vicious master of the Pigalle streets, known as The Butcher, forces his way into the Paradise, holding the girls hostage.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375907/1009375907-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789605"
"asp3789603-marc","","Maison Close. Season 2, Episode 4","","42 minutes","['Maison Close']","Despite being warned by Kertel, who fears retaliation by the Corentin Brothers, Mosca decides to keep the streetwalkers who were formerly under Corentin's charge ""on the pavement"". Valentine, who dreams of independence, is reunited with Rémi, a small-time criminal who lures her into a trap. Véra, meanwhile, decides to reveal everything to her daughter Jeanne.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375906/1009375906-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789603"
"asp3789601-marc","","Maison Close. Season 2, Episode 3","","48 minutes","['Maison Close']","Torcy has enough on Hortense to put pressure on her and comes to arrest the Queen of the Paradise. In exchange for her freedom, she agrees to work with the Moral Order. Mosca, for his part, takes interest in a group street prostitutes who are all alone after the death of their pimp, especially once he meets a procurer looking for girls to feed a pipeline to Buenos Aires.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375905/1009375905-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789601"
"asp3789599-marc","","Maison Close. Season 2, Episode 2","","47 minutes","['Maison Close']","Chief Commissioner Torcy, constantly looking to unseat Mosca from his throne at the Paradise, and suspicious of Mosca's involvement in a major burglary, sends Commissioner Angélus to the brothel to make inquiries. But none of the girls are willing to talk. Meanwhile, Hortense detests Mosca's presence in her territory and yearns to denounce him.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375904/1009375904-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789599"
"asp3789597-marc","","Maison Close. Season 2, Episode 1","","50 minutes","['Maison Close']","The residents of the Paradise are forced to cohabitate with a band of Parisian thugs with highly questionable morals. Facing grave financial difficulties, the brothel must also survive the rise to power of a royalist chief commissioner who marks the return of a Moral Order.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375903/1009375903-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789597"
"asp3789595-marc","","Maison Close. Season 1, Episode 8","","53 minutes","['Maison Close']","Pierre will stop at nothing to save himself and begins to entertain the most outrageous customer requests. Hortense mounts a strong opposition, aided by Véra and Rose. Along the way, Rose finally discovers the truth about her mother ... and her own past.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375902/1009375902-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789595"
"asp3789593-marc","","Maison Close. Season 1, Episode 7","","60 minutes","['Maison Close']","Hortense wants to terminate Angéle’s pregnancy, but the other women band together to allow her to keep the baby. Believing her mother to have died at The Paradise, Rose seduces Pierre in an attempt to gain her freedom. But soon Pierre’s wife arrives at the brothel to confront her husband's mistress, thinking it is Véra.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375901/1009375901-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789593"
"asp3789591-marc","","Maison Close. Season 1, Episode 6","","56 minutes","['Maison Close']","Angéle’s fiancée, Brise Caboche, is desperate to obtain her freedom and blackmails Hortense, who has no choice but to ask her brother for money. However, he is not immediately willing to help a sister who shows public disdain for him. Meanwhile, Rose confides in Véra how she plans to escape The Paradise: seducing Pierre.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375900/1009375900-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789591"
"asp3789589-marc","","Maison Close. Season 1, Episode 5","","53 minutes","['Maison Close']","Pierre continues to use The Paradise to serve his own purposes, inviting many wealthy clients on his own accord. Hortense is furious and attempts to spite him by keeping the ladies locked in their rooms. Rose, always in search of information about her mother, presses Hortense, who reveals her mother’s true identity.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375899/1009375899-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789589"
"asp3789587-marc","","Maison Close. Season 1, Episode 4","","55 minutes","['Maison Close']","Hortense must defend against the machinations of Pierre, who wants to leverage the Paradise for his own gains. A police investigation is launched in response to Véra’s claims and two girls are arrested. One day, Rose finds a photo of her mother in the house archives, and it is suggested that her mother and Hortense once shared a close personal relationship.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375898/1009375898-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789587"
"asp3789585-marc","","Maison Close. Season 1, Episode 3","","55 minutes","['Maison Close']","Hortense’s detestable brother Pierre, recently arrived in France, quickly resolves the strike organized by the ladies of The Paradise. But the calm in the storm is only temporary. Now back to work, Rose finds herself struggling to adjust to her new life. Meanwhile, Véra notices that Angéle is wearing jewelry that had previously belonged to her late lover. Suspicious, she goes to the police to report it.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels', 'Man-woman relationships']","['Television programs', 'Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375897/1009375897-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789585"
"asp3789583-marc","","Africa. The legacy. Episode eight","","52 minutes","['Africa']","This major eight-part series reveals the rich and diverse drama of African history and is presented by the distinguished historian and scholar Basil Davidson. Covering a vast time scale - from the origins of some of the world's greatest civilisations, to colonisation, the rise of nationalism and the emergence of modern Africa - the story is unfolded on location all over the continent with the help of archive film, carefully illustrated eye-witness accounts, interviews with statesmen and leaders, dramatic reconstructions, and specially-shot film of festivals, ceremonies, and life there today.","stream","[]","['Africa']","[]","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371406/1009371406-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789583"
"asp3789581-marc","","Africa. The rise of nationalism. Episode seven","","53 minutes","['Africa']","This major eight-part series reveals the rich and diverse drama of African history and is presented by the distinguished historian and scholar Basil Davidson. Covering a vast time scale - from the origins of some of the world's greatest civilisations, to colonisation, the rise of nationalism and the emergence of modern Africa - the story is unfolded on location all over the continent with the help of archive film, carefully illustrated eye-witness accounts, interviews with statesmen and leaders, dramatic reconstructions, and specially-shot film of festivals, ceremonies, and life there today.","stream","[]","['Africa']","['Nationalism']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371405/1009371405-disc001-file001-frame00230-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789581"
"asp3789579-marc","","Africa. This magnificent African cake. Episode six","","53 minutes","['Africa']","This major eight-part series reveals the rich and diverse drama of African history and is presented by the distinguished historian and scholar Basil Davidson. Covering a vast time scale - from the origins of some of the world's greatest civilisations, to colonisation, the rise of nationalism and the emergence of modern Africa - the story is unfolded on location all over the continent with the help of archive film, carefully illustrated eye-witness accounts, interviews with statesmen and leaders, dramatic reconstructions, and specially-shot film of festivals, ceremonies, and life there today.","stream","[]","['Africa']","['Imperialism']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371404/1009371404-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789579"
"asp3789577-marc","","Africa. The Bible and the gun. Episode five","","52 minutes","['Africa']","This major eight-part series reveals the rich and diverse drama of African history and is presented by the distinguished historian and scholar Basil Davidson. Covering a vast time scale - from the origins of some of the world's greatest civilisations, to colonisation, the rise of nationalism and the emergence of modern Africa - the story is unfolded on location all over the continent with the help of archive film, carefully illustrated eye-witness accounts, interviews with statesmen and leaders, dramatic reconstructions, and specially-shot film of festivals, ceremonies, and life there today.","stream","['Rhodes, Cecil']","['Africa']","['Missions', 'Slave trade']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371403/1009371403-disc001-file001-frame00095-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789577"
"asp3789575-marc","","Africa. The king and the city. Episode four","","52 minutes","['Africa']","This major eight-part series reveals the rich and diverse drama of African history and is presented by the distinguished historian and scholar Basil Davidson. Covering a vast time scale - from the origins of some of the world's greatest civilisations, to colonisation, the rise of nationalism and the emergence of modern Africa - the story is unfolded on location all over the continent with the help of archive film, carefully illustrated eye-witness accounts, interviews with statesmen and leaders, dramatic reconstructions and specially-shot film of festivals, ceremonies and life there today.  This episode talks about the history of Kano, a city in Nigeria and the ancient city called Benin.","stream","[]","['Africa']","[]","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371402/1009371402-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789575"
"asp3789573-marc","","Africa. Caravans of gold. Episode three","","52 minutes","['Africa']","This major eight-part series reveals the rich and diverse drama of African history and is presented by the distinguished historian and scholar Basil Davidson. Covering a vast time scale - from the origins of some of the world's greatest civilisations, to colonisation, the rise of nationalism and the emergence of modern Africa - the story is unfolded on location all over the continent with the help of archive film, carefully illustrated eye-witness accounts, interviews with statesmen and leaders, dramatic reconstructions and specially-shot film of festivals, ceremonies and life there today.  This episode traces the medieval gold trade from Africa to India, China and Italy.","stream","[]","['Africa']","['Trade routes']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371401/1009371401-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789573"
"asp3789571-marc","","Africa. Mastering a continent. Episode two","","52 minutes","['Africa']","This major eight-part series reveals the rich and diverse drama of African history and is presented by the distinguished historian and scholar Basil Davidson. Covering a vast time scale - from the origins of some of the world's greatest civilisations, to colonisation, the rise of nationalism and the emergence of modern Africa - the story is unfolded on location all over the continent with the help of archive film, carefully illustrated eye-witness accounts, interviews with statesmen and leaders, dramatic reconstructions and specially-shot film of festivals, ceremonies and life there today.","stream","[]","['Africa']","['Agriculture']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371400/1009371400-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789571"
"asp3789569-marc","","Africa. Different but equal. Episode one","","53 minutes","['Africa']","This major eight-part series reveals the rich and diverse drama of African history and is presented by the distinguished historian and scholar Basil Davidson. Covering a vast time scale - from the origins of some of the world's greatest civilisations, to colonisation, the rise of nationalism and the emergence of modern Africa - the story is unfolded on location all over the continent with the help of archive film, carefully illustrated eye-witness accounts, interviews with statesmen and leaders, dramatic reconstructions and specially-shot film of festivals, ceremonies and life there today.","stream","[]","['Africa']","[]","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371399/1009371399-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789569"
"asp3789565-marc","","Dust and light","","32 minutes","[]","""Like so many dances by the celebrated choreographer Alonzo King, Dust and Light resembles poetry in motion,"" the Boston Globe proclaims. In a landscape that shifts like the clouds, dappling the stage with soft light and then bathing the dancers in silvery radiance, Alonzo King brings out the emotional intimacy of dance. The LINES Ballet dancers move in harmonious counterpoint to each other, setting off the rich variations of Arcangelo Corelli's Baroque music against Francis Poulenc's otherworldly sacred choral odes. Each body is replete with radiant potential, as if the stage were filled with a dozen moons--or perhaps with a dozen suns, since, as Alonzo King says, ""a tendu isn't just the straightening of the leg but a ray of light radiating from the sun."" As the duets and trios of dancers culminate in an exuberant ensemble, the intimacy of the piece expands and opens outwards, immersing the audience in luminous grace.","stream","[]","[]","['Ballets']","['Filmed ballets']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371383/1009371383-disc001-file001-frame00690-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789565"
"asp3789563-marc","","Scheherazade","","46 minutes","[]","Alonzo King's Scheherazade is a re-envisioning of the ancient collection of Persian, Sanskrit, and Arabic stories of 1,001 Nights. The exquisite dancers of LINES Ballet present a vision of the transformative potential these stories possess: the way that we are offered a chance to listen to a voice that can change our lives, the power of art to illuminate all the chambers of our hearts. The new score by tabla master Zakir Hussain re-interprets the original music by Rimsky-Korsakov, incorporating traditional Persian as well as Western instruments. Commissioned by the Monaco Dance Forum to inaugurate the Centenary of the Ballets Russes de Monte Carlo, Alonzo King LINES Ballet's Scheherazade honors Diaghilev's spirit of cutting-edge artistic collaboration, immersing audiences in a luminescent and richly textured world.","stream","[]","[]","['Ballets']","['Filmed ballets']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371382/1009371382-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789563"
"asp3789561-marc","","La petite danseuse de Degas. A ballet in two parts","","112 minutes","[]","Paris Opera Ballet Master and choreographer Patrice Bart plunges into the Opera's past and brings Degas' famous statuette to life. From the rehearsal rooms to the Cabaret du Chat Noir, the ballet conjures up a colourful era and the lively backstage world of a theatre.","stream","[]","[]","['Ballets']","['Filmed ballets']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371379/1009371379-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3789561"
"asp3735822-marc","","Group counseling with inmates. San Quentin Prison","","94 minutes","[]","In this video, viewers will enter into maximum security San Quentin State Prison to witness a group of inmates participate in their weekly support and skill building group. Co-facilitated by Adam Zagelbaum, Professor of Counseling at Sonoma State University and volunteer at San Quentin, as well as Charlie – an inmate at San Quentin, the group explores topics of shame, guilt, remorse, and worthiness. Group members are encouraged to openly, honestly, and directly communicate. Watch emotional self-disclosure with these men and the vulnerability they show as they work on healing themselves with the support of others. They learned to give feedback to others, and show an increased self-awareness as well as a better understanding of destructive patterns, habits, and beliefs that led them to prison. Viewers will be moved by the emotional disclosure of many of these inmates, their personal stories, and commitment to improving themselves. This video aims to help students in human service professions better understand effective strategies in working with groups, develop increased empathy for the incarcerated, and recognize potential strengths and limitations of providing such services to incarcerated individuals within the confines of a prison setting.","stream","[]","[]","['Group counseling', 'Prisoners']","['Educational films', 'Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324880/1009324880-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3735822"
"asp3735788-marc","","Rastro de muerte","","110 minutes","[]","Alberto Villamoza, joven licenciado capitalino, es enviado a Mérida como delegado del gobierno federal presidido por Emilio Portes Gil. Para lograr el poder que ambiciona, no vacila en corromperse en la primera oportunidad; cuando apenas ha logrado la confianza de la oligarquía local, súbitamente se enamora de Diana del Valle, aristócrata, hija de una de las familias más decadentes de Yucatán. Mientras tanto, el gobernador del Estado es derrocado por una conjura militar y Villamoza es elegido sucesor en premio a su ductilidad para con los poderosos. El amor por Diana, aunado a su intempestivo acceso al poder, lo hace perder la cabeza. Pronto traiciona a la camarilla que lo encumbró, con tal de satisfacer los deseos de su amada, que le pide no afecte las tierras de su empobrecida familia. El complot en su contra no tardó en producirse; su gobernatura es tan efímera como el suspiro que Diana emite al saber que peligra su vida. Para salvarlo se entrega a Majul, un comerciante turco, a cambio de que consiga un salvoconducto para Villamoza. Así sucede, pero Alberto no queda contento con su destierro y regresa de incógnito a la ciudad de Mérida. No quiere perder el amor tan fácilmente como perdió el poder.","stream","[]","['Mexico']","['Political corruption', 'Man-woman relationships']","['Feature films', 'Thrillers (Motion pictures)', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009302xxx/1009302234/1009302234-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3735788"
"asp3735786-marc","","Pedro Páramo","","112 minutes","[]","Pedro Páramo, dueño de la hacienda La Media Luna en el pueblo de Comala y de la más vasta extensión de tierra tiene la costumbre de tomar para sí a cualquier mujer de la región; sin embargo, no ha podido conocer el amor de Susana San Juan, mujer a la que ha amado siempre y con la cual termina casándose cuando ella enviuda. Susana vive obsesionada por el recuerdo de su marido muerto y comienza a perder la razón. Con esta locura, Comala empieza a morir también. Así, los personajes se buscan toda la vida y sólo se encuentran después de la muerte.","stream","['Rulfo, Juan']","[]","['Widows', 'Man-woman relationships']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009302xxx/1009302233/1009302233-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3735786"
"asp3735784-marc","","Los que viven donde sopla el viento suave","","61 minutes","[]","Documental de encuesta que recoge diversos testimonios orales sobre la vida de los seris, pequeño grupo étnico del estado de Sonora. Además de los propios seris, hablan algunos sociólogos, doctores, comerciantes y sacerdotes. Se enfoca la difícil sobrevivencia de los seris el agotamiento de sus fuentes de trabajo por falta de medios técnicos para dedicarse a la pesca; el desinterés oficial que quiso convertirlos en agricultores y los ha despojado de la Isla Tiburón; sus problemas de salud; la desnaturalización cultural provocada por la influencia estadounidense (algunos han adoptado la religión protestante). Varios testimonios de supuestos expertos contradicen lo que los seris dicen de sí mismos.","stream","[]","['Mexico', 'Sonora (Mexico : State)']","['Seri Indians']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009302xxx/1009302232/1009302232-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3735784"
"asp3735782-marc","","El palacio negro","","106 minutes","[]","Tras la construcción de nuevos reclusorios, la vieja cárcel de Lecumberri, construida a principios del siglo XX, iba a ser desalojada y luego se convertiría en el Archivo General de la Nación. Este documental registra la vida cotidiana de la cárcel poco antes de su clausura.","stream","['Lecumberri (Prison)']","['Mexico']","['Prisoners', 'Prisons']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009302xxx/1009302231/1009302231-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3735782"
"asp3735780-marc","","El santo oficio","","127 minutes","[]","En el siglo XVI se desata una epidemia y se culpa de ella a los proscritos judíos. Fray Gaspar, primogénito de la familia Carvajal, descubre judaizantes entre sus parientes y los denuncia. Los Carvajal son llevados a la Inquisición. La madre y Luis, el hijo menor, son torturados, y la hija enloquece al ser violada. Todos abjuran menos Luis, al que se le castiga obligándolo a llevar puesto un San Benito y a trabajar en un manicomio. A pesar de todo, los judíos celebran escondidos sus ritos. Luis se enamora de la joven Justa y le dice que engendrará en ella al nuevo Mesías, y se circuncida para lograr la castidad. Al ir a que le quiten el San Benito es acusado por un moribundo a quien auxilió y trató de convertir. Bajo tormento Luis delata a toda su comunidad que es llevada a la hoguera. Mientras ellos arden, otros judíos celebran sus oficios.","stream","[]","['New Spain']","['Inquisition', 'Jews']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009302xxx/1009302230/1009302230-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3735780"
"asp3735776-marc","","El impostor","","80 minutes","[]","Un investigador norteamericano estudia la vida de un general revolucionario asesinado en 1914, primo homónimo del profesor César Rubio. Áste es cesado de su cátedra y decide volver a su tierra natal para cultivar el campo, donde es confundido con el general. La lluvia arruina su cosecha, por lo que se siente fracasado. Sin embargo, le llama la atención un discurso del general Navarro, candidato a gobernador. Debido a que Rubio no desmiente a quienes lo creen el general, un partido de oposición lo postula como su candidato a la gubernatura, pero su hijo descubre que es un impostor y le reprocha la farsa. Rubio, arrepentido, va a confesar la verdad en un discurso, pero muere a manos de uno de los hombres de Navarro, no sin antes pedirle perdón a su hijo.","stream","['Usigli, Rodolfo']","['Mexico']","['Impostors and imposture', 'College teachers', 'Agricultural laborers']","['Feature films', 'Western films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009302xxx/1009302228/1009302228-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3735776"
"asp3735774-marc","","Cananea","","125 minutes","[]","Principios del siglo XX. Greene y Nolan, dos gambusinos gringos, cruzan el desierto de Arizona, pero sólo el primero se queda en México. Se casa con su paisana la viuda Priscilla, quien le enseña el castellano y muere al acompañarlo a buscar una mina. Greene halla y explota una mina de cobre en Cananea, emplea al italiano Coppola, expolicía, y obtiene apoyo financiero en Nueva York al ofrecer la ventaja de unos obreros mexicanos que cobran 10 veces menos que los norteamericanos. Greene conoce a su futura esposa, la chicana Mary, reportera de Tucson y dueña de una acción de su compañía. Se emplea en la oficina de la mina al nayarita Baca, anarquista partidario de Flores Magón. En su visita a la mina se le oculta al presidente Porfirio Díaz la existencia de los trabajadores enfermos de silicosis, sacándolos del hospital. Al agitar Baca a los mineros, Greene llama a los 300 rangers del capitán Rynning, de Bisbee. Un discurso de Greene parece desanimar los propósitos de huelga. Baca hace estallar una dinamita y es detenido junto con el minero Manuel Diéguez. La huelga estalla. Llegan los rurales y exigen que los rangers se vayan. Greene intenta en vano sobornar a Baca y éste es enviado al presidio de San Juan de Ulúa con Manuel y otros; ha habido 12 muertos. La huelga es vencida. Muere Álvaro, hermano de Manuel, al desbocarse los caballos y provocar la volcadura del coche en que viajaba.","stream","['Greene, William Cornell']","['Mexico']","['Strikes and lockouts', 'Cananea Consolidated Copper Co. Strike, 1906', 'Mineral industries']","['Historical films', 'Western films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009302xxx/1009302227/1009302227-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3735774"
"asp3733442-marc","","Raman. Travelogue of invasion","","76 minutes","[]","Raman (English: Travelogue of Invasion) is a 2008 Malayalam film written and directed by Dr. Biju. The film was a controversial and much-debated-over, socio-political one. It shows two variants of invasion by imperialist forces - of Iraq and Kerala. The film was an official selection for eight international film festivals including the prestigious Cairo International film festival. The film ""shows how economic, cultural, and military invasion ends up like terrorist activities, those annihilating third-world countries like India and Iraq.""","stream","[]","['India', 'Iraq']","['Iraq War, 2003-2011', 'War']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1008074xxx/1008074568/1008074568-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3733442"
"asp3733411-marc","","MIMH professional training. Challenge of validation","","34 minutes","['MIMH professional training']","Validation is a critical component of Dialectical Behavior Therapy, and a skill which practitioners will need to learn, practice, and fine tune in order to be truly effective. Dr. Ronda Oswalt Reitz talks with us about who benefits most by the use of validation. She also explains in detail the Six Levels of Validation as proposed by Dr. Marsha Linehan, the architect of Dialectical Behavior Therapy. Understanding and practicing these validation levels will help you as a clinician and the people you serve to engage each other in an open, trusting, therapeutic environment.","stream","[]","[]","['Behavior modification', 'Behavior therapy', 'Emotions', 'Psychology']","['Instructional films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009293xxx/1009293022/1009293022-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3733411"
"asp3733409-marc","","MIMH professional training. What makes an excellent case manager","","33 minutes","['MIMH professional training']","This program is based upon the Dr. Iseminger's research done for her Doctoral dissertation, and looks at the relationships between learning activities, domains of competence, and learning categories. Informal learning activities proved to be the best contributor to professional competence.","stream","[]","[]","['Social workers', 'Social case work']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009293xxx/1009293021/1009293021-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3733409"
"asp3733336-marc","","Is anybody listening?","","50 minutes","[]","A woman's journey to -- and across -- the soul-destroying chasm between veterans and others. A film about the power of love and connection.","stream","[]","[]","['Post-traumatic stress disorder', 'Interpersonal relations', 'Veterans']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009289xxx/1009289580/1009289580-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3733336"
"asp3733307-marc","","My whole self","","28 minutes","[]","My Whole Self is a documentary on microaggressions and gender and intersectionality. It explores the subtle forms of gender bias experienced by women across lines of difference.","stream","[]","[]","['Microaggressions', 'Sexism', 'Transsexualism', 'Intersectionality (Sociology)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009289xxx/1009289584/1009289584-disc001-file001-frame00125-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3733307"
"asp3704328-marc","","Weaving stories","","57 minutes","[]","Tejiendo Relatos is a documentary that reflects the daily life of the women weavers in the Andean communities of Bolivia.","stream","[]","['Bolivia']","['Weaving', 'Women weavers']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251104/1009251104-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704328"
"asp3704326-marc","","Torrente. Lethal crisis. 4","","97 minutes","['Torrente']","The world's most uncouth private eye is framed for a crime he didn’t commit in the riotous fourth installment of the Torrente series. Tossed behind bars, Torrente (Santiago Segura) devises an inspired plan to escape and seek revenge on the man who sent him to prison. ""Lethal Crisis"" sold more than 1 million tickets in its opening weekend in Spain, making it the biggest domestic box in Spanish box office history. About the TORRENTE PACKAGE Meet Torrente. He’s rude, crude, lewd…and a real private dick!  The four action-comedy films that make up the wildly popular TORRENTE series (THE DUMB ARM OF THE LAW, MISSION IN MARBELLA, THE PROTECTOR and LETHAL CRISIS) feature the comic capers of José Luis Torrente (Santiago Segura)—a lazy, offensive and shamelessly politically-incorrect former cop who continues to ""fight"" crime as a private detective. Writer, director and star Segura takes no prisoners as his exasperating alter ego engages in all manner of shady outrageousness in pursuit of his own brand of justice. The TORRENTE series is the most successful movie franchise in Spanish film history and a box office sensation around the world.","stream","[]","[]","['Private investigators', 'Revenge', 'Criminal investigation']","['Feature films', 'Crime films', 'Comedy films']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251101/1009251101-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704326"
"asp3704324-marc","","Torrente. The protector. 3","","98 minutes","['Torrente']","Santiago Segura is more shocking than ever in his uproarious third escapade as bawdy private detective Torrente. A popular and beautiful politician plans to expose the evil-doings of a multinational corporation. Hoping to silence her, the corporation’s top executives decide to hire the most incompetent detective they can find to act as her bodyguard. Naturally, Torrente is perfect for the job. About the TORRENTE PACKAGE: Meet Torrente. He’s rude, crude, lewd ... and a real private dick!  The four action-comedy films that make up the wildly popular TORRENTE series  (THE DUMB ARM OF THE LAW, MISSION IN MARBELLA, THE PROTECTOR and LETHAL CRISIS) feature the comic capers of José Luis Torrente (Santiago Segura) — a lazy, offensive and shamelessly politically-incorrect former cop who continues to ""fight"" crime as a private detective. Writer, director and star Segura takes no prisoners as his exasperating alter ego engages in all manner of shady outrageousness in pursuit of his own brand of justice. The TORRENTE series is the most successful movie franchise in Spanish film history and a box office sensation around the world.","stream","[]","[]","['Private investigators', 'Revenge', 'Criminal investigation']","['Feature films', 'Crime films', 'Comedy films']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251100/1009251100-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704324"
"asp3704322-marc","","Torrente. Mission in Marbella. 2","","99 minutes","['Torrente']","Everyone’s favorite crime-fighting buffoon is back in action in the side-splitting second installment of the Torrente franchise. After losing all his money gambling, Torrente sets up shop as a private investigator in the seaside resort of Marbella, and stumbles upon a villain's evil plot to destroy the city. It’s up to Torrente to save the day with the help of his junkie assistant, faithful bulldog, and network of crippled informants. About the TORRENTE PACKAGE Meet Torrente. He’s rude, crude, lewd ... and a real private dick! The four action-comedy films that make up the wildly popular TORRENTE series (THE DUMB ARM OF THE LAW, MISSION IN MARBELLA, THE PROTECTOR and LETHAL CRISIS) feature the comic capers of José Luis Torrente (Santiago Segura)—a lazy, offensive and shamelessly politically-incorrect former cop who continues to ""fight"" crime as a private detective. Writer, director and star Segura takes no prisoners as his exasperating alter ego engages in all manner of shady outrageousness in pursuit of his own brand of justice. The TORRENTE series is the most successful movie franchise in Spanish film history and a box office sensation around the world. Now, for the first time, TORRENTE’s antics are available in the US on digital streaming platforms.","stream","[]","[]","['Private investigators', 'Revenge', 'Criminal investigation']","['Feature films', 'Crime films', 'Comedy films']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251099/1009251099-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704322"
"asp3704320-marc","","The wall","","109 minutes","[]","Martina Gedeck, star of the Academy Award®-winning film The Lives Of Others, brings a vivid intensity to this mysterious and riveting tale of survival set in a spectacularly beautiful Austrian mountain landscape. In a tour-de-force performance, Gedeck stars as an unnamed character who suddenly finds herself cut off from all human contact when an invisible, unyielding wall inexplicably surrounds the countryside where she is vacationing. Accompanied by her loyal dog Lynx, she becomes immersed in a world untouched by civilization and ruled by the laws of nature. As she grapples with her bizarre circumstances, she begins an inward journey of spiritual growth and transcendence. Based on Marlen Haushofer’s eponymous classic novel, The Wall is a gorgeous, mesmerizing adventure film that raises profound questions about humanity, solitude, and our relationship to the natural world.","stream","[]","[]","['Women', 'Nuclear warfare', 'Vacations']","['Feature films', 'Fantasy films']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251098/1009251098-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704320"
"asp3704318-marc","","Penance. Atonement. Episode 5","","76 minutes","['Penance']","Yuka reveals a clue to Asako about the identity of Emili's killer. Asako investigates online and decides to pay a visit to where the suspect runs a school. While roaming the grounds, she runs into an old college friend, Aoki, with whom she shares a painful history, and realizes he must be the one responsible for her daughter's death. As she walks back home down an empty highway, Aoki attempts to run her over, but at the last moment cuts the wheel and crashes. Asako reveals to him that she knows he killed Emili and that she has a secret that will forever change his world. Asako again speaks with Yuka and admits she's confused as to what to do. Yuka tells her it is her duty to kill the man who ruined the lives of the Asako and the young girls. Asako's first attempt to kill Aoki is thwarted by the police. In her second attempt, however, she reveals her secret to Aoki, who shows no remorse for his crime. But he then pays for his act by taking his own life. Asako discovers she cannot legally be responsible for Aoki's demise, however, thereby leaving her in limbo, perhaps never to atone for her own actions. ABOUT THE SERIES Japanese master of suspense Kiyoshi Kurosawa’s eerie, intense psychological thriller Penance (Shokuzai) unfolds on a sleepy small town playground, when a mysterious stranger approaches a group of young friends, then kidnaps and brutally murders one of the girls. Wracked with grief, the victim’s unhinged mother Asako (Kyoko Koizumi) demands that the shaken survivors identify the killer or face a penance of her choosing. Growing up in the shadow of this tragic debt, each of the four girls cultivates a warped survival mechanism – avoidance, desperation, fear, and obsession. A disturbing, sensitively helmed chronicle of post-traumatic stress from a female perspective, Penance offers Kiyoshi Kurosawa’s trademark creepy twists as well as a subtle commentary on Japanese society and gender expectations. This gripping long-form serial drama highlights a new facet of renowned auteur Kurosawa (PULSE, CURE, CHARISMA) and features absorbing performances from a stellar line-up of award-winning, up-and-coming young actresses.","stream","[]","[]","['Penance', 'Murder', 'Parents of murder victims']","['Thrillers (Motion pictures)', 'Television mini-series']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251097/1009251097-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704318"
"asp3704316-marc","","Penance. Emergency PTA meeting. Episode 2","","51 minutes","['Penance']","Fifteen years later, Maki, now a teacher, engages in self-defense training in order to overcome her fears. Her demeanor is scrutinized regarding her approach in handling a bullying incident involving one of her students. When one day an intruder threatens the safety of her students, Maki uses her self-defense skills to repel the attack, drawing praise from the community. Her actions, however, bring forth unforseen consequences. ABOUT THE SERIES Japanese master of suspense Kiyoshi Kurosawa’s eerie, intense psychological thriller Penance (Shokuzai) unfolds on a sleepy small town playground, when a mysterious stranger approaches a group of young friends, then kidnaps and brutally murders one of the girls. Wracked with grief, the victim's unhinged mother Asako (Kyoko Koizumi) demands that the shaken survivors identify the killer or face a penance of her choosing. Growing up in the shadow of this tragic debt, each of the four girls cultivates a warped survival mechanism – avoidance, desperation, fear, and obsession. A disturbing, sensitively helmed chronicle of post-traumatic stress from a female perspective, Penance offers Kiyoshi Kurosawa’s trademark creepy twists as well as a subtle commentary on Japanese society and gender expectations. This gripping long-form serial drama highlights a new facet of renowned auteur Kurosawa (PULSE, CURE, CHARISMA) and features absorbing performances from a stellar line-up of award-winning, up-and-coming young actresses.","stream","[]","[]","['Penance', 'Murder', 'Parents of murder victims']","['Thrillers (Motion pictures)', 'Television mini-series']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251096/1009251096-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704316"
"asp3704314-marc","","Penance. Brother and Sister Bear. Episode 3","","51 minutes","['Penance']","Asako is called to a prison where Akiko is being held for the murder of her own brother. To Asako, Akiko recounts events from the past 15 years of her life since Emili was murdered. At some point, Akiko decided she ought to live like a bear. She spends her days shut in her bedroom at her parents house, escaping into a dreamlike existence. Akiko's brother returns unexpectedly from Tokyo with a new wife and stepdaughter, Wakaba. Out one day in town with Wakaba, Akiko spots her brother giving money to a young schoolgirl. Memories of the past reemerge. Akiko is sent to her brother's home to deliver something to Wakaba. Upon arriving, Wakaba's mother is stone cold drunk in the kitchen while, in the next room, Akiko finds her brother playing a bit too tenderly with his stepdaughter. Akiko puts an end to it. Back in the prison, Asako questions whether Akiko committed this act out of penance to Asako or only for herself. ABOUT THE SERIES Japanese master of suspense Kiyoshi Kurosawa’s eerie, intense psychological thriller Penance (Shokuzai) unfolds on a sleepy small town playground, when a mysterious stranger approaches a group of young friends, then kidnaps and brutally murders one of the girls. Wracked with grief, the victim’s unhinged mother Asako (Kyoko Koizumi) demands that the shaken survivors identify the killer or face a penance of her choosing. Growing up in the shadow of this tragic debt, each of the four girls cultivates a warped survival mechanism – avoidance, desperation, fear, and obsession. A disturbing, sensitively helmed chronicle of post-traumatic stress from a female perspective, Penance offers Kiyoshi Kurosawa’s trademark creepy twists as well as a subtle commentary on Japanese society and gender expectations. This gripping long-form serial drama highlights a new facet of renowned auteur Kurosawa (PULSE, CURE, CHARISMA) and features absorbing performances from a stellar line-up of award-winning, up-and-coming young actresses.","stream","[]","[]","['Penance', 'Murder', 'Parents of murder victims']","['Thrillers (Motion pictures)', 'Television mini-series']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251095/1009251095-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704314"
"asp3704312-marc","","Penance. Ten months, ten days. Episode 4","","51 minutes","['Penance']","In childhood, Yuka's sister, Mayu, is ill and confined to bed rest. A rivalry exists between the sisters, each vying for the attention and affection of their mother. After Emili's murder had been discovered, Yuka was tasked with informing the police. The officer to whom Yuka alerted of the murder soon became the object of her affection. When he was transferred, Yuka was devastated. At present day, Mayu pays a visit to Yuka's new flower shop. Yuka learns that Mayu's husband is a public servant for the police. Soon after meeting Mayu's husband, Yuka seduces him and becomes pregnant. Yuka implies to Mayu that she only married a police officer to make Yuka envious. Yuka is contacted by Asako, who wants to meet and discuss the penance Yuka was to pay for Emili's murder. They meet and Yuka proposes trading Asako information about Emili's murder for Asako's husband. Yuka nearly miscarries but later gives Asako the information she knows. ABOUT THE SERIES Japanese master of suspense Kiyoshi Kurosawa’s eerie, intense psychological thriller Penance (Shokuzai) unfolds on a sleepy small town playground, when a mysterious stranger approaches a group of young friends, then kidnaps and brutally murders one of the girls. Wracked with grief, the victim’s unhinged mother Asako (Kyoko Koizumi) demands that the shaken survivors identify the killer or face a penance of her choosing. Growing up in the shadow of this tragic debt, each of the four girls cultivates a warped survival mechanism – avoidance, desperation, fear, and obsession. A disturbing, sensitively helmed chronicle of post-traumatic stress from a female perspective, Penance offers Kiyoshi Kurosawa’s trademark creepy twists as well as a subtle commentary on Japanese society and gender expectations. This gripping long-form serial drama highlights a new facet of renowned auteur Kurosawa (PULSE, CURE, CHARISMA) and features absorbing performances from a stellar line-up of award-winning, up-and-coming young actresses.","stream","[]","[]","['Penance', 'Murder', 'Parents of murder victims']","['Thrillers (Motion pictures)', 'Television mini-series']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251094/1009251094-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704312"
"asp3704310-marc","","Penance. The French doll. Episode 1","","76 minutes","['Penance']","Tragedy strikes when Emili is abducted and murdered by a mysterious stranger. The other four girls present at the scene of the crime - Sae, Maki, Akiko, and Yuka, are unable to remember the killer's face and the crime goes unsolved. Fifteen years later, a now-adult Sae is paid a surprise visit on her wedding day. ABOUT THE SERIES Japanese master of suspense Kiyoshi Kurosawa’s eerie, intense psychological thriller Penance (Shokuzai) unfolds on a sleepy small town playground, when a mysterious stranger approaches a group of young friends, then kidnaps and brutally murders one of the girls. Wracked with grief, the victim’s unhinged mother Asako (Kyoko Koizumi) demands that the shaken survivors identify the killer or face a penance of her choosing. Growing up in the shadow of this tragic debt, each of the four girls cultivates a warped survival mechanism – avoidance, desperation, fear, and obsession. A disturbing, sensitively helmed chronicle of post-traumatic stress from a female perspective, Penance offers Kiyoshi Kurosawa’s trademark creepy twists as well as a subtle commentary on Japanese society and gender expectations. This gripping long-form serial drama highlights a new facet of renowned auteur Kurosawa (PULSE, CURE, CHARISMA) and features absorbing performances from a stellar line-up of award-winning, up-and-coming young actresses.","stream","[]","[]","['Penance', 'Murder', 'Parents of murder victims']","['Thrillers (Motion pictures)', 'Television mini-series']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251093/1009251093-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704310"
"asp3704308-marc","","Maison close. Season 1, episode 2","","55 minutes","['Maison close']","Forced into service at The Paradise, Rose manages to escape before being tracked down by the police. After one of the girls is assaulted, Véra organizes a strike in protest, causing a strain on the brothel's finances. In response, Hortense decides to sell Rose's chastity to the highest bidder. As things are heating up, Hortense's despised brother, Pierre Gaillac, arrives from the colonies to take over the business. ABOUT THE SERIES Set in a lavish 19th Century Parisian bordello, the provocative and popular French erotic drama Maison Close invites American audiences into a sumptuous, stylized world where desire and power reign. Following the suppression of la Commune, a short-lived workers' revolutionary movement in the 1870s, a cast of gorgeous women trapped by circumstances reside in ""Paradise"", a top-rate ""closed house"" reserved for aristocratic or bourgeois clientele and known for its strange and refined practices during a time of legalized prostitution. Hortense (Valérie Karsenti) is the ruthless and manipulative madame who runs her business with an iron fist, Véra (Anne Charrier) is the stunning star courtesan in her 30s nearing the end of her career, and country ingénue Rose (Jemima West, <i>Mortal Bones: The City of Instruments), arrives in search of her mother, only to be blackmailed into becoming a prostitute. By turns both erotic and political, this uncompromising, finely-crafted television series is the perfect mix of style and substance, a richly compelling period drama with unmistakably modern flair that reimagines age-old themes - and the world's oldest profession - in bold new ways.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Strikes and lockouts', 'Brothels']","['Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251092/1009251092-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704308"
"asp3704306-marc","","Maison close. Season 1, episode 1","","58 minutes","['Maison close']","Paris, 1871. Vera, the star attraction of The Paradise luxury brothel, is about to finally leave the institution to become the live-in mistress of the Baron Du Plessis. However, The Paradise owes money to a dangerous debt collector named Lupin, and its madam, Hortense Gaillac, is willing to resort to absolutely anything to keep her. Meanwhile, Rose, a pretty young woman engaged to be married, arrives at The Paradise in search of her mother and Hortense sees an opportunity to revive the business ... ABOUT THE SERIES Set in a lavish 19th Century Parisian bordello, the provocative and popular French erotic drama Maison Close invites American audiences into a sumptuous, stylized world where desire and power reign. Following the suppression of la Commune, a short-lived workers' revolutionary movement in the 1870s, a cast of gorgeous women trapped by circumstances reside in ""Paradise"", a top-rate ""closed house"" reserved for aristocratic or bourgeois clientele and known for its strange and refined practices during a time of legalized prostitution. Hortense (Valérie Karsenti) is the ruthless and manipulative madame who runs her business with an iron fist, Véra (Anne Charrier) is the stunning star courtesan in her 30s nearing the end of her career, and country ingénue Rose (Jemima West, Mortal Bones: The City of Instruments), arrives in search of her mother, only to be blackmailed into becoming a prostitute. By turns both erotic and political, this uncompromising, finely-crafted television series is the perfect mix of style and substance, a richly compelling period drama with unmistakably modern flair that reimagines age-old themes - and the world's oldest profession - in bold new ways.","stream","[]","['France']","['Prostitutes', 'Prostitution', 'Brothels']","['Fiction television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251091/1009251091-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704306"
"asp3704290-marc","","La baie des dames","","42 minutes","[]","""I was condemned to the hard labor having stolen food to survive. As place of deportation, I had the choice between the Guiana, whose reputation frightened me, and New Caledonia. It is in this Eden that I am going to have to serve my sentence and to die one day ..."" Odile Krakovitch, The Bagnardes Women. It is this story of exile, isolation and survival which is told by six dancers of The New Caledonian Company, Origin', on the quatior of Schubert, The Young Girl and The Death.","stream","[]","['New Caledonia']","['Exile (Punishment)']","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251046/1009251046-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704290"
"asp3704288-marc","","Kaori Ito. Je danse parce que je me méfie des mots","","58 minutes","[]","How to bolster ties with a father when words are missing? Kaori Ito, the renowned Japanese dancer and choreographer (she collaborated with Découflé, Denis Podalydes etc.) embodies in this ballet a daughter meeting up her true dad after a long absence. She dances to express her buried feelings in order to make up the time loss.","stream","[]","[]","['Fathers and daughters']","['Documentary films', 'Dance films']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251045/1009251045-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704288"
"asp3704286-marc","","Kaaro","","44 minutes","[]","This magnificent choreography allies European contemporary dance and traditional dance from Mayotte mixing the geometrical rigor of the steps of contemporary dance recalling Pina Bausch and Térésa de Keersmaeker and movements of ritual dances. KAARO is the encounter between what we believe to find in Mayotte and what we find. It is the interdependence between two cultures which feed each other, to understand where we come from and to know where we go, step by step. By and with Maud Marquet, Jeff Ridjali, Damien Guillemin.","stream","[]","['Mayotte']","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251044/1009251044-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704286"
"asp3704280-marc","","Les danseurs fantastiques","","73 minutes","[]","Revealed in the show ""France's Got a Great Talent,"" The Fantastic Dancers, a group of five dancers, combines the art of Yamakasi, HipHop, aerobatic and singing. With a incredible sense of humor, they bring together Mozart, Edith Piaf, Michael Jackson and Barry White on stage.","stream","[]","[]","[]","['Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251041/1009251041-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704280"
"asp3704278-marc","","Double","","54 minutes","[]","After years having followed him, the shadow of a man stands up to get to know him and materializes as a woman. Fireworks of crossed dance and soul music, this ballet is a search for balance through the reconciliation between the various faces of a person.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251040/1009251040-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704278"
"asp3704276-marc","Trules, Jean-Luc, composer, conductor","Chin","","118 minutes","[]","Mr. Roger, a former Petain supporter, appeals to the 'Reds' and to the son of Doctor Papa, Chin (pronounced like ""Chine"" in French) to help save his Bel Air sugar factory. The factory is saved but the Roger family, in the grip of a curse, breaks apart and Chin has to take refuge in the mountains ... The libretto is inspired by a true story : the 1955 alliance of the communist Paul Vergès and the sugar producer René Payet to save the Quartier Français factory. ""Chin"" or ""Le Chinois (Chinese man)"" was Paul Verges's nickname as a youth because his mother was Asian. The title also calls to mind the Maoist sympathies of the decolonisation movements, as well as the presence on Reunion Island of an influential Chinese community. This theme has already been the object of a 2002 play by Vollard Theatre, as well as a TV film screenplay with Yves Boisset. A remarkable opera due to its historical libretto, Chin deals with a little-known part of French overseas départements' history : the important post-war decolonisation movement in the islands which gave rise to independentist, autonomist and Maoist-friendly tendencies. It created a tropical communism, a sugar-cane communism whose imagery found its models in Che Guevara or Fidel Castro. A contemporary opera with a hybrid musical colour, Asian sounds, and Indian Ocean rhythms, Chin's score opens up interesting and unexplored perspectives by integrating Indian, Chinese and Malagasy trends into Western classicism. The performers reflect this cultural mix, originating both from Reunion Island and other overseas French départements (Martinique, Guadeloupe), and from mainland France, Madagascar and China.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251039/1009251039-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704276"
"asp3704270-marc","","12 days, 12 nights in Damascus","","53 minutes","[]","The civil war has raged since 2011 and killed around 250.000 people. Roshak Ahmad is a Kurdish student. In 2013, she films during 12 days of urban combats. In the Al Hajar Al Aswad district, she accompanies the unit of Abu Omar's rebel fighters. They have barricaded themselves in a house. Assad’s snipers have taken up position just 150 metres across the road. There are no civilians left, only the skeletal remains of houses. We witness a house-to-house battle.","stream","[]","['Syria']","['Civil war', 'Political violence', 'Protest movements']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251036/1009251036-disc001-file001-frame00150-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3704270"
"asp3681945-marc","","That man. Peter Berlin","","80 minutes","[]","Filmmaker Jim Tushinski traces the life of artist Peter Berlin, who was the gay poster boy for the hedonistic and sexually-liberated 1970s.","stream","['Berlin, Peter']","[]","['Gay pornography']","['Feature films', 'Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1009246xxx/1009246917/1009246917-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3681945"
"asp3681941-marc","","Rock Hudson's home movies","","63 minutes","[]","From his days as an obscure contract player to the revelations about his ""gay life style"", the film provides an innovative and exciting look at the life of a legend: Rock Hudson.","stream","['Hudson, Rock']","['United States']","['Gay men', 'Motion picture actors and actresses']","['Feature films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1009246xxx/1009246915/1009246915-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3681941"
"asp3681937-marc","","Nighthawks","","109 minutes","[]","Jim, a teacher in a comprehensive school, lives the classic double life: nights in the gay bars and discos, days in school -- and in the closet. However, his worlds collide when he's confronted by his students.","stream","[]","[]","['Teachers', 'Gay men', 'Closeted gays']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009246xxx/1009246913/1009246913-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3681937"
"asp3681927-marc","","A very natural thing","","87 minutes","[]","A poignant romantic drama examines the life of gay 26 year-old ex-monk school teacher living in Manhattan. When he meets a man at a gay bar, they connect and are soon living together. Unfortunately their views on monogamy don't match.","stream","[]","['New York (N.Y.)']","['Gay couples', 'Gay men']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009246xxx/1009246907/1009246907-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3681927"
"asp3681923-marc","","Sons of Taiga","","10 minutes","[]","SONS OF TAIGA retells the true story of two Mongolian sheep herders who have been herding sheep in steppes Mongolia for over 27 years. Surrounded by spectacular Mongolian landscapes, SONS OF TAIGA recounts their conversation as they plot to identify and catch the poachers who have stolen some of their sheep. The accompanying Mongolian folk music adds to the dramatic presentation.","stream","[]","['Mongolia']","['Taigas', 'Herders']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1009195xxx/1009195640/1009195640-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3681923"
"asp3671447-marc","","The Hadza. Last of the first","","71 minutes","[]","Narrated by Alfre Woodard, The Hadza, East Africa's last remaining true hunter-gatherers, have lived on their land near the Rift Valley for over 50,000 years. As globalization and technology encroach on their territory, their way of life has been slowly whittled away from them.This documentary serves as a comprehensive look at their customs -- from dating rituals to schooling to foraging to weapons production -- as explained by several natives and noted anthropologists. Animations illustrate their creation belief and the origin of fire. The Hadza: Last of the First serves as a call to action to establish a protective land corridor for the survival of this community. FEATURED IN THE FILM Richard Wrangham, Evolutionary Anthropologist, Harvard University Spencer Wells, Anthropologist, National Geographic Society David Banks, The Nature Conservancy, Africa Alyssa Crittenden, Biocultural Anthropologist, University of Nevada Daudi Peterson, Director, Dorobo Fund Tanzania Paul T Zeleza, Historian, Quinnipiac University Cassandra Veney, Political Scientist, Quinnipiac University Peter Matthiessen, Author, The Tree Where Man Was Born Jane Goodall, Primatologist.","stream","[]","['Tanzania']","['Hatsa (African people)', 'Hunting and gathering societies']","['Ethnographic films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009195xxx/1009195653/1009195653-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3671447"
"asp3671405-marc","","Spirituality and counseling. Integration, inspiration, and insights","","53 minutes","[]","Research suggests a counselor's inclusion of an individual's spiritual beliefs may assist in the process of healing. Spirituality can give people a purposefulness in life, a reason to connect with others, as well as provide hope and resilience. In this video, Dr.’s Sam Gladding and Geri Miller explore how to integrate spirituality into the counseling process. They discuss the use of a spirituality genogram, bibliotherapy, music, journaling, higher power jar, play/humor, and mindfulness meditation. Dr. Gladding interviews Dr. Bob Nations, a Methodist minister and counselor educator on how he incorporates spirituality in his work with couples and individual clients. Dr. Miller works with Tuesday, a transgender person, and explores Tuesday’s definition and practice of spirituality.","stream","[]","[]","['Spirituality', 'Counseling']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009194xxx/1009194971/1009194971-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3671405"
"asp3671319-marc","","State domicile","","41 minutes","[]","Follows minority children and women in the Soviet Union who were placed in state run institutes.","stream","[]","['Russia']","['Women', 'Abandoned children', 'Prisoners']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009194xxx/1009194926/1009194926-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3671319"
"asp3671314-marc","","Theater design. Introduction to sound design","","76 minutes","['Theater design']","Professor of Sound Design at the University of California Irvine, Vincent Olivieri, explores the fundamentals of sound design through the lens of his work on the recent play ""Safe House"" by Keith Josef Adkins. Olivieri focuses in on the art of sound design due to technology's rapid advancement, exploring script analysis, the creation of soundscapes, spatial awareness in sound design, and development of diegetic and non-diegetic sound. Detailing the process for creating successful cue lists and loudspeaker plots, Olivieri shows how each document is dynamic, often changing performance to performance, and how successful sound designers can learn to make their sound designs a living part of the play.","stream","[]","[]","['Theaters']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009194xxx/1009194851/1009194851-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3671314"
"asp3671312-marc","","Theater design. Introduction to costume design","","49 minutes","['Theater design']","Assistant Professor of Costume Design at the University of California Irvine, Marcia Froehlich, explores the fundamentals of costume design by taking you behind the scenes into the drama department's costume workshop. Showcasing detailed costume boards and dress forms, Froehlich discusses the crucial decisions behind color palettes, fabric choices, and historical influence as well as the importance of both factual research and ""emotional research"" around the production and the script. With an emphasis on the creation of one's individual costume design methods, Froehlich explores a variety of artistic styles and tools in which to convey one's designs.","stream","[]","[]","['Costume designers', 'Costume design']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009194xxx/1009194850/1009194850-disc001-file001-frame00320-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3671312"
"asp3671310-marc","","Theater design. Introduction to lighting design","","62 minutes","['Theater design']","Professor and Head of Lighting Program at the University of California Irvine, Lonnie Rafael Alcaraz, explores the fundamentals of lighting design, emphasizing the choices a successful lighting designer must navigate and the two roles that the designer must occupy as both craftsperson and artist. Alcaraz delves into different lighting technologies, showing how the computer is a tool that designers must learn to use fully to their advantage. Though technology is invaluable, Alcaraz discusses how technology is only the beginning of a lighting designer's work, diving into how multifaceted collaboration and a deep understanding of script is required.","stream","[]","[]","['Stage lighting', 'Stage lighting designers']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009194xxx/1009194849/1009194849-disc001-file001-frame00205-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3671310"
"asp3671308-marc","","Theater design. History of theatrical lighting","","54 minutes","['Theater design']","Professor of Lighting Design at the University of California Irvine, Jamyi Lee Smith, explores the history of theatrical lighting, tracing the development of lighting technology from the Greek and Roman eras through the era of electricity. Smith discusses the use of natural light, candles, chandeliers, and gas lighting to explicate not only the advances that lighting technology has seen, but to showcase how lighting design has been instrumental to the actor's performances, the scripting of plays, and the development of theatre.","stream","[]","[]","['Stage lighting']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009194xxx/1009194848/1009194848-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3671308"
"asp3671306-marc","","Theater design. Introduction to set design","","67 minutes","['Theater design']","Head of Set Design at the University of California Irvine, Dipu Gupta, explores the fundamentals of set design, asking everything from ""what is set design"" to ""are set designers artists"". Gupta discusses methodologies for researching designs and creating set models. Moving beyond the individual work of a set designer, Gupta explores the network of relationships in theatre: between the performers and the space that set designers create, between the director and the designer, between the designer and the text, and between the legacy of past productions and new mountings of shows.","stream","[]","[]","['Theaters', 'Set designers']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009194xxx/1009194847/1009194847-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3671306"
"asp3654782-marc","","RAI Film Festival 2017. Fighting for nothing to happen","","48 minutes","['RAI Film Festival 2017']","After the volcanic eruption of Mount Rokatenda, the people of the island of Pulau Palue in east Indonesia are to be relocated. But are the planned relocation and the ""new"" life at the neighbouring Pulau Besar really promising? This film accompanies Father Cyrillus, priest and employee of a Christian NGO, in his efforts to promote and drive forward the relocation project. A worried host community, unclear land rights at the relocation site, a corrupt and disorganized government in the district capital as well as impatient refugees in temporary shelters are challenging the protagonists in their attempts to make the best of the situation.","stream","[]","['Indonesia']","['Volcanic eruptions', 'Forced migration', 'Refugees']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009033xxx/1009033127/1009033127-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654782"
"asp3654780-marc","","Nature Inc. Gigatonne timebomb. Episode 17","","22 minutes","['Nature Inc']","Under the 1987 Montreal Protocol, the manufacture of CFCs - used in fridges and aerosols - was ended in 2010. But in this programme we find that some of the ozone-friendly replacements to CFCs are in fact super greenhouse gases. By 2050, up to a fifth of the greenhouse effect could be caused by these substitute gases. There are alternatives that are ozone and climate friendly. So could the Montreal Protocol be used to control a huge chunk of the projected greenhouse gas build up?","stream","[]","[]","['Climatic changes']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163709/1009163709-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654780"
"asp3654778-marc","","Nature Inc. Hard rain 2. Episode 16","","22 minutes","['Nature Inc']","Its the poorest who are most vulnerable to climate change. In the second of our two parts on HARD RAIN, we visit the Philippines and Vietnam. Albay, in the Philippines, is one of the most disaster prone regions in the world, suffering from landslides, volcanic eruptions, storms and floods. The governor of Albay has instigated a zero casualty approach to disaster management, and has seen the regions economy expand while in the country, as a whole, growth has stagnated. The Mekong Delta in Vietnam is the rice bowl of south east Asia, 70% of Vietnam's rice exports come from this area. Yet rising sea-levels threaten production. We discover new techniques that allow rice to grow in salt water conditions and survive up to three weeks of flooding.","stream","[]","[]","['Natural disasters', 'Climatic changes']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163708/1009163708-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654778"
"asp3654776-marc","","Nature Inc. Hard rain. Episode 15","","22 minutes","['Nature Inc']","Can rain be a bad thing? It can when there's too much - too much wind, too many storms, extended drought - these are all impacts we should expect from climate change, warn scientists. We travel to the Asia Pacific region, where the worst impacts are expected to occur, to find out how communities are coping with the effects of climate change. In Gujarat, India, fishermen are beset by storms and farmers have either too much, or too little rain. Yet the local government is doing its best to mitigate the impacts of climate change by moving to cleaner transport systems. The regional capital Ahmedabad once one of India's dirtiest cities is now one of its cleanest. In the South Pacific island of Kiribati they are literally on the frontline of climate change - the island is only 3 meters above sea level at its highest point. Melting ice and thermal expansion mean the island could be submerged in 50 to 100 years. We find out how the community is planning to confront this eventuality, by migrating to neighboring countries.","stream","[]","[]","['Transportation', 'Climatic changes']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163707/1009163707-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654776"
"asp3654774-marc","","Nature Inc. Conservation from chaos? Episode 14","","22 minutes","['Nature Inc']","This edition of NATURE INC. visits the Democratic Republic of Congo and finds its environment under threat from decades of conflict and lack of effective government. We look at the ways this country can rebuild its economy on a sustainable basis. A country of vast resources, the Democratic Republic of Congo has an unfortunate history of being plundered with little or no benefit returning to its people. As a colonial possession, it had the beginnings of a modern infrastructure but decades of fighting have reduced this to ruins. With a lack of effective governance, the people have now been left to fend for themselves. This means uncontrolled exploitation of its forests for charcoal and wildlife for food. The industries that remain are often highly polluting, with no environmental controls. We see chemical industries using techniques half a century old, streaming waste effluent directly into rivers. We see the once great state owned mining company relying on young people to extract copper and cobalt ores by hand under medieval conditions. But there are also signs that the people of DRC are taking their own initiative to manage their resources in some areas; a community-managed drinking water scheme is so successful it now has $40,000 US dollars in the bank – enough to maintain the infrastructure and even entirely replace the pump machinery when it fails. We meet the market gardeners who are pooling resources and scaling up their farming to meet the demand of the rapidly and chaotically expanding city of 10 million that is the capital, Kinshasa.  Finally, we hear from the Minster for the Environment about how a global scheme to pay forested countries NOT to cut down their trees, might just give DRC a brand new start.","stream","[]","['Congo (Democratic Republic)']","['Conservation of natural resources']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163706/1009163706-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654774"
"asp3654772-marc","","Nature Inc. Alien invasion. Episode 13","","22 minutes","['Nature Inc']","The destruction of ecosystems by alien plants and animals is costing the global economy billions of dollars daily. In their native environments, plants and animals like the Japanese knotweed and the Burmese python are held in check by other species that have evolved to live alongside them. Transferred by us to other ecosystems, species are suddenly freed from constraints of predation and competition. As a result, their populations are exploding – often with devastating consequences. Invasions have made their mark from the tropics to the poles. But the country that has been hit harder than most is: Australia.","stream","[]","['Australia']","['Endangered species', 'Animal introduction', 'Alien plants']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163705/1009163705-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654772"
"asp3654770-marc","","Nature Inc. Now and forever. Episode 12","","22 minutes","['Nature Inc']","The international community is very much aware of the necessity of climate stability. The increasingly grim findings of the scientists have shocked politicians and public alike as have the assessments by Nicholas Stern and others of the cost in trillions of dollars of ""business as usual."" NATURE INC. asks what will be the impact on the global economy if the art of the ''politically- possible'' does not match up to what the overwhelming majority of climate scientists say must be done?","stream","[]","[]","['Climatic changes', 'Human ecology', 'Environmental economics']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163704/1009163704-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654770"
"asp3654768-marc","","Nature Inc. Standing profits. Episode 11","","22 minutes","['Nature Inc']","Deforestation contributes up to 20% of carbon dioxide in the atmosphere. Perversely, under the Kyoto protocol, there is no reward for those who protect indigenous forests - by far the most effective CO2 emissions reducer. NATURE INC. asks if a native forest can be made as profitable, when deforestation is prevented, than one cleared for commercial purposes.","stream","[]","[]","['Deforestation', 'Rain forests', 'Forests and forestry', 'Environmental economics']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163703/1009163703-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654768"
"asp3654766-marc","","Nature Inc. One sexy tuber. Episode 10","","22 minutes","['Nature Inc']","Industrial farming has discarded genetic diversity in favour of a handful of high-yielding monocultures. But these exhaust the soil and are vulnerable to crop diseases and pests that genetic diversity protects against. Now some agribusinesses and farmers are seeing sustainable profits and productivity in crop diversity. NATURE INC. focuses on the humble potato in its home in the High Andes and in Africa and Asia to see how going back to long forgotten varieties can improve food security and farm profits.","stream","[]","[]","['Food crops', 'Agriculture', 'Sustainable development', 'Potatoes']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163702/1009163702-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654766"
"asp3654764-marc","","Nature Inc. Union of green. Episode 9","","22 minutes","['Nature Inc']","The ‘triple crunch’ of climate, credit, and energy insecurity, is forcing governments to seriously consider the “green economy” as a way of making a sustainable recovery. NATURE INC. goes to China, India, USA, Spain, Bangladesh and Colombia to examine the claim that green investment equals green jobs.","stream","[]","[]","['Human ecology', 'Economic development', 'Environmental economics', 'Green movement', 'Climatic changes']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163701/1009163701-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654764"
"asp3654762-marc","","Nature Inc. Doing what comes naturally. Episode 8","","22 minutes","['Nature Inc']","Natural selection is a three billion year old product design process that can’t be beaten. It’s not just Velcro … 'Biomimicry' is a way of benefiting from nature by observing and adapting natural solutions into technical innovations. In this episode, we see how sharks, sponges and the brittle fish - equipped all over its body with thousands of optically perfect lenses with which it sees - are being studied for commercial potential.","stream","[]","[]","['Biomimetic materials', 'Human ecology', 'Biomimicry', 'Environmental economics']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163700/1009163700-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654762"
"asp3654760-marc","","Nature Inc. Bloom or bust. Episode 7","","22 minutes","['Nature Inc']","NATURE INC looks at a new breed of investors who are making substantial and sustainable profits by investing in keeping ecosystems healthy. We report on the ultra-slick carbon trading market which is predicted to be worth $300 billion a year before the end of the decade; the multi-million dollars trade in endangered wetlands; and how investment banks are buying entire islands and rainforests to make huge future profits.","stream","[]","[]","['Wetland mitigation banking', 'Human ecology', 'Rain forests', 'Environmental economics', 'Wetlands', 'Emissions trading', 'Climatic changes']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163699/1009163699-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654760"
"asp3654758-marc","","Nature Inc. Slippery slopes. Episode 6","","22 minutes","['Nature Inc']","NATURE INC. goes to the Andes to find glaciers which are melting so fast they could disappear in 25 years. But millions of people in Bolivia, Ecuador and Peru rely on these glaciers for their drinking water, agriculture and electricity. The vanishing glaciers could literally decimate their economies. Are there any strategies in place to avoid climate change-induced economic collapse?","stream","[]","[]","['Climatic changes', 'Human ecology', 'Glaciers', 'Environmental economics']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163698/1009163698-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654758"
"asp3654756-marc","","Nature Inc. Coral cashpoint. Episode 5","","22 minutes","['Nature Inc']","NATURE INC. investigates a claim that coral reefs are worth $30 billion a year. We go diving on the Barrier Reef, the Maldives and other bottom of the North Sea to find out how coral reefs supply food and work for half a billion people. But the reefs are steadily being destroyed and could vanish entirely in less than a hundred years.","stream","[]","[]","['Coral reef ecology', 'Human ecology', 'Environmental economics', 'Coral reef conservation']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163697/1009163697-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654756"
"asp3654754-marc","","Nature Inc. The aliens have landed! Episode 4","","22 minutes","['Nature Inc']","According to some statistics, the economic damage from invading alien species might be costing the global economy more than any other form of environmental disruption: $1.4 trillion a year. NATURE INC. examines the price nations pay for failing to stop these invasions. Featured is a cast of leading villains: cane toads in Australia; zebra mussels and the Burmese python in the USA; love grass in Brazil.","stream","[]","[]","['Human ecology', 'Nonindigenous pests', 'Biological invasions', 'Environmental economics', 'Introduced organisms']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163696/1009163696-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654754"
"asp3654752-marc","","Nature Inc. Trees on tap. Episode 3","","22 minutes","['Nature Inc']","Every year we spend billions of dollars pumping and purifying water for the world’s ever-expanding cities. But why bother building a desalination plant when a forest will do the same job for a fraction of the price? NATURE INC. goes to New York, Ecuador and Jordan to see how the authorities are waking up to the potential. How they are protecting ecosystems, saving a fortune and safeguarding two of our most precious assets: water and biodiversity.","stream","[]","[]","['Human ecology', 'Environmental economics', 'Ecosystem management', 'Water supply', 'Biodiversity', 'Watershed management']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163695/1009163695-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654752"
"asp3654750-marc","","Nature Inc. Natural prevention. Episode 2","","22 minutes","['Nature Inc']","Natural disasters cost lives but they also cost a great deal of money (232 billion dollars in 2008 alone). NATURE INC. explores how much better off - and safer - we are in places where natural barriers to disaster remain intact, where forested slopes prevent mudslides and flash floods and coral reefs and mangroves weaken tsunamis. Cuba, Haiti, Indonesia and Louisiana USA are compelling economic cases for investing in natural prevention.","stream","[]","[]","['Flood control', 'Human ecology', 'Environmental economics', 'Natural disasters', 'Coral reef conservation']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163694/1009163694-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654750"
"asp3654748-marc","","Nature Inc. A fruit and nut case. Episode 1","","22 minutes","['Nature Inc']","NATURE INC. goes to the almond groves of California to discover how a mysterious decrease in the bee population threatens the $15 billion agro business in the USA. Local producers and scientists talk about how they and the bees – are coping. Then it’s off to Ghana to report on the vital role that persecuted fruit bats play in the multi-billion dollars chocolate and cosmetics industry.","stream","[]","['California', 'Ghana']","['Bee culture', 'Human ecology', 'Environmental economics', 'Shea butter industry', 'Agriculture', 'Almond']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163693/1009163693-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654748"
"asp3654746-marc","","3 approaches to an adolescent","","78 minutes","[]","In this program, 3 therapists, each with a unique theoretical approach, meet with one adolescent. The theories demonstrated are: - Narrative Therapy - Cognitive Behavioral Therapy - Solution-focused Therapy.","stream","[]","[]","['Adolescent psychotherapy', 'Teenagers']","['Instructional films', 'Filmed interviews']","https://d3crmev290s45i.cloudfront.net/frames/1009163xxx/1009163692/1009163692-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654746"
"asp3654742-marc","","Under the sun. Monday's girls","","48 minutes","['Under the sun']","A grandmother named Monday Moses in Ogoloma, Nigeria is responsible for taking the young girls of the village through various rites of passage into womanhood that involve body painting, public breast examination and five weeks of confinement in ""fattening rooms"" so that they will be ready for marriage. Documents these ceremonies and the crisis that develops when a chieftain's daughter who has lived in the city for some years, returns to participate in the ritual but then refuses to complete them.","stream","[]","['Nigeria', 'Ogoloma (Nigeria)']","['Igbo (African people)', 'Women', 'Puberty rites', 'Rites and ceremonies']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143497/1009143497-disc001-file001-frame00965-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654742"
"asp3654740-marc","","A killer bargain","","57 minutes","[]","An indictment of the corporate irresponsibility of various Indian textile companies, who expose their workers to dangerous chemicals (long since banned in the developed world) and pollute their surrounding environments.","stream","[]","['India']","['Textile industry', 'Textile workers', 'Globalization', 'Social responsibility of business']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143488/1009143488-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3654740"
"asp3644141-marc","","One drop rule","","50 minutes","[]","One Drop Rule explores a recurring and divisive issue in African American communities - skin color. Candid, sometimes painful, but also often funny, it picks up where California Newsreel's earlier release A Question of Color leaves off. The film inter-cuts intimate interviews with darker skinned African Americans, lighter skinned African Americans and inter-racial children of Black and white parents. In the process it investigates color consciousness, a sensitive topic within the Black community, with great tact and a clear commitment to healing divisions.","stream","[]","['United States']","['Racially mixed children', 'Race awareness', 'Interracial dating', 'Racially mixed people', 'Human skin color']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143514/1009143514-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644141"
"asp3644139-marc","","Non, je ne regrette rien. No regret","","38 minutes","[]","Non, Je Ne Regrette Rien (No Regret) is a poetic and intimate film presenting moving testimonials and portraits of five black gay men. They each disclose their HIV+ status and how they fiercely combat the stigma around the disease. Marlon Riggs died with HIV/AIDS in 1994 and was dedicated to confronting the urgency of the AIDS epidemic in African American communities and especially among black gay men.","stream","[]","['United States']","['AIDS (Disease)', 'HIV (Viruses)', 'HIV-positive gay men', 'African American gay men']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143513/1009143513-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644139"
"asp3644137-marc","","Affirmations","","10 minutes","[]","Affirmations explores black male dreams and desires and is framed by the poetry of Essex Hemphill.","stream","[]","['United States']","['Homosexuality', 'African American gays']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143512/1009143512-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644137"
"asp3644135-marc","","Anthem","","8 minutes","[]","Anthem is an experimental music video asserting a defiant homoeroticism of African American male sexuality.","stream","[]","['United States']","['Homosexuality', 'African American gay men', 'Gay culture']","['Experimental films', 'Short films', 'Music videos']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143511/1009143511-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644135"
"asp3644127-marc","","Real stories from a free South Africa. Nabantwa Bam'. Volume 5","","42 minutes","['Real stories from a free South Africa']","This film is a fascinating case study of the emergence of social classes even within the same South African family. Two brothers live with their successful and ambitious mother, a market researcher, in a comfortable, middle class Soweto home. The older brother Nhlanhla has suffered a head injury which may be debilitating. In any case, he had no time in the tumultuous decade preceding the end of apartheid to receive an education that would let him take advantage of the opportunities offered by the new South Africa. Street-wise instead, he spends his time hanging out with his home boys, and, in his own words, “mostly taking care of the dog.” His younger brother, Miles, is a ‘born free,’ the first black student at his all white school and now a programmer with a promising career at Microsoft. Though fond of his brother, his life is in complete contrast to Nhlanhla’s. Miles has very clear goals and deadlines for himself; his strong motivation shows what a difference it makes to know that there is no ceiling on one’s ambitions.","stream","[]","['South Africa']","['Brothers', 'Social classes', 'Families']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143506/1009143506-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644127"
"asp3644125-marc","","Real stories from a free South Africa. ""the celebration"". Umgidi. Volume 4","","75 minutes","['Real stories from a free South Africa']","When Sipho, a former Robben Island inmate for 5 years gets a call from his father to help convince his reluctant younger brother to get circumcised, he procrastinates. Then he gets an anguished letter from this brother Vuyo, informing him that he finally discovered he was adopted at birth. Vuyo is in crisis and is convinced that Sipho knows the truth about his biological parents. Sipho returns to Cape Town to help his brother. Sipho was covertly circumcised in the Robben Island prison but failed to perform the full ceremony so he decides to do so now. Meanwhile, Vuyo announces that he is gay which throws the family into confusion. On the eve of the circumcision ceremony, he attempts suicide.This ‘acting out’ effectively deflects attention from Sipho’s ceremony. The film explores a family and a country trying to embrace both modernity and tradition. While Sipho struggles to help his brother accept his roots, his brother desperately wants to escape them. This extraordinary film is made even more complex by the fact that it is filmed by Sipho’s wife who happens to be a white woman, both outsider and insider in this tight-knit family drama.","stream","[]","['South Africa']","['Circumcision', 'Xhosa (African people)', 'Brothers']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143505/1009143505-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644125"
"asp3644123-marc","","Real stories from a free South Africa. Belonging. Volume 3","","53 minutes","['Real stories from a free South Africa']","Born into exile as the daughter of political émigrés, Kethiwe Ngcobo and her family returned to their longed-for homeland, South Africa in 1994. Now ten years later, Kethiwe, a hip, young woman with a British accent finds herself struggling to find her place in the new South Africa. Hoping to reconcile the warring strands of her identity, Khetiwe seeks healing in her Zulu traditions. At the same time, her sister refuses to participate in any ceremonies as meaningless rituals. Khetiwe is not alone in her journey to find belonging. The country is also in the process of finding itself. This is a personal and honest look at one person's quest for identity.","stream","[]","['South Africa']","['Identity (Psychology)', 'Exiles', 'Families']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143504/1009143504-disc001-file001-frame00740-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644123"
"asp3644121-marc","","Real stories from a free South Africa. Cinderella of the Cape Flats. Volume 2","","57 minutes","['Real stories from a free South Africa']","Everyday the working class Coloured women in the garment industry of the windswept flats around Cape Town toil anonymously to make clothes so that other women will look beautiful. Invariably they cannot afford these garments themselves. But for one day a year they come out in all their glory at the Annual Spring Queen pageant. The pageant is created by the workers and their trade union to bring their families together for an evening of solidarity and fun. After working for weeks on glamorous costumes, which one will be queen for a day? Set against the preparation for the 2003 pageant, this film explores the lives of working women and celebrates them as creators of beauty. Although the end of apartheid has not taken away the drudgery of repetitive factory labor, this pageant shows working class women inventing their own lively folk culture.","stream","[]","['South Africa']","['Working class women', 'Beauty contests', 'Women, Black', 'Colored people (South Africa)', 'Women clothing workers']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143503/1009143503-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644121"
"asp3644119-marc","","Real stories from a free South Africa. Hot wax. Volume 1","","50 minutes","['Real stories from a free South Africa']","Ivy is a big, bubbly black woman who managed to run her own beauty salon surreptitiously during the dark days of apartheid. She lives in Alexandra, a restless and poor township, while her white, mostly elderly, clients live in the tree-lined suburbs of Johannesburg. In her salon she is part beautician, long-time friend, lay counselor and honest commentator to her customers. While she masks her clients’ imperfections, she also peels away layers of difference separating the races. It can be easily pointed out that Ivy essentially enjoys the intimacy of a domestic servant, while her white clients maintain their economic privileges and know little about Ivy’s private world. But since apartheid’s end, Ivy owns her own shop and now meets her clients on an equal footing.","stream","[]","['South Africa']","['Women', 'Beauty operators', 'Women, Black']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143502/1009143502-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644119"
"asp3644117-marc","","Quand les étoiles rencontrent la mer","","78 minutes","[]","This film is one of the most magical to come out of Africa -- hardly surprising since Madagascar is unlike anywhere else on earth. Raymond Rajaonarivelo follows his epic first film on the Malagasy liberation struggle,Taba Taba, with a very different, poetic film exploring the relationship between traditional and modern concepts of human freedom. He writes: ""In French magie and image are made from the same letters ... In this film, there will be Magic as long as man is dependent on mysterious forces that overwhelm him, and Image when man has acquired enough power over space, time, and himself to no longer be afraid of his life.""","stream","[]","['Madagascar']","['Superstition']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143501/1009143501-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644117"
"asp3644115-marc","","Pièces d'identites","","93 minutes","[]","A Congolese king searches for his daughter in Brussels where for a time he loses his royal fetishes, his identity, but finds a friend, a local cabdriver with a secret identity. With his help and a chain of odd coincidences, Mani Kongo is reunited with his daughter and his regalia and returns to Africa with a circle of friends.","stream","[]","['Belgium']","['Identity (Psychology)', 'Africans', 'Fathers and daughters']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143500/1009143500-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644115"
"asp3644113-marc","","The new black","","75 minutes","[]","This award-winning documentary boldly examines the controversial and challenging issues facing African American communities on gay civil rights, campaigns for/against marriage equality and in particular the role of faith institutions. The film makes a compelling case that the fight for LGBT rights in Black communities is an extension of the Black Freedom Struggle. Director Yoruba Richen was inspired to make the film in response to erroneous reports that African American voters caused the passage of an anti-same sex marriage initiative in the 2008 California election. The film looks at other pro and anti-gay rights campaigns over the years and how right-wing groups have used the issue to make inroads in to black communities. It culminates in the 2012 electoral efforts to preserve - or reverse - marriage equality in Maryland, a state with a substantial African American population.","stream","[]","['United States']","['African Americans', 'Homophobia', 'Same-sex marriage', 'Gay rights', 'Homosexuality', 'African American gays']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143499/1009143499-disc001-file001-frame00185-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644113"
"asp3644111-marc","","Mortu nega","","92 minutes","[]","California Newsreel has released Flora Gomes' now classic, Mortu Nega, to commemorate three starkly dissimilar events. 1998 marked both the 25th anniversary of the independence of Guinea-Bissau and the assassination of its leader Amilcar Cabral but it was also the year that country virtually annihilated itself in a brutal civil war. Produced in 1988 near the midpoint of these dates, Mortu Nega, as its title implies, is a unique kind of elegy - not so much to the victims of the liberation struggle as to its survivors. Like the Zimbabwean film Flame (1996) and Gomes' own more disillusioned second feature Udju Azul di Yonta (1991), it is a bittersweet eulogy to those veterans who gave so much yet often benefited so little from the struggle. The film poses a question facing much of Africa at the start of the 21st century: with the goal of independence achieved, what can serve as an equally unifying and compelling vision around which to construct a new society? Or as Chris Marker observed in his 1980 documentary San Soleil, coincidentally contemplating the decay of Guinea-Bissau's revolution: ""What every revolutionary thinks the morning after victory: now the real problems begin.""","stream","[]","['Guinea-Bissau']","['Postwar reconstruction']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143498/1009143498-disc001-file001-frame00805-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644111"
"asp3644109-marc","","May justice be done!","","53 minutes","[]","By any standard Argentina was a very rich country until the 1970s, with competitive industries, modern agriculture, and a prosperous middle class. By 2001, 21 out of 36 million people were living below the poverty level, and formerly eradicated diseases such as tuberculosis and leprosy reemerged. May Justice Be Done goes into the streets of Argentina, tracing the roots of the crisis in scholarly detail, back to the irresponsible lending policies of the international lending financial institutions. Millions took to the streets to express their frustration at this crisis, and police responded, often brutally, resulting in over 30 deaths and thousands wounded.","stream","[]","['Argentina']","['Financial crises']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143496/1009143496-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644109"
"asp3644107-marc","","Maquilapolis. City of factories","","68 minutes","[]","Carmen Durán works the graveyard shift in one of Tijuana's 800 maquiladoras; she is one of six million women around the world who labor for poverty wages in the factories of transnational corporations. After making television components all night, Carmen comes home to a dirt-floor shack she built out of cast-off garage doors from the U.S., in a neighborhood with no sewage lines or electricity. She suffers from on-the-job kidney damage and lead poisoning from her years of exposure to toxic chemicals. She earns six dollars a day on which she must support herself and her three children. Starting in the 1980s the U.S. and Mexican governments initiated a trade agreement allowing components for everything from batteries, IV tubes, toys to clothes to be imported duty-free into Mexico, assembled there and then exported back duty-free as finished consumer goods for sale in the U.S. Tijuana became known as the television capital of the world, 'TV-juana.' Globalization promised jobs, and working class Mexicans uprooted their lives to flock to the northern frontier in search of better paying work. After a decades long boom in 2001, Tijuana suffered a recession as corporations chased after even cheaper labor in Asia.  While Maquilapolis shows that globalization gives corporations the freedom to move around the world seeking cheaper labor and more lax environmental regulations, it also demonstrates how organized workers can successfully demand that the laws be enforced. Thanks to her persistence in demanding severance pay, Carmen's house now has concrete floors. And thanks to her new knowledge of labor rights, she has since taken another factory to the labor board for a violation similar to Sanyo's; she hopes one day to go to school and become a labor lawyer.  Globalization turns workers into a commodity which can be bought anywhere in the world for the lowest price. Yet they are more than a commodity; they are human beings who demand to be treated with dignity. As one of Carmen's colleagues says, ""I make objects and to the factory managers I myself am only an object, a replaceable part of a production process. I don't want to be an object, I want to be a person, I want to realize my dreams.""","stream","[]","['Mexico']","['Women offshore assembly industry workers', 'Wages', 'Offshore assembly industry']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143495/1009143495-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644107"
"asp3644105-marc","","Library of African cinema. Mapantsula","","100 minutes","['Library of African cinema']","Mapantsula was the first anti-apartheid feature film by, for and about black South Africans. Filmed inside Soweto, scored to the urban beat of ""Township Jive"", Mapantsula has been called a South African The Harder They Come. Mapantsula tells the story of Panic, a petty gangster who inevitably becomes caught up in the growing anti-apartheid struggle and has to choose between individual gain and a united stand against the system. Mapantsula will give viewers an insider's tour of township life and a foretaste of the vibrant popular cinema promised by the new, democratic South Africa.","stream","[]","['Johannesburg (South Africa)', 'South Africa']","['Anti-apartheid movements', 'Blacks']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143494/1009143494-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644105"
"asp3644103-marc","","POV. Hecho en Los Angeles. Made in L. A","","70 minutes","['POV']","Made in L.A. traces the moving transformation of three Latina garment workers on the fault lines of global economic change who decide they must resist. Through a groundbreaking lawsuit and consumer boycott, they fight to establish an important legal and moral precedent holding an American retailer liable for the labor conditions under which its products are manufactured. But more than this, Made in L.A. provides an insider's view into both the struggles of recent immigrants and into the organizing process itself: the enthusiasm, discouragement, hard-won victories and ultimate self-empowerment.","stream","['Forever 21 (Firm)']","['California']","['Sweatshops', 'Labor laws and legislation', 'Clothing workers', 'Women foreign workers', 'Clothing trade', 'Employee rights']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143493/1009143493-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644103"
"asp3644101-marc","","Made in China","","57 minutes","[]","Made in China tells one of the millions of stories of migrants from rural China who comprise the backbone of the Chinese economic miracle. It provides a human face behind the ubiquitous label ""Made in China"". This massive dislocation of people may well represent the largest, most rapid migration in human history. The film demonstrates how one generation of Chinese is experiencing the culture shock of an Industrial Revolution which took centuries in the West. It is inevitably both an elegy for a lost way of life and a grassroots view of what could become the most powerful economic power on earth.","stream","[]","['China']","['Industrialization', 'Working poor', 'Internal migrants']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143492/1009143492-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644101"
"asp3644099-marc","","Long night's journey into day","","95 minutes","[]","For over forty years, South Africa was governed by the most notorious form of racial domination since Nazi Germany. When it finally collapsed, those who had enforced apartheid's rule wanted amnesty for their crimes. Their victims wanted justice. As a compromise, the Truth and Reconciliation Commission (TRC) was formed. As it investigated the crimes of apartheid, the Commission brought together victims and perpetrators to relive South Africa's brutal history. By revealing the past instead of burying it, the TRC hoped to pave the way to a peaceful future.  Long Night's Journey Into Day follows several TRC cases over a two-year period. The stories in the film underscore the universal themes of conflict, forgiveness, and renewal.","stream","['Truth and Reconciliation Commission', 'South Africa']","['South Africa']","['Amnesty', 'Human rights', 'Apartheid']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143491/1009143491-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644099"
"asp3644097-marc","","Liberia. An uncivil war","","103 minutes","[]","Liberia: An Uncivil War provides an in-depth case study of one of the many brutal civil wars which have sprung up like wild fires across Africa. It is an exciting example of war-time journalism - white knuckles reporting with bullets ricocheting just feet from the camera placed in a historical context stretching back nearly two hundred years. Liberia can uniquely claim to be 'made in America' and has always looked to the U.S. in its times of crisis.","stream","[]","['Liberia', 'United States']","['Civil war']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143490/1009143490-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644097"
"asp3644095-marc","","Liberia. A fragile peace","","63 minutes","[]","Liberia: A Fragile Peace is a perfect follow-up to Liberia: An Uncivil War, picking up the Liberian saga in October 2003, with the departure of the despotic Charles Taylor, the arrival of interim President Gyude Bryant and the deployment of a U.N. peacekeeping force. More than a historical record, however, this film is an ideal case study in how difficult it is to rebuild a society once it has lapsed into anarchy, a condition afflicting more and more nations around the world. The success or failure of the Liberian experience could have long-lasting impact on peace-keeping missions in the future.","stream","['Taylor, Charles Ghankay']","['Liberia']","['Peace']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143489/1009143489-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644095"
"asp3644091-marc","","Karmen Geï","","82 minutes","[]","Director Joseph Gaï Ramaka writes: ""Carmen is a myth but what does Carmen represent today? Where do Carmen's love and freedom stand at the onset of the 21st Century? Therein lies my film's intent, a black Carmen, plunged in the magical and chaotic urbanity of an African city."" Prosper Merimée's novella, adapted in Bizet's celebrated opera, has already received 52 film interpretations, most notably the all black Carmen Jones, starring Dorothy Dandridge, and, more recently, Carlos Saura's flamenco Carmen and Jean-Luc Godard's B-movie version Pré Nom Carmen. Yet Karmen Geï is the first African Carmen and, arguably, the first African filmed ""musical."" Accordingly, Gaï Ramaka has completely replaced Bizet's score and the usual staging with indigenous Senegalese music and choreography: Doudou N'Diaye Rose's sabar drummers, Julien Jouga's choir, El Hadj Ndiaye's songs and Yandé Coudou Sène's prophetic voice. Saxophonist David Murray's contemporary jazz score runs like a thread of unfulfilled desire through the film. Karmen Geï may convince viewers that this African ambiance is what the Carmen legend, perhaps leading back through Andalusia to its African roots, has been waiting for all these years. Like every Carmen, Karmen Geï is about the conflict between infinite desire for freedom and the laws, conventions, languages, the human limitations which constrain that desire. Since this is an African Carmen, freedom necessarily has a political dimension. The opening scene is set in a women's prison on Goree Island, site of the notorious slave castle. Karmen and the women in the prison use dance and music as a weapon of resistance against dehumanizing regimentation as has so often been the case throughout the African Diaspora. Karmen's outrageously provocative performance seduces Angelique, the warden, the symbol of authority, inverting the power relationships within the prison. Karmen literally transforms prison life into a musical production number celebrating the triumph of her sexuality and that of the other women. Karmen is called, ""She who wreaks havoc,"" signifying that she is both a liberator and a destroyer of every order. ","stream","['Mérimée, Prosper']","['Senegal']","['Women prisoners', 'Female offenders', 'Bisexual women', 'Man-woman relationships']","['Feature films', 'Film adaptations', 'Musical films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143487/1009143487-disc001-file001-frame00540-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644091"
"asp3644087-marc","","O herói","","95 minutes","[]","The Hero (O Herói) is the story of Angola, a nation torn apart by forty years of uninterrupted war, and now trying imperfectly but courageously to piece itself back together. It is also the story of a city, Luanda, like so many in the Third World, trying to absorb the millions of people displaced by civil strife and global economic change. After a thirteen year national liberation struggle against the Portuguese colonialists ended with independence in 1975, Angola plunged immediately into a brutal civil war. The national MPLA government, backed initially by Cuba and the Soviet Union, and the UNITA rebels, supported by the U.S. and the South African apartheid regime, remained locked in conflict until 2003, long after the end of the Cold War itself. Zézé Gamboa, director of the film, has stated that he considers himself in the camp of African filmmakers who see their work as contributing directly to the task of national reconstruction. “The Hero is a universal story. In Central Europe, Latin America, Africa and in all the places where there is or there was war, hundreds of thousands must deal with the stigma, try to survive and become a part of post-war society. The aim of this movie is to show children - the former instruments of war — that it is possible to live in peace.","stream","[]","['Luanda (Luanda, Angola)', 'Angola']","['Homeless veterans', 'Disabled veterans', 'Postwar reconstruction']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143485/1009143485-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644087"
"asp3644085-marc","","Guimba. Un tyran, une époque a tyrant in his time","","94 minutes","[]","Winner of the most prestigious award in African cinema, the Grand Prize at FESPACO '95, Guimba has been acclaimed as one of the most visually ravishing African films ever made. This epic allegory contrasts Africa's tremendous wealth and potential with its present poverty and plunder. Director Cheick Oumar Sissoko comments, ""Guimba is a political film, a fable about power, its atrocities and its absurdities. I was personally influenced by what I experienced not long ago in Mali, but the ravages of power are, unfortunately, universal."" The story has obvious parallels with the 1991 overthrow of Malian dictator Moussa Traore in which Sissoko was active. Guimba tells the timeless tale of a tyrant's hubris and his downfall at the hands of his people, reminiscent of MacBeth or Richard III. The film's narrative embodies the process of revealing the truth from behind the facade of despotic power. For Guimba, the prince of a once prosperous trading city, the key to power is spectacle: humiliating court rituals, arbitrary displays of wrath, occult powers, even the terrifying mask which always covers his face. Guimba's authority begins to crumble when he demands that a nobleman divorce his wife so that his own son, the physical and moral dwarf, Janginé, can marry her. This ludicrous demand reveals him to the townspeople as a unrestrained beast not a prince; they jeer and defy him and abandon the city to join a rebel force. Isolated, his magic powers exhausted, driven-mad, Guimba is left with no alternative but to commit suicide. Guimba is thus a story of the restoration of truth and legitimate authority to Djenné, the legendary city where the film was shot, and, allegorically, of democratic, ""transparent"" government to present-day Africa. In its opulence and epic scale, Guimba recalls and calls for the return of the continent's own former greatness and prosperity. Even, the film's striking costumes (themselves simultaneously veilings and statements) occasioned the revival of several traditional Malian textile crafts.Sissoko notes that in Guimba he adapted to film two traditional Malian types of discourse used to ""speak truth to power:"" kotéba, a popular form of satiric street theatre, and baro, a virtuoso kind of public oratory. Thus Sissoko creates through his film not just an allegory of present-day African politics but a community of viewers prepared to mock illicit power whatever its trappings.","stream","[]","['Africa, West']","['Dictators']","['Feature films', 'Political films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143484/1009143484-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644085"
"asp3644083-marc","","Library of African cinema. Le grand blanc de Lambaréné","","89 minutes","['Library of African cinema']","Cameroonian filmmaker Bassek ba Kobhio provides a fascinating revisionist perspective on Albert Schweitzer, Noble Peace Prize winner and secular saint of the colonial era. Like Frantz Fanon: Black Skin, White Mask, this film begins to rewrite the history of colonialism from the point of view of the colonized. Le Grand Blanc de Lambaréné is not, however, a facile exercise in iconoclasm but rather a deeply-felt lament for a missed opportunity, for a cross-cultural encounter between Africa and Europe which never happened. Shot on the site of Schweitzer's hospital in Gabon, Bassek ba Kobhio elicits psychologically complex portrayals from his actors as he did in his earlier California Newsreel release, Sango Malo. Behind Schweitzer's impenetrable reserve, Ba Kobhio discovers a man blinded to the people around him by his own spiritual self-absorption and arrogance. For Schweitzer to see himself as a stern but loving father, he had to cast Africans as childlike primitives whom he could protect from the temptations of modernity. He even refused to install electrical generators or institute modern sanitation in his hospital's wards. In the film, an African boy Schweitzer discouraged from becoming a doctor, returns with his degree and rebukes him: ""The independence of the people has never been your concern. You only wanted to share their hell in the hope of reaching your heaven.""The film reveals that the ultimate tragedy of colonialism may have been its refusal to see and value the colonized as autonomous, creative human beings. Schweitzer knew numerous European languages but never learned to speak the local tongue; he was an accomplished organist and Bach scholar who never evinced any interest in African music. Ba Kobhio represents the richness of Africa through Bissa, a beautiful concubine the local chief gives le Grand Blanc.Though clearly tempted, Schweitzer remains aloof; only at his death does he invite her to sleep in his bed rather than on a mat. The film's epigraph, ironically, is a famous remark by Schweitzer himself: ""All we can do is allow others to discover us, as we discover them.""","stream","['Schweitzer, Albert']","['Gabon']","['Missionaries, Medical']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143483/1009143483-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644083"
"asp3644081-marc","","Furious flower III. Seeding the future of African American poetry. The flowering of African American poetry today","","64 minutes","['Furious flower III']","Furious Flower III: Seeding the Future of African American Poetry (2015) offers the unprecedented opportunity to watch thirty-two of today’s leading African American poets reading from their work and discussing the critical issues shaping this vibrant poetic tradition. Its four video volumes compile close to five hours of highlights from the landmark national poetry summit sponsored once a decade by the Furious Flower Poetry Center at James Madison University, the country’s only academic venue devoted to the study of African American poetry. Together with Furious Flower I (1998) and II (2005) - now newly available - this third title constitutes a video anthology of some of the most exciting poetry and perceptive critical insights of the past decade. Any teacher, poet, student or reader who has followed the current flowering of African American verse would want to have attended this seminal event - and now on video they can. The conference’s final thematic focus was the role of formal innovation in defining and developing a Black aesthetics for the future. These seven poets explore directions which are “pushing the envelope” of African American poetic expression:Tyehimba Jess, Major Jackson, Evie Shockley, Jericho Brown, Mendi Lewis Obadike,Thomas Sayers Ellis, Yusef Komunyakaa.","stream","[]","[]","['American poetry', 'African American poets', 'African Americans']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143482/1009143482-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644081"
"asp3644079-marc","","Furious flower III. Seeding the future of African American poetry","","76 minutes","['Furious flower III']","Furious Flower III: Seeding the Future of African American Poetry (2015) offers the unprecedented opportunity to watch thirty-two of today’s leading African American poets reading from their work and discussing the critical issues shaping this vibrant poetic tradition. Its four video volumes compile close to five hours of highlights from the landmark national poetry summit sponsored once a decade by the Furious Flower Poetry Center at James Madison University, the country’s only academic venue devoted to the study of African American poetry. Together with Furious Flower I (1998) and II (2005) - now newly available - this third title constitutes a video anthology of some of the most exciting poetry and perceptive critical insights of the past decade. Any teacher, poet, student or reader who has followed the current flowering of African American verse would want to have attended this seminal event - and now on video they can. This grouping looks at the centripetal and centrifugal forces shaping Black poetry today, both collective practices and growing ties with the poets and poetry of the world-wide African Diaspora. These eight poets speak to the underlying unity of these two tendencies – a poetry deeply rooted in the history of its people. Thomas Sayers Ellis, Patricia Smith, Frank X Walker, Afaa Michael Weaver, Brenda Marie Osbey, Kwame Dawes, Samantha Thornhill, Lorna Goodison.","stream","[]","[]","['American poetry', 'African American poets', 'African Americans']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143481/1009143481-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644079"
"asp3644077-marc","","Furious flower III. Seeding the future of African American poetry","","85 minutes","['Furious flower III']","Furious Flower III: Seeding the Future of African American Poetry (2015) offers the unprecedented opportunity to watch thirty-two of today’s leading African American poets reading from their work and discussing the critical issues shaping this vibrant poetic tradition. Its four video volumes compile close to five hours of highlights from the landmark national poetry summit sponsored once a decade by the Furious Flower Poetry Center at James Madison University, the country’s only academic venue devoted to the study of African American poetry. Together with Furious Flower I (1998) and II (2005) - now newly available - this third title constitutes a video anthology of some of the most exciting poetry and perceptive critical insights of the past decade. Any teacher, poet, student or reader who has followed the current flowering of African American verse would want to have attended this seminal event - and now on video they can. This volume recalls the key role played by poets as architects of the Black Arts Movement, their contribution to the African American Freedom Struggle and adaptation to the political changes of the past half-century. It features a panel: “S.O.S Calling All Black People: Honoring the Memory of Amiri Baraka.” Readings by the ten poets below reveal how African American poetry acts both as an historical witness and advocate for racial justice. John Bracey, Jr., Tony Medina, Haki Madhubuti, Quincy Troupe, Ishmael Reed, Evie Shockley, Mariahadessa EkereTallie, Camille Dungy, Nikki Giovanni, Sonia Sanchez.","stream","[]","[]","['American poetry', 'African American poets', 'African Americans']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143480/1009143480-disc001-file001-frame00945-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644077"
"asp3644075-marc","","Furious flower III. Seeding the future of African American poetry. Cultivating form, creating the black aesthetic","","58 minutes","['Furious flower III']","Furious Flower III: Seeding the Future of African American Poetry (2015) offers the unprecedented opportunity to watch thirty-two of today’s leading African American poets reading from their work and discussing the critical issues shaping this vibrant poetic tradition. Its four video volumes compile close to five hours of highlights from the landmark national poetry summit sponsored once a decade by the Furious Flower Poetry Center at James Madison University, the country’s only academic venue devoted to the study of African American poetry. Together with Furious Flower I (1998) and II (2005) - now newly available - this third title constitutes a video anthology of some of the most exciting poetry and perceptive critical insights of the past decade. Any teacher, poet, student or reader who has followed the current flowering of African American verse would want to have attended this seminal event - and now on video they can. The seven poets in this opening volume discuss and demonstrate the formal and stylistic characteristics of an evolving Black aesthetic, both in their own poetry and their peers’. It features a special panel on the teaching of African American poetry and mentoring younger poets, as well as Rita Dove’s keynote address. With Rita Dove, Elizabeth Alexander, Patricia Smith, A. Van Jordan, Aracelis Girmay, Marilyn Nelson, and Toi Derricotte.","stream","[]","[]","['American poetry', 'African American poets', 'African Americans']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143479/1009143479-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644075"
"asp3644073-marc","","Frosh. Nine months in a freshman dorm","","92 minutes","[]","Freshman year. What could be more challenging, disorienting, exhilarating, depressing? Two award-winning filmmakers- one male, one female- returned to college with their cameras. They spent a year living in a co-ed, multicultural, freshman residence hall at Stanford University. They shot at 2:00 AM bull sessions, in co-ed bathrooms, classrooms and deans offices, and on trips home during winter break. Their unprecedented cinema verite documentary captures the freshman world of scary freedoms and new lifestyles in all its thrilling anxiety.The students discover they face much more than the traditional academic pressures. Campus life is wracked with unexpected social conflicts: Freedom of speech vs. anti-harassment codes. Multicultural education vs. western culture. Alcohol, drugs, and dating. Grade anxiety, cultural alienation, and the lure of dropping out. Maintaining ethnic and gay identity on a white, heterosexual campus. Frosh traces a dramatic journey of social experimentation and intellectual curiosity, cultural clashes and spiritual crisis, academic pressure and adjustment problems, but ultimately, individual self-discovery within a diverse community. Nothing less than a contemporary American coming of age story, Frosh is destined to become a classic of student life. Frosh's frank and open approach to gender, racial, political, and academic issues common to all campuses will help prepare any student for the challenges of college life. Ideal for use in: Freshman year, residential life, counseling, and other student activities programs, and for training professional and para-professional staff.","stream","['Stanford University']","['California']","['College freshmen', 'College students', 'Education, Higher']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143478/1009143478-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644073"
"asp3644071-marc","","Flame","","88 minutes","[]","Human Rights Watch Nestor Almendros Award. Flame is perhaps the most controversial film ever made in Africa -- certainly the only one to be seized by the police during editing on the grounds it was subversive and pornographic. Ingrid Sinclair's moving tribute to women fighters in the Zimbabwean liberation struggle aroused the ire of war veterans and the military because it revealed officers sometimes used female recruits as ""comfort women."" Flame's real crime may have been that it exposed not just past abuses but continuing divisions within Zimbabwean society. Many of the groups which fought hardest during the freedom struggle, for example, women and peasants, have been left behind in the post-revolutionary period; for them the revolution is still not completed. Flame provides an important and by no means unambiguous case study of who will control not only the depiction of the African past but also the African present. Director Ingrid Sinclair explains, ""Fighting women are my heroes ... I used the independence struggle as a metaphor for the struggle for personal independence of all women."" Originally conceived as a documentary, Flame had to be made as a fiction film because none of the seven women on whose experience it was based dared discuss sexual abuse on camera. Sinclair stresses that their experience is not the whole story of the Chimurenga or liberation war: ""Flame presents only the views of one group of people ... Its legitimacy rests on whether it reflects that group's view rather than pretends to represent everyone's views - or worse be objective."" It is, nonetheless, not surprising that male war veterans and current military leaders like Comrade Bornwell Chakaodza, Director of Information for the Zimbabwean Defense Forces, were outraged: ""The film's failure to balance the negative scenes of the freedom fighters with their resilience and values suggests an insidious attempt to make sure future generations will have no sense of their gallantry."" The fact that this, the first feature film on the Chimurenga, was directed by a woman and a white woman at that (albeit a long-time supporter of the Zimbabwean struggle) must only have aggravated their resentment. Even a woman ex-combatant commented, ""If the war had been about rape, we would not have fought or won it."" But another supported the film: ""I, Freedom Nyamubaya, was raped and that is the truth. A society which denies the truth cannot move forward."" To the credit of all involved, the film was released and the directors made some minor changes. Viewers can now decide for themselves whether the finished film reflects both the successes and unfinished tasks of this crucial phase of African history. Flame is the story of two close friends whose involvement in the liberation struggle lead to very different outcomes. Florence, impulsive and brave, and Nyasha, scholarly and cautious, are scarcely more than children when they run away from their village to join the liberation forces in 1975. After a harrowing trek to the rebel camps in Mozambique, they adopt their new guerilla identities: Nyasha becomes Liberty, representing her desire for independence, while Florence selects Flame, symbolizing her passion.The film accurately reconstructs conditions in the rebel camps: the extreme hardship and constant danger but also the unprecedented opportunities offered women for education and leadership. At the same time, it shows that leaders like the charismatic young political commissar, Comrade Che, often assumed that women would be available to them. When Flame resists his advances, he rapes her leaving her pregnant. But even Che is not portrayed one-dimensionally; he genuinely inspires his troops through political education and, after he apologizes to Flame, she (improbably) does not hesitate to become his lover. She is devastated when he and their infant son are killed in an aerial bombardment. After that, she has nothing to live for but combat and becomes a legendary leader of the Chimure.","stream","[]","['Zimbabwe']","['Women soldiers', 'National liberation movements']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143477/1009143477-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644071"
"asp3644069-marc","","5 factories. Worker control in Venezuela","","81 minutes","[]","5 Factories provides a penetrating look at the Bolivarian socio-economic project designed to challenge the dominant neo-liberal development model. Since the election of Hugo Chávez in 1998, the Venezuelan government has implemented reforms to transform the nation into what Chávez and his supporters refer to as a form of democratic socialism. As a component of this economic transformation, the government has supported co-ownership initiatives in which workers’ councils play a key role in company management. 5 Factories provides a unique perspective on the Bolivarian experiment, examining the successes and challenges of five companies rejecting traditional ideas of industrial management. 5 Factories takes the viewer inside factories producing aluminum, paper, cocoa, tomato sauce, and cotton. These factories, many of which had been driven into bankruptcy by their former owners, have been transformed into cooperative partnerships between the workers and the state in co-management arrangements. In many cases, the Chávez government nationalized the companies and provided the workers with loans to purchase them in this co-managent arrangement with the government. According to these agreements, the state will increasingly rescind control as the debt is repaid. State officials explain that, while the state is involved in the process, the goal is not to create a Soviet-style system, where the state owns the means of production. Such a system, it is pointed out, is not socialism at all, but rather state-capitalism, an altogether different project from that being created in Venezuela. Internally, the companies’ decision-making structures are characterized by a lack of hierarchy. Teams of managers are elected by the workers and, in all cases, the work is organized from the bottom-up rather than top-down by management. In one example, the Alcasa aluminum factory workers develop budgets and elect managers and departmental delegates who work together on production issues. We hear from numerous officials and regular workers who stress the importance of including workers and the rest of society in the current process of social transformation. An important component involves integrating the different economic sectors so that they work cooperatively, maximizing benefits to society. Officials point out how, in the past, the agricultural sector was oriented towards the more profitable export markets. The new paradigm, however, links the country’s agricultural and productive sectors to create higher value-added products for local consumption. One official discusses how the success of such a revolutionary project requires completely re-conceptualizing workers’ roles and their relationship to their work and to society. Workers echo the goal of designing companies to serve the community, pointing out how they have created company dining halls and health clinics that are open to the poor children of the community. Officials concede, however, that many challenges lie ahead for the Bolivarian experiment. Carlos Lanz, director of the state-owned Alcasa factory, explains that perhaps the largest challenge is determining how to move towards democratic socialism within a capitalist framework. Noting that the capitalist structure rests on individual gain, a worker explains how the new system must be based on the belief that production should serve the needs of all members of society. 5 Factories serves as a valuable instructional tool for generating discussions on the viability of alternatives to the current neo-liberal orthodoxy, as well as the political and economic trends sweeping through Latin America.","stream","[]","['Venezuela']","['Industrial management', 'Industries']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143476/1009143476-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644069"
"asp3644067-marc","","Finzan","","112 minutes","[]","In Finzan, Cheick Oumar Sissoko has skillfully crafted a film which raises one of the most important issues of African rural life, the status of women, in a style accessible to every villager. Finzan tells the story of two women's rebellion. Nanyuma, a young widow defies her brother-in-law, the village fool, when he asserts his traditional right to ""inherit"" her. Fili, a young woman sent from the city by her conservative father, is brutally ""circumcised"" by village women, scandalized by her refusal to submit to this ancient ritual. Sissoko weaves these two stories together into a painfully realistic picture of village society, tragically unable to free itself from the past.","stream","[]","['Mali']","['Women', 'Bambara (African people)']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143475/1009143475-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644067"
"asp3644065-marc","","Library of African cinema. Dribbling fate. Fintar o destino","","76 minutes","['Library of African cinema']","Fintar O Destino has the distinction of being the Library of African Cinema's first sports film - but a sports film with a decidedly African twist. It is the story, familiar from countless Hollywood movies and therefore easily accessible to American audiences, of an over the hill sports hero who holds onto his past so strongly he destroys his present. Think of Marlon Brando's famous lament from On the Waterfront, ""I could've been a contender."" At the same time, this film explores a much more general tension, personal and political, between remaining true to one's dreams or making the best of the limited opportunities around us. In Fintar o Destino this dilemma is posed in terms of an entire nation: whether Cape Verdeans should accept life on these isolated islands or should pursue their often unrealistic ambitions overseas. Indeed, this is a conflict faced by more and more people in the poorer countries of an increasingly mobile world. In Fintar O Destino character and fate are geographic, bound up with the unique history of the Cape Verde Islands. These ten volcanic islands located three hundred miles off the most westerly point of Africa were uninhabited until the Portuguese discovered them in 1462. They soon grew into a bustling port of call between Africa, Europe and the Americas developing a highly Creolized mulatto population. Since the islands have never been economically self-sufficient, emigration has been a central fact of Cape Verdeans' lives; islanders have established communities around the Atlantic, the largest one in southern New England. Cape Verdeans, most notably Amilcar Cabral, played a leading role in the liberation of their islands and Guinea-Bissau from Portuguese rule in 1973, as dramatized in another new lusophone release, Mortu Nega. But independence could not overcome financial dependency: today a majority of islanders live abroad and remittances from the West play a major role in the fragile economy. In the film, an old schoolteacher observes that ""on an island men fear staying more than leaving."" Perhaps this is the ""dribbling fate"" of the title, the islanders' sense of just passing time, waiting for the big chance to move. For many young men, the most exciting, if not realistic route off the island is to become a sports star, the illusory promise followed by so many inner city youth in this country, poignantly depicted in Hoop Dreams. The film's opening shot symbolizes this as we see a boy hoeing the island's arid volcanic soil only to realize he is actually marking out a soccer field. For the older men who have not found a way off the island, the only remaining escape is to live vicariously through the fortunes of their favorite team ignoring the mundane life all around them. The central character of the film, Mané, owns an unprofitable ""sports bar"" in Mindelo on the island of Saö Vicente, whose denizens are overgrown adolescents seemingly with little to do but root for Benfica, a major Portuguese team. Mané actually turned down an invitation to try out for Benfica in 1959 in order to marry a local girl; as a result his whole life has been consumed by regret, sinking into alcoholism, improvidence and an unhappy marriage. His situation finds an echo in the younger generation with Kalu, a talented teenager Mané is coaching who must decide whether to continue his rigorous training, emigrate to America or pursue a beautiful island ingenue. Mané develops an obsession that the only way Benfica can win the national championships is if he is present in the stadium in Lisbon. He steals money which his wife has painstakingly been saving, abandons her at home and flies to Portugal where he inevitably learns the lesson that it is always dangerous to test one's dreams against reality. In Portugal, he looks up an old friend, Americo, who accepted an invitation to play for Benfica and who has become something of a legend in Mindelo. Mané finds him a broken man living in a shack by the Tagus who pitifully asks him for change. In Lisbon, Mané stays with his upwardly mobile son, Alberto and his Portuguese wife. Alberto confesses he has always resented his father for neglecting his wife and children in favor of his soccer fanaticism. When Mané tries to compensate by attending his grandson's birthday party, he misses the big game; Benfica wins anyhow.","stream","[]","['Cabo Verde']","['Soccer players', 'Middle-aged men', 'Soccer']","['Feature films', 'Sports films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143474/1009143474-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644065"
"asp3644063-marc","","Final offer","","79 minutes","[]","Final Offer is the most comprehensive and candid look at collective bargaining on film. It takes viewers on an eye-opening journey behind the closed doors and into the smoke-filled rooms where labor and management negotiate.The filmmakers follow Bob White, president of the Canadian UAW, through the landmark auto strike at General Motors. We look on as White strategizes with his advisors, fields the angry demands of his members, and makes offers, threats and counter-offers during marathon bargaining sessions. We share the caffeine-frayed nerves, the mind-numbing exhaustion and the salty language which are the stuff of collective bargaining.The filmmakers also gained unrestricted access to GM's plants.They vividly capture the daily shopfloor skirmishes and tensions which comprise the subtext of labor negotiations. Remarkably, the filmmakers are even present when White and the chief GM negotiator strike a deal while riding the elevator. Final Offer gives those on both sides of the table an intimate understanding of the hidden pressures which shape any labor negotiation.","stream","['International Union, United Automobile, Aerospace, and Agricultural Implement Workers of America', 'White, Bob']","['Canada']","['Strikes and lockouts', 'Collective bargaining', 'Automobile industry workers']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143473/1009143473-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644063"
"asp3644061-marc","","Femmes aux yeux ouverts. Women with open eyes","","51 minutes","[]","""A respectable women should learn from her husband, She shouldn't read, She shouldn't have her eyes open."" A poem by a Burkinabe woman. A film about African women is a rarity, even more, one made by an African woman. In Femmes Aux Yeux Ouverts, award-winning Togolese filmmaker, Anne-Laure Folly presents portraits of contemporary African women from four West African nations: Burkina Faso, Mali, Senegal and Benin. The film shows how African women are speaking out and organizing around five key issues: marital rights, reproductive health, female genital mutilation, women's role in the economy and political rights. Femmes Aux Yeux Ouverts introduces us to many unforgettable African women. We meet a woman who has taken refuge in a convent from a forced marriage. We join a community health worker demonstrating condom use in a marketplace. An activist describes why it is more effective to attack female ""circumcision"" as a health issue rather than as a women's rights issue. Women entrepreneurs, who control trade in major cities explain how they have formed their own mutual aid societies. A Malian woman, who lost her daughter in the 1991 pro-democracy demonstrations, describes how women continue to play a key role in the Malian revolution. Femmes Aux Yeux Ouverts shows how women are organizing at the grassroots level to insure their participation in the continent's current move towards democracy. It has screened to enthusiastic women's audiences across West Africa, reinforcing their demands for a place at the center of the development process.","stream","[]","['Africa, Sub-Saharan', 'Africa']","['Feminism', 'Women', 'Female circumcision', 'Marriage customs and rites']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143472/1009143472-disc001-file001-frame00285-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644061"
"asp3644059-marc","","Fathers. A barber's wisdom","","28 minutes","['Fathers']","A Barber's Wisdom is a short farce showing what Nigerian filmmakers can do when not restricted by commercial concerns; the cinematographer is the director of our other new Nigerian release, Thunderbolt. In contrast to Surrender, the father here is ridiculed not for being too traditional but for not being traditional enough, for failing his responsibility to protect his family and uphold morality. Amadou is a barber whose business is so slow his formidable wife, Stella, has had to become the primary breadwinner by selling grilled fish. After a visit to the city, Amadou decides to modernize his shop to attract the hip younger generation. Apart from rap music, the principal new attractions are his two daughters, provocatively dressed like Lil' Kim and Jennifer Lopez. Stella is outraged that he is in a sense pimping his own daughters, but Amadou will do anything to make money. He only sees the light after one of them tells him that she has become pregnant. When we last see him, he is burning the city clothes and the women are again in traditional dress. Unlike Zanzibar in Surrender, the society depicted in A Barber's Wisdom is rushing headlong toward modernity; references to a global television culture abound, and the pursuit of profit has encroached on every other value. The film's humor stems from the contrast between Amadou's presumptions of patriarchal authority and his craven exploitation of his own family. Behind this, one feels, is a more general indictment of Nigerian society, its often corrupt leaders and its ""anything goes"" economy.","stream","[]","['Africa']","['Fathers', 'Patriarchy', 'Fathers and daughters']","['Short films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143471/1009143471-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644059"
"asp3644057-marc","","Fathers. The father","","29 minutes","['Fathers']","The Father is set during one of the darkest periods of Ethiopian history - the terror following the 1974 deposing of Haile Selassie launched by the new military regime, the derg. Alazar is an apolitical painter looking forward to marrying Rahel, his model and girlfriend. His best friend, Yonas, a political radical, takes refuge in Alazar's house, causing them both to be captured and tortured by the military. Rahel bribes the major in charge with money and by submitting to his sexual advances. Alazar is allowed to escape the firing squad -- but only if he will shoot Yonas. Seven years pass, and Alazar has made an uneasy peace with the regime and with himself. He is chosen to paint a portrait of the national leader, showing ""that he is the only man who can lead the country."" But an unexpected reunion with Yonas' sister, Tingist, stirs old memories; he begins to suspect that his wife was raped as part of the price for sparing him and that the real father of his seven-year-old daughter may be the torturer who forced him to shoot his friend. Enraged, he defaces the painting of the leader with the same slogan Yonas used years before: ""Death to the Military Dictatorship."" When we see Alazar for the last time, he is fleeing the country in disguise. The Father is an impassioned political thriller which argues that past injustices will inevitably return to haunt the present and that one must never accommodate oneself to political oppression.","stream","[]","['Ethiopia']","['Patriarchy', 'Political activists', 'Sex crimes']","['Thrillers (Motion pictures)', 'Political films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143470/1009143470-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644057"
"asp3644055-marc","","Fathers. Surrender","","28 minutes","['Fathers']","Amri, the son of a merchant, and Moshua, a poor fisherman, are inseparable friends. Although they are clearly in their 20s, they spend their days at play on the white sand beaches of Zanzibar. Amri's father is distressed that his son is so reluctant to assume his adult responsibilities as a father and businessman. He arranges a marriage to a friend's daughter, Zaitun, and is outraged when Amri announces that he finds her boring and unattractive. He bars Amri from their house and warns Moshua not to speak to him. Isolated, Amri surrenders to the demands of paternal authority, marries and produces the grandson his father wants. But in the last shot, we see him walking with Moshua beside the turquoise water. In the West, Amri and Moshua's close relationship would be immediately interpreted as homosexual. Although Amri's father clearly regards his son's relationship with Moshua as unhealthy, in this context there is no suggestion that it is anything but an excessive prolongation of childhood. Sex and marriage are not expected to result from romantic desire or psychological urges but from participation as an adult in the larger community. The film's tone and rhythm are determined by the formalities which dictate every aspect of daily life, including Amri's relationship with his father. The film is punctuated by the daily ritual of prayers, a central structuring feature of Islamic life. Only his friendship with Moshua seems to exist spontaneously outside these constrictions. In the end, society's expectations are the ""father"" to which Amri must surrender.","stream","[]","['Africa']","['Male friendship', 'Fathers and sons', 'Patriarchy', 'Forced marriage']","['Short films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143469/1009143469-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644055"
"asp3644053-marc","","Library of African cinema. Faat kine","","120 minutes","['Library of African cinema']","Faat Kine joins a number of recent African films which use abusive, patriarchal relationships to symbolize the more general despoiling of Africa by a corrupt and ineffective (male) elite. Sembene may have first suggested this equation when the disgusted wife at the end of Borom Sarret leaves to earn the dinner money, probably by prostitution. By the time of Xala, El Hadji clearly represents a neo-colonialism scorned by his wives and daughter. In Moussa Sene Absa's Tableau Ferraille Gagnesiri, the faithful, traditional wife sails away from Damm, her vacillating politician husband, representing grassroots Africa finally abandoning its often self-interested leaders to set is own course; one can even imagine her becoming the self-reliant businesswoman, Faat Kine.","stream","[]","['Senegal']","['Women', 'Patriarchy', 'Women service industries workers', 'Man-woman relationships', 'Single mothers']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143468/1009143468-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644053"
"asp3644051-marc","","Ezra","","105 minutes","[]","Ezra is the first film to give an African perspective on the disturbing phenomenon of abducting child soldiers into the continent’s recent civil wars. It was awarded the Grand Prize at the 2007 Festival Panafricain du Cinema à Ouagadougou (FESPACO), Africa’s largest and most prestigious film event, and was selected for the International Critics Week at the 2007 Cannes Film Festival. Ezra stands out among other African films because it is a complex psychological study, not just of the brutalizing, healing and reintegration into society of one of thousands of traumatized former child soldiers, but also as a key for reconstructing these societies themselves. Ezra is structured around the week-long questioning of a 16 year old boy, Ezra, before a version of the Truth and Reconciliation Commission, created in Sierra Leone in 2002 in the wake of its decade long civil war. This hearing is then inter-cut with chronological flashbacks to pivotal moments during Ezra’s ten years in the rebel faction which made him who he is. These commissions, based on the idea of transitional justice and modeled on the one in South Africa, were meant not to be punitive but restorative and therapeutic, both for the violated and the violators. Only after Ezra confronts his crimes, how he came to commit them and repents, will he be ready to rejoin society as well as make peace with himself. In a sense, the audience is placed in the position of the judges, initially seeing Ezra only in terms of his crimes against humanity, but, gradually coming to realize he is more a victim than a victimizer. The 16 year old Ezra who appears before the tribunal is an unsympathetic, angry, deeply disturbed young man. He takes no responsibility for the atrocities he committed, rationalizing that he was a soldier, and soldiers kill, so why should he be brought before the Commission? He falls back on political justifications, arguing that he was just a fighter for equality and against corruption in Sierra Leone. He is in such deep denial about his past crimes that he suffers from amnesia; some might label him as suffering from post-traumatic stress syndrome.The film begins, however, by showing us another Ezra, a carefree six year old on his way to school on a calm summer morning, July 13, 1992. Just as class begins, the quiet erupts into mayhem, as a squad of insurgents, firing machine guns, bursts into the schoolyard and randomly kidnaps a dozen children, including Ezra. When one boy begins to cry, he is shot without a second thought, further terrorizing the children. They immediately set out on an exhausting, day and night, forced march, swallowed up by the dense, disorienting jungle, until they reach the distant rebel camp. There they confront the intimidating warlord, Rufus, who, like any effective totalitarian, immediately begins to strip them of their old identities to impose a new one on them. He orders them to forget their past, forget religion, forget their families: from now on the Brotherhood is their only family, they are reborn as warriors, to fight and die for the cause. He rallies them to destroy the corrupt governing elite which had, in fact, colluded with Western diamond interests for thirty years to steal the nation’s vast wealth from its impoverished people.The story then skips forward; Ezra is now a teenager, armed with an AK 47, the leader of a rebel battalion, totally immersed in the culture of the Brotherhood, his peers substituting for his family, as gangs do in our own inner cities. The government has called an election and the rebels have declared anyone who votes an ‘enemy of the people.’ Their slogan, ‘No Hands, No Vote,’ gave rise to one of the most heinous and distinctive crimes of Sierra Leone’s civil war: the mass amputation of people’s hands. On January 6, 1999, Ezra’s battalion is ordered to attack and exterminate three villages. Each soldier is injected with methamphetamines and they begin a ruthless, four-day rampage, their brains exploding.","stream","[]","['Sierra Leone']","['Truth commissions', 'Child soldiers']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143467/1009143467-disc001-file001-frame00060-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644051"
"asp3644049-marc","","Library of African cinema. Everyone's child","","83 minutes","['Library of African cinema']","Everyone's Child is an eloquent call for action on behalf of Africa's millions of parentless children. Through the tragic story of one Zimbabwean family devastated by AIDS, the film challenges Africans to reaffirm their tradition that an orphan becomes ""Everyone's Child."" Everyone's Child is the most recent production from Zimbabwe's Media for Development Trust (MFD). This prolific production company represents one significant trend among African filmmakers: producing feature films to intervene explicitly in urgent social issues. For example, MFD's first feature, Neria, which called on women to exercise their newly won legal rights against patriarchal custom, broke box office records so that eventually one in three Zimbabweans saw it. Everyone's Child was produced in direct response to the prediction that by the year 2000 there will be over 10,000,000 AIDS orphans on the African continent. At the same time, the film focuses attention on millions of other children left homeless by civil wars or abandoned because their parents could not support them. MFD first conceived Everyone's Child as a training tape for community-based orphan care programs. But the rapid spread of AIDS made the problem so acute they felt only a feature film could place the issue at the forefront of the national agenda. For their production team, MFD drew on some of the most creative young talent in Zimbabwe.The script was based on a story by novelist Shimmer Chinodya, author of Harvest of Thorns, and was directed by Tsitsi Dangarembga, author of the novel Nervous Condition. The exceptional soundtrack features 12 original songs by Zimbabwe's most popular musicians, including Thomas Mapfumo, Leonard Zhakata and Andy ""Tomato Sauce"" Brown. Leading Zimbabwean actors star in the film, but many of the younger roles were played by actual streetchildren trained in a special workshop. Everyone's Child tells the story of four siblings, Itai, Tamari, Norah and Nhamo, whose parents have both died of AIDS. After a traditional funeral, the villagers, ignoring custom, shun the orphans because of the stigma of AIDS. Their guardian, Uncle Ozias, a struggling small businessman, sells the family's plow and oxen to pay off their father's debts. Without the means to support themselves, the family inevitably disintegrates.Itai, the eldest brother, chasing empty promises of high-paying jobs, leaves for Harare where, alone and penniless, he inevitably takes up with a gang of homeless boys. Their clothes, music and attitudes identify them as belonging to an international fraternity of forgotten youth who look to each other for family and to crime for a living.Itai's sister, Tamari, played with moving vulnerability by Nomsa Mlambo, is left to care for her younger brother and sister. Unable to afford food, deprived of affection, she is an easy victim for the predatory shopkeeper, Mdara Shaghi. The other villagers ostracize her as a prostitute and we can't help worrying that her promiscuous ""benefactor"" may be exposing her to HIV infection. One night, Shaghi brutally forces Tamari to leave the two younger children alone and accompany him to a club. In her absence their house catches fire and the younger brother, Nhamo, burns to death. Only the charred remnants of his toy helicopter remain, symbolizing the ruined dreams and promise of so many of Africa's young people. Nhamo's death finally convinces Uncle Ozias and the other villagers of their responsibility to help the three remaining children rebuild their lives. Everyone's Child offers its audience no easy answers: an official of an NGO tells the villagers that the problem of orphans is so wide-spread they cannot look to outside agencies or government for relief but must create their own self-reliant solutions.The audience watches this painful tragedy unfold knowing there is no one but adult society (in other words themselves) who can save children like these. As the now familiar African proverb says: ""It takes a village to raise a child"".","stream","[]","['Zimbabwe']","['AIDS phobia', 'Orphans']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143466/1009143466-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644049"
"asp3644047-marc","","End of the rainbow","","83 minutes","[]","End of the Rainbow provides a concise, in-depth look at the impact of global extractive industries on local populations, their economy, their traditions and their environment. It depicts in striking details the confrontation of two cultures, one indigenous the other a unique reflection of the age of globalization. The film uses a gold mine in Guinea to explore whether concessions granted to transnational corporations are in the interest of the companies, the governing elite or the local community. In 2005, the government of Lansana Conté, President of Guinea since 1984, sold its interest in one of the richest remaining gold fields in the world to an Anglo-Canadian combine. Guinea, a one party state often cited for its corruption, has under World Bank tutelage conducted an extensive program of privatization, foreign investment and structural adjustment policies. While the royalty arrangement between the corporation and the government remains a mystery, it is known that the local population receives only 0.4% of the profits from the mine. The film begins with the piece-by-piece dismantling and reconstruction of a massive gold mining operation from Borneo to a site in northeastern Guinea, 450 miles from the capital Conakry, close to the Malian border. Nothing could illustrate more vividly the mobility of global capital and the contrasting technological power of industrial and pre-industrial societies. We are guided through these two worlds by the chief of the village where the mine is located and the English chief engineer of the mine. The village had been an agrarian community where families scrapped a living from the ground with short-handled hoes. In the dry season they would earn extra income panning for grains of gold in the hope of buying livestock. Whole villages had to be relocated and bulldozed by the government to make way for the mine, though the company compensated the farmers for their holdings, several were unwilling to leave. Some of the local men received well-paying jobs at the mine; even schoolteachers took jobs as laborers. Discos opened in the village and the miners began to adapt to an international consumer lifestyle. The chief is wary but hopes the mine will bring prosperity to his people. He has high expectations; he believes that whites always keep their promises but he doesn't know at what price. He says Africans only used gold for its beauty whereas whites know how to use it in their machines. His people worked together in a subsistence economy based on the family and the village; now everyone is interested only in earning a wage. He accepts that he represents a passing order, ""Everyone has his time."" His English counterpart and his international team of expats create an ersatz culture of their own in a fenced-off enclosure. The center of life is a whites-only pub equipped with satellite television tuned to the sports channel, copious liquor and the flags of a dozen nations. The mine manager ruefully admits that he lives only for the moment, has no home, no savings, no family and no hobby but his work. He and the other whites are full-fledged citizens of the new global economy; perhaps a harbinger of things to come. Conflict breaks out soon as a drought brings hunger to the village. There is no way for the farmers to eke out a living except through panning or digging for gold. But now the company owns the gold fields. And they have dynamited the once tranquil landscape into a huge Dantesque mining pit fouled by poisonous, cyanide-laced water, in constant danger of cave-ins. One man recollects the trauma of hearing that his wife has ""been killed by the mine,"" buried in a mudslide looking for illicit gold. The mine is determined to keep the locals out, ostensibly on safety grounds. The actual enforcement of company policies is left in the hands of the Guinean army, a key condition of the concession agreement. The soldiers are shockingly abusive to their fellow citizens, as mine officials look on impassive.","stream","[]","['Guinea']","['Gold mines and mining', 'Globalization', 'International business enterprises']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143465/1009143465-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644047"
"asp3644045-marc","","Library of African cinema. Dôlè","","77 minutes","['Library of African cinema']","Dôlè offers a Gabonese perspective on the global crisis facing today's youth. With familial and societal structures crumbling, young people are increasingly thrown back for support on each other and an all-encompassing international pop culture. This film reveals that, whether in Libreville or in our own inner cities and suburbs the underlying causes of youthful disaffection can be remarkably similar. With Ça twiste à Poponguine, Dôlè provides one of the most affectionate and affecting portraits of African youth poised precariously on the cusp of modernity. Winner of the first-place Gold Tanit at the 2000 Carthage Film Festival, It has already been widely compared to François Truffaut's iconic coming of age film -- a kind of ""Le quatre cents coups"" in Gabon. Dôlè begins not with plot but with performance. On a rooftop overlooking the city, in a scene which could happen anywhere, a group of young men vent their frustrations in instantly recognizable rhythms. Performing only for themselves, they aggressively search for an identity through the universal patois of hip-hop. When they plot a robbery to obtain one of the necessary accoutrements of that lifestyle, what they call un ghettoblaster, one cannot help but wonder if the image is reflecting reality or has begun to determine the reality.This begs the question: What does it mean to be ""real"" if this is essentially a pose, one stance among many for approaching a particular reality? The main character, Mougler, seems almost to be a sociological study of a ghetto youth slipping into a life of petty crime. As is so often the case, there is an absent male figure, a dissolute father who has abandoned his family; there is also a strong, long-suffering mother who, however, is slowly dying from an unspecified disease. The larger society represented by school does not appear to offer Mougler any better support system. Once an outstanding student, he now affects the truculent stance of a gangbanger, reading rap magazines rather than his texts in class. Mougler finds an alternative to family and school among his peers, specifically in a not very intimidating gang. The four boys in his group are each following an unrealistic or at least unlikely path out of poverty and obscurity. Joker is still young enough to live out his fantasies through toy boats and tales of buried treasure. Baby Lee, the gang leader, dreams of becoming a rap star. Akson, like so many poor boys before him, looks to prize fighting as his route to fame and fortune. Mougler's mother has given him a name ""that sounds like a movie star"" as a talisman for success. For the millions of people like Mougler living on the margins of the emerging global economy, a lottery can seem like their only hope for financial success. Looked at in this light, a lottery is a kind of travesty of a healthy economy, where the connection between work and material rewards has become purely a matter of luck. In Le Franc, Djibril Diop Mambety used the lottery to symbolize the dependent relationship between Africa and international finance capital. In Dôlè we see how the media cynically collaborate with the lottery to divert desperate people's economic aspirations into a spectacle, a contemporary combination of ""bread and circuses."" When Mougler urgently needs money to buy medicine for his mother, he decides to up the stakes and even the odds by robbing the cash box at the lottery kiosk. What has up until now been a fairly light-hearted look at the follies of youth suddenly turns somber. The kiosk has an armed guard, nicknamed ""Rambo,"" who kills Baby Lee in the heist (what makes the situation so dangerous is that pop fiction and reality interpenetrate everywhere in this world). Although Mougler succeeds in purchasing the medicine, it comes too late to save his mother. Dôlè ends, however, not with this denouement but with a dream. It is as if the filmmaker cannot bring himself to consign his young cast to its dreary fate. In a coda or epilogue, the scene shifts abruptly from the congested city to the open sea; Mougler and his friends relax on the deck of a ship slicing through the water. The ship belongs to Mougler's Uncle Charlie, the positive male role model in his life. The director even draws attention to the arbitrariness of this ending by having Baby Lee magically reappear from the dead through a hatch. As a final gesture, Mougler throws a lottery ticket into the sea because he ""doesn't want to lose anymore."" Perhaps he is remembering Uncle Charlie's observation: ""There are two kinds of people in the world; those whose destiny is shaped by events and those who shape their own destiny.""","stream","[]","['Gabon']","['Teenage boys', 'Juvenile delinquents', 'Male friendship']","['Feature films', 'Juvenile delinquency films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143464/1009143464-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644045"
"asp3644043-marc","","Dirt & deeds in Mississippi","","83 minutes","[]","Dirt And Deeds In Mississippi uncovers the largely unknown and pivotal role played by Black landowning families in the deep South who controlled over a million acres in the 1960s. They were prepared to put their land and their lives on the line in the fight for racial equality and the right to vote in America’s most segregated and violently racist state. In the face of escalating terror, Black landowners and independent farmers provided safe havens, collateral for jail bonds, armed protection and locations for Freedom Schools.They were often the first to attempt to register to vote and run for public office. Dirt And Deeds in Mississippi reveals the extraordinary story of a Delta community called Mileston in which 100 sharecropping families gained control of 10,000 acres of some of the best land in the state as a result of a radical New Deal era experiment in the 1930’s and in turn, became leaders of the movement in the 1960s. The film also presents new information about the infamous case of the three young activists murdered during Freedom Summer in 1964. Narrated by Danny Glover and winner of a Television Academy Award, Dirt And Deeds In Mississippi tells how an independent farmer and teacher who came to own the land on which his great-grandparents were slaves became the first Black candidate elected to a state-wide office in Mississippi in the 20th century.","stream","[]","['Mississippi', 'Southern States']","['African American farmers', 'African Americans']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143463/1009143463-disc001-file001-frame00065-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644043"
"asp3644041-marc","","The debt of dictators","","45 minutes","[]","The Debt of Dictators is the first film to expose the nefarious lending of billions of dollars by multinational banks and international financial institutions to brutal dictators throughout the world. Nobel Peace Prize Laureate, Adolfo Perez Esquivel, asserts that transnational banks “know the price of everything, but have no values”. Debt of Dictators reveals the impoverishment resulting from the odious debts incurred to multinational lending institutions by these dictators. The film transports viewers to Argentina, South Africa, and the Philippines, where they come face to face with those suffering from the sacrifice of essential social services in order to repay these illegitimate debts. The film begins in the slums of Buenos Aires, where the poor and starving are seen digging through trash, searching for food. While Argentina used to be the seventh richest country in the world, today nearly 50% of the population lives below the poverty line and close to sixty children die from poverty related causes everyday. One reason for this is the $168 billion in foreign debt accrued by the military junta that came to power in the 1976 coup. More than 70,000 people were brutally tortured, killed, or disappeared during this rule. In spite of this, major banks and lending institutions lined up to offer loans to the military leaders, increasing the Argentine debt by 600%.Today the Argentine government pays more in interest to service these loans than it does on health, education, and welfare combined. The filmmakers next go inside today’s South Africa and find conditions of abject poverty, worsened by debt incurred by the Apartheid regime, largely to prop up the apartheid machinery. When Nelson Mandela marched out of prison in 1990, the international banks presented him with a bill for $21 billion. The present South African government is determined to repay these debts in order to continue to attract foreign investment. Since 1994, the South African government has spent more than 500 billion rand servicing foreign debt and more than five times as much as on essential services. Furthermore, the privatization of essential services required by international lending agencies such as the IMF has exponentially raised prices, thereby restricting access to essentials such as water and electricity by the nation’s poor. Finally, the viewer is transported to the slums of Manila, where children who cannot afford to go to school are shown peddling trinkets in the town market. They live in shacks with no water or electricity, lacking even basic health services. After Ferdinand Marcos declared martial law in 1976, imprisoning, torturing, and killing more than 30,000 in the process, lending institutions still lined up to offer loans, resulting in the more than $56 billion in foreign debt currently owed by the Philippines. Most of the money was spent personally enriching Marcos and his cronies for commissioning projects in exchange for kickbacks, which were useless, and often never completed. 70% of the Philippine population now lives below the poverty line and nearly 1/3 of all children suffer from malnutrition. One third of the national budget has been allocated to service this debt, largely to avoid investigation which might reveal the ‘disappearance’ of the borrowed funds into the pockets of those previously aligned with Marcos’ regime, which are still in the Congress. The film makes clear that multinational lending institutions systematically subverted human rights and democratic principles to profits and the imposition of neo-liberal economic policies. As activists, including representatives of the Jubilee Campaign, vehemently argue in the film, the time has come to forgive these unjust debts in order to ameliorate the suffering of the world’s poor, who are unwitting victims of the relationships fostered by corrupt dictators and the institutions that profited from their rule.","stream","[]","['Developing countries']","['Debts, Public', 'Loans, Foreign']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143462/1009143462-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644041"
"asp3644039-marc","","Daresalam","","101 minutes","[]","Our heads are not just for holding gourds Nor our arms just for holding weapons. We cannot waste energy wiping away our own blood - A. Balou. Daresalam is the first African feature film to focus on the civil wars convulsing the continent from Sierra Leone to Somalia. It provides compelling insights into how ordinary people around the world get swept up in extraordinary events. Its timeless story of two childhood friends turned into political foes personalizes the terrible costs of internecine strife. Daresalam is not only director Issa Serge Coelo's first feature but one of the first feature films from Chad. Chad's civil war, one of Africa's oldest, in many ways prefigured the continent's subsequent conflicts. Its pre-colonial roots reflect the basic geopolitical division between an Islamic, pastoralist North and a Christian or animist agrarian South. Northerners traditionally raided the South for slaves for the Ottoman Empire; the French banned that trade and advanced Sara speaking Southerners in their civil service. In the decades following independence, two factions of Northerners fought for control of the country, one with French and U.S. backing, the other advocating anschluss with Qaddafi's Libya. After three decades of civil war Chad is one of the poorest countries in the world with a per capita GDP of only $600; in the Spring, of 2001 a new rebellion broke out in the north.  Daresalam begins in the 1970s with two young men, Koni and Djimi, starting adult life as a smith and farmer in a prosperous village. Their placid existence is broken when the central government insists on buying the farmer's millet at below market prices and then browbeats villagers to pay not only taxes but also a national loan to help fight the guerilla war. The estrangement between government and governed is symbolized by the fact that the government ministers must speak French, the language of the former colonial oppressors, because they don't know the indigenous language. When an over-bearing official attempts to arrest the village elder, Koni impulsively spears him; in retaliation the government burns the village and massacres the inhabitants. Coelo makes it clear that it is the government's corruption rather than ideology which forces the villagers into the arms of the insurgents, FRAP, the Front Revolutionnaire du Peuple. At the same time he does not portray the rebels as uncompromised heroes. As Koni says. ""We fight in one world so we can live in another."" The rebel leaders, Adoum, Bicara, Tom and Felix, disagree on strategy and blame each other in defeat. Eventually the group splits; Djimi, wounded, remains behind with the hard-liners while Koni joins a faction which supports compromise with the government. When Djimi travels clandestinely to the capital to question Koni about his decision, their meeting degenerates into sterile political name-calling. Coelo deliberately does not take sides in the struggle within FRAP. While the split reflects the actual 1978 schism between Hissène Habré and Oueddei Goukouni in Chad, other incidents refer obliquely to the assassination of Thomas Sankara in nearby Burkina Faso and even Che Guevara's fate in Bolivia. Coelo vividly captures the atmosphere of civil war, poisoned by rumor, betrayal, posturing, a world held together by unreliable dispatches from partisan radio stations. He wants us to share the confusion of the combatants themselves, torn between rival opinions and ideologies, yet forced to choose sides. As Djimi says ""Who is to blame, the revolution or this bloody dictatorship? Neither prevented our misery."" In the end, Djimi leaves FRAP to return to his village in the liberated zone. He brings with him a war widow Achta, and a sewing machine left to him by a fallen combatant. He may not be able to ""sew"" together his divided country but he can attempt to start a new life for himself and his family. Just as at the film's beginning the rupture of society by civil war was signaled by the death of Djimi's young sister, its continuity and renewal is symbolized by the birth of Djimi and Achta's child at the film's end. As the disabled Djimi stumbles through the village searching for a midwife, the other characters in the film appear as in a dream and we learn their fates: some are lost in action; Koni has been executed in a coup; Captain Felix has become President of the fictional Republic of Daresalam. As for Djimi and the majority of those whose lives have been shattered by civil war, the most that can be said is that they are ""still alive,"" still suffering and struggling.","stream","[]","['Chad']","['Male friendship', 'Young men']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143461/1009143461-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644039"
"asp3644037-marc","","Library of African cinema. Dakan","","89 minutes","['Library of African cinema']","Dakan will inevitably be remembered as the first feature film on homosexuality from sub-Saharan Africa. While ""coming out"" may have become primetime fare in the U.S., this film was met with angry protests when it was shot in the director's native Guinea and has generated heated debate among Africanists here as well. But beyond its controversial topic, Dakan is a contemporary African reinterpretation of the age-old Romeo and Juliet conflict between love and social convention. Director Mohamed Camara has written, ""I made this film to pay tribute to those who express their love in whatever way they feel it, despite society's efforts to repress it. ""Dakan begins with the most sexually explicit opening scene in African cinema. Rather than the usual rural landscape or urban panorama locating the characters in a recognizable social or geographical context, the camera focuses on an isolated couple locked in a clandestine embrace in a sports car at night. The shot becomes even more transgressive when we recognize the couple are two young men. When one of them later tells his mother he's attracted to another man, she replies: ""Since time began, it's never happened. Boy's don't do that. That's all there is to it."" Dakan thus becomes the story of two men who by ""coming out"" disappear, become invisible to their families and society, because their society has no language which recognizes their love. In the first scene, Manga and Sori, two students in Conakry, argue and then part over whether to consumate their forbidden love; then each parent warns his son against the relationship; next each son ""comes out"" to his parent; they decide not to see each other again; both become ill; each family attempts to ""cure"" their son's homosexuality; each son tries, unsuccessfully, to form a lasting relationship with a woman; finally, they are reunited and accept their love as ""destiny."" The two boys also share parallel psychological profiles; they are both only children of single parents who have invested their whole emotional lives in their sons. After the disappearance of his father, Manga's mother, Fanta, has lived only for her son. Sori's father, Bakary (played by director Camara), a successful, self-made businessman has prepared a brilliant future for his unambitious son. One can perhaps detect in these characterizations now suspect Freudian theories of the origins of homosexuality in an overly protective mother or an over-bearing father. Sori's father counsels ""will power"" and threatens to send him away to school. Manga's mother decides her son is crazy and forces him to go with her to a traditional healer. This provides a telling analogy to our own ""witchdoctors"" - psychotherapists, reprogrammers and ""exodus"" ministries convinced they can ""cure"" homosexuality. Fanta herself undergoes a dangerous ""re-birthing"" ritual in a newly dug grave. Dakan does not try to present a realistic picture of Guinean society; rather it shows love taking many unexpected forms, often in defiance of social convention. Manga, for example, tells his future girlfriend, Oumou, he is married to his mother. He also tells Sori it's unfair he can't be the mother of his child. Oumou's African wet-nurse became her adopted mother after her parents were killed; Oumou in turn becomes her nurse's nurse when she falls ill. Manga doesn't hesitate to fall in love with Oumou, although she is a white woman, because they have so much else in common. Manga's mother asks him to give Sori a bracelet with the legend, ""Take care of my child."" In the very next scene, we see Manga taking care of Sori's son. For a moment an impossible hope flickers that, as Sori once dreamed, Manga, his child and he might all live together in rural obscurity. But no happy Hollywood ending is possible because there are no narratives available for the harmonious integraton of homosexual couples into traditional society. In the final shot, Sori and Manga are again together in a car, this time speeding towards an uncertain future.The entire film has been, in effect, one long, anguished parenthesis between the necessary succession of the opening and closing shots. There is, however, little triumphalism and less sense that amor vincit omnia, ""love conquers all."" What remains is the tragic knowledge that Manga and Sori's love is both destined and destines them to lose family and social identity. As Manga and Sori disappear into the distance, all that remains is the echo of their and the viewer's loss.","stream","[]","['Africa']","['Coming out (Sexual orientation)', 'Manners and customs', 'Male homosexuality']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143460/1009143460-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644037"
"asp3644035-marc","","Controlling interest. The world of the multinational corporation","","46 minutes","[]","This is the film that helped kick-off the anti-globalization movement. Upon its release, Controlling Interest quickly became a standard ""audio-visual text"" for those concerned about the growing impact of multinational corporations on global affairs. The film examines how the ever-increasing concentration and velocity of capital affect employment in the U.S., shape patterns of development in the Third World, and influence our nation's foreign policy. Remarkably candid interviews with business executives provide a rare glimpse of the reasoning behind corporate global strategy and their never-ending search for resources, ever-cheaper labor, and new markets. The film documents the impact of their decisions on people around the world, including how ""freedom"" has come increasingly to mean the freedom of global corporations to operate without restriction anywhere on earth. The film includes case studies from Massachusetts' declining machine tool industry, Brazil's ""economic miracle,"" and Chile before and after the 1973 coup.","stream","[]","[]","['International business enterprises', 'International economic relations']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143459/1009143459-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644035"
"asp3644033-marc","","Library of African cinema. Ça twiste à poponguine","","87 minutes","['Library of African cinema']","Ça Twiste à Poponguine is perhaps the most charming, fast-paced and accessible film in our Library of African Cinema collection. This bittersweet, coming of age story is a kind of African equivalent of George Lucas' American Graffiti, Spike Lee's Crooklyn or Godard's Masculin/Feminin. These Senegalese teenagers living it up on the beach may also remind less discriminating viewers of Annette Funicello and Frankie Avalon in Beach Blanket Bingo! Director Moussa Sene Absa's comedy is set during the weeks before Christmas, 1964, in a seaside village, where the local teenagers are divided into rival cultural camps. The ""Ins"" (or Inseparables) have adopted the names of French pop stars - Johnny Halliday, Sylvie Vartan, ""Clo Clo"" and Eddie Mitchell. Their clique attends school, has a female auxiliary, exchanges fervent love poetry - but they don't own a record player. The Kings, on the other hand, style themselves after African American Rhythm and Blues legends - Otis Redding, Ray Charles and James Brown. They work as fishermen, don't have any girls but they do have a record player. The story of their rivalry is told through the memories of Bacc, a husky-voiced, street-smart little boy who acts as a messenger for the older kids. Abandoned by his father and mother, he's been adopted by the whole village. His grandmother, Madame Castiloor, the keeper of the local tales, predicts: ""Someday you too will be a storyteller, who will make Africa famous throughout the world."" Her counterpart is M. Benoit, the gruff but well-loved, French teacher, who continues to propagate French culture in the post-colonial period. He makes his students memorize the fables of Jean de la Fontaine and paddles anyone who speaks anything but French in class. Beneath its genial surface, Ça Twiste à Poponguine is about the importance and ultimate fragility of dreams and about each person's right to construct whatever dream they need. The film reveals how young Africans' have always created overlapping, identities, blending elements of American and French pop culture into their daily lives. Chubby Checkers' Let's Twist Again, sung in French, wafting over a Senegalese village just emerging from feudalism, offers a quintessentially post-modern moment. The film is at the same time a fond evocation of the 1960s, the decade when any dream seemed possible, especially for the young. The sound track is full of Soul favorites such as James Brown's ""Sex Machine"", Ray Charles' ""What I Say"" and Otis Redding's ""Dock of the Bay."" In retrospect, the gaudy (not to say ghastly) Carnaby Street fashions seem more like costumes than clothing, transforming everyday life into fantasy. In contrast to the younger generation, M. Benoit seems imprisoned by his memories of France - particularly a lost love, Marceline. As it gets closer to his Christmas vacation, he begins to drink heavily, becomes increasingly dissatisfied with his life in Popenguine but doesn't seem to want to return to France either. Concerned by his depression, the entire village, led by Madame Castiloor, sing a praise song to him in the hope that he will stay. Meanwhile, the teenagers' schemes lead to disaster: a fight, the arson of the ""Ins"" clubhouse, a near drowning and the alienation of the girls. ""We lost all our illusions that night,"" Bacc recalls. The village elders, led by El Hadj Gora, the Islamic fundamentalist shopkeeper and father of ""Eddie Mitchell"", decide to punish the rebellious adolescents. But M. Benoit intervenes, echoing the words of Pres. Leopold Senghor (and, one suspects, the filmmaker's own sentiments): ""The children you beat are your future. Should they be humiliated because they dream of other horizons? Civilizations die that reject the Other. Universal civilization is the fruit of give and take."" The ""Ins,"" realizing their exclusivity has divided Popenguine, persuade a visiting French crooner to host a dance party for the whole village.","stream","[]","['Senegal']","['Teenage boys', 'Popular music', 'Villages']","['Feature films', 'Comedy films', 'Coming-of-age films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143458/1009143458-disc001-file001-frame00120-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644033"
"asp3644031-marc","","The business of America …","","58 minutes","[]","The Business of America ... is the first film to probe one of our most treasured economic assumptions: that private corporations can be trusted to make the investments upon which all Americans depend. The film contrasts two Pittsburgh steelworkers conventional faith in private enterprise with the actual strategies and priorities of a giant corporation, U.S. Steel. It traces their growing realization that despite ""supply side"" business claims, increased profits don't necessarily ""trickle down"" to working Americans. To discover why, The Business of America ... interviews U.S. Steel chairman David Roderick, travels to Wall Street and visits Harvard Business School. The film reveals that shareholder pressures to increase profitability have led many American firms to transform themselves from manufacturing enterprises into financial conglomerates. It raises troubling questions about whether the prevailing emphasis on short-term profits provides for the long-term investments industries -- and the country -- need to provide economic opportunities to all Americans.The urgency of these concerns has made The Business of America ... a standard audiovisual ""text"" in many economics, sociology, management, labor studies, and business ethics courses as well as a prescient warning of the ruin left behind when a nation allows corporations the unabated freedom to pursue profits any way they can.","stream","['United States Steel Corporation']","['Pennsylvania', 'United States']","['Steel industry and trade', 'Iron and steel workers', 'Industrial management', 'Unemployment']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143457/1009143457-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644031"
"asp3644027-marc","","The beloved community","","57 minutes","[]","In the summer of 2004, Canadian health researchers made a startling discovery in the Chippewa birth records for the city of Sarnia, an hour north of Detroit: for the past decade, female babies had been outnumbering male babies at a rate of 2:1. Further investigation revealed large numbers of miscarriages, a cluster of reproductive cancers in young women, and widespread neurological problems among the band's children.The Beloved Community looks at a Great Lakes oil town facing a toxic legacy head-on. The nerve center of Canada's petrochemical industry, Sarnia once enjoyed the highest standard of living in the country, but now the bill has come due, in a compromised environment and a devastating community health crisis. The city has already lost a generation of men to workplace-related cancers. Now their widows and daughters are discovering a reproductive time-bomb; because of their own exposure to a cluster of hormone-mimicking chemicals called ""endocrine disruptors,"" the next generation may be at risk. How do you stay in the home you love when the price you pay may be not only your own life, but the safety of your children? The impact of endocrine disruptors on the reproductive health of wildlife is well-known, but the birth situation in Sarnia has never been seen in a human population, exposed on a daily basis to industrial pollutants. As these chemicals are in global use in everything from pesticides to dry cleaning fluid, the situation in Sarnia cannot be ignored by anyone concerned about the environment and health of his own community. As the corporations and government have proven unwilling or incapable of providing a solution, the community of Sarnia has been forced to take matters into its own hands. Women who have never thought of themselves as ""scientists"" are now going door to door, collecting health data from their neighbors in a search for answers. They are demanding a voice in the running of their own community from the complex of giant multinationals: Dow, Shell, DuPont, Imperial Oil, Suncor, Nova, Bayer, and dozens of others who have set the city's course until now. Rather than abandoning a place that's been called a ""slow motion Bhopal,"" or trying to shut down the plants, they are pressing for answers that can close the books on the past and reclaim the future.","stream","[]","['Ontario']","['Petroleum chemicals industry', 'Pollution']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143455/1009143455-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644027"
"asp3644025-marc","","America reframed. Baddddd Sonia Sanchez. Season 4, Episode 6","","91 minutes","['America reframed']","The Emmy award nominated BaddDDD Sonia Sanchez offers unprecedented access to the life, work and mesmerizing performances of renowned poet and activist Sonia Sanchez who describes herself as ""a woman with razor blades between my teeth."" A leading figure in the Black Arts Movement and inspiration to today's hip hop spoken word artists, Sanchez for over 60 years has helped to redefine American culture and politics as an activist in the Black, women's and peace movements. Maya Angelou called Sanchez ""a lion in literature's forest"" while spoken word artist Bryonn Bain credits her with paving the way for his generation, ""She not only opened the door, she blew off the roof."" Sanchez revolutionized poetry by incorporating street language, a unique performance style and collaborations with jazz musicians. Sanchez's contemporaries Ruby Dee, Amiri Baraka, John Bracey, Jr., Haki Madhubuti and Nikki Giovanni joined by such newer voices as Talib Kweli, Ayana Mathis, Jessica Care Moore, Bryonn Bain and Questlove present impassioned readings of and insightful commentary on her fearless verse, including her raw love poems. Born in Birmingham, Alabama Sanchez grew up in Harlem, attended college in New York and studied with former US poet laureate Louise Bogan who introduced her to the importance of poetic form. In the early 1960s, Sanchez was active in the New York City chapter of the Congress of Racial Equality (CORE) and, inspired by Malcolm X, channeled her heightened political commitment into her poetry. She joined with Leroi Jones (Amiri Baraka) in forming the Black Arts Repertory Theatre in Harlem and like many poets of the Black Arts Movement, wrote her work to be performed on the streets where it could provoke action. In 1965, Sanchez moved to the San Francisco Bay Area, teaching some of the first Black Studies courses in the nation and participated in the San Francisco State Strike which succeeded in establishing the country's first Ethnic Studies Department. She supported the programs of the Black Panther Party (BPP) and contributed articles to its newspaper. When she wrote a critical review of BPP Minister of Information Eldridge Cleaver's Soul on Ice (""No man practices rape on Black women in order to rape white women. That's not a revolutionary, that's a hustler."") the piece was never published and Party representatives later threatened her. After leaving the Bay Area she joined the Nation of Islam for the stability and protection it offered a single mother but soon left because of its restrictions on women. Meanwhile tenured faculty positions eluded her because college administrations were wary of her steadfast activism. Settling at Temple University in Philadelphia – eventually named that city's poet laureate - Sanchez earned a reputation as an accessible and generous teacher and mentor to the young, as seen in her lively engagement with her students and the broader community. BaddDDD Sonia Sanchez, (named after her legendary early collection We a BaddDDD People) will be popular with students and faculty as an accessible resource for teaching English, Creative Writing, African American and Women's Studies, as well as for public programming and deepening public library's video offerings.","stream","['Sanchez, Sonia']","[]","['Black Arts movement', 'African American women authors', 'African American women poets']","['Documentary television programs', 'Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143454/1009143454-disc001-file001-frame00055-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644025"
"asp3644023-marc","","Arlit. Deuxième Paris","","78 minutes","[]","Arlit is a case study in environmental racism set in a uranium mining town in the Sahara desert of Niger. Here European corporations extract nuclear power and profits leaving behind disease, contamination and unemployment. Ironically the primary activities of Arlit today is waiting, waiting to die of radiation related sicknesses or to emigrate to find work in Europe itself.","stream","[]","['Arlit (Niger)', 'Niger']","['Uranium mines and mining', 'Uranium miners']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143453/1009143453-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644023"
"asp3644021-marc","","Library of African cinema. (A la grâce de Dieu). Allah Tantou","","60 minutes","['Library of African cinema']","Allah Tantou is the first African film to confront the immense personal and political costs of the widespread human rights abuses on the continent. It follows filmmaker David Achkar's search for his father, his father's search for himself inside a Guinean prison and Africa's search for a new beginning amid the disillusionment of the post-independence era. One of the most courageous and controversial films of recent years, Allah Tantou speaks in an unabashedly personal voice not often heard in African cinema. The life of Marof Achkar, David's father, can be seen as emblematic of much recent African history. In 1958, his countryman, Sekou Touri, declared Guinea the first independent French African colony and became a hero of Pan-Africanism. Marof Achkar, a leading figure in the Ballets Africains, served as U.N. ambassador for the new government. In 1968, Achkar was suddenly recalled, charged with treason and vanished into the notorious Camp Boiro prison. His family was exiled and, only after Touri's death in 1984, did they learn of Achkar's execution in 1971. David Achkar writes, ""I knew my father was a hero, but I wanted to know what that meant."" The Marof Achkar we first encounter in home movies and newsreels is a charismatic, confident performer on the world stage. The Marof Achkar glimpsed later through letters and a remarkable prison diary is a man bereft of position, identity and family; he is now simply ""Number 54."" But in prison, he undergoes an almost religious conversion. ""It's strange,"" he wrote, ""I've never felt so humble, insignificant and yet it is the deepest reason of my happiness: I believe it's the grace of God."" In a cinematic tradition which has privileged the calm collective voice of the griot, Allah Tantou speaks with the fragmented, uncertain rhythms of the individual conscience. Achkar juxtaposes diverse, sometimes contradictory texts - documentary, newsreel, dramatizations, photos, journals - to deny us a single, authoritative narrative space. Allah Tantou argues through its example that vigorous debate, candor and self-criticism are the pre-conditions for Africa's political and spiritual renewal.","stream","['Achkar, Marof']","['Guinea']","['Political prisoners', 'Ambassadors', 'Prisons']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143452/1009143452-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644021"
"asp3644019-marc","","All about Darfur","","83 minutes","[]","Director Taghreed Elsanhouri says that she made this film ""out of a passionate belief that I was uniquely qualified to tell a story of race because as a northerner in Sudan I know what it is to belong to a dominant group and as a black woman in Britain living with racism I know what it must be like to live marginalized as a minority in Sudan. It is this double consciousness that informs my story."" She returns to Sudan, having emigrated to Britain as a child, to see how the seemingly racially harmonious country of her memories could have become the scene of not one but two of the worst instances of ethnic cleansing in recent African history.Up until now the perilous situation in Sudan has been seen only from outside the country. All About Darfur offers an opportunity to hear it explained by eloquent, diverse even contradictory voices from within Sudan.","stream","[]","['Sudan']","['Genocide', 'Refugees']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143451/1009143451-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644019"
"asp3644017-marc","","Ainsi meurent les anges","","57 minutes","[]","Moussa Sene Absa's latest work pushes the formal boundaries of African cinema to explore the complex interplay of history and psychology in contemporary Africa. Intensely personal and at the same time deeply political, Ainsi meurent les anges combines the elegiac lyricism of his Ça twiste à Poponguine with the acerbic social critique of Tableau Ferraille. What is perhaps most surprising is that this creative freedom was won precisely by working within the constraints of new low-budget video technology. Appearing the same year as Karmen Geï and Faat Kine, it attests to the continuing vitality of Senegalese filmmaking as it propels African cinema in boldly innovative directions. Ainsi meurent les anges shows how a ""dream deferred"" can become a nightmare, how a stolen past can make the present impossible and render modernity untenable, how history can become paralyzed. It is a film about the loss of innocence - by an individual and by an entire generation. These lost possibilities, these foregone selves, irrecoverable yet unforgettable, are the angels of the title. They are not the absolute, unhearing angels of Rilke's Duino Elegies or even the sympathetic onlookers of Wim Wender's Wings of Desire; they are aspects of ourselves, fragile as human hope. This theme of the penetration of the present by the past, of the narrative by the subconscious, is given structural articulation through the dizzying intercutting of color and black-and-white sequences in the film's bravura opening. Color footage introduces us to Mory, a troubled Senegalese poet (played by writer/director Moussa Sene Absa himself) living outside Paris with his French wife and their children. We watch his marriage fall apart under crosscultural pressures, specifically his father's demand that he take a second wife in Senegal. Homeless in winter, separated from his children, his poems scattered over a Paris street, Mory returns to Senegal, penniless and with uncertain prospects. At the same time, black-and-white sequences reveal the psychological origins of Mory's present malaise: his belated discovery that he is the stepson of his abusive father, his early love for Kumba, his father's destruction of that love out of caste bigotry and sexual envy; Kumba's subsequent marriage to a rich man and death in childbirth, and Mory's disillusioned departure for France. Interspersed throughout the film, the director's poetry frames the cinematic present within a language of memory and loss - Mory's and Africa's. As in other films in this collection (Faat Kine, Fathers) patriarchy, here seen in the mythic conflict between son and father, takes on historical and political resonance, specifically the theft of Africa's future - first by slavery and colonialism and now by a corrupt post-colonial elite. Mory has lost Kumba, the hope for a post-independence Africa free of traditional authoritarianism, yet he cannot retreat into an alien European modernity as the conspicuousness of his African dress in France symbolizes. In the end, Mory also loses contemporary Africa when his intended second wife, Yacine, frustrated by his indecision and poverty, marries a rich German, in a clear reference to Africa's growing indebtedness to the West. ","stream","[]","['Senegal', 'France']","['Fathers and sons', 'Adult child abuse victims', 'Interethnic marriage', 'Poets', 'Senegalese']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143450/1009143450-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644017"
"asp3644015-marc","","Afro@digital","","53 minutes","[]","Afro@Digital begins with a provocative question: 'Why speak of new technologies on a continent which wakes up and goes to sleep to the terrorism of poverty?' In other words, how can Africa escape the logic of poverty and unequal development by making sure that digital technology doesn't pass it by, become an agent of neo-colonialism or marginalize it still further? As Nigerian filmmaker Ola Balogun warns: ""We must ask what is the purpose of this technology and what type of technology is most appropriate to us? ... Technology is not a value in itself.” The documentary asserts that computing technology may in fact be indigenous to Africa. The new field of ethno-mathematics has discovered the oldest calculating tool in the world in the Great Lakes region of Central Africa. Named the 'Ishango bone' after its place of origin, it uses a base twelve system devised 15,000 years before the construction of the pyramids. Despite the relative scarcity of computers on the continent, the largest source of coltan, a product used in most microprocessors, is the Congo.John Akomfrah, an English-based film and video maker, encourages viewers to look at digital technology not just as a tool but as a mindset. He introduces the Greek concept of entelechy, to explain how a given technology can be developed according to differing socially embedded objectives. He sees an implicit symmetry between the internet and human intelligence itself since both are non-linear, random and subject to endless erasure. Afro@Digital then looks at the impact of various digital technologies across a broad swath of present-day African life. The first cell phones were introduced in the Congo in 1986; today they have flooded the continent circumventing the often unreliable and expensive land-based telephone networks. Can they allow Africa to leapfrog into the digital age avoiding the long, incremental path of telephonic development of the West? Combining traditional and modern, a marabout in Burkina Faso and a Yoruba babalao say that cell phones allow them to keep in close touch with their devotees around the world. Oumou Sy, a Senegalese fashion designer, travels around rural areas with a 'cyberbus,' a video projection system to advertise her collection. She has created jobs for 200 workers and has incorporated computer components into a traditional African aesthetic. At the same time a musician uses digital technologies to remix Aka pygmy music to make the instrumental track more prominent. Computers are particularly good at generating loops of reiterated rhythmic patterns characteristic of both traditional and contemporary African music. Mactar Syllar, director of radio and television in Senegal, points out that transportation between African countries is difficult; teleconferences and the internet can make Pan-African communications much simpler for businesses, governments and individuals . We witness a teleconference between students in Benin, Côte d'Ivoire, Congo and Senegal. The internet may also have a use in tying together students in 'distance learning' courses. But, like Americans, Africans express mixed emotions about privacy and pornography on the internet. Afro@Digital asks how digital technology can best serve the interests of Africa? For example, it could be used simply to let the ruling elites and global corporations further monopolize the flow of information within society. Or it could take advantage of the internet's multi-directionality to become an instrument for increased governmental transparency and citizen participation, including the participation of African professionals who live abroad and who want to assist their native countries. Young filmmakers point out that the comparative cheapness of high quality digital equipment now allows them to create, preserve and share their own memory of themselves and aspirations for the future. Although the internet and digital television will inevitably open Africa to further globalization, this documentary shows Africans responding positively by developing their own vigorous presence in a new international, digital cultural ecology.","stream","[]","['Africa']","['Internet', 'Information technology', 'Information society', 'Telecommunication']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143449/1009143449-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644015"
"asp3644013-marc","","Africa dreaming. The gaze of the stars","","27 minutes","['Africa dreaming']","At the center of this story is a woman felt only by her absence - in other words, a dream of a woman, perhaps symbolic of the lost dream for a post-independence Mozambique. Salomão owns a bar in Maputo, still down at the heels after the civil war, where the local machos drink and talk of soccer and women. He rather gruffly takes care of his adopted nephew Betinho, a war orphan. Some years before, a young woman, Julia, left him because he refused to let her work or study outside the house. Instead, she married Saide, the man next door. Nothing has been heard of her for months, but the sound of constant wife-beating comes from inside Saide's house. When Salomão finally decides to put a stop to the beatings, he discovers that Julia left Saide long ago because he blamed her for his own sterility. The mock beatings were Saide's pathetic way of convincing the world he still had a wife. In this wry but pessimistic film, the men sense their machismo has driven away what they most desire but lack the strength to change. Salomão explains to Betinho that they are like the stars, cursed to look for their lost dream forever.","stream","[]","['Mozambique']","['Machismo']","['Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143448/1009143448-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644013"
"asp3644011-marc","","Africa dreaming. So be it","","32 minutes","['Africa dreaming']","Based on a play by Wolé Soyinka, The Strong Breed, So Be It offers an emotionally searing allegory of present-day Africa's bloody internecine convulsions. Michael, an idealistic foreign doctor (Martinican star Alex Descas), has had little success bringing the promises of modernity to a dusty village of the damned in the Sahel. His lover, Sunma, a teacher and native of the place, has no illusions about the village, believing it to be ""a world which will cannibalize its children"" (according to a Wolof incantation) in a futile effort to compensate for human powerlessness. She simply wants to live and love - and leave before the killing starts. But Michael is transfixed; he stays and tries, ineffectively, to prevent the villagers from sacrificing a mentally disturbed mute boy he has befriended. Perhaps Michael sees in himself, even in his hope for scientific progress, a reflection of the villagers' own horror at human fate. Director Gai Ramaka has described the origins of this African Heart of Darkness: ""I had to make this film to exorcize the terror of this continent, trapped inside me and driving me, so that on that day I will not be able to say, 'I did not know.'""","stream","[]","['Senegal']","['Medical drama']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143447/1009143447-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644011"
"asp3644009-marc","","Africa dreaming. Sabriya","","25 minutes","['Africa dreaming']","This film explores the impact of the modern world on the traditional male society of the Maghreb. It is a film about men who prefer to live life as an abstract game and the free-spirited woman who changes everything. Said and Youssef have fulfilled a life-long dream by opening a ""chess bar"" in the middle of the desert. They sit around drinking palm wine, playing board games and composing love poetry to imaginary women. All this changes with the arrival of Sarah, a sexually liberated, uninhibited métisse who easily lures Youssef into an affair. Soon he is dreaming not about chess but about opening a coffee bar in Genoa. The friendship is destroyed, the bar sold. Youssef, dressed in Western clothes, waits to leave with Sarah; will she show up? Said boards a train and sits down next to a Westernized woman bearing a resemblance to Sarah.","stream","[]","['Tunisia']","['Man-woman relationships']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143446/1009143446-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644009"
"asp3644005-marc","","A. Philip Randolph. For jobs & freedom","","87 minutes","[]","Ask most people who led the 1963 March on Washington and they'll probably tell you Martin Luther King, Jr. But the real force behind the event was the man many call the pre-eminent black labor leader of the century and the father of the modern civil rights movement: A. Philip Randolph. Randolph believed that economic rights was the key to advancing civil rights. A. Philip Randolph: For Jobs and Freedom takes viewers on a tour of 20th-century civil rights and labor history as it chronicles Randolph's legendary efforts to build a more equitable society. Randolph was born in 1889 in the deeply segregated South. When he was reduced to performing menial labor despite an outstanding academic record, he headed north - to Harlem. The film traces Randolph's early years amid the fervor of the Harlem Renaissance where he encountered the socialism of Eugene Debs, became a renowned soapbox orator and, with Chandler Owen, founded the radical magazine The Messenger. In response to the race riots of 1919, Randolph and Owen formed the National Association for the Promotion of Labor Unionism Among Negroes. Soon a group of Pullman car workers asked Randolph to help them organize the Brotherhood of Sleeping Car Porters. The film revisits the group's bitter 12-year battle with the notorious Pullman Company, which tried repeatedly to destroy the union using spies and firings. The 1934 Wagner Act finally created a level-playing field, enabling the Brotherhood to win an organized contract in 1937, the first ever between a company and a Black union. The anti-Communist Brotherhood did not join the more radical CIO but the craft unions of the AFL. Randolph became the sole Black representative on the AFL's executive council, where he was often a lonely voice for civil rights. When WWII began, the federal government was still segregated and African Americans excluded from all but menial defense industry jobs. Randolph leapt onto the national stage when he called for a march on Washington in protest. According to CORE founder James Farmer, ""Roosevelt could not take the chance that 25,000 people would be protesting in Washington when he was calling the U.S. the arsenal of democracy."" Roosevelt signed Executive Order 8002 banning such discrimination and the march was called off. Later, as the Cold War heated up, President Truman announced the first peace-time draft. But he left the armed forces segregated. Randolph called on Black men to resist the draft until Truman relented, presaging the protests against the Vietnam War. Truman was furious, but in 1948 he issued an executive order integrating the military. In 1963, Randolph called again for a march on Washington. He was the only civil rights leader who could unite other leaders in the movement. 250,000 came in response. When he introduced Dr. King, ""symbolically, the torch was passed from one generation of fighters to another.""","stream","['Randolph, A. Philip', 'March on Washington for Jobs and Freedom', 'Washington, D.C.)', 'Brotherhood of Sleeping Car Porters']","['United States']","['Labor unions, Black', 'African American civil rights workers', 'African Americans']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143444/1009143444-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644005"
"asp3644007-marc","","Africa dreaming. Sophia's homecoming","","27 minutes","['Africa dreaming']","Sophia's Homecoming reminds us that the devastating personal effects of the massive social dislocations caused by apartheid can never be erased. Sophia, like so many other women, becomes a self-reliant provider for her family, working as a domestic for a white family in Windhoek for 12 years. When her husband Naftali finally finds a job, she returns home with the dream of resuming her former family life. She quickly discovers that during her absence her sister Selna has replaced her in the affections of her children - and her husband. Naftali reluctantly admits that he prefers Selna; he is ashamed of Sophia because she has had to support the family. Sophia pressures Selna to leave but her sister confesses she is pregnant with Naftali's child. Sophia realizes that she alone has developed the strength to make a new life for herself and returns with her three children to Windhoek, an ironic homecoming.","stream","[]","['Namibia']","['Women']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009143xxx/1009143445/1009143445-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644007"
"asp3644001-marc","","Voces de Latinoamerica","","66 minutes","[]","Sintiendo que llegó el momento de unir sus tres pasiones, Ignacio Robayna, un amante de la naturaleza, los viajes y el séptimo arte, se lanza a la aventura de recorrer Latinoamerica, su objetivo: registrar los retos que atraviesa la Madre Tierra en Latinoamerica hoy. Sepultamiento de culturas ancestrales, deforestación global y semillas transgénicas son, entre otros, algunos de los conflictos de este gran viaje.","stream","[]","['Latin America']","['Conservation of natural resources', 'Deforestation', 'Transgenic organisms']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009141xxx/1009141274/1009141274-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644001"
"asp3611340-marc","","RAI Film Festival 2017. At low tide","","64 minutes","['RAI Film Festival 2017']","Every day, carrying the simplest of tools, diggers across coastal Maine set out at low tide to dig for clams on the wide mud flats that stretch far into the bay. It is backbreaking work. But it has an unusual beauty that emanates from the ebb and flow of the tide, the shifts of light and wind, the skill and rhythm of digging, and the sound and texture of deep, viscous mud.  At Low Tide explores the choreography of digging through a portrait of a man who lives and works according to the tide. In its focus on pattern, movement and repetition, the film evokes the sensory richness and poetic dimensions of clam digging, offering a new perspective on contemporary American culture.","stream","[]","['Maine']","['Clamming']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009086xxx/1009086257/1009086257-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3611340"
"asp3611338-marc","","A chair. In six parts","","43 minutes","[]","A poem about a chair. In 1960, Bill Coperthwaite bought 300 acres of wilderness in Machiasport, Maine. Influenced by the poetry of Emily Dickinson and by the back to the land movement of Scott and Helen Nearing, Bill Coperthwaite dedicated himself to what he called “a handmade life.”  Until his death in 2013, Bill Coperthwaite lived and worked in the forest.  He was a builder of yurts, and a maker of spoons, bowls and chairs.  A Chair: in six parts, a meditation on time and process, explores the rhythm, movement and poetry of dwelling in the world.","stream","['Coperthwaite, William S']","['Maine']","['Frontier and pioneer life', 'Woodwork', 'Self-reliant living']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009086xxx/1009086256/1009086256-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3611338"
"asp3611336-marc","","RAI Film Festival 2017. Travel (one-screen version)","","64 minutes","['RAI Film Festival 2017']","Joy left Nigeria to help her family after her father’s death. She knew that she was going to sell sex in France, but she was unaware of the degree of exploitation that she would face. With the help of an association she obtains asylum, but to help her family and live her life, she continues selling sex. This documentary ethnofiction was co-written by Nicola Mai and 8 Nigerian women with experiences of migration, sex work and trafficking. Joy is one of several fictional characters embodying their individual and collective experiences. In order to protect their identities these roles are played by non-professional actresses including some of the film's co-authors. ","stream","[]","['France']","['Prostitutes', 'Women immigrants', 'Human trafficking', 'Nigerians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009086xxx/1009086255/1009086255-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3611336"
"asp3611334-marc","","RAI Film Festival 2017. Extended family","","31 minutes","['RAI Film Festival 2017']","This films offers an intimate insight into the lives of two same-sex families who found a way to create themselves within a legal grey area in Switzerland. Swiss law bans adoption and access to assisted reproductive medicine by same-sex couples. The families portrayed in this film therefore do not officially exist. Nevertheless, it has been estimated that there are between 6,000 and 30,000 children living in such 'non-existent' rainbow families across the country.","stream","[]","['Switzerland']","['Same-sex parents', 'Gay couples', 'Parenting', 'Families']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009086xxx/1009086254/1009086254-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3611334"
"asp3611332-marc","","Body games","","88 minutes","[]","The film follows master Cobra Mansa and his friends in the search for the African roots of the Brazilian martial art Capoeira. A powerful myth links Capoeira to a legendary Angolan game called Engolo – the Zebra dance. The film documents, for the first time, Engolo as well as other combat games, dances and music from the Nyaneka-Humbi people in Southern Angola. The exchange between Capoeira and Engolo in Angolan villages and the insights from the streets of Rio and Bahia illuminate the affinities and differences between combat games and musical bows played on both sides of the Atlantic.","stream","[]","['Brazil']","['Capoeira (Dance)', 'Martial arts']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009086xxx/1009086253/1009086253-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3611332"
"asp3611330-marc","","The storyteller","","50 minutes","[]","Unaware of the written word until the 1950s, the Waura tribe who live in the headwaters of the Xingu river in Brazil still practise the art of storytelling. Tribal storyteller Aruta recounts one of their traditional tales which the tribe re-enact. As powerful and fresh as the opening chapters of Genesis, it gives a unique insight into Waura cosmological thinking.","stream","[]","['Brazil']","['Storytelling', 'Waura Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009086xxx/1009086252/1009086252-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3611330"
"asp3611328-marc","","Following Kina","","63 minutes","[]","Two young women in Peru train to become world champions in boxing.","stream","[]","['Peru']","['Women boxers', 'Boxing']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1009086xxx/1009086248/1009086248-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3611328"
"asp3604862-marc","","Kátia","","74 minutes","[]","This film is the result of a 20-day-living period with the first transvestite elected as a politician in Brazil.","stream","[]","['Brazil']","['Politicians', 'Human rights', 'Gender nonconformity']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009082xxx/1009082073/1009082073-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604862"
"asp3604858-marc","","Xavante strategy","","87 minutes","[]","A documentary on the strategy developed by the Xavante people in an attempt to preserve their territory and maintain their tradition with autonomy. The film is built around personal stories of the tribe's youngest people who traveled to the big cities in order to study the white people's social customs with the goal of becoming interlocutors of their people.","stream","[]","['Brazil']","['Xavante Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009082xxx/1009082071/1009082071-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604858"
"asp3604848-marc","","Watchers of the sky","","121 minutes","[]","With his provocative question, ""why is the killing of a million a lesser crime than the killing of an individual?"" Raphael Lemkin changed the course of history.  An extraordinary testament to one man's perseverance, the Sundance award-winning film Watchers of the Sky examines the life and legacy of the Polish-Jewish lawyer and linguist who coined the term genocide.  Before Lemkin, the notion of accountability for war crimes was virtually non-existent.  After experiencing the barbarity of the Holocaust firsthand, he devoted his life to convincing the international community that there must be legal retribution for mass atrocities targeted at minorities. An impassioned visionary, Lemkin confronted world apathy in a tireless battle for justice, setting the stage for the creation of the International Criminal Court. Inspired by Samantha Power's Pulitzer Prize-winning book A Problem From Hell, this multi-faceted documentary interweaves Raphael Lemkin's struggle with the courageous efforts of four individuals keeping his legacy alive: Luis Moreno Ocampo, Chief Prosecutor of the ICC; Samantha Power, U.S. Ambassador to the United Nations; Ben Ferencz, a former Nuremberg prosecutor still tenaciously lobbying the UN for peace, and Rwandan Emmanuel Uwurukundo, UN Refugee Agency Field Director in Chad.  Alternating live interviews with rare archival footage and striking animation, Watchers of the Sky illuminates the compassion and bravery of these humanitarians and powerfully demonstrates the ability of global activism to give a voice to the silent victims of genocide.","stream","['Lemkin, Raphael']","['United States']","['Lawyers', 'Genocide']","['Feature films', 'Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065220/1009065220-disc001-file001-frame01600-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604848"
"asp3604846-marc","","Das letzte Schweigen","","119 minutes","[]","The Silence begins on a hot summer day, when a girl named Pia is brutally murdered in a field of wheat by Peer (Ulrich Thomsen), as his helpless friend Timo (Wotan Wilke Moehring) watches. Exactly 23 years later, another 13-year-old, Sinikka, is missing, her bicycle abandoned in the same spot, leading police to suspect the same killer may be at work again.  Recently widowed detective David and his colleague Janna struggle to solve the mystery of these parallel crimes with the help of Krischan, the retired investigator of the unresolved case. While Sinikka's distraught parents are trapped in an agonizing period of waiting and uncertainty, their daughter's fate rips open unhealed wounds in the heart of Pia's mother and sends Timo in search of Peer and their own old desires. In his strikingly commanding debut feature, Swiss-born Baran bo Odar adapts Jan Costin Wagner's novel with his own unmistakable signature. Gripping performances by top European actors - headed by Ulrich Thomsen (In a Better World, The Celebration), Sebastian Blomberg (The Baader Meinhof Complex), Katrin Sass (Good Bye, Lenin!) and Burghart Klaussner (The White Ribbon) - enrich this intense drama far beyond the crime genre.","stream","['Wagner, Jan Costin']","[]","['Missing persons', 'Murder', 'Criminal investigation']","['Feature films', 'Thrillers (Motion pictures)', 'Crime films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065219/1009065219-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604846"
"asp3604842-marc","","Keep the lights on","","102 minutes","[]","Keep the Lights On chronicles an emotionally and sexually charged journey of two men in New York City through love, friendship, and addiction. Documentary filmmaker Erik (Thure Lindhardt) and closeted lawyer Paul (Zachary Booth, Damages) meet through a casual encounter, but soon find a deeper connection and become a couple. Individually and together, they are risk takers -- compulsive, and fueled by drugs and sex. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity while being true to himself. Director Ira Sachs's fearlessly personal screenplay is anchored by Lindhardt, who embodies Erik's isolation and vulnerability with a gentle presence. Harrowing and romantic, visceral and layered, Keep the Lights On is a film that looks at love and all of its manifestations, taking it to dark depths and bringing it back to a place of grace.","stream","[]","['New York (State)']","['Gay men', 'Addicts']","['Feature films', 'Romance films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065213/1009065213-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604842"
"asp3604840-marc","","Arme riddere","","86 minutes","[]","Based on a story by Norway's leading crime novelist Jo Nesbø, Jackpot is a Coen Brothers-inspired take on homicidal greed and betrayal, Scandinavian-style. When Christmas tree factory supervisor Oscar Svendsen wakes up terrified and bloody in a strip joint, with a shotgun in his hand and eight corpses surrounding him, he's clearly going to have a lot of explaining to do. Under the intense interrogation of hard-boiled detective Solør, Oscar begins piecing together the unbelievable story of how he won the top prize in a soccer pool with his 3 dangerous ex-con colleagues. With a pile of cash at stake, the trio enters into a vicious battle over how to divide the money, dragging unwitting Oscar along for the violent ride. This rollicking gory romp racks up an impressive body count -- and will keep you guessing until the very end.","stream","['Nesbø, Jo']","['Norway']","['Gambling', 'Criminals']","['Feature films', 'Crime films', 'Action and adventure films', 'Comedy films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065212/1009065212-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604840"
"asp3604838-marc","","Stealing roses","","103 minutes","[]","Terrified at the prospect of losing his seriously ill wife, a man plans a bank robbery to pay for her medical treatments with help from his eccentric friends - while his son, a cop, tries to stop him.","stream","[]","[]","['Robbery', 'Married people']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009031xxx/1009031233/1009031233-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604838"
"asp3604808-marc","","The deep blue sea","","99 minutes","[]","In The Deep Blue Sea, Master chronicler of post-War England, Terence Davies directs Rachel Weisz as a woman whose overpowering love threatens her well-being and alienates the men in her life. In a deeply vulnerable performance, Rachel Weisz plays Hester Collyer, the wife of an upper-class judge (Simon Russell Beale) and a free spirit trapped in a passionless marriage. Her encounter with Freddie Page (Tom Hiddleston), a troubled former Royal Air Force pilot, throws her life in turmoil, as their erotic relationship leaves her emotionally stranded and physically isolated. The film is an adaptation of British playwright Terence Rattigan's 1952 play, featuring one of the greatest roles for an actress in modern theatre.","stream","['Rattigan, Terence']","[]","['Adultery', 'Married people', 'Man-woman relationships']","['Feature films', 'Romance films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065218/1009065218-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604808"
"asp3604806-marc","","Un baiser s'il vous plaît","","101 minutes","[]","Equally seduced by one another, but both otherwise committed, Emilie and Gabriel know they will probably never see each other again. He would like to kiss her.","stream","[]","[]","['Desire', 'Man-woman relationships']","['Feature films', 'Romance films', 'Comedy films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065216/1009065216-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604806"
"asp3604804-marc","","Séraphine","","126 minutes","[]","Séraphine is the true story of Seraphine Louis aka Séraphine de Senlis (Yolande Moreau), a simple and profoundly devout housekeeper who in 1905 at age 41 -- self-taught and with the instigation of her guardian angel -- began painting brilliantly colorful canvases. In 1912 Wilhelm Uhde (Ulrich Tukur), a German art critic and collector, discovered her paintings while she worked for him as a maid in his lodgings in Senlis outside Paris. Director Martin Provost builds his story around the relationship between the avant-garde art dealer and the visionary cleaning lady, forging a testament to the mysteries of creativity and the resilience of one woman's spirit.","stream","['Louis, Séraphine']","[]","['Painters', 'Art critics']","['Feature films', 'Biographical films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065215/1009065215-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604804"
"asp3604802-marc","","OSS 117. Le Caire, nid d'espions","","99 minutes","[]","A box-office sensation in France, comic star Jean Dujardin stars as secret agent Hubert Bonisseur de la Bath, a.k.a. OSS 117 who in the tradition of Maxwell Smart and Inspector Clouseau somehow succeeds in spite of his ineptitude. After a fellow agent and close friend is murdered, Hubert is ordered to take his place at the head of a poultry firm in Cairo. This is to be his cover while he investigates Jack's death, monitors the Suez Canal, checks up on the Brits and Soviets, burnishes France's reputation, quells a fundamentalist rebellion and brokers peace in the Middle East. A blithe and witty send-up not only of spy films of that era and the suave secret agent figure but also neo-colonialism, ethnocentrism and the very idea of Western covert action in the Middle East.","stream","['Bruce, Jean']","[]","['Spies', 'Espionage, French']","['Feature films', 'Spy films', 'Action and adventure films', 'Comedy films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065214/1009065214-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604802"
"asp3604800-marc","","Informant","","81 minutes","[]","Informant is a fascinating portrait of Brandon Darby, a radical left-wing activist turned FBI informant.  In 2005, Darby became an overnight hero when he traveled to Katrina-devastated New Orleans and braved toxic floodwaters to rescue a stranded friend.  Soon after, he co-founded Common Ground, a successful grassroots relief organization.  But over the next few years, he began hiding a shocking secret.  After two young protestors were arrested at the 2008 Republican National Convention, Darby revealed he had been instrumental in their indictment as an FBI informant.  Today, having renounced his left-wing past, he is a tea-party darling who writes regularly for the right-leaning website Breitbart.com. The only film with access to Darby since his public confession, Informant meticulously constructs a picture of his life - before and after the many death threats he has received - through interviews and tense reenactments starring Darby himself.  Darby's version of events is accompanied - and often contradicted - by acquaintances and expert commentators, posing complicated questions about trust and the nature of reality.  As David Hanners of St. Paul Pioneer Press suggests, ""When you interview people about Brandon Darby, you realize that everyone has a different idea of who he is."" In addition to trying to unlock the mystery of Brandon Darby, Informant offers a powerful insider look at the hidden use of informants in contemporary America - an especially timely issue in light of the recent leaks about government surveillance.","stream","['Darby, Brandon']","['United States']","['Informers', 'Domestic terrorism', 'Social reformers']","['Feature films', 'Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065211/1009065211-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604800"
"asp3604798-marc","","How to eat your watermelon in white company (and enjoy it)","","85 minutes","[]","Multi-talented and prolific, Melvin van Peebles defies categorization, boasting a life and career as diverse and unexpected as the art he's best known for creating. A trailblazer of the tallest order who has at turns made his living as a filmmaker, a pilot, a novelist and a stockbroker, van Peebles was never deterred by opportunity that failed to knock; he'd simply build his own door and get on with it. After Hollywood rejected his early filmmaking efforts, his self-produced 1971 feature film, Sweet Sweetback's Baadasssss Song, earned more than $10 million at the box office and indelibly changed independent cinema forever. A pioneer of rap music, a Tony-nominated playwright and a civil rights activist then and now, van Peebles' remarkable life story is playfully and candidly chronicled, illuminating an artist and a man whose groundbreaking impact on art, politics and pop culture remains, forty-five years after the release of Sweet Sweetback, as relevant as ever.","stream","['Van Peebles, Melvin']","['United States']","['Motion picture producers and directors']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065210/1009065210-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604798"
"asp3604796-marc","","Why we fight. War comes to America. 7","","65 minutes","['Why we fight']","War Comes to America (1945) is the climax of the series and depicts the United States' entry into the war.","stream","[]","['United States']","['World War, 1939-1945']","['Propaganda films', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009064xxx/1009064752/1009064752-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604796"
"asp3604794-marc","","Why we fight. The battle of China. 6","","62 minutes","['Why we fight']","The Battle of China (1944) shines the spotlight on Japan's genocide in Manchuria.","stream","[]","['China']","['Nanking Massacre, Nanjing, Jiangsu Sheng, China, 1937', 'World War, 1939-1945']","['Propaganda films', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009064xxx/1009064751/1009064751-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604794"
"asp3604792-marc","","Why we fight. The battle of Russia. 5","","80 minutes","['Why we fight']","The Battle of Russia (1943) covers Hitler's 1941 attack on the U.S.S.R.","stream","[]","['Russia (Federation)']","['World War, 1939-1945', 'Stalingrad, Battle of, Volgograd, Russia, 1942-1943']","['Propaganda films', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009064xxx/1009064750/1009064750-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604792"
"asp3604790-marc","","Why we fight. The battle of Britain. 4","","52 minutes","['Why we fight']","The Battle of Britain (1943) explores the lethal contest for the skies above England.","stream","[]","['Great Britain']","['World War, 1939-1945', 'Britain, Battle of, Great Britain, 1940']","['Propaganda films', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009064xxx/1009064749/1009064749-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604790"
"asp3604786-marc","","Why we fight. The Nazis strike. 2","","42 minutes","['Why we fight']","The Nazis Strike (1943) covers appeasement, the Munich Crisis and the years leading up to the German invasion of Poland.","stream","[]","['Germany', 'Europe']","['World War, 1939-1945', 'Nazis']","['Propaganda films', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009064xxx/1009064747/1009064747-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604786"
"asp3604682-marc","","Viva Riva!","","99 minutes","[]","Riva is a small time operator who has just returned to his hometown of Kinshasa, Congo after a decade away with a major score: a fortune in hijacked gasoline. Wads of cash in hand and out for a good time, Riva is soon entranced by beautiful night club denizen Nora, the kept woman of a local gangster. Into the mix comes an Angolan crime lord relentlessly seeking the return of his stolen shipment of gasoline. Director Djo Tunda Wa Munga's Kinshasa is a seductively vibrant, lawless, fuel-starved sprawl of shantytowns, gated villas, bordellos and nightclubs and Riva is its perfect embodiment.","stream","[]","[]","['Thieves', 'Man-woman relationships', 'Organized crime']","['Feature films', 'Thrillers (Motion pictures)', 'Crime films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057614/1009057614-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604682"
"asp3604680-marc","","La siciliana ribelle","","113 minutes","[]","In line with acclaimed mob dramas from Italy such as Gomorrah and the Oscar® Nominated Il Divo, The Sicilian Girl recounts the true crime story of mafia daughter Rita Atria, who took her life into her hands to break the code of silence and testify against ""The Family"" in 1991.","stream","[]","['Italy']","['Mafia', 'Teenage girls', 'Mafiosi', 'Families']","['Feature films', 'Crime films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057611/1009057611-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604680"
"asp3604678-marc","","Le nom des gens","","104 minutes","[]","Baya Benmahmoud, a young, extroverted liberal, lives by the old hippie slogan: ""Make love, not war"" to convert right-wing men to her left-wing political causes by sleeping with them. She seduces many and so far has received exceptional results - until she meets Arthur Martin, a Jewish middle aged, middle-of-the road scientist. Bound by common tragic family histories (the Algerian War and Holocaust under Vichy), the duo improbably falls in love. Amid the bubbly amour, humorous lasciviousness and moments of sheer madness, filmmaker Michel Leclerc injects satirical riffs on such hot-button sociopolitical issues as Arab-Jewish relations, anti-Semitism, immigration, and racial and cultural identity.","stream","[]","[]","['Young women', 'Political participation', 'Man-woman relationships']","['Feature films', 'Comedy films', 'Romance films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057610/1009057610-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3604678"
"asp3595861-marc","","Voices of the land. Nga reo o te whenua","","101 minutes","[]","Paul Wolffram's film melds sounds from noted musicians Richard Nunns and Horomona Horo, recorded in spectacular locations around New Zealand, to demonstrate that the sounds of the natural world are a form of music too. Nunns is a renowned expert in taonga pūoro - traditional Māori instruments like wood and bone flutes. Debuting at the 2014 Wellington Film Festival, Voices of the Land pays tribute to Nunn's role in their revival, while Wolffram's powerhouse creative team use image and sound to show ways ""landscape and the voices of the land can be heard"".","stream","[]","['New Zealand']","['Musical instruments', 'Maori (New Zealand people)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065275/1009065275-disc001-file001-frame00145-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3595861"
"asp3595857-marc","","A gay childhood","","48 minutes","[]","California is one of the most liberal American states on laws concerning homosexuals. A good number of homosexual parents are bringing up one or several children. Will they be the pioneers of tomorrow's family?","stream","[]","['California']","['Children of gay parents', 'Gay parents']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065249/1009065249-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3595857"
"asp3595855-marc","","Children of gay parents","","48 minutes","[]","This takes place in San Francisco, where 25% of the population is homosexual, which represents the most important gay community in the world. In this city, homosexual parenthood is no longer on a trial period. Here, children of gay and lesbian parents are no longer exceptional or isolated cases: from this point of view, this part of California has years of advance on Europe. It begins with lesbian mothers. They are the real pioneers of homosexual parenthood and represent the great majority of homosexual parents. Who are their children and how did they grow up? What has become of them at the age when they can become parents themselves? Can we really be satisfied with those who say that children of homosexual couples are simply like any other children? Is it so dangerous to tackle the issue of difference? The bias of this film is to give the floor to these young adults raised by homosexuals. So there is an entire generation of daughters and sons of lesbians who tell their stories openly, frankly and often with a lot of humor. Without faking, they answer to crucial questions. Do you really feel like any other child or teenager when you've grown up in the middle of the gay community? What's your conception of men when you grow up in the 70s/80s in an environment of lesbian hippies and feminists? Not to mention expertise and prejudice, children of homosexual parents bear, like others but maybe more than other children, the mark of a particular destiny.","stream","[]","['California']","['Children of gay parents', 'Gay parents']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065248/1009065248-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3595855"
"asp3595851-marc","","Central Africa. At the heart of chaos","","53 minutes","[]","English Synopsis: In a country in civil war, we are at the heart of power in a failed state, we're going to fight alongside regular forces, we travel in the bush with the rebels ... On escalation of violence between religious communities background we live with the French Army circumstances of high-risk.  French Synopsis: Dans un pays en guerre civile, nous sommes au cœur du pouvoir, dans un État en déliquescence, nous allons au combat aux côtés des forces régulières, nous voyageons en brousse aux côtés des rebelles. Sur fond d’escalade de la violence entre communautés religieuses, nous vivons avec l’Armée Française une situation à haut-risque.","stream","[]","['Central African Republic']","['Insurgency', 'Civil war']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009065xxx/1009065246/1009065246-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3595851"
"asp3595569-marc","","Serving LGBTQI+ youth in a school context","","79 minutes","[]","Counseling LGBTQI+ students gets to the heart of what school counseling is: serving the needs of marginalized youth and making more possible opportunities for a future life that youth might not dare to dream. In this video, viewers will a) increase self-awareness and reflective practice with respect to working with LGBTQI+ youth, b) expand knowledge about LGBTQI+ youth, their families, friends, and allies, as well as their schools and communities, and c) develop specific skills, strategies, and frameworks to support working with LGBTQI+ youth in schools.","stream","[]","[]","['Educational counseling', 'Sexual minority youth']","['Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009064xxx/1009064695/1009064695-disc001-file001-frame00155-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3595569"
"asp3593115-marc","","Lads and jockeys","","99 minutes","[]","In a small village near Paris, 14-year-old boys and girls enter the training center for future lads and jockeys. For these young pupils, the transition between the family environment and this new world is brutal. Though sharing the world of teenagers -- flirting, cell phones and PlayStation -- they enter a world where the comfort of the horses comes before that of the human.","stream","[]","['France']","['Teenage boys', 'Jockeys']","['Feature films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057601/1009057601-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3593115"
"asp3593111-marc","","Hermano","","98 minutes","[]","Raised as brothers, intense teammates and competitors on the soccer field - the gregarious, swaggering Julio (Eliu Armas) and the wiry, focused Daniel/“Gato” (Fernando Moreno) have remained virtually inseparable ever since the newborn Daniel was found abandoned in a trash heap in their La Ceniza slum. The opportunity of their lives arrives when a football scout invites them to try out for the city's top professional team, just as a tragic act of violence threatens to tear them apart and prevent them from achieving their dreams.","stream","[]","['Venezuela']","['Soccer players', 'Brothers', 'Best friends']","['Feature films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057599/1009057599-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3593111"
"asp3593109-marc","","Happy Valley","","98 minutes","[]","Amir Bar-Lev’s documentary Happy Valley takes an unflinching look at an iconic American institution in the wake of unthinkable scandal. Nestled in the idyllic area known as Happy Valley lies the town of State College and the home of Penn State University. For over 40 years, Joe Paterno was the celebrated head coach of the school's storied football team. Lauded not only for his program's success on the field, but also for students’ achievements in the classroom, Paterno was a revered figure in a town where team loyalty approached nationalistic fervor. Then in November 2011 everything changed when longtime assistant coach Jerry Sandusky was charged with 40 counts of child sex abuse, setting off a firestorm of accusations about who failed to protect the children of Happy Valley. Filmed over the course of the year after Sandusky’s arrest as key players agreed to share their stories, Happy Valley deconstructs the story we think we know to uncover a much more complicated and tragic tale. Director Bar-Lev creates an indelible portrait of a wounded community and an engrossing investigation into the role big time college football played in both the crimes and their aftermath.","stream","['Pennsylvania State University', 'Sandusky, Jerry', 'Paterno, Joe']","['Pennsylvania']","['Child molesters', 'Scandals', 'Child sexual abuse', 'Football coaches']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057598/1009057598-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3593109"
"asp3593113-marc","","Ida","","83 minutes","[]","From acclaimed director Pawel Pawlikowski (Last Resort, My Summer of Love) comes Ida, a moving and intimate drama about a young novitiate nun in 1960s Poland who, on the verge of taking her vows, makes a shocking discovery about her past.18-year old Anna (stunning newcomer Agata Trzebuchowska), a sheltered orphan raised in a convent, is preparing to become a nun when the Mother Superior insists she first visit her sole living relative. Naïve, innocent Anna soon finds herself in the presence of her aunt Wanda (Agata Kulesza), a worldly and cynical Communist Party insider, who shocks her with the declaration that her real name is Ida and her Jewish parents were murdered during the Nazi occupation. This revelation triggers a heart-wrenching journey into the countryside, to the family house and into the secrets of the repressed past, evoking the haunting legacy of the Holocaust and the realities of postwar Communism. In this beautifully directed film, Pawlikowski returns to his native Poland for the first time in his career to confront some of the more contentious issues in the history of his birthplace. Powerfully written and eloquently shot, Ida a masterly evocation of a time, a dilemma, and a defining historical moment; Ida is also personal, intimate, and human. The weight of history is everywhere, but the scale falls within the scope of a young woman learning about the secrets of her own past. This intersection of the personal with momentous historic events makes for what is surely one of the most powerful and affecting films of the year.","stream","[]","['Poland']","['Nuns', 'Identity (Psychology)', 'Family secrets']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/content/1009057xxx/1009057600/1009057600-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3593113"
"asp3593107-marc","","Happy people. A year in the Taiga","","95 minutes","[]","With Happy People: A Year in the Taiga, Werner Herzog takes viewers on yet another unforgettable journey into remote and extreme natural landscapes. The acclaimed filmmaker presents this visually stunning documentary about the people living in the heart of the Siberian Taiga. Deep in the wilderness, far away from civilization, 300 people inhabit the small village of Bakhtia at the river Yenisei. There are only two ways to reach this outpost: by helicopter or boat. There‘s no telephone, running water, or medical aid. The locals, whose daily routines have barely changed over the last centuries, live according to their own values and cultural traditions. With insightful commentary written and narrated by Herzog, Happy People: A Year in the Taiga follows one of the Siberian trappers through all four seasons of the year to tell the story of a culture virtually untouched by modernity.","stream","[]","['Russia (Federation)', 'Siberia (Russia)', 'Krasnoi︠a︡rskiĭ kraĭ (Russia)']","['Indigenous peoples', 'Taigas']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057597/1009057597-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3593107"
"asp3593105-marc","","Fifi howls from happiness","","103 minutes","[]","Mitra Farahani’s lyrical documentary explores the enigma of provocative artist Bahman Mohassess, the so-called “Persian Picasso,” whose acclaimed paintings and sculptures dominated pre-revolutionary Iran. Irreverent and uncompromising, a gay man in a hostile world, Mohassess had a conflicted relationship with his homeland—revered by elites in the art scene and praised as a national icon, only to be censored later by an oppressive regime.  Known for his iconoclastic art as well as his scathing declarations, Mohasses abandoned the country over 30 years ago for a simple, secluded life in Italy.While the new Iranian government destroyed many of his works, Mohassess himself obliterated even more-- in rage at man’s inhumanity to man, environmental destruction, and the futility of idealism.  Ranging from tender to playful to haunting to grotesque, these unforgettable pieces were as mercurial as the man himself, a chain-smoking recluse with the mouth of a sailor and the soul of a poet, touched by a mischievous spark and as likely to lapse into a political rant as a burst of eccentric laughter.  Determined to interview Mohassess, fine artist/filmmaker Farahani discovers him living alone in a hotel room in Rome and begins to craft the perfect final biography, in his own words and on his terms.  Along the way, the inimitable spirit of the man behind the image is laid bare—both painfully sensitive and crudely comical, “condemned to paint,” but unable to compel himself to leave anything behind as a legacy.  When a pair of artist brothers and ardent fans of Mohassess commission him for an ambitious project, the elderly man is inspired with a renewed sense of purpose and returns to painting after decades of dormancy.  A lasting tribute to an elusive artistic genius, Fifi Howls from Happiness affirms the power of creative freedom, the right of the artist to create and to destroy, and above all, to have no regrets.","stream","['Mohassess, Bahman']","['Iran']","['Painters']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057596/1009057596-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3593105"
"asp3593103-marc","","Eddie. The sleepwalking cannibal","","83 minutes","[]","Thure Lindhardt (Keep the Lights On) stars in this quirky horror-comedy as Lars, a former darling of the art scene slipping away into the land of has-beens and struggling with lack of inspiration. When Lars’ art dealer Ronny arranges a teaching job in a small town as a ""therapeutic measure"" to stir up his creative juices, things don’t quite turn out as planned.  At first, life in the peaceful small town seems rosy, as he settles in and impresses beautiful fellow colleague Leslie by taking in the brawny, mute Eddie after the latter’s caregiver passes away. But Lars soon discovers that the façade of serenity hides something unimaginable: Eddie suffers from a rare form of sleepwalking that transforms him from a docile, cereal-obsessed art student into a ravenous sleepwalking cannibal. Initially horrified by Eddie’s dark secret, Lars becomes enthralled by the not-so-gentle giant: at long last, here’s the muse he’d been searching for! Exceptional art comes at a very high price ... and how far is Lars willing to go for his next masterpiece? Eddie: The Sleepwalking Cannibal is a fresh, clever satire about artistic inspiration that pushes boundaries with its unique blend of offbeat humor, twisted friendships, sweet-hearted romance, and the gory realities of sleepwalking cannibalism.","stream","[]","[]","['Male friendship', 'Sleepwalking', 'Art', 'Cannibalism']","['Feature films', 'Dark comedy films', 'Horror films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057595/1009057595-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3593103"
"asp3593101-marc","","Cloud 9","","100 minutes","[]","Cloud 9 is the groundbreaking and lyrical story of a 67-year old married woman who rediscovers passion and her sexuality when she falls in love with a 76-year old man. Cloud 9 won an Un Certain Regard Jury Prize at the 2008 Cannes Film Festival, and the Best Director and Best Actress prizes at the 2009 German Film Awards.","stream","[]","[]","['Adultery', 'Older people', 'Man-women relationships']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057594/1009057594-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3593101"
"asp3593099-marc","","Bettie Page reveals all","","102 minutes","[]","Academy Award-nominated filmmaker Mark Mori’s Bettie Page Reveals All is an intimate look at one of the world’s most recognized sex symbols, told in her own words for the first time.  In Mori’s alluring documentary, the real Bettie Page emerges from the veil of myth and rumor via audio interviews taped a decade prior to her death in 2008.  With earthy, razor sharp wit, Bettie tells her life story -- from humble beginnings as one of six children in an impoverished southern family, to high school salutatorian, to scandalous 50s pin-up model, to shocking retirement in 1957 at the peak of her modeling career. Sharing rare details about her short-lived first marriage and many torrid affairs, this keen insider’s glimpse follows Bettie through decades of broken marriages, born-again Christianity, and bouts of mental illness, before her ultimate return to the public eye in the early 90’s, unaware of her cult status. Ranked by Forbes in 2012 as one of the top ten posthumous celebrity earners, Bettie and her enduring legacy continue to flourish. With a stunning array of gorgeous photographs, unusual archival material, and playful movie footage, Bettie Page Reveals All shows how Bettie’s unabashed sexual expression and provocative poses set the stage for the sexual revolution and ushered in a modern era in fashion. For stars like Katy Perry and Beyonce, as well as new generations of adoring fans around the world, Bettie remains an irresistible style icon and an empowering role model.","stream","['Page, Bettie']","['United States']","['Models (Persons)', 'Glamour photography']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057593/1009057593-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3593099"
"asp3593095-marc","","Viaggio sola","","83 minutes","[]","A Five Star Life is the sophisticated story of one woman's quest for personal and professional fulfillment set against some of the most stunning cities and opulent hotels of the world. Stylish and independent, Irene (Margherita Buy) is a single career woman in her forties with a job to die for. As a luxury hotel critic, she checks into the world's finest establishments incognito to assess their standards, meticulously judging every detail from the concierge's manners to the temperature of the food to the quality of the bedsheets. Her elegant, unattached lifestyle affords her the freedom to jet around the globe at a moment's notice to experience a world of luxury, but doesn't leave her with much of a personal life. On the rare occasions she's not working, Irene's world revolves around her absent-minded sister Silvia (Fabrizia Sacchi), two lively young nieces, and best friend--and former lover--Andrea (Stefano Accorsi). But when Silvia begins to deal with marital problems and Andrea faces an unexpected life change, Irene's small support network is fractured and she struggles to balance a glamorous career with the growing desire for something more. After a chance meeting shakes up her worldview even more, she's compelled to reexamine her choices and charts her own path to happiness despite the expectations of others.","stream","[]","['Europe']","['Women', 'Hotels', 'Customer services']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057591/1009057591-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3593095"
"asp3593093-marc","","100 bloody acres","","91 minutes","[]","In 100 Bloody Acres, brothers Reg and Lindsay Morgan are struggling to keep their organic blood and bone fertilizer business in motion. Their secret ""recipe"" for success (using dead car crash victims in their product) was a huge boon to business, but lately supply has been gravely low. Months have passed since their last find, and an important new customer is now waiting on a delivery. When junior partner Reg (Damon Herriman of Justified) stumbles upon 3 travelers stranded on a remote country road, he cooks up a radical solution to their problem, and a way of finally gaining the respect of his bossy big brother (Angus Sampson, featured in the upcoming Insidious: Chapter 2). But when Reg starts to fall for Sophie, one of the intended victims, things get complicated. A bloody good time, the Cairnes’ brothers witty horror-comedy blends sly Australian humor, gory fun, and a clever storyline that gives ""recycling"" a whole new context.","stream","[]","[]","['Criminal behavior', 'Fertilizer industry']","['Feature films', 'Thrillers (Motion pictures)', 'Horror films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057590/1009057590-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3593093"
"asp3590885-marc","","The tower. Part 2","","91 minutes","['The tower']","A searing look at Communist East Germany in its final decade, The Tower reveals the intimate realities of life behind the Berlin Wall. Based on Uwe Tellkamp’s acclaimed novel The Tower: Tales from a Vanished Land, which won the 2008 German Book Prize and was heralded by Die Zeit as “one of the most important books of European post-War literature”, this riveting series introduces viewers to respected senior surgeon Richard Hoffmann, his wife Anne, their teenage son Christian, and their community of privileged intellectuals in suburban Dresden.  Their story unfolds in 1982, when the cracks in the repressive police state’s façade are beginning to surface. Despite the restrictions, the educated few still enjoy some advantages under the system.  The Hoffmans gather often with family and friends for warm dinner parties rich with derisive political banter, live classical music, and spirited discussions, holding out for a better future.  But even as Richard has high hopes and strict demands for studious Christian, he hides a passionate double life and shocking secrets that come back to haunt him. Against this tense climate of fear and mistrust, with the secret police lurking ominously in the background, choices are made and actions taken that have devastating repercussions. Starring Jan Josef Liefers (The Baader Meinhof Complex) and Claudia Michelsen (Fay Grim) in flawless performances, The Tower is an unflinching portrait of a pivotal time in modern German history.","stream","[]","['Germany (East)']","['Communism', 'Adultery', 'Surgeons', 'Families', 'Extortion']","['Feature films', 'Made-for-TV movies']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057613/1009057613-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590885"
"asp3590883-marc","","The tower. Part 1","","92 minutes","['The tower']","A searing look at Communist East Germany in its final decade, The Tower reveals the intimate realities of life behind the Berlin Wall. Based on Uwe Tellkamp’s acclaimed novel The Tower: Tales from a Vanished Land, which won the 2008 German Book Prize and was heralded by Die Zeit as “one of the most important books of European post-War literature”, this riveting series introduces viewers to respected senior surgeon Richard Hoffmann, his wife Anne, their teenage son Christian, and their community of privileged intellectuals in suburban Dresden.  Their story unfolds in 1982, when the cracks in the repressive police state’s façade are beginning to surface. Despite the restrictions, the educated few still enjoy some advantages under the system.  The Hoffmans gather often with family and friends for warm dinner parties rich with derisive political banter, live classical music, and spirited discussions, holding out for a better future.  But even as Richard has high hopes and strict demands for studious Christian, he hides a passionate double life and shocking secrets that come back to haunt him. Against this tense climate of fear and mistrust, with the secret police lurking ominously in the background, choices are made and actions taken that have devastating repercussions. Starring Jan Josef Liefers (The Baader Meinhof Complex) and Claudia Michelsen (Fay Grim) in flawless performances, The Tower is an unflinching portrait of a pivotal time in modern German history.","stream","[]","['Germany (East)']","['Communism', 'Adultery', 'Surgeons', 'Families', 'Extortion']","['Feature films', 'Made-for-TV movies']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057612/1009057612-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590883"
"asp3590881-marc","","Der Chinese. The man from Beijing","","186 minutes","[]","A mass murder, a female judge and diary entries from ages ago, surely now forgotten – judge Brigitta Roslin has to make a long and dangerous journey before she discovers that the background to this hideous crime lies in the distant past. The film adaptation of Henning Mankell’s novel begins with the stunning murder of 19 people. The police believe a madman was behind the brutal act. Not only Brigitta Roslin’s parents are among the dead; almost all the victims were related to her. Brigitta soon becomes convinced that the police are on the wrong track, and she starts to investigate on her own. Her search for the murderer of her entire family leads Brigitta to China, where she is confronted with the gruesome machinations of a millionaire businessman.","stream","[]","['Sweden']","['Women judges', 'Massacres', 'Mass murder investigation', 'Revenge', 'Serial murder investigation']","['Feature films', 'Thrillers (Motion pictures)', 'Crime films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057609/1009057609-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590881"
"asp3590879-marc","","The last sentence","","126 minutes","[]","Oscar-nominated director Jan Troell, one of Sweden’s most acclaimed filmmakers, directs the biopic The Last Sentence. Set against the backdrop of WWII, The Last Sentence is based on the life of crusading journalist Torgny Segerstedt, editor-in-chief of one of Sweden’s leading newspapers, highlighting his one-man battle against Nazism and his country’s policy of appeasement to Hitler. With Sweden caught between Nazi Germany and Stalin’s Russia, the country’s elites chose a policy of neutrality and compliance, with few daring to speak up against the evil around them.  Among those who did, nobody was as loud and as uncompromising as Segerstedt (Danish star Jesper Christensen, Nymphomaniac: Volume 1, Melancholia), one of the most prominent Swedish journalists of the 20th century.  In the eyes of many of his countrymen, his pen was far more dangerous than the Nazi sword.  Amidst the political turmoil of the era, Segerstedt’s own personal life took a dramatic and scandalous turn as he entered into a very public affair with Maja Forssman, the Jewish wife of his close friend, the newspaper’s publisher. Maja Forssman is played by Pernilla August, winner of the Cannes Best Actress Award for Bille August’s Best Intentions. Jan Troell is best known to US audiences for his critically acclaimed film Everlasting Moments (also starring Jesper Christensen), as well as The New Land and The Emigrants (1972), starring Max Von Sydow and Liv Ullman, which received 5 Oscars nominations for Best Picture, Best Director, Best Actress, Best Screenplay and Best Foreign Language Film. Beautifully filmed in black-and-white, The Last Sentence is a gripping tale of a man who risked his life for his beliefs and refused to be silenced.","stream","['Segerstedt, Torgny Karl']","['Sweden']","['Religion historians', 'Journalists', 'Fascism']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057608/1009057608-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590879"
"asp3590877-marc","","Ne le dis à personne. Tell no one","","132 minutes","[]","Tell No One is based on Harlan Coben’s international best selling thriller about pediatrician Alexandre Beck who still grieves the murder of his beloved wife Margot Beck eight years earlier. When two bodies are found near the scene of the crime, the police reopen the case and Alex becomes a suspect again. The mystery deepens when Alex receives an anonymous e-mail with a link to a video clip that seems to suggest Margot is somehow still alive and a message to Tell No One.","stream","[]","['France']","['Pediatricians', 'Murder', 'Widowers', 'Serial murderers']","['Feature films', 'Thrillers (Motion pictures)', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057607/1009057607-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590877"
"asp3590875-marc","","Starlet","","104 minutes","[]","Starlet explores the unlikely friendship between 21 year-old aspiring actress Jane (Dree Hemingway) and elderly widow Sadie (Besedka Johnson) after their worlds collide in California's San Fernando Valley. Jane spends her time getting high with her dysfunctional roommates and taking care of her chihuahua Starlet, while Sadie passes her days alone, tending to her garden.  After a confrontation at a yard sale, Jane finds something unexpected in a relic from Sadie's past. Her curiosity piqued, she tries to befriend the caustic older woman. Secrets emerge as their relationship grows, revealing that nothing is ever as it seems.Director Sean Baker continues in the naturalistic style of his previous films, the Spirit Award nominated Prince of Broadway and Take Out, capturing the rhythms of everyday life with a rare authenticity. Featuring exceptional debut performances by Dree Hemingway (great granddaughter of Ernest and daughter of Mariel) and 85 year-old Besedka Johnson, who received a Special Jury Recognition at SxSW, Starlet is at once provocative, haunting, unpredictable, and surprisingly sweet.","stream","[]","[]","['Friendship', 'Older women', 'Actresses']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057606/1009057606-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590875"
"asp3590871-marc","","Potiche","","103 minutes","[]","In Potiche, it's 1977 and women's liberation is in the air but Suzanne (Catherine Deneuve) is still the self-effacing, elegant housewife of wealthy industrialist Robert Pujol (Fabrice Luchini). Pujol oversees his umbrella factory with an iron fist and is equally tyrannical with his children and & trophy housewife; When the workers go on strike and take Robert hostage, Suzanne steps in to manage the factory. To everyone's surprise, she proves herself a competent and assertive woman of action. Her new role throws her back in touch with union leader Gerard Depardieu, a romantic fling from the past that still has sparks. When Robert returns from a restful cruise looking to reassert himself, things get complicated. Directed with superb style by François Ozon (""Swimming Pool"") and based on the popular 1970's French stage play by Pierre Barillet and Jean-Pierre Gredy (Cactus Flower).","stream","[]","['France']","['Strikes and lockouts', 'Housewives', 'Industrial relations', 'Umbrella industry']","['Feature films', 'Comedy films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057604/1009057604-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590871"
"asp3590869-marc","","Mesrine. Public enemy #1","","134 minutes","[]","Now back in France, Mesrine is finally in police custody and facing justice for his crimes. After escaping a courtroom and kidnapping the judge at gunpoint, Mesrine is declared Public Enemy Number 1 and is eventually condemned to a maximum-security prison where he writes his memoirs, establishing himself as a household name and the anti-hero across France. Mesrine stages another daring escape and disappears into the lawless underworld, taunting the police and reinventing himself as a celebrity criminal through his savvy manipulation of the media. After such a monumental rise, comes the inevitable fall as the police close in, bringing the life of Jacques Mesrine to full bloody circle.","stream","['Mesrine, Jacques']","['France']","['Criminals']","['Feature films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057603/1009057603-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590869"
"asp3590867-marc","","Marina Abramovic. The artist is present","","106 minutes","[]","Seductive, fearless, and outrageous, Marina Abramovic has been redefining what art is for nearly forty years. Using her own body as a vehicle, pushing herself beyond her physical and mental limits –– and at times risking her life in the process –– she creates performances that challenge, shock, and move us. Through her and with her, boundaries are crossed, consciousness expanded, and art as we know it is reborn. She is, quite simply, one of the most compelling artists of our time.","stream","['Abramović, Marina']","[]","['Women performance artists', 'Performance art']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009057xxx/1009057602/1009057602-disc001-file001-frame00400-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590867"
"asp3590865-marc","","Play & language. The roots of literacy","","378 minutes","[]","Language, cognitive and social-emotional learning skills are all essential for literacy development and academic success. Research shows that play is the universal activity that blends cognitive, social, emotional, linguistic and motor components. Observing children’s play provides information about their knowledge, views of the world and mastered skills.Join Dr. Westby as you learn about the vital relationship between the dimensions of play, social-emotional functioning, language and literacy. Learn firsthand, how to effectively use the Westby Play Scale—a tool that offers a way to evaluate all young children’s (birth-5 years) symbolic play skills. Supported by 40 years of evidence-based research and organized by developmental level, this tool will breakdown the milestones children should be achieving with their play and language. You will also learn play practices and play strategies to improve language, cognitive and social-emotional skills, including:Higher-level thinking, problem-solving and creativityAdvancing language skills and text comprehensionAwareness of temporal, cause-effect and social relationshipsMotivation, self-regulation and empathyInterpreting and responding appropriately to the needs, desires, and roles of othersThese intervention activities will work for all young children, but special focus will be given to interventions for children with language learning disabilities, autism, socio-economic/cultural variations and ESL.","stream","[]","[]","['Literacy', 'Children', 'Play', 'Child psychology']","['Filmed lectures', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009033xxx/1009033025/1009033025-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590865"
"asp3590856-marc","","I am Diego Maradona (widespread condemnation to reduce a collective sense of guilt)","","86 minutes","[]","Two families become afflicted with a problem because of an unsuccessful marriage and while, the story goes on, we get to know when a mistake occurs, all are the family members, directly or indirectly, involved in. And everyone is able to compensate such mistake and makes the gaps closer. Such knowledge makes all closer to each other and reminds everyone's share in family management.","stream","[]","['Iran']","['Authors, Iranian', 'Families']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009053xxx/1009053018/1009053018-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590856"
"asp3590602-marc","","Executive function, ADHD and stress in the classroom","","366 minutes","[]","Join ADHD and Executive Function expert Cindy Goldrich, Ed.M., ACAC, for practical and effective TIPS, TOOLS and STRATEGIES to: Improve motivation to learn and engage, Ease stress and anxiety to help kids anticipate and prepare effectively, Strategies to help manage their homework and improve accountability, Decrease time spent off task and out of compliance. Do you need new strategies to get kids to pay attention and learn more effectively? Are you struggling with kids who can’t get started, stay involved, or complete their class work? This seminar teaches techniques and tools for children who struggle to focus, cooperate, and perform to their potential. Take advantage of the latest brain research and evidence-based best practices to get kids motivated, focused, organized, and performing closer to their true potential. Empower students to take charge of their challenges and take responsibility for their own success in school and in life. Improve collaboration with parents who struggle to effectively help their children.This seminar draws on Cindy's clinical expertise of working with teachers other support professionals and parents as she brings to life how to bridge the gap between theory/research and actual implementation to address learning and behavior challenges in school. She will help you design subtle changes in the classroom to improve time management, working memory, motivation and emotional regulation that will benefit all children, not only those with ADHD. Walk away with new ideas, valuable handouts and important resources for teachers, parents, and students to manage homework, home/school communication, study-skills, behavior and more.","stream","[]","[]","['Executive functions (Neuropsychology)', 'Attention-deficit hyperactivity disorder', 'Classroom management']","['Filmed lectures', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009033xxx/1009033006/1009033006-disc001-file001-frame00070-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590602"
"asp3590585-marc","","Wedlock","","82 minutes","[]","The Mahmoodis live in an old large house, having traditional values and beliefs. They have decided to renovate the building. Mrs Mahmoodi's niece arrives with her architect husband to take care of the renovation. Conflicts about renovating the house expand to their relations and connections. It is gradually revealed that the people in the house are torn between traditional and modern viewpoints and so are the guests.","stream","[]","['Iran']","['Women', 'Families', 'Dwellings', 'Man-woman relationships']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009053xxx/1009053019/1009053019-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590585"
"asp3590581-marc","","No entry for men","","102 minutes","[]","This charming romantic comedy takes place in an all girls' school. The Olympiad teacher is not able to teach anymore because of her pregnancy. Against her better judgement, the sternly protective spinster principal decides to break the school's rule for the first time ever and hire a male teacher. A hilarious battle of the sexes ensues.","stream","[]","['Iran']","[""Girls' schools"", 'Man-woman relationships']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009053xxx/1009053016/1009053016-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590581"
"asp3590577-marc","","Shakespeare in perspective. The comedy of errors. Season 6, episode 3","","25 minutes","['Shakespeare in perspective']","The BBC produced Shakespeare in Perspective, a series of 25-minute personal introductions to individual plays by an eclectic range of presenters from the literary (Anthony Burgess, Dennis Potter, Jilly Cooper) to the scholarly (Germaine Greer, Frank Kermode, Michael Wood) to the celebrity (Roy Hudd, George Melly, Barry Took). These usually took the form of straight-to-camera addresses from assorted locations with some connection to the play, which were intercut with extracts from the accompanying BBC Shakespeare production, usually screened later that evening. This Shakespeare in Perspective episode, The Comedy of Errors, was written and presented by comedian Roy Hudd and was filmed at the Famous City Music Hall and the Grand Theatre, Leeds, England, with extracts from the BBC Television Shakespeare production of The Comedy of Errors directed by James Cellan Jones.","stream","['Shakespeare, William']","[]","[]","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009052xxx/1009052967/1009052967-disc001-file001-frame01460-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590577"
"asp3590575-marc","","Shakespeare in perspective. The merchant of Venice. Season 3, episode 2","","25 minutes","['Shakespeare in perspective']","The BBC produced Shakespeare in Perspective, a series of 25-minute personal introductions to individual plays by an eclectic range of presenters from the literary (Anthony Burgess, Dennis Potter, Jilly Cooper) to the scholarly (Germaine Greer, Frank Kermode, Michael Wood) to the celebrity (Roy Hudd, George Melly, Barry Took). These usually took the form of straight-to-camera addresses from assorted locations with some connection to the play, which were intercut with extracts from the accompanying BBC Shakespeare production, usually screened later that evening. This Shakespeare in Perspective episode, The Merchant of Venice, was written and presented by playwright and screenwriter Wolf Mankowitz and was filmed in Lincoln, England, with extracts from the BBC Television Shakespeare production of The Merchant of Venice directed by Jack Gold.","stream","['Shakespeare, William']","['Great Britain']","['Jews']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009052xxx/1009052966/1009052966-disc001-file001-frame00310-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590575"
"asp3590573-marc","","Shakespeare in perspective. Julius Caesar. Season 1, episode 4","","25 minutes","['Shakespeare in perspective']","The BBC produced Shakespeare in Perspective, a series of 25-minute personal introductions to individual plays by an eclectic range of presenters from the literary (Anthony Burgess, Dennis Potter, Jilly Cooper) to the scholarly (Germaine Greer, Frank Kermode, Michael Wood) to the celebrity (Roy Hudd, George Melly, Barry Took). These usually took the form of straight-to-camera addresses from assorted locations with some connection to the play, which were intercut with extracts from the accompanying BBC Shakespeare production, usually screened later that evening. This Shakespeare in Perspective episode, Julius Caesar, was written and presented by political commentator Jonathan Dimbleby and was filmed at Palace of Westminster and 10 Downing Street, London, England, with extracts from the BBC Television Shakespeare production of Julius Caesar directed by Herbert Wise.","stream","['Brutus, Marcus Junius', 'Shakespeare, William', 'Caesar, Julius']","[]","['Politics in literature']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009052xxx/1009052965/1009052965-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590573"
"asp3590569-marc","","Autism/Asperger's Conference with Dr. Temple Grandin","","363 minutes","[]","Dr. Temple Grandin has served as inspiration and role model to hundreds of thousands of families and persons with autism. In this unique presentation, Temple eloquently and candidly describes the challenges she has faced and offers no-nonsense ideas on how others dealing with autism can meet these obstacles and improve the quality of their lives. Backed by her personal experience and evidence-based research, Temple shares her valuable insights on a wide variety of topics, and offers useful do’s and don’ts. Eustacia Cutler, the mother of Temple Grandin, will offer her view of autism through personal experience. Her daughter is now one of the most accomplished spokespersons on autism and animal behavior in the world. Eustacia will discuss observations from her award-winning documentaries on challenged and emotionally disquieted children. She has an impressively varied background, including having written A Thorn in My Pocket: Temple Grandin’s Mother Tells the Family Story. A talented playwright, author, and actress, Eustacia is a graduate of Harvard University and has reared four children. Dr. Jim Ball, a Board Certified Behavior Analyst, has been in the autism field for over twenty years providing educational, residential, and employment services to children and adults affected by autism. As President/CEO of JB Autism Consulting,he provides private consultation to organizations, schools, and families regarding staff training, parent training, home support services, classroom design/support, and behavior management/ assessment.","stream","[]","[]","['Autism', ""Asperger's syndrome""]","['Filmed lectures', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009033xxx/1009033032/1009033032-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590569"
"asp3590567-marc","","Behavior management skills for classroom success","","387 minutes","[]","Powerful, positive interventions for your most challenging students. Proven strategies for students with mental health conditions including ODD, ADHD, anxiety, depression and mood disorders. Specific intervention strategies for problem behavior in the classroom. Unique and critical strategies for students that have experienced trauma. It’s guaranteed ... this seminar will provide you with solutions to your students’ most challenging behaviors. You will leave with immediate tools for emotional regulation, successful strategies for out-of-control behaviors and long-term techniques to help these kids succeed both at school and at home. Let expert Scott Walls guide you through successful, clear evidence-based strategies and techniques for the most frustrating student behaviors including: Non-compliance, Impulsive behavior, Truancy, Self-harm/suicide,Threats of harm to others, Highly disruptive behaviors, Bullying, Mental health disorders: ODD, ADHD, anxiety & depression, Aggressive behaviors, Scott Walls has worked with the most challenging kids in both school and clinical settings and is eager to share his knowledge and expertise with you! You will leave this seminar with tools to use tomorrow to turn your most challenging kids around and create a classroom climate that encourages school success!","stream","[]","[]","['School discipline', 'Social skills in children', 'Behavior modification', 'Classroom management']","['Filmed lectures', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009033xxx/1009033031/1009033031-disc001-file001-frame00970-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590567"
"asp3590533-marc","","Self-regulation in children","","385 minutes","[]","This workshop looks at the underlying factors of poor self-regulation and how they affect the child. Experienced presenter, Teresa Garland, MOT, OTR/l will teach you practical interventions and how to create simple, but effective programs in clinical, school and home settings: Sensory therapy techniques, Simple self-management and video modeling programs, Sensory lifestyle, First person stories, Energy regulation techniques, Emotional regulation techniques, Communication methods, Transition strategies, Behavioral strategies, Clinical programs such as Interactive Metronome® and Emotional Freedom Technique (EFT™) will be discussed, as will timely topics such as medication vs. non-medication for ADHD and new insights from research into biomedical aspects of autism.","stream","[]","[]","['Sensory disorders in children', 'Attention-deficit hyperactivity disorder', 'Autism spectrum disorders']","['Filmed lectures', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009033xxx/1009033020/1009033020-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590533"
"asp3590529-marc","","The power of play","","356 minutes","[]","Interactive day of case examples, videos and hands-on techniques. Rebuild trust in parent-child relationship, Create developmentally appropriate trauma narratives, Tools to decrease nightmares, flashbacks and intrusive thoughts. Play Therapy is a powerful tool for children who’ve experienced trauma. It is a safe space where they can feel in control, learn how to identify and manage distressing symptoms, and give language to what they are feeling within their body and mind. In this innovative day-long workshop, we will explore how trauma impacts the brain, the resulting impact on the parent-child relationship, as well as how to effectively treat and resolve trauma symptoms utilizing attachment-centered play therapy techniques. By giving children opportunities to work in a child-centered setting, you will observe and document how children: Utilize gradual exposure, Regulate affect, Gain knowledge of their traumatic experiences, Manage their experiences that can feel overwhelming or frightening. This trauma-anchored model teaches you powerful play therapy interventions. It deepens metaphor work by amplifying the child’s ability to explore the material they externalize, and provides the child with a safe, predictable environment for processing interpersonal trauma. You will learn theory and techniques that values children’s pacing, respects defensive strategies, and seeks to help children build alternative skills to cope with difficult thoughts, emotions and behaviors.","stream","[]","[]","['Child development', 'Adolescent psychology', 'Child psychology', 'Play therapy', 'Attachment behavior']","['Filmed lectures', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009033xxx/1009033015/1009033015-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590529"
"asp3590527-marc","","Play, play therapy, and games. Engage children in therapy","","163 minutes","[]","This dynamic and engaging workshop is perfect for adding play therapy strategies and techniques to your repertoire. The strategies and techniques you will learn in this workshop are suitable for children with a wide variety of challenges, including anger, anxiety, depression, non-compliance, disruptive behavior, and social skill deficits. Dr. Yorke has over twenty-years of experience working with children through play therapy, story-telling, Bibliotherapy, and the use of games. A variety of games will be covered - from checkers and Candy Land, to games specifically developed for counseling and play therapy. You will learn practical strategies to use immediately for children with ADHD, depression, anxiety, ODD, and more. Dr. Yorke will also discuss strategies for working with preschoolers. A detailed course handbook will provide additional information about techniques and strategies discussed in this workshop, as well as additional resources.","stream","[]","[]","['Child psychotherapy', 'Games', 'Play therapy']","['Filmed lectures', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009033xxx/1009033013/1009033013-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590527"
"asp3590525-marc","","50 mindfulness techniques for children & teens","","361 minutes","[]","Give kids tools to recognize and work with their difficult emotions and impulses. Promote mindfulness practice outside the clinical hour - Techniques to engage the most resistant and reluctant kids. Adapt mindfulness exercises to all kinds of minds. Use technology to support practice Mindfulness to complement play, CBT, expressive, dynamic and other therapies. Techniques for challenges at home, the classroom, performances and social situations. Discover proven techniques for depression, ADHD, anxiety, anger, acting out, trauma and more. Mood boosters for depression include movement such as mindful walking, mindful yoga, and mindful qi-gong. Proven practices for ADHD, executive function and impulse control disorders include “urge surfing, STOP, SLOW, SIFT and more. Skills to soothe trauma and anxiety like seeking stillness, touchpoints, and four elements practices will be taught and practiced as a group. We will practice skills that build emotional and social intelligence, including mindfulness of music, listening and body awareness exercises. Mindfulness is more than just breathing, and so is this workshop. Participants should be prepared for an experiential day practicing a variety of mindfulness techniques including awareness, movement, games, play, and creative/expressive activities that can be practiced by young people and adults alike. Special attention will also be given to harnessing the power of technology and social media. Learning will take the form of lecture, video, case presentations, small group and dyad activities as well as experiential activities and ample time for question and answer and discussion with colleagues. Join author and psychologist Dr. Christopher Willard in this engaging day! He will share personal and professional anecdotes from his experience as a working psychologist from inner-city schools to college campuses, from Harvard Medical School to teen meditation retreats. This workshop inspires, but more importantly empowers you with the tools you need to offer mindfulness practices to young people in practical yet engaging ways.","stream","[]","[]","['Adolescent psychology', 'Mindfulness (Psychology)', 'Child psychology']","['Filmed lectures', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009033xxx/1009033012/1009033012-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590525"
"asp3590523-marc","","The duck hunter","","92 minutes","[]","It’s 1942. In the countryside of Modena, in northern Italy, the story of four friends are intertwined, each of them with their own dream to realize. The story is set at time of second world war and the tragic events of this period will end by sweeping away everyone and everything. Only one of them will realize his dream.","stream","[]","['Italy']","['Country life', 'World War, 1939-1945', 'War', 'Historical drama, Italian']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009031xxx/1009031236/1009031236-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590523"
"asp3590402-marc","","Black ballerina","","54 minutes","[]","Black Ballerina is a story of passion, heartbreak and triumph of the human spirit. Set in the overwhelmingly white world of classical dance, it tells the stories of amazingly talented black ballerinas from several generations who face racism, exclusion and unequal opportunity while pursuing their dreams to dance. Interviews are combined with stunning archival ballet footage and photography to explore how the challenges of the past still exist in the ethereal world of ballet today.","stream","[]","['United States']","['Racism in the workplace', 'African American dancers', 'Racism', 'Ballet dancers']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009052xxx/1009052970/1009052970-disc001-file001-frame00135-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590402"
"asp3590400-marc","","The golden pomegranate","","103 minutes","[]","Noa, a popular Israeli singer of Yemenite descent, prepares for a concert in Jerusalem. She is interrupted by an old Arab man who claims to have been a close friend of her great grandmother. He tells her about Mazal, a Jewish child-bride from Yemen, who preserves her religion, culture, family and her unique art, surviving the harsh, violent conditions of Jerusalem and the Holy Land in the late 19th through the mid-20th centuries. She becomes the mother of two, a young widow, and the family's breadwinner through her skills as a jeweler in gold and silver. In time, a woman of property and an ardent patriot, she prevails through the unfolding bloody decades while living in the Old City of Jerusalem. She heads a family of extraordinary, unforgettable characters and grows old in strength and determination, remaining true to her traditions and ideals.","stream","[]","['Jerusalem']","['Singers', 'Yemenis', 'Families']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009031xxx/1009031239/1009031239-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590400"
"asp3590376-marc","","Skyler","","83 minutes","[]","Ross Westmore battles his sexual addictions to save his relationship with the love of his life, Stephanie, and to rescue his life from the destructive path he has chosen. Ross struggles to overcome his demons in a world of temptation, placing him in some compromising situations and forcing him to lead a secret, double life as his alter-ego ""Skyler."" He attempts to change his ways through counseling, attending Stephanie's bible-study group and supporting her decision to stay a virgin. His efforts waiver and his addiction threatens to ruin his life and expose ""Skyler."" Ross swears he is going to turn his life around once and for all. He learns life does not always allow for another chance.","stream","[]","[]","['Sex addicts', 'Man-woman relationships']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009031xxx/1009031232/1009031232-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3590376"