"filmID","creator","title","date_of_publication","runtime","series_title","summary","format_type","associated_entity","geography","subject_group","genre","image_url","direct_url"
"asp3837119-marc","","Como era gostoso o meu francês","","80 minutes","[]","Factions of French and Portuguese face off in an attempt to colonize Brazil. A Frenchman is held captive by a tribe allied with the French that, despite the insistence of the man that he is French, mistakenly believes him to be Portuguese. The brother of the tribe's chief was murdered by the Portuguese, and the tribe intends to eat the Frenchman as revenge. The man is given a wife and made to assimilate into the tribe, even with his impending demise.","stream","[]","['Portugal', 'Brazil', 'France']","['Cannibalism', 'Indians of South America']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519913/1009519913-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837119"
"asp3837117-marc","","When porn is an issue. Couples counseling, psychotherapy that works","","122 minutes","[]","We’re seeing more and more couples in conflict over one partner’s use of porn. But pathologizing one partner’s porn use while legitimizing the grievances of the consumer’s partner violates our commitment to neutrality — and more importantly, it doesn’t help the couple. To address porn-related issues more effectively, this workshop will focus on treating intrapsychic conflicts and power struggles over porn use. We’ll explore how conflict about pornography is often used to avoid confronting a sexual relationship’s deficits; how one or both partners may be acting out body image issues; and why ""porn addiction"" is not a helpful concept. Educational Objectives: Identify common assumptions of therapists about porn, and to self-assess regarding these assumptions. Demonstrate learning of how to help couples discuss the relationship deficits that they’re avoiding via conflict about porn. Demonstrate learning of the limitations of the porn addiction model — and learn how to help people with a powerful alternative model.","stream","[]","[]","['Couples', 'Couples therapy', 'Pornography']","['Conference papers and proceedings', 'Instructional films', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519905/1009519905-disc001-file001-frame00045-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837117"
"asp3837115-marc","","Couples boundaries. Rigid, permeable and transparent","","59 minutes","[]","Relational boundaries can be a source of problems if they are too inflexible or if they are too weak. Clinicians need a method to assess and treat boundary issues. Educational Objectives: Describe couples boundaries in operational terms. Given a couple, indicate the boundary style most common in its use. Provide an example of each boundary type. ","stream","[]","[]","['Couples', 'Couples therapy']","['Conference papers and proceedings', 'Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519904/1009519904-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837115"
"asp3837113-marc","","Couples vs. individual therapy. What works/what doesn't","","59 minutes","[]","Couples treatment requires an understanding of interpersonal dynamics. Clinicians need to understand the benefits and liabilities of couples vs. individual therapy, and have a mechanism for deciding when to use each approach. Educational Objectives: Describe three essential differences between couples and individual treatment. Given a couple describe the decision process for couples vs. individual treatment. List three benefits of couples therapy.","stream","[]","[]","['Marital psychotherapy', 'Couples therapy']","['Conference papers and proceedings', 'Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519903/1009519903-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837113"
"asp3837111-marc","","Lies and infidelity","","57 minutes","[]","Couples problems may be rooted in deception - infidelity is based in deception. Clinicians need to know how to assess and treat it. Educational Objectives: Describe three patterns of couples deceptions. List three methods to address deception. Describe three patterns of infidelity. List three treatment options for infidelity. ","stream","[]","[]","['Adultery', 'Couples', 'Deception', 'Couples therapy']","['Conference papers and proceedings', 'Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519902/1009519902-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837111"
"asp3837109-marc","","When intimacy feels unsafe. Healing the trauma legacy in couples therapy","","55 minutes","[]","Early childhood trauma has lasting and dramatic effects on attachment formation and on the later capacity for intimacy and mutuality. Instead of experiencing relationships as a haven of safety, traumatized couples are driven by powerful wishes for and fears of closeness. By using somatic and mindfulness-based interventions, conflictual patterns are disrupted, allowing couples to address the intense responses and impulsive reactions that undermine all sense of safety and hope and recreate the experience of threat in the body and in the relationship. Educational Objectives: Discuss the neurobiological consequences of traumatic experience on individuals and couples. Identify signs of traumatic attachment in dyadic interaction. Describe a trauma-focused paradigm for high-conflict couple relationships.","stream","[]","[]","['Psychic trauma', 'Intimacy (Psychology)', 'Couples therapy']","['Conference papers and proceedings', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519901/1009519901-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837109"
"asp3837107-marc","","Impact of ADHD on relationships","","56 minutes","[]","One of the missing links in couples strife is undiagnosed ADHD. In this presentation, Dr. Amen will discuss how ADHD can impact relationships in both positive and negative ways. In addition, he will discuss ways to work with couples where one or both members have ADHD, including a brief overview of the 7 types of ADHD he has discovered in his clinical and brain imaging work. Educational Objectives: List 5 ways ADHD can impact relationships. List the 5 hallmark symptoms of ADHDM. Be able to list 7 different types of ADHD described by Dr. Amen. ","stream","[]","[]","['Attention-deficit-disordered adults', 'Couples', 'Attention-deficit disorder in adults', 'Couples therapy']","['Conference papers and proceedings', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519900/1009519900-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837107"
"asp3837105-marc","","The mindful path to habit transformation. A four quadrant model","","91 minutes","[]","We all have habits, from seemingly harmless to life threatening. But how do they work? And what makes them so resistant to change? This workshop presents a simple model of four categories of experience - the benefits and costs of maintaining v. relinquishing a habit. This brief approach emphasizes mindfulness practice and works well with other psychotherapeutic methods. Educational Objectives: Describe the four quadrant model of habit costs and benefits. Demonstrate the place of mindfulness-based intervention in the treatment of habit and addictive disorders. Utilize these practices in psychotherapy and for clinician well-being. ","stream","[]","[]","['Habit breaking', 'Mindfulness-based cognitive therapy']","['Conference papers and proceedings', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519899/1009519899-disc001-file001-frame00160-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837105"
"asp3837103-marc","","Energy psychology. A bried therapy to treat PTSD","","92 minutes","[]","Clinical experience and research has shown energy psychology (EP) to be a highly effective brief treatment of PTSD in contexts that range from war-related PTSD in US veterans to the effects of genocide in Rwandan orphans. This workshop presents an elegant integration of interpersonal neurobiology, polyvagal theory and memory reconsolidation that underlies energy psychology approaches to trauma treatment. Discover how to actually remove the traumatic energy/emotions from traumatic events that facilitates insight, mindfulness and post traumatic growth.  Educational Objectives:  1. Elucidate the three steps of memory reconsolidating and how Energy psychology achieve them.  2. Describe the four steps of Emotional Freedom Techniques for treating trauma.  3. List at least at least 2 piece of research that demonstrate the effectiveness of EP in treating PTSD.","stream","[]","[]","['Post-traumatic stress disorder', 'Energy psychology', 'Brief psychotherapy']","['Conference papers and proceedings', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519898/1009519898-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837103"
"asp3837101-marc","","Easy hypnosis. Bringing out the best in breif therapy","","90 minutes","[]","Drawing on Erickson's idea of the common everyday trance, we will find an easy and respectful method of inviting anyone into hypnosis. Because hypnosis creates an experience, we can explore ways of assisting any individual to move beyond the possibility of a preferred outcome that brief therapy is so helpful for and allowing them to create a direct and bodily felt experience of that desired outcome. Educational Objectives: Identify the common everyday trance into experiencing hypnosis. Create an experience of a preferred outcome. ","stream","[]","[]","['Brief psychotherapy', 'Hypnotism']","['Conference papers and proceedings', 'Instructional films', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519897/1009519897-disc001-file001-frame01680-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837101"
"asp3837099-marc","","Utilization sobriety","","91 minutes","[]","This presentation poses a substance abuse treatment which acknowledges and accommodates the personal needs being addressed by substance use, bypasses perceived resistance, and employs idiosyncratic psycho-biological learning to achieve a body-mind gestalt complementary to the client’s sobriety. Client self-empowerment and relapse prevention are built into the intervention. This method develops a safe framework for addressing any subsequent mental health themes directly or indirectly related to substance misuse. Ideomotor questioning is employed as a practical conduit to body-mind communication and function. Because this is a relatively new strategy, fundamental information applicable to all levels of professional experience will be provided. Educational Objectives: Describe the utilization principle as applied to psycho-biological learning. Demonstrate one brief approach to substance abuse treatment. Describe one application of ideomotor questioning.","stream","[]","[]","['Brief psychotherapy', 'Mind and body therapies', 'Substance abuse']","['Conference papers and proceedings', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519896/1009519896-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837099"
"asp3837097-marc","","Beyond therapy. Living and telling in community","","59 minutes","[]","Living is composed of a supreme flow of experiences. Telling is the selective option to revisit this landscape and to reveal the accessibly hidden markers of a lifetime. Dr. Polster will show how a sharply pointed attention within a group process will light up our lives, a key element in a growing life focus cultural movement. Techniques and precedents for conducting this process will be addressed. Educational Objectives: Apply therapy principles to the needs of people in their everyday lives. Create congregations of people to explore their life experiences together. Incorporate the concept of design and the creation of exercises in guiding the group experience.","stream","[]","[]","['Psychotherapy', 'Self-help groups']","['Conference papers and proceedings', 'Filmed interviews']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519895/1009519895-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837097"
"asp3837095-marc","","A research-based couples treatment for domestic violence","","102 minutes","[]","Drs. John and Julie Gottman will present a state-of-the-art review of how to conceptualize and treat the highly intractable problem of domestic violence toward intimate partners. They will review the research literature and present a conceptualization of the issues in treating this population. They will describe a highly successful randomized clinical trial study and the results that demonstrate long-term follow up effectiveness. Educational Objectives: List the differences between situational and characterological domestic violence, and understand why this distinction is important and necessary. Identify the three criteria for screening out characterological domestic violence. List the three focal issues in treating situational domestic violence, and understand why a couples' approach is necessary. Describe the immediate and long-term longitudinal results of the CTAV couples' group intervention in self-report, archival, physiological, and observational data.","stream","[]","[]","['Family violence', 'Couples', 'Couples therapy']","['Conference papers and proceedings', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519894/1009519894-disc001-file001-frame00130-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837095"
"asp3837093-marc","","Sewing partners together","","61 minutes","[]","This one-hour presentation will demonstrate cross-dialogic and other strategic techniques for shepherding couples toward ""secure functioning"", an attitudinal and behavioral expectation that couples operate as a two-person psychological system. Because the concept of secure-functioning is principle based and not personality based, the success of secure-functioning relationships does not depend upon attachment orientation. The presentation will endeavor to help the clinician utilize psychobiological strategies to help clarify partner attachment strategies, true desires, and unspoken agendas in couple therapy. Educational Objectives: List at least five characteristics of a secure-functioning relationship. Apply at least three interventions for moving couples toward secure functioning. Differentiate and describe the difference between secure attachment and secure-functioning relationships.","stream","[]","[]","['Couples', 'Couples therapy']","['Conference papers and proceedings', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519893/1009519893-disc001-file001-frame00380-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837093"
"asp3837091-marc","","Mindfulness informed psychotherapy","","61 minutes","[]","Clinicians are enthusiastically discovering that mindfulness practices can enlighten and enliven their lives, both inside and outside the therapy hour. These techniques hold great promise for personal development and as a powerful method to enhance virtually all forms of psychotherapy. But what does mindfulness-informed therapy actually look like? This demonstration, using volunteers from the audience, will illustrate how mindfulness practices and insights derived from them can inform treatment. Educational Objectives: Describe the three essential skills developed by mindfulness practices. List some of the clinical decisions involved in mindfulness-oriented treatment. Describe what mindfulness-oriented treatment might look like in practice.","stream","[]","[]","['Mind and body therapies', 'Meditation', 'Mindfulness-based cognitive therapy']","['Conference papers and proceedings', 'Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519892/1009519892-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837091"
"asp3837089-marc","","Storytelling for effective brief therapy","","58 minutes","[]","Stories have the ability to engage people emotionally and to move them to change, but telling the right story at the right time to the right person is an art and a skill. This demonstration will show a gentle, artful and respectful way of doing brief therapy that uses stories to invite change. Educational Objectives: Apply stories in brief therapy. Create an individualized story for a particular client.","stream","[]","[]","['Narrative therapy', 'Brief psychotherapy']","['Conference papers and proceedings', 'Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519891/1009519891-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837089"
"asp3837087-marc","","Strategic treatment of anxiety","","59 minutes","[]","The cutting-edge anxiety treatment is now pushing further into the confrontational. You will learn a persuasive strategy, built out of whole cloth within the first session, which will help clients find the courage and motivation to purposely seek out anxiety as their ticket to freedom from crippling fear. Practical methods enable clients to ignore the content of their worries and to explore the feeling of uncertainty rather than fleeing from it. Educational Objectives: Identify one primary problem that make clients vulnerable to anxiety. Identify the two therapeutic strategies to win over anxiety.","stream","[]","[]","['Strategic therapy', 'Anxiety']","['Conference papers and proceedings', 'Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519890/1009519890-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837087"
"asp3837085-marc","","Clinical hypnosis as a vehicle for promoting better decisions","","54 minutes","[]","Too often our clients make poor decisions that serve to unnecessarily complicate their lives. In this clinical hypnosis session, the focus will be on using hypnosis to encourage a better quality of decision making in some area of the client's life. Educational Objectives: 1. Demonstrate how hypnosis can influence decision making. 2. Demonstrate how hypnosis can create a context that makes decision making more intentional and successful.","stream","[]","[]","['Decision making', 'Hypnotism']","['Conference papers and proceedings', 'Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519889/1009519889-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837085"
"asp3837083-marc","","Using hypnosis in brief therapy","","54 minutes","[]","This demonstration will introduce hypnosis into the process of ongoing therapy for the sake of illustrating a simple induction. The heightened internal concentration that results can be deepened and result in more effect concentration, resource retrieval, and experience re-associations aimed at reaching the contracted goal of the session. Educational Objectives: 1. Demonstrate understanding of how to introduce hypnosis in non-hypnotic therapy. 2. Describe an uncomplicated induction procedure.","stream","[]","[]","['Brief psychotherapy', 'Hypnotism']","['Conference papers and proceedings', 'Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519888/1009519888-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837083"
"asp3837081-marc","","Beyond calming down","","62 minutes","[]","Hypnotic interventions can offer a cognitive shift toward tolerating uncertainty, positive expectancy, and a framework for taking action essential to helping the anxious person recover. Hypnosis is an opportunity to introduce and solidify these elements of active treatment. Educational Objectives: 1. Describe the importance of action versus avoidance in the treatment of anxiety disorders. 2. Create a metaphor that suggests to the anxious client the need for action and practice. 3. Create a post-hypnotic suggestion that supports the tolerance of uncertainty when feeling fearful or anxious.","stream","[]","[]","['Avoidance (Psychology)', 'Motivation (Psychology)', 'Anxiety', 'Hypnotism']","['Conference papers and proceedings', 'Instructional films', 'Filmed interviews']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519887/1009519887-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837081"
"asp3837079-marc","","Generative psychotherapy. How to create transformational change","","60 minutes","[]","Problems/Symptoms may be viewed as attempts by the creative unconscious to bring transformation and healing. A generative state can allow that transformation to be realized. Educational Objectives: 1. Demonstrate how symptoms can become solutions under proper conditions. 2. Describe how a creative state can unfold from a client's unique processes and patterns.","stream","[]","[]","['Psychotherapy', 'Change (Psychology)', 'Trance']","['Conference papers and proceedings', 'Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009519xxx/1009519886/1009519886-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3837079"
"asp3834275-marc","","Treasures of African music","","18 minutes","[]","This program by David Akombo explores the historical and sociological significance of music in Kenyan culture. It examines the social and cultural functions of Kenyan music and dance and explains that music has served as a tool for education among Kenya's indigenous peoples for millennia.","stream","[]","['Kenya']","['Folk music']","['Filmed performances', 'Filmed lectures']","https://d3crmev290s45i.cloudfront.net/frames/1009513xxx/1009513962/1009513962-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3834275"
"asp3834273-marc","","Traditional music of Kenya","","54 minutes","[]","Explores the traditional music of Kenya and shows how the music and dance traditions form a composite expression of the Kenyan aesthetic. Places Kenyan music and dance in a social-cultural context. Surveys diverse ethnicities within the country, including the Luo, Luhya, Kikuyuy, Maasai, Gusil, and Kamba.","stream","[]","['Kenya']","['Dance', 'Folk music']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009513xxx/1009513961/1009513961-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3834273"
"asp3834271-marc","","Dance rhythms of Africa","","13 minutes","[]","Explores music and dance in Africa, demonstrating the role of body-mind connection in African dance. Features performance excerpts representing the philosophy, spirituality, aesthetics, and social-cultural aspects of African dance traditions.","stream","[]","['Africa']","['Dance', 'Music']","['Filmed dance', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009513xxx/1009513960/1009513960-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3834271"
"asp3833676-marc","Offenbach, Jacques, 1819-1880, composer","Orpheus in der Unterwelt. Burleske Oper in drei Akten","","188 minutes","[]","""Orpheus in der Unterwelt"", Offenbach's satirical answer toGluck's ""Orfeo"", was premiered in Paris 1858 and portrays society as amoral, the upper class as lax and indifferent to all and public opinion in charge of both. In the early 1980s legendary director Götz Friedrich created his own contemporary version of the operetta at the Deutsche Oper Berlin, in German, filled with allusions to the contemporary cultural scene and society in general. Starring a large cast of renowned artists - singers and actors - Orpheus' odyssey to the Olympic Gods and to the Underworld, in order to save his wife, receives a new face - away from Paris in the 19th century and to bourgeois West-Berlin.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371391/1009371391-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3833676"
"asp3831009-marc","","Voyage","","101 minutes","[]","A young psychiatrist ventures into a lone voyage to fight his depression. On the sea he records stories of people departed from this world prematurely, while what awaits him on the shore is the ultimate irony of life.","stream","[]","[]","['Depression, Mental', 'Voyages and travels']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009506xxx/1009506400/1009506400-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3831009"
"asp3830072-marc","","Developing cultural humility and multicultural orientation","","83 minutes","[]","In this video, Doctors Sidney Shaw and Stephanie J. W. Ford define, discuss and demonstrate cultural humility and multicultural orientation. They compare how these concepts complement and enhance the multicultural competencies most graduate students are taught in their training programs. Viewers will watch Dr. Shaw work with a client as he demonstrates multicultural orientation and cultural humility in three separate vignettes. Debriefing and discussion follow each segment to underscore what went well, and what areas could be improved. Concepts discussed and demonstrated in this video are: Broaching the topic; microaggressions; counselor privilege, dynamic sizing; process-orientation, and culture of feedback.","stream","[]","[]","['Cross-cultural counseling', 'Multiculturalism', 'Cultural competence', 'Intercultural communication']","['Instructional films', 'Filmed interviews']","https://d3crmev290s45i.cloudfront.net/frames/1009505xxx/1009505593/1009505593-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3830072"
"asp3819901-marc","Stravinsky, Igor, 1882-1971, composer","Hannigan on air. Symphony in three movements","","24 minutes","['Hannigan on air']","Canadian singer conductor Barbara Hannigan belongs to the few who seem to have it all: a lovely voice, a sense of drama, a sensibility in shaping the phrase and a strong artistic ambition. One can’t resist her performances.","stream","[]","[]","['Symphonies']","['Symphonies', 'Concert films']","https://d3crmev290s45i.cloudfront.net/frames/1009402xxx/1009402712/1009402712-disc001-file001-frame02330-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819901"
"asp3819899-marc","Stravinsky, Igor, 1882-1971, composer","Hannigan on air. Anne's aria","","10 minutes","['Hannigan on air']","Canadian singer conductor Barbara Hannigan belongs to the few who seem to have it all: a lovely voice, a sense of drama, a sensibility in shaping the phrase and a strong artistic ambition. One can’t resist her performances.","stream","[]","[]","['Songs (High voice) with orchestra', 'Operas']","['Operas', 'Filmed operas', 'Excerpts', 'Songs']","https://d3crmev290s45i.cloudfront.net/frames/1009402xxx/1009402712/1009402712-disc001-file001-frame01760-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819899"
"asp3819894-marc","Haydn, Joseph, 1732-1809, composer","Hannigan on air. Symphony no. 49, La passione","","18 minutes","['Hannigan on air']","Canadian singer conductor Barbara Hannigan belongs to the few who seem to have it all: a lovely voice, a sense of drama, a sensibility in shaping the phrase and a strong artistic ambition. One can’t resist her performances.","stream","[]","[]","['Symphonies']","['Symphonies', 'Concert films']","https://d3crmev290s45i.cloudfront.net/frames/1009402xxx/1009402712/1009402712-disc001-file001-frame00655-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819894"
"asp3819891-marc","Nono, Luigi, composer","Hannigan on air. Djamila Bouchapa","","5 minutes","['Hannigan on air']","Canadian singer conductor Barbara Hannigan belongs to the few who seem to have it all: a lovely voice, a sense of drama, a sensibility in shaping the phrase and a strong artistic ambition. One can’t resist her performances.","stream","[]","[]","['Songs (High voice), Unaccompanied']","['Concert films', 'Songs']","https://d3crmev290s45i.cloudfront.net/frames/1009402xxx/1009402712/1009402712-disc001-file001-frame00335-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819891"
"asp3819853-marc","","Family fundamentals","","162 minutes","[]","What happens when religiously conservative Christian parents have children who have ""become homosexual?"" Family Fundamentals is filmmaker Arthur Dong's personal attempt to answer that explosive question. Armed with a digital camera, Dong takes viewers into the private and public lives of three families who have responded to gay offspring by actively opposing homosexuality. ""Heartfelt but evenhanded, Family Fundamentals is a battlefield report from America's disquieting culture war over gay issues"" - Los Angeles Times. Family Fundamentals goes to the heart of today's debate over homosexuality, where the personal is inextricably - and dramatically - bound up in the political. In today's contemporary society, sometimes even the most liberal families must find it discomfiting when gay children come out. For fundamentalist Christian families, the event can be polarizing and devastating. Dong tackles his subject by looking into three divided families. Susan Jester is the lesbian daughter of Kathleen Bremner, a Pentecostal church leader who responded to her daughter's coming out by forming a Christian parents' ministry and organizing the San Diego Christian Trauma and Sexuality Conferences. In collaboration with such groups as Exodus and Focus on the Family, Bremner promotes faith and ""reparative therapy"" as a cure for homosexuality. She is not shy about expressing her views of homosexuality, and in exhorting her daughter, who is conversely outspoken in support of gay civil rights, to repent.4.Brett Mathews, First Lieutenant, Nuclear Missileer, U.S. Air Force. Brett Mathews CollectionBrett Mathews, a former Air Force First Lieutenant discharged for his homosexual orientation, is the son of a Mormon bishop in rural Erda, Utah. Mathews' family reacts to his coming out by sending him a steady stream of letters calling on him to change. His grandmother's remarriage brings a challenge and a crisis as Mathews returns to his boyhood home for the first time since declaring his homosexuality.Brian Bennett's story reveals a different kind of family - and a surprising chain of events. From 1977 to 1989, Bennett served as chief of staff, campaign manager and legislative aide to former California Congressman Bob Dornan - one of the nation's harshest and most vocal opponents to gay rights. So close was Bennett to Dornan, with whom he shared a Catholic upbringing and political views on everything except his closeted homosexuality, that Brian became a virtual member of the Dornan family. He lived with them for six years, calling Dornan by the family nickname, ""Poppy."" When Bennett came out in 1997, that close relationship was abruptly terminated and he was left to struggle with the contradictions of being a gay Republican and of still loving a father figure who rejected him for his sexual orientation.Bob Dornan & Brian BennettDavid Jester & Guy FotiBrett MatthewsFamily Fundamentals takes us inside the struggle over homosexuality in the heartland of the American family. The film, which never succumbs to easy answers, manages to convey bittersweet humor as well as deep pain over a seemingly intractable family divide. For the first time since his 1982 Oscar®-nominated film, Sewing Woman, filmmaker Arthur Dong operates the camera to capture intimate scenes with his subjects who bare their emotions over an issue which continues to tear apart families and nation.A moving soundtrack by Emmy Award-winning composer, Mark Adler (Focus, Rat Pack, Picture Bride), underscores the poignant complexities that explode when opposing forces fail to come to terms with their deep-rooted differences. Adler's score is his second for Dong. He first collaborated with the director on Dong's 1994 Peabody and Sundance award-winning film, Coming Out Under Fire, which documented the World War II origins of the military's policies on gay servicemembers. Poster colorMajor funding for Family Fundamentals was provided by the Guggenheim Fellowship in Filmmaking and the Theophilus Foundation.","stream","[]","['United States']","['Homosexuality', 'Parent and child', 'Gays', 'Fundamentalism']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009469xxx/1009469640/1009469640-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819853"
"asp3819399-marc","","The orchard keepers","","25 minutes","[]","Against the backdrop of political upheaval, an ancient network of orchards thrives in the mountains of the Sinai desert. Filmmaker Bryony Dunne shadows two Bedouins as they nurture their gardens and are nurtured by them. This poetic portrait of symbiosis digs deep into the perceptual complexities between the natural world and our constructed ones, as well as the tradition of ethnographic film and Dunne’s role as a foreign documentarian.","stream","[]","['Sinai (Egypt)', 'Egypt']","['Bedouins', 'Gardens', 'Orchards']","['Documentary films', 'Ethnographic films']","https://d3crmev290s45i.cloudfront.net/frames/1009470xxx/1009470389/1009470389-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819399"
"asp3819389-marc","","Blocul","","61 minutes","[]","From neighbourly disputes over garlic-heavy cooking to memories of Ceaușescu’s heatless winters, ""The Block"" explores the rich social and material universe of a Romanian apartment building. It follows the story of the block’s administrator, in his effort to mediate relationships between neighbours and maintain peace and order. In doing so, it crayons the rich nuances of the inhabitants’ everyday lives. The block comes to life as its inhabitants constantly reshape it to defy the passing of time, while its failing infrastructure encroaches on their neighbourly relations. This is a film about people’s homes, and the spaces in between.","stream","[]","['Romania']","['City and town life', 'Neighbors', 'Apartment houses']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009470xxx/1009470384/1009470384-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819389"
"asp3819353-marc","","Te Rua","","99 minutes","[]","""Heroes or terrorists? Three young Maori activists move into Berlin to seize from a great museum ancestral carvings which were stolen a century earlier. A hundred years after the theft form New Zealand of three irreplaceable tribal carvings, two members of the Maori tribe decide it's time for ancient grievances to be put right.""","stream","[]","['Germany']","['Maori (New Zealand people)', 'Theft from museums']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009469xxx/1009469638/1009469638-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819353"
"asp3819207-marc","","The killing fields of Dr. Haing S. Ngor","","87 minutes","[]","When Dr. Haing S. Ngor was forced into labor camps by the Khmer Rouge, little did he know he would escape four years of torture and be called upon to recreate his experiences in a film that would earn him an Academy Award®. For the Chinese-Cambodian doctor, “Nothing has shaped my life as much as surviving the Pol Pot regime. I am a survivor of the Cambodian holocaust. That’s who I am.” And little did anyone know that some twenty years later, Dr. Ngor would be gunned down in a Los Angeles Chinatown alley. How could it be that he would survive the tyranny of the Khmer Rouge, only to be murdered by gangbangers in America? Dr. Ngor speaks out on U.S. Involvement in Cambodia. The Killing Fields of Dr. Haing S. Ngor opens with a shot panning along stacks of irregular cardboard boxes in a musty Long Island basement. Sophia Ngor, niece and surrogate daughter to Dr. Ngor, and family friend Jack Ong rummage through the cases, which contain the slain physician’s last remaining possessions. From there, we embark on a journey that traces Dr. Ngor’s remarkable life – from rice fields in Phnom Penh to Oscar® gold in Hollywood. At a time when The Killing Fields (1984) movie would be the world’s first wake-up call to the horrors of the Khmer Rouge, Dr. Ngor used his Hollywood celebrity status to become the de facto “face of Cambodia” and commanded global attention to the devastation of his homeland. From 1975 to 1979, the Khmer Rouge’s social experiment to transform the country into a communist agricultural utopia caused the deaths of some two million Cambodians who perished from mass starvation, forced labor, torture, slavery, ethnic cleansing, and political executions. Dr. Haing S. Ngor provides humanitiarian aid in Cambodia. Dr. Ngor was an early and staunch advocate for a Khmer Rouge tribunal, a process that finally began in 2009 and is still mired by political maneuvers. He opened an orphanage in Phnom Penh, built a schoolhouse in his home village, and delivered humanitarian aid to refugee camps. He publicly admonished world governments for ignoring the plight of his countrymen. Ultimately, Ngor’s story is a survivor’s story: of love, loss, and reconciliation – inspired by memories of his wife who died in childbirth while under captivity.  Produced, directed, written, and edited by Oscar®-nominated and triple-Sundance award-winning filmmaker Arthur Dong, The Killing Fields of Dr. Haing S. Ngor is a singular documentary on one of the most well-known survivors of the Cambodian genocide. It uses an iconic movie, The Killing Fields, as a springboard to combine history and biography into a dramatic transnational narrative. The feature-length film fuses animation with the spoken word, interlacing a rich palette of archival material. Anchored by an adaptation of Ngor’s richly layered autobiography, Survival in the Killing Fields (co-authored with Roger Warner), the film serves as a personal indictment of the global politics that were thrust upon Southeast Asia, and the consequences that continue to surface today as Cambodia grabbles with corruption, poverty, and the impunity of aging former Khmer Rouge leaders still at large.","stream","['Ngor, Haing']","['California', 'Cambodia']","['Cambodian Americans', 'Refugees']","['Feature films', 'Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1009469xxx/1009469647/1009469647-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819207"
"asp3819205-marc","","Sewing woman","","14 minutes","[]","SEWING WOMAN chronicles the bittersweet journey of one woman's determination to survive: from an arranged marriage in old China to working class comforts in modern America. Produced over 18 years ago, this classic film continues to screen widely and is now treasured by a new generation of film goers -- it is considered by many cinema enthusiasts as an early prototype for the personal-diary genre made popular today with the recent handi-cam video explosion. SEWING WOMAN is based on a series of oral histories and the life story of the filmmaker's mother, Zem Ping Dong, an immigrant who has worked in San Francisco garment factories for over 30 years. With a candid first-person monologue spoken by noted actress Lisa Lu (The Joy Luck Club, The Last Emperor), Sewing Woman reveals an inner strength which guides a journey through oppressive Chinese customs, U.S. immigration policies, family separation, and the conflicts of assimilation in America. SEWING WOMAN's story is interwoven with rare footage shot in rural villages of China and in factories of San Francisco Chinatown, treasured home movies, and intimate family photographs.","stream","[]","['United States']","['Women clothing workers', 'Chinese Americans']","['Documentary films', 'Biographical films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1009469xxx/1009469646/1009469646-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819205"
"asp3819203-marc","","Lotus","","28 minutes","[]","For more than thirty centuries, women in China were maimed and crippled in the name of beauty and obedience. The custom was called “footbinding,” and the fight against it triggered one of the biggest, most overlooked struggle for human rights in history. Lotus is a half-hour narrative film set in this turmoil. The place is rural 1914 China and the film focuses on Lotus, a traditional woman with bound feet who must decide whether or not to bind her daughter Joy’s feet. Her strict, but loving Mother-in-law insists that Joy’s feet be bound in order to guarantee her a secure future. Lotus, for the first time in her life does not blindly obey. She is further influenced by her good friend, Coral, a colorful performer with a traveling Cantonese opera troupe who openly challenges the outlawed custom. In the end, Lotus makes a decision which will change her daughter’s life forever. Starring as the beautiful Lotus, and also composing the soundtrack is Private Music recording artist, Lucia Hwong. Hwong appeared in and scored the Tony-Award winning Broadway production of M. Butterfly. Playing the role of Mother-in-law is veteran actress, Lisa Lu, real-life mother of Hwong. Lu is the winner of three Chinese Oscars and starred in Joy Luck Club as one of three mothers and played the Empress Dowager in the The Last Emperor. Lotus was shot in vivid 35mm film on location in the remote village of Luk Keng, a mile under the China border in Hong Kong. Directing this independent production was Peabody Award winner and Oscar nominated filmmaker, Arthur Dong. The American Film Institute funded film was produced by Dong and Rebecca Soladay who also wrote the screenplay.","stream","[]","['China']","['Women', 'Footbinding']","['Short films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009469xxx/1009469645/1009469645-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819203"
"asp3819201-marc","","Living music for golden mountains","","23 minutes","[]","In 1936, Leo Lew immigrated to America, the ""land of golden mountains"", from his native southern China. He came seeking fortune but discovered instead a mission closer to his heart — passing on the deep-rooted traditions of Cantonese folk music to new generations of Chinese Americans. Living Music For Golden Mountains traces Lew's life in America and shows some of the many problems facing the elderly in San Francisco's Chinatown. It also celebrates his enduring love of his native music and his commitment to sharing that love with young Chinese Americans eager to know their cultural heritage. Highlights include several of his virtuosos performances, both solo and with an ensemble he directs, as well as a revealing teaching session that shows how he works with and motivates his young students. Living Music For Golden Mountains was produced by Arthur Dong and Elizabeth Meyer, and marks Dong's documentary directorial debut, earning the young filmmakers a 1981 Student Academy Award® nomination for best documentary.","stream","['Lew, Leo']","[]","['Folk music', 'Chinese Americans', 'Folk musicians']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1009469xxx/1009469644/1009469644-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819201"
"asp3819199-marc","","Licensed to kill","","76 minutes","[]","Licensed To Kill takes a riveting journey into the minds of men whose contempt for homosexuals led them to murder. Attacked in 1977 by gay bashers on the streets of San Francisco, filmmaker Arthur Dong confronts murderers of gay men face-to-face in his film. He asks them directly: ""Why did you do it?"" Probing on-camera interviews with seven convicted killers behind bars propel the narrative drive of Licensed To Kill. These inmates include a wide range of distinct profiles: a young man who claims he justifiably killed as protection from his victim's sexual advances -- a defense known as ""homosexual panic""; a self-loathing, religious gay man who killed because of his own homosexual tendencies; a victim of child abuse who feared losing his manhood; an army sergeant angry over the gays in the military debate; and a self-described homeboy looking for easy prey. Licensed To Kill is an uncompromising investigation into the roots of anti-gay violence. As seen through the eyes of murderers, the film examines the social, political and cultural environments of these men and questions whether society had given them a ""license to kill"" homosexuals. Licensed To Kill is a powerful fusion of elements from a number of sources: the interviews themselves; videotaped confessions of perpetrators; news reports; court room scenes; graphic evidence from police files; home and police videos of actual gay bashings and killings; and childhood photos of the murderers. These and other graphics are layered with on screen text which punctuate the hard facts of the killings. Adding to the original score is Me'Shell Ndegeocello's searing hit song, Leviticus: Faggot, which catapults the film to an explosive conclusion.","stream","[]","['United States']","['Gay men', 'Hate crimes', 'Homophobia', 'Murderers', 'Gays']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009469xxx/1009469643/1009469643-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819199"
"asp3819197-marc","","Hollywood Chinese","","92 minutes","[]","Bruce Lee and Suzie Wong – mention “Chinese in Hollywood” and it’s all about the exotic. But it’s not.Hollywood Chinese is a captivating revelation on a little-known chapter of cinema: the Chinese in American feature films. From the first Chinese American film produced in 1916, to Ang Lee’s triumphant Brokeback Mountain nine decades later, Hollywood Chinese brings together a fascinating portrait of actors, directors, writers, and iconic images to show how the Chinese have been imagined in movies, and how filmmakers have and continue to navigate an industry that was often ignorant about race, but at times paradoxically receptive.Hollywood Chinese is produced, directed, written and edited by Academy Award® nominee and triple Sundance award-winning filmmaker, Arthur Dong (Licensed to Kill, Coming Out Under Fire, Forbidden City, U.S.A.), and presents eleven of the industry’s most accomplished Chinese and Chinese American film artists who share personal accounts of working in film. Ang Lee, Wayne Wang, Joan Chen, David Henry Hwang, Justin Lin, B.D. Wong, Nancy Kwan, Tsai Chin, Lisa Lu, James Hong, and Amy Tan are among the storytellers who have wrestled with being the “other” in Hollywood. Non-Asian personalities are also featured to point out the controversy over portraying the Chinese in yellow-face. Two-time Oscar® winner Luise Rainer (Good Earth, 1937), character actor Christopher Lee (Fu Manchu, 1960-65), and 1940s matinee idol Turhan Bey (Dragon Seed, 1944) give first-hand recollections on being yellow on the silver screen.Hollywood Chinese is punctuated with a dazzling treasure trove of clips from over 90 movies, dating from 1890s paper prints up to the current new wave of Asian American cinema. Hollywood Chinese also unearths films long thought to be lost. During the documentary’s production, filmmaker Arthur Dong remarkably discovered two nitrate reels of what is now acknowledged as the first Chinese American film ever made, The Curse of Quon Gwon (1916). Directed and written by filmmaker Marion Wong, it is also one of the earliest films made by a woman and was recently placed on the National Film Registry by the Library of Congress.At once humorous, maddening, and inspiring, Hollywood Chinese weaves a rich and complicated tapestry, one marked by unforgettable performances and groundbreaking films, but also one tainted by a tangled history of race and representation.","stream","[]","[]","['Asian Americans', 'Asian Americans in motion pictures', 'Asians in motion pictures', 'Asian Americans in the motion picture industry', 'Stereotypes (Social psychology) in motion pictures']","['Feature films', 'Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009469xxx/1009469642/1009469642-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819197"
"asp3819195-marc","","Forbidden City, USA","","58 minutes","[]","It was the swinging 30s. The big bands of the 40s. It was San Francisco night life – Baghdad by the Bay. And the crowds were packing the nation’s premiere all-Chinese nightclub, Forbidden City. Like the Cotton Club of Harlem which featured America’s finest African American entertainers, Forbidden City gained an international reputation with its unique showcase of Chinese American performers in eye-popping all-American extravaganzas.Part That’s Entertainment and part PBS, Forbidden City, U.S.A. captures this little-known chapter of entertainment history and takes it center stage, featuring a cast of original nightclub performers. “The Chinese Sinatra”, “the Chinese Sophie Tucker”, and the “Chinese Sally Rand” are just some of the spirited personalities that strut their stuff and share triumphant and often side-splitting tales of adventures in the cabarets of yesteryear.Everyone knew about Chinese laundries and cooks. But a Chinese tap dancer? A Chinese jazz crooner? And for a Chinese girl to bare her legs in public? It was considered immoral by elders in the culturally isolated Chinatowns of the 1930s-40s.Forbidden City, U.S.A. looks beyond the cartoon characters of Rodgers and Hammerstein’s Broadway musical, Flower Drum Song (which was loosely based on the Forbidden City nightclub), to show a generation of Asian American pioneers who fought cultural barriers and racism to pursue their love of American song and dance. For the first time ever, original recordings and film performances long buried in studio vaults and private collections are highlighted alongside real life stories in this groundbreaking film.From ballroom dancers to bubble dancers, from “Some of These Days” to “How High the Moon,” it’s all here…with a new slant!","stream","[]","['California']","['Entertainers', 'Music-halls (Variety-theaters, cabarets, etc.)', 'Nightclubs', 'Asian Americans', 'Chinese Americans']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009469xxx/1009469641/1009469641-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819195"
"asp3819193-marc","","Coming out under fire","","73 minutes","[]","Coming Out Under Fire features nine gay and lesbian veterans who recount how they joined the patriotic war against fascism in the 1940s only to find themselves fighting two battles: one for their country and another for their right to serve. They first remember warm and entertaining stories of finding each other in a compulsory heterosexual environment and reminisce over tales of first love and deep friendships. Their good times were short-lived, however, as they became targets of newly created anti-homosexual policies which called for witch hunts, dehumanizing interrogations, involuntary psychiatric treatments, and the incarceration of suspected homosexuals into ""queer stockades."" The final humiliation was a dishonorable discharge which stripped a soldier of all veterans benefits as well as being officially branded a ""sex pervert"" for life. Coming Out Under Fire is based on the ground-breaking book by MacArthur ""Genius Grant"" recipient, Allan Bérubé, and integrates compelling on-camera interviews with declassified military documents and archival footage on sex education, mental health, prison compounds, and court martial hearings. It probes the origins of the military's anti-homosexual policy to document how pseudo-psychiatry, erroneous medical theory, and misplaced ethics masked a policy based on nothing short of prejudice. Coming Out Under Fire concludes with riveting scenes from 1993 U.S. Senate hearings which expose how the American government continues to justify and reaffirm it's 50-year-old system for persecuting homosexual service personnel. The final outcome: today's Congressionally mandated ""don't ask, don't tell"" compromise only serves to perpetuate the real problem - bigotry and the continued violation of gay and lesbian civil rights. Major funding for Coming Out Under Fire was provided by the Corporation for Public Broadcasting through the Independent Television Service. Additional funding was provided by the National Endowment for the Arts, the Los Angeles Cultural Affairs Department and the Edelman Family Fund.","stream","[]","['United States']","['Discrimination in the military', 'World War, 1939-1945', 'Gays', 'Gay military personnel']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009469xxx/1009469639/1009469639-disc001-file001-frame00405-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819193"
"asp3819160-marc","","Awaken. Raising our children. Season 2015, Episode 12","","58 minutes","['Awaken']","Stan Grant talks to experts in child welfare about why children are still being removed and what can be done to build stronger families.","stream","[]","['Australia']","['Indigenous peoples', 'Aboriginal Australians', 'Stolen generations (Australia)']","['Television programs', 'Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1009465xxx/1009465475/1009465475-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819160"
"asp3819158-marc","","Awaken. Big stories, small voices. Season 2015, Episode 13","","55 minutes","['Awaken']","Minority groups who have traditionally struggled for air and balance in mainstream media platforms are finding new and innovative ways to tell their stories.","stream","[]","['Australia']","['Indigenous peoples', 'Aboriginal Australians', 'Minorities in mass media']","['Television programs', 'Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1009465xxx/1009465474/1009465474-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819158"
"asp3819156-marc","","Awaken. Special from the Garma Festival 2016","","64 minutes","['Awaken']","Birthright: Stan Grant explores land, lore, economic prosperity and who really owns your backyard.","stream","[]","['Australia', 'Northern Territory']","['Indigenous peoples', 'Aboriginal Australians', 'Indigenous youth', 'Abused children']","['Television programs', 'Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1009465xxx/1009465473/1009465473-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819156"
"asp3819154-marc","","Awaken. The power. Election special 2016","","57 minutes","['Awaken']","Aboriginal and Torres Strait Islander people make up just fewer than 3% of the population. Could this election clear the path to a new era in Indigenous policy?","stream","[]","['Australia']","['Indigenous peoples', 'Aboriginal Australians', 'Elections', 'Political campaigns']","['Television programs', 'Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1009465xxx/1009465472/1009465472-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819154"
"asp3819152-marc","","Awaken. The extraordinary life of John Kinsela. Season 2016, Episode 9","","47 minutes","['Awaken']","This Aboriginal elder, Vietnam veteran and olympian has led an extraordinary life. John Kinsela grew up in Redfern with a Wiraduri father, Jawoyn mother and eight siblings, before a series of events led him to spending time in a boy’s home and leaving school at 14.","stream","['Kinsela, John']","['Australia']","['Indigenous peoples', 'Aboriginal Australians', 'Veterans', 'Olympic athletes']","['Television programs', 'Filmed interviews']","https://d3crmev290s45i.cloudfront.net/frames/1009465xxx/1009465471/1009465471-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819152"
"asp3819150-marc","","Awaken. Out of the box. Season 2016, Episode 8","","58 minutes","['Awaken']","In this panel episode of Awaken, Catherine Liddle examines how education providers are changing the schooling outcomes by focusing on what happens outside of the classroom.","stream","[]","['Australia']","['Teacher-student relationships', 'Teachers', 'Indigenous peoples', 'Education', 'Aboriginal Australians']","['Television programs', 'Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1009465xxx/1009465470/1009465470-disc001-file001-frame00465-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819150"
"asp3819148-marc","","Awaken. Round peg, square hole, the shape of education. Season 2015, Episode 14","","59 minutes","['Awaken']","If we're really serious about improving educational outcomes is it time to look at more flexibility in the schooling systems. Filmed on location at Bond University.","stream","[]","['Australia']","['Indigenous peoples', 'Aboriginal Australians', 'Schools', 'Education']","['Television programs', 'Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1009465xxx/1009465469/1009465469-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819148"
"asp3819146-marc","","Awaken. Talking country. Season 2015, Episode 11","","56 minutes","['Awaken']","Catherine Liddle talks to representatives from around the nation about the innate link between Indigenous people and their country and the remarkable lengths that they will take to protect it.","stream","[]","['Australia']","['Indigenous peoples', 'Aboriginal Australians', 'Environmental protection']","['Television programs', 'Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1009465xxx/1009465468/1009465468-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3819146"
"asp3810396-marc","","Ich, Kürbisgeist","","61 minutes","[]","Big Dance Theater's production of Ich, Kürbisgeist, written by Sibyl Kempson, is a theatrical piece of writing, but it is not a play in the usual sense. The language itself manifests the harsh landscape of a world facing destruction, populated by five crude people speaking a rigorous, specific, invented language. The characters are grounded in fear, absurd and doomed. They harvest pumpkin seeds; they sing; they dance; they reminisce. Their outrageous costumes, created by visual artist Suzanne Bocanegra, place us in an unspecified medieval European locale. Ich, Kürbisgeist, strangely comic, full of rawness, fragmentation, confusion, and superstition, is in the end a contemplation of language itself.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462945/1009462945-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810396"
"asp3810394-marc","","Short form. Stick, sled, slippers, hearth, bundle, ball","","91 minutes","[]","BIG DANCE: SHORT FORM is Big Dance Theater, distilled. BDT returns to its dance roots for its 25th anniversary celebration, theatrically re-imagining the conventions of a repertory program. Big Dance: Short Form presents the company's unique blend of dance-theater on an intimate scale, with a fifteen minute birthday party at its center. Intermission will never be the same. Inspired by disciplines of the concise -- novellas, folk tales, diary entries, pencil drawings, thumbnail sketches and the single page of a notebook -- Big Dance performs five distinct short works, each a New York premiere, that embrace the brief, granular, close range, anecdotal and microscopic. Downsizing is prized. Solos, duets and group work feature the beloved, veteran Big Dance performers who, under the artistic leadership of Annie-B Parson and Paul Lazar, have honed a distinctive performance style that has influenced the downtown scene in NYC for the last 25 years.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462944/1009462944-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810394"
"asp3810383-marc","Haydn, Joseph, 1732-1809, composer","Die Schöpfung. Oratorium","","121 minutes","[]","The Salzburg Festival summer of 1990 provided a wealth of artistic highlights. One of the very last highlights of the final weekend of the festival, however, was Riccardo Muti conducting Joseph Haydn's oratorio The Creation in the Grosses Festspielhaus - a matinee performance transmitted live in sound and pictures to Salzburg's Domplatz, where the rows of seats were crammed with music lovers from all over the world.","stream","[]","[]","['Oratorios', 'Creation']","['Filmed performances', 'Oratorios']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371378/1009371378-disc001-file001-frame00170-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810383"
"asp3810379-marc","Mozart, Wolfgang Amadeus, 1756-1791, composer","Don Giovanni. [Act 1]","","91 minutes","['Don Giovanni']","The opening of the Deutsche Oper Berlin on 24 September 1961 is always seen in the context of partition of Germany, cemented six weeks earlier, and the construction of the Berlin Wall. The coincidence of the two events did not go unnoticed in the many press reports at the time, with most citing remarks about the city's circumstances by the then Governing Mayor of Berlin, Willy Brandt: ""Having experienced more in the last few weeks than in an entire generation, a city divided by a wall of coercion and shame is once again making music, producing theatre, staging fine international exhibitions and can at last open the doors of its long-awaited new opera house."" For almost twenty years - since the destruction of the former ""Deutsches Opernhaus"" in November 1943 - Berlin had had to make do with a makeshift stage. Although already in the early stages of a terminal illness, Ferenc Fricsay conducted the inaugural performance. Fricsay died in 1963. Staged by Carl Ebert, the performance featured a cast of singers unparalleled to this day, including Dietrich Fischer- Dieskau in the title role, Elisabeth Grümmer and Pilar Lorengar as Donna Anna and Donna Elvira, Donald Grobe, who stepped in at short notice and built an international career on his performance, Walter Berry as Leporello and Erika Köth as Zerlina. The inaugural performance of Don Giovanni at the Deutsche Oper Berlin is available here for the first time on DVD. The recording of the dress rehearsal on 23 September 1961 was broadcast on German national television simultaneously with the premiere on 24 September.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371385/1009371385-disc001-file001-frame00160-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810379"
"asp3810378-marc","Mozart, Wolfgang Amadeus, 1756-1791, composer","Don Giovanni. 2. Akt","","86 minutes","['Don Giovanni']","The Deutsche Oper in Berlin had hardly opened on 24th September 1961 before it started preparing to celebrate its 50th anniversary. How was that possible? Had it entered into some sort of time warp? That might indeed have been possible for a theatre that in the past had devoted itself to Richard Wagner's works. But there was a simpler explanation: the Deutsche Oper Berlin had, in fact, originally opened on 7 November 1912 under the title of Deutsches Opernhaus.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371386/1009371386-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810378"
"asp3810372-marc","Verdi, Giuseppe, 1813-1901, composer","Don Carlos. [Part 1]","","79 minutes","['Don Carlos']","In 1964 Deutsche Oper Berlin still had no General Music Director. But Artistic Director Gustav Rudolf Sellner made a virtue out a necessity and - in addition to the permanent conductor Heinrich Hollreiser and the regular guest conductor Karl Böhm - brought in further conductors from home and abroad for individual productions. For ""Don Carlos"" he invited Wolfgang Sawallisch, who since 1957 had been making a name for himself at the Bayreuth Festival, above all with ""Tannhäuser"" and the ""Flying Dutchman"" and since 1960 had been acting General Music Director in Hamburg. He had at his disposal an ensemble of outstanding soloists. In addition to Josef Greindl and Dietrich Fischer-Dieskau, they included James King in the title role, Pilar Lorengar, Martti Talvela, Patricia Johnson and Lisa Otto as the Voice from Heaven.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371387/1009371387-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810372"
"asp3810367-marc","Verdi, Giuseppe, 1813-1901, composer","Don Carlos. [Part 2]","","76 minutes","['Don Carlos']","In 1964 Deutsche Oper Berlin still had no General Music Director. But Artistic Director Gustav Rudolf Sellner made a virtue out a necessity and - in addition to the permanent conductor Heinrich Hollreiser and the regular guest conductor Karl Böhm - brought in further conductors from home and abroad for individual productions. For ""Don Carlos"" he invited Wolfgang Sawallisch, who since 1957 had been making a name for himself at the Bayreuth Festival, above all with ""Tannhäuser"" and the ""Flying Dutchman"" and since 1960 had been acting General Music Director in Hamburg. He had at his disposal an ensemble of outstanding soloists. In addition to Josef Greindl and Dietrich Fischer-Dieskau, they included James King in the title role, Pilar Lorengar, Martti Talvela, Patricia Johnson and Lisa Otto as the Voice from Heaven.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371388/1009371388-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810367"
"asp3810363-marc","Cimarosa, Domenico, 1749-1801, composer","Die heimliche Ehe. Komische Oper in zwei Akten","","122 minutes","[]","Staged by Gustav Rudolf Sellner, conducted by Lorin Maazel, with costumes by Filippo Sanjust and performed by the six soloists with consummate vocal elegance, Cimarosa's ""Die heimliche Ehe"" offers unalloyed pleasure, triggering a kind of ecstasy with its combination of delicacy and opulence and its refined humour. It brings out Cimarosa's musical mastery - but also the visual impact of the opera.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371390/1009371390-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810363"
"asp3810361-marc","","Teach yourself English. Part 3 & 4","","71 minutes","['Teach yourself English']","Lesson 1 - Subject Entries: Contractions (or the short forms of the verbs) Blends and Diagraphs, Discrepancies between speech and writing, the Object Pronouns. Lesson 2 - Subject Entries: The soft sound of C and G, Diphthongs (or Vowel Teams), Y and W acting as vowels, and Y and W acting as consonants, Sight words, Words and expressions commonly misused, Stress (or Accent) rules.","stream","[]","[]","['Reading', 'English language']","['Instructional films', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462679/1009462679-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810361"
"asp3810359-marc","","Teach yourself English. Part 1 & 2","","59 minutes","['Teach yourself English']","Lesson 1 - Subject Entries: The names and the sounds of the 26 letters of the English alphabet (the short and the long sound) The Subject Pronouns (or Personal Pronouns) Introduction to the parts of speech. The 26 letters of the alphabet acting as consonants and vowels. Lesson 2 - Subject Entries: The vowels and the three vowel rules - The A sound, when M or N follows A - Y and W behaving as vowels - Syllables - R controlled vowels -The vowel U not acting as a vowel in QU -Present simple of the auxiliary verb to be - English as a subject-verb-object language (SOV) Present simple negatives for questions and answers, using the verb to be.","stream","[]","[]","['Reading', 'English language']","['Instructional films', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462678/1009462678-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810359"
"asp3810357-marc","","Wings of wax","","24 minutes","[]","Jiří Kylián is a living legend. He is the creator of more than a hundred works, several of which form part of the repertories of some of the greatest dance centres in the world. This performance, Wings of Wax, was performed at Nederlands Dans Theatre.","stream","[]","[]","[]","['Filmed ballets']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462943/1009462943-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810357"
"asp3810347-marc","Korngold, Erich Wolfgang, 1897-1957, composer, librettist","Die tote Stadt. Oper in drei Bildern","","129 minutes","[]","In 1920s Germany, Erich Korngold's work was considered ""degenerate"" and banned. Eventually, in 1934, he left for Hollywood. There, he made a name for himself as a film composer and only rarely wrote great works for the stage. Many of his quite successful operas, composed between 1913 and 1927, stopped being performed after World War II. Among these was his perhaps most significant work, Die tote Stadt (""The Dead City""), which was performed again for the first time after a long hiatus in 1955 in Munich. Further productions followed. Nevertheless, Götz Friedrich's version of 1983 for the Deutsche Oper Berlin was only the fifth new production of the opera after 1945. Thanks to it, the work became established in the repertoires of many other opera houses, if only as a curiosity. In the production at the Deutsche Oper Berlin in 1983, James King, who debuted at the Deutsche Oper Berlin in 1961 and had a great interest in the role, starred as Paul; the internationally renowned singer Karan Armstrong as Marietta; and William Murray as Frank.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371392/1009371392-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810347"
"asp3810340-marc","Reimann, Aribert, composer","Die Gespenstersonate. Kammeroper","","89 minutes","[]","In September 1984, as part of the Berlin Festival Week, the Deutsche Oper Berlin staged the world premiere of German composer Aribert Reimann's opera ""Die Gespenstersonate"". Based on the drama by the Swedish writer August Strindberg, the chamber opera tells the story of a student, who muses about the inhabitants of a fancy-looking house. His crucial meeting with the Old Man pulls him into a world of intrigues, sickness, depression and murder.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371394/1009371394-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810340"
"asp3810338-marc","Blacher, Boris, 1903-1975, composer","Preussisches Märchen. Oper","","103 minutes","[]","On the surface it is a comic version of the ""Hauptmann von Köpenick"" story in which it is not the petty thief Wilhelm Voigt who carries off the prank but a respected member of society, the clerk Wilhelm Fadenkreutz. He is not a factory owner like Diederich Heßling, but definitely has many of the characteristics of the hero of ""Der Untertan"". Boris Blacher and Heinz von Cramer Cramer quickly realised that such a devastating critique of Germany's past would not be easy to stage, and they toned down the satirical text before presenting it to the intendant of the Städtische Oper, Heinz Tietjen.","stream","[]","[]","['Operas']","['Operas', 'Opera films']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371393/1009371393-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810338"
"asp3810332-marc","Rihm, Wolfgang, composer","Oedipus. Musiktheater","","104 minutes","[]","As one of the most versatile and best-known contemporary German composers, Wolfgang Rihm has always impressed and shocked with the powerful expressiveness of his music. And his ""Oedipus"", originally commissioned by the Deutsche Oper Berlin in 1987 has lost nothing of its musical impact over the years.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371395/1009371395-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810332"
"asp3810327-marc","Bruckner, Anton, 1824-1896, composer","The romantic symphony no. 4 in E♭","","82 minutes","[]","Maestro Celibidache (1912-96) was one of the most uncompromising figures in the music world, demanding three times as much rehearsal time as other conductors and with an ardent dislike of making recordings because he feared they misrepresented his musical intentions. This concert from the Herkulessaal in Munich captures one of the rare occasions on which he consented to a recording being made. He conducts the Munich Philharmonic Orchestra.","stream","[]","[]","['Symphonies']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009371xxx/1009371407/1009371407-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810327"
"asp3810192-marc","Verdi, Giuseppe, 1813-1901, composer","Othello","","134 minutes","[]","Verdi’s opera Othello in a sympathetic studio recording from the early years of television. The camera's roving eye lends Otto Schenk's production an intimacy which inspires a vocal and dramatic tour de force from Wolfgang Windgassen and Sena Jurinac in the roles of the tragic lovers Othello and Desdemona. Musical direction is in the hands of the great Verdi conductor Argeo Quadri. For unlike with other opera films, the producers in Vienna did not use playback but recorded each scene live. A further drawback was the fact that the television studios were too small to accommodate a full-size opera orchestra. The musicians and conductor were situated in an acoustically appropriate but geographically separate hall, linked to the film studio only by cables and monitors. This arrangement called for utmost concentration from all parties. The scenes were recorded live; editing technology as we know it today did not exist, so the work involved filming lengthy passages and repeating them as necessary. The very particular value of this video, now available to all fans of opera for the first time on DVD, is that it documents in convincing fashion the great German Verdi tradition - a tradition in which Othello has always maintained a leading position.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462941/1009462941-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810192"
"asp3810190-marc","Schoenberg, Arnold, 1874-1951, composer, librettist","Moses und Aron. Opernfragment in zwei Akten","","111 minutes","[]","Possibly Schoenberg's finest work, and certainly one that he held close to his heart, is his unfinished opera Moses und Aron. Even more than his play Der biblische Weg, Moses und Aron represents Schoenberg's finest attempt at meshing his philosophical ideas with his artistry. It is a work that can be approached on many different levels: as an example of his twelve-tone system, as a work of biblical commentary, or as an attempt to work out the problems facing the Jew in the modern world.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462940/1009462940-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810190"
"asp3810188-marc","Verdi, Giuseppe, 1813-1901, composer","Othello. Oper in 4 Akten","","150 minutes","[]","When Renata Tebaldi sang ""Desdemona"" in Verdi's Otello at London's Covent Garden in 1950, it was her first operatic performance outside Italy. It was also the role in which she made her last appearance on the opera stage, at the Metropolitan Opera New York in 1973. Between these two performances she made close to a hundred stage appearances as Desdemona, not to mention two studio recordings with Alberto Erede and Herbert von Karajan. It was Arturo Toscanini who coined for her the moniker ""voce d'angelo"" (voice of an angel). She made her highly acclaimed debut as ""Desdemona"" at the Metropolitan Opera in 1955 and from that moment on made New York the focus of her life. From there she made regular and extended concert tours all over the world, but opera appearances in Europe -- particularly northern Europe -- were extremely rare. Tebaldi visited Berlin on just two occasions. She gave a rapturously received concert in the Deutschlandhalle in May 1961. On that occasion she promised her fans she would return, and the Berliner Morgenpost even heard it ""rumoured"" she would appear in her classic role as Desdemona at the Deutsche Oper Berlin, which was about to reopen. This Otello production was planned as a media event from the outset, with cameras in attendance even at the preliminary rehearsal stage. Whereas the first performance took place before an invited audience on 30 August 1962 and was given over entirely to a TV recording by Sender Freies Berlin (SFB), the second performance was open to the opera-going public and was broadcast by SFB-Hörfunkprogramm.","stream","[]","[]","['Operas']","['Operas', 'Filmed operas']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462939/1009462939-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3810188"
"asp3809714-marc","","Growth of a nation. Manifest destiny. 4","","22 minutes","['Growth of a nation']","In the first half of the 19th century, Americans pushed westward across the Appalachians, the Mississippi River, and the Rocky Mountains, en route to the Pacific Ocean. The frontier experience shaped the American character. At the same time, land hunger, gold fever, and the pursuit of ""Manifest Destiny"" resulted in the removal of many American Indian nations, acquisition of vast swaths of Mexico through the Mexican-American War, and a painful debate over the expansion of slavery.","stream","[]","['United States']","['Mexican War, 1846-1848', 'Migration, Internal', 'Manifest Destiny']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462688/1009462688-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809714"
"asp3809712-marc","","Growth of a nation. Expansion and reform. 3","","26 minutes","['Growth of a nation']","Advances in manufacturing and transportation spurred a great economic expansion in the early 1900s. This fascinating process helped forge a national identity, but fueled growing regional tensions. The turbulent transformation spurred one of the greatest burst of reformism in American history. Countless reform movements reflected the compulsion of Americans to restore order to their increasingly complex world.","stream","[]","['United States']","['Antislavery movements', 'Economic development']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462687/1009462687-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809712"
"asp3809710-marc","","Growth of a nation. Democracy in America. 2","","30 minutes","['Growth of a nation']","President Andrew Jackson’s 1828 election was made possible by a groundswell in popular democracy. While white male suffrage spread throughout the states and into the newly developed territories. At the same time, women, free African-Americans, and American Indians were disenfranchised. The era witnessed the further organization of political parties, and with it, such innovations as political conventions and party platforms.","stream","['Monroe, James', 'Van Buren, Martin', 'Adams, John Quincy', 'Jackson, Andrew']","['United States']","['Missouri compromise', 'Suffrage']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462686/1009462686-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809710"
"asp3809708-marc","","Growth of a nation. Securing the republic. 1","","32 minutes","['Growth of a nation']","In the early years of the republic, partisan political infighting and external threats imperiled America’s experiment in democracy. Jefferson’s first election was called the “revolution of 1800” — while a real war (against an old foe) exploded in 1812. The United States survived and thrived during the era, adding to its territorial coffers and opening the vast unexplored land to the west.","stream","['Jefferson, Thomas', 'Madison, James']","['United States']","['Louisiana Purchase']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462685/1009462685-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809708"
"asp3809706-marc","","Global English. Episode 13","","33 minutes","['Global English']","Global English - Episode 13 Subject Entries: • Question words • Indirect questions• Use of the auxiliary verb ""to do"" in questions• Quantifiers • The noun: countable and uncountable nouns, plural and possessive nouns.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462677/1009462677-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809706"
"asp3809704-marc","","Global English. Episode 12","","30 minutes","['Global English']","Global English - Episode 12 Subject Entries:• The forms: ""be used to"", ""get used to"", ""used to"" • The complement • Possessive forms.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462676/1009462676-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809704"
"asp3809702-marc","","Global English. Episode 11","","33 minutes","['Global English']","Global English - Episode 11 Subject Entries:• The subjunctive mood• The forms ""there is"" and ""there are"" • Primary and modal auxiliaries can, must, have to, should, ought to, would 1, would 2, wish - would, would - rather and would - mind.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462675/1009462675-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809702"
"asp3809700-marc","","Global English. Episode 10","","37 minutes","['Global English']","Global English - Episode 10 Subject Entries: • Use of primary and modal auxiliaries, and use of verb phrases• Gerunds and infinitives• Gerunds and infinitives acting as direct object • Using possessives with gerunds• Gerunds and infinitives: review• Imperatives.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462674/1009462674-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809700"
"asp3809698-marc","","Global English. Episode 9","","37 minutes","['Global English']","Global English - Episode 9 Subject Entries: • Conditionals – Real and Unreal • Present, Past and Future Real Conditional • Present, Past and Future Unreal Conditional • Exceptions: other forms and conditional with modal verbs.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462673/1009462673-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809698"
"asp3809696-marc","","Global English. Episode 8","","37 minutes","['Global English']","Global English - Episode 8 Subject Entries:• Future continuous• Future perfect• Future perfect continuous • Use of present simple to express futurity• Use of present continuous to express futurity• The ""be to"" and ""be likely"" forms used to express futurity• Other modal verbs and structures used to express futurity.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462672/1009462672-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809696"
"asp3809694-marc","","Global English. Episode 7","","37 minutes","['Global English']","Global English - Episode 7 Subject Entries: • Demonstratives: pronouns: this, that, these, those; adjectives: this, that, these, those • Future tense (the nine forms)• ""Will"" and ""shall"" markers• Adverbs order with the ""will"" marker • Other usages of the ""will"" and ""shall"" markers.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462671/1009462671-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809694"
"asp3809692-marc","","Global English. Episode 6","","38 minutes","['Global English']","Global English - Episode 6 Subject Entries: • Present perfect 1, 2, 3 • Past simple • Past continuous • Past perfect • Regular and irregular verbs • Homophones and other confusing words.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462670/1009462670-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809692"
"asp3809690-marc","","Global English. Episode 5","","42 minutes","['Global English']","Global English - Episode 5 Subject Entries: • The soft sound of ""C"" and ""G""• Diphthongs (or vowel teams) • When ""Y"" and ""W"" act as vowels and when ""Y"" and ""W"" act as consonants • Sight words • Words and expressions commonly misused • Stress (or accent) rules.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462669/1009462669-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809690"
"asp3809688-marc","","Global English. Episode 4","","34 minutes","['Global English']","Listen, read, and write. Use common words when you practice the subject entries you learn. Use the same words and phrases when you speak and write. Don't think of your writing as a high level academic exercise. On the contrary, turn your writing into an extension of your speaking. Make short, clear, and effective sentences, using the most common words. If you make complicated sentences, you run the risk of making errors. To get your English right, simplify both your speech and your writing. If you practice writing, you will discover your language weaknesses, and will improve your overall skills. Read books, magazines, and newspapers. You will observe and develop the knowledge of what to look for. Then, write down in simple words what you've read. Writing is important for both native and non-native English speakers. Writing improves your ability to use the language. If you write, you think about the language, and think in the language.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462668/1009462668-disc001-file001-frame00120-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809688"
"asp3809686-marc","","Global English. Episode 3","","30 minutes","['Global English']","Global English - Episode 3 Subject Entries: • Contractions (for the short forms of the verbs) • Blends and diagraphs• Basic discrepancies between speech and writing• The object pronouns.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462667/1009462667-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809686"
"asp3809684-marc","","Global English. Episode 2","","30 minutes","['Global English']","Global English - Episode 2 Subject Entries: • The vowels:  - A, E, I, O, U - Y and W behaving as vowels  - The A sound, when M or N follows A  - Syllables and the three vowel-rules  - R controlled  - The vowel U not acting as a vowel in QU • Present simple of the auxiliary verb to be • English as a subject-verb-object language• Present simple negatives for questions and answers, using the verb to be.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462666/1009462666-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809684"
"asp3809682-marc","","Global English. Episode 1","","34 minutes","['Global English']","Global English helps English speakers and learners improve the clarity of their phonics, enhance the grammar of their spoken English, master the parts of speech, and boost their writing skills. The grammar of spoken English is VERY important, because good grammar enables us to clearly express our meaning. Still, if we are asked to talk about grammar, most of us feel rather fearful, because we either did not learn grammar in school, or we simply forgot the grammar rules we've learned. Throughout the program, we describe in brief subject rules entries that are integrated with parts of the grammar of spoken English. When we've set out brief rules, we did not mean to explain each individual grammatical term. We draw on general terms that are used in grammars of other languages, as well as in English. We looked at what we use the parts of speech for, when do we use them, and why. Our concept will make it easier for learners to get a better insight into the structure of the English language, which is very simple in essence.","stream","[]","[]","['English language']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462665/1009462665-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809682"
"asp3809680-marc","","Alan Smithee directed this play. Triple feature","","79 minutes","[]","Big Dance Theater directors Annie-B Parson and Paul Lazar sample fragments of iconic film scripts and novels, divorced from their narrative contexts, to create a kinetic collage of political rhetoric, pathos, paranoia, and suburbia. Lawn chairs, telephones, fur coats, and pistols mingle on a stage with Astronauts, Bolsheviks, and American nuclear families as revolutionary Moscow collides with late-20th-century Houston. Alan Smithee Directed This Play: Triple Feature contemplates the slippery nature of creative control, history, its fictions, and the inextricable link between the personal and the historical.","stream","[]","[]","[]","['Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1009462xxx/1009462659/1009462659-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809680"
"asp3809471-marc","","The little mermaid. A ballet","","119 minutes","[]","After making its triumphant U.S. Premiere and playing to sold-out houses this past season, John Neumeier's superlative work of dancetheater returns in 2011. Featuring an evocative score by Lera Auerbach, this heart-wrenching story of sacrifice and unrequited love comes to life against dazzling scenic, costume and lighting designs.","stream","[]","[]","['Ballets', 'Mermaids']","['Filmed ballets']","https://d3crmev290s45i.cloudfront.net/frames/1004734xxx/1004734307/1004734307-disc001-file001-frame00820-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809471"
"asp3809302-marc","","From Gothenburg Concert Hall with Carion Quintet. Grandes études de Paganini, no. 6","","11 minutes","['From Gothenburg Concert Hall with Carion Quintet']","The woodwinds quintet CARION, known as one of Europe's finest woodwind quintet, interacts in a very unusual direct way. It plays here Beethoven's Woodwind Sextett (rearranged for quintet) but also Nielsen's Woodwind Quintet, Montague's Bolt from the Blue, Liszt Grand Etudes by Paganini and Ibert's Three short pieces. A memorable concert ending perfectly with a sweet ""encore"" with Italian flair.","stream","[]","[]","['Wind quintets (Bassoon, clarinet, flute, horn, oboe), Arranged']","['Arrangements (Music)', 'Filmed performances', 'Chamber music']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251037/1009251037-disc001-file001-frame04170-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809302"
"asp3809291-marc","Beethoven, Ludwig van, 1770-1827, composer","From Gothenburg Concert Hall with Carion Quintet. Woodwind octet (rearranged for quintet)","","24 minutes","['From Gothenburg Concert Hall with Carion Quintet']","The woodwinds quintet CARION, known as one of Europe's finest woodwind quintet, interacts in a very unusual direct way. It plays here Beethoven's Woodwind Sextett (rearranged for quintet) but also Nielsen's Woodwind Quintet, Montague's Bolt from the Blue, Liszt Grand Etudes by Paganini and Ibert's Three short pieces. A memorable concert ending perfectly with a sweet ""encore"" with Italian flair.","stream","[]","[]","['Wind quintets (Bassoon, clarinet, flute, horn, oboe), Arranged']","['Arrangements (Music)', 'Filmed performances', 'Chamber music']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251037/1009251037-disc001-file001-frame02745-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809291"
"asp3809289-marc","Montague, Stephen, composer","From Gothenburg Concert Hall with Carion Quintet. Bolt from the blue","","5 minutes","['From Gothenburg Concert Hall with Carion Quintet']","The woodwinds quintet CARION, known as one of Europe's finest woodwind quintet, interacts in a very unusual direct way. It plays here Beethoven's Woodwind Sextett (rearranged for quintet) but also Nielsen's Woodwind Quintet, Montague's Bolt from the Blue, Liszt Grand Etudes by Paganini and Ibert's Three short pieces. A memorable concert ending perfectly with a sweet ""encore"" with Italian flair.","stream","[]","[]","['Wind quintets (Bassoon, clarinet, flute, horn, oboe)']","['Filmed performances', 'Chamber music']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251037/1009251037-disc001-file001-frame02435-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809289"
"asp3809285-marc","Nielsen, Carl, 1865-1931, composer","From Gothenburg Concert Hall with Carion Quintet. Woodwind quintet","","29 minutes","['From Gothenburg Concert Hall with Carion Quintet']","The woodwinds quintet CARION, known as one of Europe's finest woodwind quintet, interacts in a very unusual direct way. It plays here Beethoven's Woodwind Sextett (rearranged for quintet) but also Nielsen's Woodwind Quintet, Montague's Bolt from the Blue, Liszt Grand Etudes by Paganini and Ibert's Three short pieces. A memorable concert ending perfectly with a sweet ""encore"" with Italian flair.","stream","[]","[]","['Wind quintets (Bassoon, clarinets, flute, horn, oboe)']","['Filmed performances', 'Chamber music']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251037/1009251037-disc001-file001-frame00690-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809285"
"asp3809279-marc","Ibert, Jacques, 1890-1962, composer","From Gothenburg Concert Hall with Carion Quintet. Trois pièces brèves","","9 minutes","['From Gothenburg Concert Hall with Carion Quintet']","The woodwinds quintet CARION, known as one of Europe's finest woodwind quintet, interacts in a very unusual direct way. It plays here Beethoven's Woodwind Sextett (rearranged for quintet) but also Nielsen's Woodwind Quintet, Montague's Bolt from the Blue, Liszt Grand Etudes by Paganini and Ibert's Three short pieces. A memorable concert ending perfectly with a sweet ""encore"" with Italian flair.","stream","[]","[]","['Wind quintets (Bassoon, clarinet, flute, horn, oboe)']","['Filmed performances', 'Chamber music']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251037/1009251037-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3809279"
"asp3803043-marc","Gluck, Christoph Willibald, Ritter von, 1714-1787, composer","Le printemps du nouveau siècle. La plainte d'Orphee, extrait, Orphée et Eurydice","","4 minutes","['Le printemps du nouveau siècle']","Under Jean-Claude Casadesus' conduction, the Lille National Orchestra (ONL) will perform Le Sacre du Printemps, Stravinsky (36') in the 'Nouveau Siècle' concert hall in Lille, reopening with an improved acoustics.","stream","[]","[]","['Operas', 'Violin music, Arranged']","['Arrangements (Music)', 'Filmed performances', 'Operas', 'Excerpts']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251038/1009251038-disc001-file001-frame02735-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3803043"
"asp3803040-marc","Brahms, Johannes, 1833-1897, composer","Le printemps du nouveau siècle","","43 minutes","['Le printemps du nouveau siècle']","Under Jean-Claude Casadesus' conduction, the Lille National Orchestra (ONL) will perform Le Sacre du Printemps, Stravinsky (36') in the 'Nouveau Siècle' concert hall in Lille, reopening with an improved acoustics.","stream","[]","[]","['Concertos (Violin)']","['Concertos', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251038/1009251038-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3803040"
"asp3802981-marc","","Almost real. Connecting in a wired world","","47 minutes","[]","This documentary presents a few individuals for whom the Internet has become a way to connect with like-minded souls in surprising ways: a cyber punk based on an anti-aircraft rig in the English Channel who operates a rogue Web server, a monk developing ""wireless prayer technology,"" a ""gamer"" who re-creates himself in an online game, a retired couple living in an Internet-controlled seniors' complex and a divorcée who exchanges vows online with a man she's never met.","stream","[]","[]","['Internet', 'Computers']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1004904xxx/1004904660/1004904660-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3802981"
"asp3801678-marc","","Axé. Music of the people of a place","","115 minutes","[]","The documentary is a powerful trip through Brazilian origins and evolution of the most popular musical genre in the history of the nation. The story of Axé Music is a journey of identity, religion, rhythms, and an enthusiastic music full of life, dance, and fun. Axé is a musical tale that makes you want to shake your body, sing, and liberate.","stream","[]","['Bahia (Brazil : State)', 'Brazil']","['Popular music', 'Carnival']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009442xxx/1009442719/1009442719-disc001-file001-frame00190-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801678"
"asp3801532-marc","","The little things","","87 minutes","[]","THE LITTLE THINGS is an indie rom-com with a supernatural twist. It tells the story of Dee (Kathryn Beck), a woman who believes she has the gift to alter peoples destinies ... provided she never leaves her home. However, when her powers are threatened by the possibility of eviction, her only hope is Mitch (Chris Hillier), her first love and the first life she affected with her special gift. But he may not be so willing to help, when he finds out his entire life has been manipulated.","stream","[]","[]","['Fate and fatalism', 'Man-woman relationships']","['Feature films', 'Romantic comedy films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009426xxx/1009426370/1009426370-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801532"
"asp3801530-marc","","Regenerator","","92 minutes","[]","A plane containing a high classified government project crashes outside a small town in USA. Realizing the level of danger the government is trying to secretly fix the problem. As tension grows the situation gets out of control and civilians from the town are facing their worst nightmare.","stream","[]","[]","['Aircraft accidents', 'Genetic engineering']","['Feature films', 'Science fiction films', 'Action and adventure films']","https://d3crmev290s45i.cloudfront.net/frames/1009426xxx/1009426369/1009426369-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801530"
"asp3801526-marc","","That gal .. who was in that thing","","80 minutes","[]","You’ll know their faces, but do you know their names? They've played cops, lawyers, bosses, best friends, politicians and everything in between. In the sequel to “That Guy ... Who Was In That Thing,” follow 8 actresses as they detail their experiences in Hollywood with plastic surgery, race, sexism, nudity, recognition, double standards, age and family.","stream","[]","[]","['Character actors and actresses']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009425xxx/1009425918/1009425918-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801526"
"asp3801524-marc","","Kathleen Madigan. Madigan again","","65 minutes","[]","Comic Kathleen Madigan delivers new material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, her unparalleled love of John Denver and more.","stream","['Madigan, Kathleen']","[]","['Stand-up comedy', 'American wit and humor', 'Women comedians']","['Nonfiction television programs', 'Stand-up comedy routines', 'Televised stand-up comedy routines']","https://d3crmev290s45i.cloudfront.net/frames/1009425xxx/1009425916/1009425916-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801524"
"asp3801522-marc","","Iliza Shlesinger. Freezing hot","","72 minutes","[]","Smart and brazen comedian Iliza Shlesinger applies her fresh, laugh-out-loud perspective to the universal struggles between men and women.","stream","['Shlesinger, Iliza']","[]","['Stand-up comedy', 'American wit and humor', 'Women comedians']","['Nonfiction television programs', 'Stand-up comedy routines', 'Televised stand-up comedy routines']","https://d3crmev290s45i.cloudfront.net/frames/1009425xxx/1009425915/1009425915-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801522"
"asp3801520-marc","","Gary Gulman. In this economy?","","62 minutes","[]","In this stand-up special, money is a wellspring for the comedy of funnyman Gary Gulman, who aims darts at the überwealthy -- including Donald Trump.","stream","['Gulman, Gary']","[]","['Stand-up comedy', 'American wit and humor']","['Nonfiction television programs', 'Stand-up comedy routines', 'Televised stand-up comedy routines']","https://d3crmev290s45i.cloudfront.net/frames/1009425xxx/1009425914/1009425914-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801520"
"asp3801518-marc","","Ear buds. The podcasting documentary","","107 minutes","[]","Graham Elwood and Chris Mancini (The Comedy Film Nerds Podcast) wanted to find out why podcasters had such a deep personal connection with their audience. They went all over the country, and then even to Australia and Japan to interview fans and podcasters. From dealing with mental illness to battling cancer, the stories they heard were as surprising as they were inspirational.","stream","[]","[]","['Podcasters', 'Podcasting', 'Internet radio broadcasting', 'Webcasting', 'Multimedia communications']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009425xxx/1009425912/1009425912-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801518"
"asp3801516-marc","","Adventures in comedy","","80 minutes","[]","Featuring interviews with comedy legends Janeane Garofalo, Jim Gaffigan, Margaret Cho, and many more, this film shadows one comic’s (Tom McCaffrey) experiences doing stand-up and the harsh realities that come with following his dreams at any cost.","stream","[]","[]","['Comedians', 'Comedy']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009425xxx/1009425911/1009425911-disc001-file001-frame00045-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801516"
"asp3801262-marc","","We gotta get out of here","","78 minutes","[]","We Gotta Get Out Of Here is a feature length documentary that chronicles the journeys of five youth struggling to beat the odds as they navigate their way out of the foster care system in Los Angeles. The movie focuses individually on Mike, Ty, Tiffany, TeeJay, and Benson. All products of extremely abusive, violent, and drug infested childhoods, the film offers a sensitive and intimate look into their experience with the imploding California foster care system, their drive and inspiration to separate themselves from the status quo, and their desire to finally find a place they can call home.","stream","[]","['California']","['Foster children', 'Foster home care']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009418xxx/1009418437/1009418437-disc001-file001-frame00195-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801262"
"asp3801234-marc","Mozart, Wolfgang Amadeus, 1756-1791, composer","Pure Mozart. Clarinet concerto","","34 minutes","['Pure Mozart']","The Freiburger Barockorchester conquered the most famous international concert halls thanks to their mastery of historical instruments. The great Italian soloist Lorenzo Coppola plays Mozart's Clarinet Concerto on a replica of the clarinetto that Anton Stadler used for the Première. Christian Gerhaher, German Bariton, sings the well-known Mozart Arias, a vigorous version of Mozart's ""Paris"" symphony, No 31 and Contredance ""Les filles des malicieuses"".","stream","[]","[]","['Concertos (Clarinet)']","['Concertos', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251042/1009251042-disc001-file001-frame02180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801234"
"asp3801196-marc","Szymanowski, Karol, 1882-1937, composer","Valery Gergiev conducts the LSO in Brahms' Requiem and Szymanowski's Stabat Mater. Stabat Mater","","25 minutes","[""Valery Gergiev conducts the LSO in Brahms' Requiem and Szymanowski's Stabat Mater""]","Stabat Mater, featuring soprano Sally Matthews, mezzo-soprano Ekaterina Gubanova, bass-baritone Kostas Smoriginas, and the London Symphony Chorus, an austere, brooding work that stands in stark relief between the more colorful symphonies. These live audiophile recordings do credit to Szymanowski and his intensely wrought scores, and make a compelling case for including these neglected works in the standard repertoire.","stream","[]","[]","['Stabat Mater dolorosa (Music)', 'Choruses, Sacred (Mixed voices) with orchestra']","['Filmed performances', 'Sacred music']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324614/1009324614-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801196"
"asp3801194-marc","Grieg, Edvard, 1843-1907, composer","Suite from Peer Gynt","","48 minutes","[]","The Gothenburg Symphony, The National Orchestra of Sweden. In this classical music concert of Peer Gynt (originally written by the Norwegian Henrik Ibsen, as a theater play) the lovely Solveig's Song is interpreted by the soloist soprano, Klara Ek. This program including as well the famous In the Hall of the Mountain King is conducted by Alain Altinoglu, Music Director at La Monnaie in Brussels. Shot on The National Orchestra of Sweden in Goteborg's stage, this concert unveils a Gothenburg's Orchestra magnifying this Scandinavian story.","stream","[]","[]","['Songs (High voice) with orchestra', 'Suites (Orchestra)', 'Incidental music']","['Filmed performances', 'Suites', 'Incidental music']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251043/1009251043-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801194"
"asp3801192-marc","Moszkowski, Moritz, 1854-1925, composer","Marc-André Hamelin recital from Gothenburg. Waltz in E major","","17 minutes","['Marc-André Hamelin recital from Gothenburg']","Phenomenal pianist Marc-André Hamelin is a virtuoso in the true meaning of the word, paying as much attention to minute details as playing like thundering fireworks. Let's enjoy his art in two sonatas by secretive Russian Samuil Feinberg, Beethoven's finger-breaking Appassionata, an intimate nocturne by Maria Szymanowska, and in Schumann's monumental Fantasy. Concert Hall of the National Symphonic Orchestra of Sweden in Gothenburg.","stream","[]","[]","['Piano music', 'Waltzes']","['Filmed performances', 'Waltzes (Music)']","https://d3crmev290s45i.cloudfront.net/frames/1009251xxx/1009251053/1009251053-disc001-file001-frame05030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801192"
"asp3801134-marc","Brahms, Johannes, 1833-1897, composer","Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 4. Symphony no. 4 op. 98","","42 minutes","['Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 4']","Valery Gergiev conducts the LSO in Szymanowski and Brahms' Symphonies no. 4 plus Szymanowski's Violin Concerto no. 2.","stream","[]","[]","['Symphonies']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324604/1009324604-disc001-file001-frame03125-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801134"
"asp3801129-marc","Szymanowski, Karol, 1882-1937, composer","Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 4. Concerto for violin and orchestra no. 2 op. 61","","23 minutes","['Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 4']","Valery Gergiev conducts the LSO in Szymanowski and Brahms' Symphonies no. 4 plus Szymanowski's Violin Concerto no. 2.","stream","[]","[]","['Concertos (Violin)']","['Concertos', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324604/1009324604-disc001-file001-frame01755-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801129"
"asp3801121-marc","Ravel, Maurice, 1875-1937, composer","Simon Rattle and the London Symphony Orchestra, Ravel, Dutilleux, Delage. Daphnis and Chloe: suite no. 2. Daphnis et Chloe: suite no. 2","","26 minutes","['Simon Rattle and the London Symphony Orchestra, Ravel, Dutilleux, Delage']","This video of French music was chosen by Music Director Designate Sir Simon Rattle and features world class soloists Leonidas Kavakos and Julia Bullock.","stream","[]","[]","['Ballets', 'Suites (Orchestra)']","['Filmed performances', 'Ballets (Music)', 'Suites', 'Excerpts']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324612/1009324612-disc001-file001-frame04380-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801121"
"asp3801113-marc","Dutilleux, Henri, 1916-2013, composer","Simon Rattle and the London Symphony Orchestra, Ravel, Dutilleux, Delage. Métaboles","","12 minutes","['Simon Rattle and the London Symphony Orchestra, Ravel, Dutilleux, Delage']","This video of French music was chosen by Music Director Designate Sir Simon Rattle and features world class soloists Leonidas Kavakos and Julia Bullock.","stream","[]","[]","['Orchestral music']","['Filmed performances', 'Art music']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324612/1009324612-disc001-file001-frame03690-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801113"
"asp3801107-marc","Delage, Maurice, 1879-1961, composer","Simon Rattle and the London Symphony Orchestra, Ravel, Dutilleux, Delage. Four Hindu poems. Quatre poèmes hindous","","12 minutes","['Simon Rattle and the London Symphony Orchestra, Ravel, Dutilleux, Delage']","This video of French music was chosen by Music Director Designate Sir Simon Rattle and features world class soloists Leonidas Kavakos and Julia Bullock.","stream","[]","[]","['Songs (High voice) with orchestra']","['Art music', 'Songs', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324612/1009324612-disc001-file001-frame03000-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801107"
"asp3801101-marc","Dutilleux, Henri, 1916-2013, composer","Simon Rattle and the London Symphony Orchestra, Ravel, Dutilleux, Delage. The tree of dreams. L'arbre des songes","","27 minutes","['Simon Rattle and the London Symphony Orchestra, Ravel, Dutilleux, Delage']","This video of French music was chosen by Music Director Designate Sir Simon Rattle and features world class soloists Leonidas Kavakos and Julia Bullock.","stream","[]","[]","['Concertos (Violin)']","['Concertos', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324612/1009324612-disc001-file001-frame01365-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801101"
"asp3801090-marc","Ravel, Maurice, 1875-1937, composer","Simon Rattle and the London Symphony Orchestra, Ravel, Dutilleux, Delage. Le tombeau de Couperin","","20 minutes","['Simon Rattle and the London Symphony Orchestra, Ravel, Dutilleux, Delage']","This video of French music was chosen by Music Director Designate Sir Simon Rattle and features world class soloists Leonidas Kavakos and Julia Bullock.","stream","[]","[]","['Suites (Orchestra)']","['Filmed performances', 'Suites']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324612/1009324612-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801090"
"asp3801059-marc","Berlioz, Hector, 1803-1869, composer","Valery Gergiev conducts Berlioz's Symphonie fantastique with the London Symphony Orchestra. Symphonie fantastique op. 14","","64 minutes","[""Valery Gergiev conducts Berlioz's Symphonie fantastique with the London Symphony Orchestra""]","Featuring the acclaimed mezzo-soprano Karen Cargill, this triple header includes Hector Berlioz' Waverley Overture, Les nuits d'été and Symphonie fantastique. Valery Gergiev showcases his opulent interpretation of Berlioz' landmark piece Symphonie fantastique, the story of an artist's 'hopeless love', complete with waltzes, witches and a hallucinogenic nightmare.","stream","[]","[]","['Symphonic poems']","['Symphonic poems', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324596/1009324596-disc001-file001-frame02915-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801059"
"asp3801058-marc","Berlioz, Hector, 1803-1869, composer","Valery Gergiev conducts Berlioz's Symphonie fantastique with the London Symphony Orchestra. Les nuits d'été op. 7","","34 minutes","[""Valery Gergiev conducts Berlioz's Symphonie fantastique with the London Symphony Orchestra""]","Featuring the acclaimed mezzo-soprano Karen Cargill, this triple header includes Hector Berlioz' Waverley Overture, Les nuits d'été and Symphonie fantastique. Valery Gergiev showcases his opulent interpretation of Berlioz' landmark piece Symphonie fantastique, the story of an artist's 'hopeless love', complete with waltzes, witches and a hallucinogenic nightmare.","stream","[]","[]","['Song cycles', 'Songs (Medium voice) with orchestra']","['Filmed performances', 'Song cycles']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324596/1009324596-disc001-file001-frame00870-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801058"
"asp3801057-marc","Berlioz, Hector, 1803-1869, composer","Valery Gergiev conducts Berlioz's Symphonie fantastique with the London Symphony Orchestra. Waverley ouverture op. 1","","12 minutes","[""Valery Gergiev conducts Berlioz's Symphonie fantastique with the London Symphony Orchestra""]","Featuring the acclaimed mezzo-soprano Karen Cargill, this triple header includes Hector Berlioz' Waverley Overture, Les nuits d'été and Symphonie fantastique. Valery Gergiev showcases his opulent interpretation of Berlioz' landmark piece Symphonie fantastique, the story of an artist's 'hopeless love', complete with waltzes, witches and a hallucinogenic nightmare.","stream","[]","[]","['Overtures']","['Overtures', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324596/1009324596-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801057"
"asp3801055-marc","Stravinsky, Igor, 1882-1971, composer","Simon Rattle and the London Symphony Orchestra, Webern, Berg, Ligeti, Stravinsky. The rite of Spring. Le sacre du printemps","","38 minutes","['Simon Rattle and the London Symphony Orchestra, Webern, Berg, Ligeti, Stravinsky']","Canadian soprano Barbara Hannigan brings her phenomenal coloratura voice to bear on three bravura arias from Ligeti's opera Le grand macabre and three extracts featuring Marie, the doomed heroine of Berg's Wozzeck. The 'dazzling diamonds' of Webern's Six Orchestral Pieces and Stravinsky's The Rite of Spring, a century old but still fresh as paint, open and conclude this tremendous programme, conducted by Sir Simon Rattle.","stream","[]","[]","['Ballets', 'Orchestral music']","['Filmed performances', 'Ballets (Music)']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324613/1009324613-disc001-file001-frame03755-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801055"
"asp3801051-marc","Ligeti, György, 1923-2006, composer","Simon Rattle and the London Symphony Orchestra, Webern, Berg, Ligeti, Stravinsky. Mysteries of the macabre. Mystère du macabre","","11 minutes","['Simon Rattle and the London Symphony Orchestra, Webern, Berg, Ligeti, Stravinsky']","Canadian soprano Barbara Hannigan brings her phenomenal coloratura voice to bear on three bravura arias from Ligeti's opera Le grand macabre and three extracts featuring Marie, the doomed heroine of Berg's Wozzeck. The 'dazzling diamonds' of Webern's Six Orchestral Pieces and Stravinsky's The Rite of Spring, a century old but still fresh as paint, open and conclude this tremendous programme, conducted by Sir Simon Rattle.","stream","[]","[]","['Songs (High voice) with orchestra']","['Filmed performances', 'Art music', 'Songs']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324613/1009324613-disc001-file001-frame03115-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801051"
"asp3801047-marc","Berg, Alban, 1885-1935, composer","Simon Rattle and the London Symphony Orchestra, Webern, Berg, Ligeti, Stravinsky. Three fragments from ""Wozzeck"", op. 7. Trois fragments de ""Wozzeck"" op. 7","","22 minutes","['Simon Rattle and the London Symphony Orchestra, Webern, Berg, Ligeti, Stravinsky']","Canadian soprano Barbara Hannigan brings her phenomenal coloratura voice to bear on three bravura arias from Ligeti's opera Le grand macabre and three extracts featuring Marie, the doomed heroine of Berg's Wozzeck. The 'dazzling diamonds' of Webern's Six Orchestral Pieces and Stravinsky's The Rite of Spring, a century old but still fresh as paint, open and conclude this tremendous programme, conducted by Sir Simon Rattle.","stream","[]","[]","['Operas']","['Filmed performances', 'Operas', 'Excerpts']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324613/1009324613-disc001-file001-frame01805-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801047"
"asp3801035-marc","Webern, Anton, 1883-1945, composer","Simon Rattle and the London Symphony Orchestra, Webern, Berg, Ligeti, Stravinsky. Six pieces op. 6. Six pièces pour orchestre op. 6","","15 minutes","['Simon Rattle and the London Symphony Orchestra, Webern, Berg, Ligeti, Stravinsky']","Canadian soprano Barbara Hannigan brings her phenomenal coloratura voice to bear on three bravura arias from Ligeti's opera Le grand macabre and three extracts featuring Marie, the doomed heroine of Berg's Wozzeck. The 'dazzling diamonds' of Webern's Six Orchestral Pieces and Stravinsky's The Rite of Spring, a century old but still fresh as paint, open and conclude this tremendous programme, conducted by Sir Simon Rattle.","stream","[]","[]","['Orchestral music']","['Filmed performances', 'Art music']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324613/1009324613-disc001-file001-frame00915-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801035"
"asp3801020-marc","Berlioz, Hector, 1803-1869, composer","Roméo & Juliette","","97 minutes","[]","Valery Gergiev and London Symphony Orchestra are joined by soloists Olga Borodina, Kenneth Tarver and Evgeny Nikitin for Berlioz Roméo et Juliette, recorded live at the Barbican Hall in November 2013.A large-scale 'symphonie dramatique', Roméo et Juliette was the fruit of the composer's dual fascination with Shakespeare and with the actress Harriet Smithson, whom he was later to marry. Using the story of the star-crossed lovers as a starting point, Shakespeare's passion and drama is deftly portrayed through his music, as well as through the abundance of lyrical poetry, written by French poet Émile Deschamps.","stream","[]","[]","['Symphonies']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324598/1009324598-disc001-file001-frame00200-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3801020"
"asp3800984-marc","","Bob, I'm really busy","","12 minutes","[]","impersonal (im-pur-son-al) adj. 1. Not influenced by, showing, or involving personal feelings. 2. Not existing as a person. Impersonal care can be subtle and unintentional ... Through five short trigger scenarios involving assistance for a person living with dementia, this video presents care situations that will open up discussion on how best to provide resident-specific support and assistance. Each brief scenario is designed to demonstrate the impact of a caregiver’s tone, actions, and level of sensitivity to the resident’s needs. This up-close-and-personal look at caregiving will give caregivers a chance to dissect and analyze how they provide care, and foster a deeper understanding of how to interact positively with persons living with dementia.","stream","[]","[]","['Older people', 'Dementia', 'Caregivers']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009413xxx/1009413816/1009413816-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800984"
"asp3800977-marc","Szymanowski, Karol, 1882-1937, composer","Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 4. Symphonie concertante. Symphony no. 4 op. 60","","26 minutes","['Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 4']","Valery Gergiev conducts the LSO in Szymanowski and Brahms' Symphonies no. 4 plus Szymanowski's Violin Concerto no. 2.","stream","[]","[]","['Symphonies (Piano with orchestra)']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324604/1009324604-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800977"
"asp3800967-marc","Szymanowski, Karol, 1882-1937, composer","Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 3. Song of the night. Symphony no. 3 op. 27","","27 minutes","['Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 3']","Valery Gergiev conducts the LSO in Szymanowski and Brahms' Symphonies no. 3 and Brahms's Variation on a theme by Haydn.","stream","[]","[]","['Songs (High voice) with orchestra', 'Symphonies']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324603/1009324603-disc001-file001-frame03700-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800967"
"asp3800957-marc","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975, composer","Michael Tilson-Thomas and the London Symphony Orchestra with Yuja Wang, Matthews, Gerswin, Shostakovich. Symphonie no. 5","","53 minutes","['Michael Tilson-Thomas and the London Symphony Orchestra with Yuja Wang, Matthews, Gerswin, Shostakovich']","The LSO's Principal Guest Conductor Michael Tilson Thomas celebrates his 70th birthday with a concert featuring a selection of significant pieces from his career spanning Britain, Russia, and his native U.S.A. The London Symphony Orchestra create a vast aural landscape in Shostakovich 5th symphony, on which the conductor himself presented an hour-long episode of the television documentary Keeping Score. Sensational young Chinese pianist Yuja Wang joins the orchestra in Gershwin's popular Concerto, a piece roughly contemporary to Shostakovich's first Symphonic works, where the contrast between a playful, jazz-infused American style and Shostakovich's hollow celebration of the USSR is most evident.   Hidden Variables emerged from Colin Matthews' time as an Associate Composer with the Orchestra; Originally a work for chamber ensemble, Tilson Thomas commissioned the transcription of this piece for orchestra jointly between the London Symphony Orchestra and his New World Symphony, giving both the European and American premieres in 1992.","stream","[]","[]","['Symphonies']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324606/1009324606-disc001-file001-frame03310-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800957"
"asp3800954-marc","Gershwin, George, 1898-1937, composer","Michael Tilson-Thomas and the London Symphony Orchestra with Yuja Wang, Matthews, Gerswin, Shostakovich. Concerto in F. Concerto en Fa","","38 minutes","['Michael Tilson-Thomas and the London Symphony Orchestra with Yuja Wang, Matthews, Gerswin, Shostakovich']","The LSO's Principal Guest Conductor Michael Tilson Thomas celebrates his 70th birthday with a concert featuring a selection of significant pieces from his career spanning Britain, Russia, and his native U.S.A. The London Symphony Orchestra create a vast aural landscape in Shostakovich 5th symphony, on which the conductor himself presented an hour-long episode of the television documentary Keeping Score. Sensational young Chinese pianist Yuja Wang joins the orchestra in Gershwin's popular Concerto, a piece roughly contemporary to Shostakovich's first Symphonic works, where the contrast between a playful, jazz-infused American style and Shostakovich's hollow celebration of the USSR is most evident.   Hidden Variables emerged from Colin Matthews' time as an Associate Composer with the Orchestra; Originally a work for chamber ensemble, Tilson Thomas commissioned the transcription of this piece for orchestra jointly between the London Symphony Orchestra and his New World Symphony, giving both the European and American premieres in 1992.","stream","[]","[]","['Concertos (Piano)']","['Concertos', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324606/1009324606-disc001-file001-frame01060-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800954"
"asp3800953-marc","Matthews, Colin, composer","Michael Tilson-Thomas and the London Symphony Orchestra with Yuja Wang, Matthews, Gerswin, Shostakovich. Hidden variables","","14 minutes","['Michael Tilson-Thomas and the London Symphony Orchestra with Yuja Wang, Matthews, Gerswin, Shostakovich']","The LSO's Principal Guest Conductor Michael Tilson Thomas celebrates his 70th birthday with a concert featuring a selection of significant pieces from his career spanning Britain, Russia, and his native U.S.A. The London Symphony Orchestra create a vast aural landscape in Shostakovich 5th symphony, on which the conductor himself presented an hour-long episode of the television documentary Keeping Score. Sensational young Chinese pianist Yuja Wang joins the orchestra in Gershwin's popular Concerto, a piece roughly contemporary to Shostakovich's first Symphonic works, where the contrast between a playful, jazz-infused American style and Shostakovich's hollow celebration of the USSR is most evident.  Hidden Variables emerged from Colin Matthews' time as an Associate Composer with the Orchestra; Originally a work for chamber ensemble, Tilson Thomas commissioned the transcription of this piece for orchestra jointly between the London Symphony Orchestra and his New World Symphony, giving both the European and American premieres in 1992.","stream","[]","[]","['Orchestral music']","['Filmed performances', 'Art music']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324606/1009324606-disc001-file001-frame00195-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800953"
"asp3800942-marc","Brahms, Johannes, 1833-1897, composer","Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 3. Variations on a theme by Haydn op. 56a","","19 minutes","['Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 3']","Valery Gergiev conducts the LSO in Szymanowski and Brahms' Symphonies no.3 and Brahms's Variation on a theme by Haydn.","stream","[]","[]","['Variations (Orchestra)']","['Variations (Music)', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324603/1009324603-disc001-file001-frame02560-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800942"
"asp3800935-marc","Brahms, Johannes, 1833-1897, composer","Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 3. Symphony no. 3 op. 90","","40 minutes","['Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 3']","Valery Gergiev conducts the LSO in Szymanowski and Brahms' Symphonies no. 3 and Brahms's Variation on a theme by Haydn.","stream","[]","[]","['Symphonies']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324603/1009324603-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800935"
"asp3800928-marc","Brahms, Johannes, 1833-1897, composer","Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 2. Symphony no. 2 op. 73","","94 minutes","['Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 2']","Valery Gergiev conducts the LSO in Szymanowski and Brahms' Symphonies no. 2 and Brahms' Tragic Overture.","stream","[]","[]","['Symphonies']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324602/1009324602-disc001-file001-frame02985-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800928"
"asp3800924-marc","Szymanowski, Karol, 1882-1937, composer","Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 2. Symphony no. 2","","31 minutes","['Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 2']","Valery Gergiev conducts the LSO in Szymanowski and Brahms' Symphonies no. 2 and Brahms' Tragic Overture.","stream","[]","[]","['Symphonies']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324602/1009324602-disc001-file001-frame01150-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800924"
"asp3800921-marc","Brahms, Johannes, 1833-1897, composer","Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 2. Tragic overture","","16 minutes","['Valery Gergiev conducts the LSO in Szymanowski and Brahms Symphonies no. 2']","Valery Gergiev conducts the LSO in Szymanowski and Brahms' Symphonies no. 2 and Brahms' Tragic Overture.","stream","[]","[]","['Overtures']","['Overtures', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324602/1009324602-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800921"
"asp3800900-marc","Brahms, Johannes, 1833-1897, composer","Valery Gergiev conducts the LSO in Szymanowski and Brahms. Symphony no. 1 op. 68","","52 minutes","['Valery Gergiev conducts the LSO in Szymanowski and Brahms']","Szymanowski's First Symphony is drenched in the evocative Romanticism of the German orchestral masters, Wagner and Strauss, before him. Szymanowski's Violin Concerto No 1 draws inspiration from the Polish poem Noc Majowa (Night Gathering): 'fireflies kiss the wild rose - while death flickers over the pond and plays a wanton song'. 20 years in the making, Brahms' First Symphony was one of the most eagerly awaited in musical history.","stream","[]","[]","['Symphonies']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324600/1009324600-disc001-file001-frame02945-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800900"
"asp3800898-marc","Messiaen, Olivier, 1908-1992, composer","Simon Rattle and the London Symphony Orchestra, Messiaen and Bruckner. Couleurs de la cité céleste","","104 minutes","['Simon Rattle and the London Symphony Orchestra, Messiaen and Bruckner']","Sir Simon Rattle conducts Messiaen and Bruckner, two composers as united in their devotion to the Catholic faith as they are divergent in their approaches to writing music. First Messiaen, the voracious musical omnivore whose Couleurs de la cité céleste is a microcosm of his numerous preoccupations - from birdsong to the book of Revelations - set in a sequence of lively episodes performed by a reduced orchestra centred on the piano. This short piece sets the stage for Bruckner's monumental Eighth Symphony, a complete contrast with its grand scale and dramatic writing. It is performed here in the 1939 edition prepared by Austrian musicologist Robert Haas.","stream","[]","[]","['Piano with orchestra']","['Filmed performances', 'Art music']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324605/1009324605-disc001-file001-frame05255-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800898"
"asp3800897-marc","Bruckner, Anton, 1824-1896, composer","Simon Rattle and the London Symphony Orchestra, Messiaen and Bruckner. Symphony no. 8 (Robert Haas edition). Symphonie no. 8 (édition Robert Haas)","","85 minutes","['Simon Rattle and the London Symphony Orchestra, Messiaen and Bruckner']","Sir Simon Rattle conducts Messiaen and Bruckner, two composers as united in their devotion to the Catholic faith as they are divergent in their approaches to writing music. First Messiaen, the voracious musical omnivore whose Couleurs de la cité céleste is a microcosm of his numerous preoccupations - from birdsong to the book of Revelations - set in a sequence of lively episodes performed by a reduced orchestra centred on the piano. This short piece sets the stage for Bruckner's monumental Eighth Symphony, a complete contrast with its grand scale and dramatic writing. It is performed here in the 1939 edition prepared by Austrian musicologist Robert Haas.","stream","[]","[]","['Symphonies']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324605/1009324605-disc001-file001-frame00165-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800897"
"asp3800894-marc","Szymanowski, Karol, 1882-1937, composer","Valery Gergiev conducts the LSO in Szymanowski and Brahms. Symphony no. 1","","18 minutes","['Valery Gergiev conducts the LSO in Szymanowski and Brahms']","Szymanowski's First Symphony is drenched in the evocative Romanticism of the German orchestral masters, Wagner and Strauss, before him. Szymanowski's Violin Concerto No 1 draws inspiration from the Polish poem Noc Majowa (Night Gathering): 'fireflies kiss the wild rose - while death flickers over the pond and plays a wanton song'. 20 years in the making, Brahms' First Symphony was one of the most eagerly awaited in musical history.","stream","[]","[]","['Symphonies']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324600/1009324600-disc001-file001-frame02400-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800894"
"asp3800883-marc","Szymanowski, Karol, 1882-1937, composer","Valery Gergiev conducts the LSO in Szymanowski and Brahms. Violin concerto no. 1","","28 minutes","['Valery Gergiev conducts the LSO in Szymanowski and Brahms']","Szymanowski's First Symphony is drenched in the evocative Romanticism of the German orchestral masters, Wagner and Strauss, before him. Szymanowski's Violin Concerto No 1 draws inspiration from the Polish poem Noc Majowa (Night Gathering): 'fireflies kiss the wild rose - while death flickers over the pond and plays a wanton song'. 20 years in the making, Brahms' First Symphony was one of the most eagerly awaited in musical history.","stream","[]","[]","['Concertos (Violin)']","['Concertos', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324600/1009324600-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800883"
"asp3800469-marc","","D-humanos","","91 minutes","[]","A 63 años de la declaración universal de derechos humanos, nove directores argentinos deciden emprender una compleja tarea, reflejar el estado de estos derechos en su país. Los nueve cortometrajes que integran la película son reflejo de nuestro país y su gente, de nuestra idiosincrasia, problemáticas y anhelos.","stream","[]","['Argentina']","['Human rights']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1006939xxx/1006939799/1006939799-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800469"
"asp3800366-marc","","Gainsbourg. Vie héroïque","","122 minutes","[]","Taking the best from La Vie En Rose and Amelie, renowned comic book artist Joann Sfar's Gainsbourg: A Heroic Life is a completely original take on one of France's greatest mavericks, the illustrious and infamous Jewish singer-songwriter, Serge Gainsbourg (Eric Elmosnino). Born Lucien Ginsburg to Russian-Jewish parents, Sfar follows him from his precocious childhood in Nazi-occupied Paris, to his beginnings as small time jazz musician and, finally, pop superstar. Along the way he romances many of the era's most beautiful women, including Juliette Greco (Anna Mouglalis), Brigitte Bardot (Laetitia Casta) and Jane Birkin (Lucy Gordon). Employing a witty, surrealistic style and a soundtrack that includes many of the musician's greatest hits, Gainsbourg: A Heroic Life is a quintessential time capsule from 1960s Paris.","stream","['Gainsbourg, Serge']","['France']","['Lyricists', 'Singers']","['Feature films', 'Biographical films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009413xxx/1009413057/1009413057-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800366"
"asp3800364-marc","","The whirlwind of your passion. A philanthropist's dream","","8 minutes","[]","In director Barbara Willis Sweete's film, philanthropist James Fleck's own passion takes flight, with a little help from some of Canada's most prominent artists, including cellist Shauna Rolston, Shakespearean actor Albert Schultz, and prima ballerina Karen Kain. Under their expert guidance, Fleck gets to experience the tremendous sense of exultation that comes from playing Bach or mastering the waltz. This film was produced for the 2009 Governor General's Performing Arts Award.","stream","['Kain, Karen', 'Schultz, Albert', 'Rolston, Shauna', 'Fleck, James D']","['Canada']","['Philanthropists', 'Arts, Canadian', ""Governor General's Awards in Visual and Media Arts"", 'Arts']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009413xxx/1009413027/1009413027-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800364"
"asp3800362-marc","","The Masculine Mystique","","87 minutes","[]","This feature-length drama explores the changing role of men in today's society by delving into the stories of 4 men and their relationships with women. Blue, in his mid-30s, has spent his adult years searching for the right woman, without any luck. Alex, the same age as Blue, married with two small children, says he needs his freedom. He's having an affair. Mort and Ashley are both in their 40s, divorced with children. Mort has found someone new but she balks at a permanent relationship. Ashley, devastated by his divorce, is unwilling to risk a new commitment.","stream","[]","[]","['Mate selection', 'Interpersonal relations', 'Men', 'Man-woman relationships']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009413xxx/1009413026/1009413026-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800362"
"asp3800360-marc","","Remember Africville","","35 minutes","[]","This short film depicts Africville, a small black settlement that lay within the city limits of Halifax, Nova Scotia. In the 1960s, the families there were uprooted and their homes demolished in the name of urban renewal and integration. More than 20 years later, the site of the community of Africville is a stark, under-utilized park. Former residents, their descendants and some of the decision-makers speak out and, with the help of archival photographs and films, tell the story of that painful relocation.","stream","[]","['Africville (Halifax, N.S.)', 'Nova Scotia', 'Halifax (N.S.)']","['Urban policy', 'Blacks']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009413xxx/1009413025/1009413025-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800360"
"asp3800358-marc","","Mr. Nobody","","36 minutes","[]","This short documentary tells the story of Jack Huggins, a 65-year-old man who was removed from his home and certified incompetent when he failed to comply with a Health Department order to clean up his living quarters. Jack felt that he was being treated ""like Mr. Nobody. Just Mr. Nobody out on the street."" Do mentally competent elders have the right to neglect themselves? Does the state have an obligation to intervene?","stream","['Huggins, Jack']","['Canada']","['Older people', 'Preventive health services for older people']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009413xxx/1009413024/1009413024-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800358"
"asp3800350-marc","","Blue Vanguard","","60 minutes","[]","A film made for the United Nations to chronicle its role in restoring peace in the Middle East after the Suez Crisis of October 1956.","stream","['United Nations', 'United Nations Emergency Force']","['Suez Canal (Egypt)', 'Egypt', 'Israel']","['Sinai Campaign, 1956']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009413xxx/1009413020/1009413020-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800350"
"asp3800348-marc","","Between the laughter","","44 minutes","[]","This feature-length documentary looks at Stephen O'Keefe, a deaf, stand-up comedian. Faced with the usual challenges that life presents - marriage, children, and career - Stephen works extra hard just to be able to hear (with the aid of a cochlear implant) and communicate with those around him. While many hearing-impaired people find life isolating, Stephen embraces the spotlight and chooses to step forward and entertain people.","stream","[""O'Keefe, Stephen""]","['Canada']","['Comedians', 'Deafness']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009413xxx/1009413019/1009413019-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800348"
"asp3800346-marc","","A time there was. Stories from the last days of Kenya Colony","","88 minutes","[]","This autobiographical documentary revisits the Mau Mau Rebellion of the 1950s. More than 50 years after the conflict, in which the director participated as a young British soldier stationed in Kenya for his national service, he confronts his past with audacity and unflinching self-inquiry. Combining McWilliams' own photographic record of the times with original animation and archival imagery, A Time There Was crafts a thoughtful account of the Mau Mau Rebellion – one of the most contentious episodes in Britain’s imperial endgame.","stream","[]","['Great Britain', 'Kenya']","['National liberation movements']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009413xxx/1009413018/1009413018-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800346"
"asp3800344-marc","","A house divided. Caregiver stress and elder abuse","","36 minutes","[]","Through 4 moving portraits, this short documentary sheds light on the tragedy of caregiver stress and elder abuse. The abuse takes many forms, ranging from wilful neglect and financial exploitation to physical assault. The film portrays the emotional complexity of family relationships that can lead to abuse of the elderly, the anguish and isolation of its victims, and the need for community understanding and support.","stream","[]","[]","['Older people', 'Abused elderly', 'Caregivers']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009413xxx/1009413017/1009413017-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800344"
"asp3800338-marc","","The great romances of the twentieth century. King Juan Carlos & Queen Sofia. [Series 1, Episode 14]","","27 minutes","['The great romances of the twentieth century']","This documentary, directed by Jonathan Martin, is about great romances of the 20th century, featuring Spain's King Juan Carlos and Greece's Queen Sofia.","stream","['I', 'Queen, consort of Juan Carlos I, King of Spain', 'Sofía', 'King of Spain', 'Juan Carlos']","['Spain']","['Royal couples']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1004962xxx/1004962726/1004962726-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3800338"
"asp3799817-marc","","Positive images of aging","","55 minutes","[]","Positive Images of Aging is a compilation that gives you access to 14 different video segments, 3-5 minutes in length, that each reflect on a positive image of aging. Because they are chaptered, you have instant access to any of the 14 segments. Show one or more of them to clients or incorporate them into a PowerPoint presentation. Chapters include: 1. Changing Perceptions of Aging. 2. Positive Adjustment as We Age. 3.  Intimacy in the Elder Years. 4. Family Ties, Grandparenting and Mentoring. 5. Foster Grandparents. 6. Wisdom and Courage in Elderhood. 7. Creative Aging. 8. Beauty in Aging. 9. Spirited Senior Softball. Plus 5 bonus Features on Longevity. 10. Genetics Versus Lifestyle. 11. Diet and Exercise. 12. Calorie Restriction. 13. Aging Statistics. 14.  A Visit with Centenarians.","stream","[]","[]","['Older people', 'Aging']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009412xxx/1009412391/1009412391-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799817"
"asp3799815-marc","","Person-centered dementia care. Stories and examples","","31 minutes","[]","Through hands-on stories and examples, this chaptered video shows the positive impact of person-centered care. When caregivers meet persons with dementia 'where they are' and find creative and engaging ways to connect with each individual, based on their needs and preferences, life is better for both residents and staff. The video includes the case study of Elaine, a resident who, for extended periods of time, attempts to leave the facility and go home. By pinpointing the importance of knowing the resident, it shows how her 'exit-seeking' behavior is addressed and managed in the context of who she is and what she needs at that particular time. The video also shows how to make life richer for the residents who have dementia by: personalizing their dining experience; encouraging use of remaining abilities; engaging them in creative activities. Chapters include: Know the Resident. Person-Centered Dining. Summer Camp. Pets. Duet Bike. ","stream","[]","[]","['Older people', 'Dementia', 'Patient-centered health care']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009412xxx/1009412390/1009412390-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799815"
"asp3799813-marc","","More than words","","25 minutes","[]","In the same vein as the best-selling title, Choice and Challenge: Caring for Aggressive Older Adults Across Levels of Care, this new culture-changing video demonstrates (though real interactions) how person-centered care and knowledge of the resident can reduce dementia-related episodes, such as, sundowning and aggressive-protective reactions when bathing, and wanting to leave. As it pinpoints the crucial role of the CNA as caregiver and friend, it also shows the importance of communicating directly, and creating a true ""relationship"" with persons with dementia. Caregivers will learn valuable tips to redirect and lessen anxieties for persons with dementia while preserving their personal autonomy and dignity. The video covers: Building and maintaining a relationship. Dealing with difficult situations. Communicating to show respect. Accepting their reality. Respecting the person’s preferences. Encouraging use of remaining abilities. A must-see for new and veteran caregivers!","stream","[]","[]","['Older people', 'Dementia', 'Caregivers']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009412xxx/1009412389/1009412389-disc001-file001-frame00095-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799813"
"asp3799811-marc","","Learning to speak Alzheimer's","","33 minutes","[]","Applying the basic concepts of habilitation (which is simply caregiving that embraces the remaining abilities of the person with dementia), the video shows how to create a suitable environment in which the person can lead a quality life through proactive adjustments. The practical information in this video will enhance the physical, psycho-social, and sensory world of the person with Alzheimer's. Caregivers will learn how to: communicate better with persons with Alzheimer's; reduce emotional or aggressive-protective reactions by identifying and removing frustration triggers; engage the person in life-enriching activities that promote positive memories, and boost emotional stability and self-esteem. Ideal for nursing homes, assisted living, hospital, and home settings. A must see for all Alzheimer's caregivers!","stream","[]","[]","['Caregivers', ""Alzheimer's disease""]","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009412xxx/1009412388/1009412388-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799811"
"asp3799809-marc","","I'll be there for you. Providing person-centered dementia care","","29 minutes","[]","This chaptered video shows how to make a hands-on shift to person-centered dementia care that engages the whole person and creates a support system based on each resident's needs and preferences. From natural wake-ups to music therapy, the video looks at the benefits of involving residents in their care as much as possible, finding ways to help them to ""continue"" living life the way they prefer, and engaging them in personalized activities that boost self-esteem and interaction. It also empowers nursing assistants to act upon (and communicate to other team members) their first-hand knowledge of each resident to ensure a better understanding of their care needs.Chapters: Person-Centered Dementia Care. Natural Wake-ups. iPod Music Program. Person-Centered Care: The Bottom Line.An excellent ""going forward"" resource to improve quality of care for both residents and staff.","stream","[]","[]","['Older people', 'Dementia', 'Patient-centered health care']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009412xxx/1009412387/1009412387-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799809"
"asp3799807-marc","","Dementia with dignity","","59 minutes","[]","Caring for a person with Alzheimer's or dementia calls for more than basic protection and physical care. Dementia With Dignity is a one hour training video, geared to both professional and family caregivers, which shows that quality of life can be greatly enhanced for persons with dementia when caregivers: understand the varied effects of dementia; learn how to communicate and respond to the specialized needs of the person behind the illness; strengthen and encourage use of the remaining skills the person has in order to build self-esteem and stimulate intellectual abilities. The video also looks at the importance of creating a safe environment for the person with dementia, and gives practical strategies for dealing with many of the effects of dementia, including combative or uninhibited behavior, sleeplessness, wandering, delusions, and anxiety.","stream","[]","[]","['Dementia']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009412xxx/1009412386/1009412386-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799807"
"asp3799805-marc","","At the breaking point. Emotions and ethics in family caregiving","","47 minutes","[]","This new compilation video gets to the emotional and ethical core of family caregiving. It offers short video excerpts, (3- to 8-minutes each) that reflect on several crucial aspects of family caregiving - from the effects of Alzheimer's on the spousal relationship to the right to die with dignity. Each excerpt shows real families in the midst of dealing with real challenges. Handled with unprecedented candor, each chapter provides a trigger for further discussion of the topic. Each short video also provides a way to help others acknowledge and address the specific challenges involved in caring for a loved one. The video is chaptered for easy access to a specific topic, and can be incorporated into a Power-Point presentation. Chapters: A Couple Faces Alzheimer's. A Family Faces Alzheimer's: The Nursing Home Decision. Giving Up The Keys: Driving And Dementia. Complaints Of A Dutiful Daughter. The Struggle Over Independence. A Daughter's Anguish. Dying With Dignity At Home.","stream","[]","[]","['Older people', 'Caregivers', ""Alzheimer's disease""]","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009412xxx/1009412385/1009412385-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799805"
"asp3799803-marc","","A thousand tomorrows. Intimacy, sexuality and Alzheimer's","","32 minutes","[]","One of the major changes that Alzheimer's disease brings to a special relationship is how it affects intimacy and sexuality. Through candid interviews with spouse caregivers and where possible, the spouses who have Alzheimer's this video explores issues such as: blurring of roles between caregivers and intimate partner as the need for caregiving increases; changes in behavior that affects intimacy between the partners; changes in sexual attraction between the partners. The video opens up sensitive and sometimes taboo issues surrounding intimacy, sexuality, and Alzheimer's disease so that those couples and individuals dealing with these issues can feel more free to talk about them in support groups or with professionals.","stream","[]","[]","['Sex (Psychology)', 'Caregivers', ""Alzheimer's disease""]","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009412xxx/1009412384/1009412384-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799803"
"asp3799801-marc","","Dem dry bones","","39 minutes","[]","This play, written by J. E. Franklin, was presented at Harlem's Uptown Renaissance Restaurant with discussion after the play with the restaurant audience.","stream","[]","[]","['Race relations', 'Dead']","['Filmed plays']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401352/1009401352-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799801"
"asp3799701-marc","","El antillano","","82 minutes","[]","Un documental sobre el icónico revolucionario puertorriqueño, Ramón Emeterio Betances, que nos lleva a una viaje a Francia, Cuba, República Dominicana, Haití y Puerto Rico. Betances vivió y influyó revolucionarios importantes en todos estos países. A pesar de su importancia, es más conocido en el estranjero de que en su propio país.","stream","['Betances, Ramón Emeterio']","['West Indies', 'Puerto Rico']","['Politicians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007176xxx/1007176116/1007176116-disc001-file001-frame00285-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799701"
"asp3799697-marc","","De luna a luna","","12 minutes","[]","De luna a luna cuenta el día a día de dos mujeres colombianas: una mujer indígena guambiana y una afrodecendiente cortera de caña. Por medio de sus historias, el documental intenta visibilizar el exceso de trabajo que recae en las mujeres que a la vez son madres, trabajadoras, campesinas, cabezas de familia y que no cuentan con protección social.","stream","[]","['Colombia']","['Women plantation workers']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007155xxx/1007155033/1007155033-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799697"
"asp3799693-marc","","Pegada ecológica","","27 minutes","[]","Con el fin de medir el impacto del consumo de cada individuo en el planeta, el programa invita a los consumidores a seguir el camino que un determinado producto viajó antes de que llegue a sus manos: desde los lugares donde se ubican las materias primas a los que participan en su transformación. A fim de medir o impacto do consumo de cada indivíduo no planeta, o programa convida os consumidores a seguir o mesmo caminho que um determinado produto viajou antes que ele atinja suas mãos: a partir dos locais onde as matérias-primas estão localizadas até aos envolvidos na sua transformação. ","stream","[]","[]","['Sustainability', 'Human ecology', 'Economic development', 'Environmental impact analysis']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1006940xxx/1006940500/1006940500-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799693"
"asp3799670-marc","","A Quechua village in the Andes","","24 minutes","[]","This video, narrated and produced by Bernardo Vallejo, features an examination of life and customs in a Quechua village in the Andes.","stream","[]","['Andes', 'Bolivia']","['Quechua Indians', 'Manners and customs']","['Documentary films', 'Ethnographic films']","https://d3crmev290s45i.cloudfront.net/frames/1009412xxx/1009412392/1009412392-disc001-file001-frame01000-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799670"
"asp3799536-marc","","Renaud Garcia-Fons. Solo: the Marcevol concert","","60 minutes","[]","Renaud Garcia-Fons is one of the greatest double bass virtuosos, mixing influences from classical music to flamenco, jazz & Middle Eastern flavors. Combining the highest level of dexterity with freedom & creativity, he is a genius revolutionizing how double bass is conceived, played and perceived.","stream","[]","[]","['Double bass music', 'Electronic music', 'Double bass music (Jazz)']","['Concert films']","https://d3crmev290s45i.cloudfront.net/frames/1009412xxx/1009412047/1009412047-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799536"
"asp3799534-marc","","Kein zickenfox","","68 minutes","[]","66 women, of different ages and backgrounds, make up the largest female amateur orchestra in the world, das Frauenblasorchester Berlin. They share with us their passion for music with a contagious cheerful mood, and manage to perform on the stage of the Berlin Philharmonic in front of an enthusiastic audience.","stream","['Frauenblasorchester Berlin']","['Germany']","['Women musicians', 'Orchestra']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009412xxx/1009412046/1009412046-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799534"
"asp3799530-marc","Prokofiev, Sergey, 1891-1953, composer","Roméo et Juliette","","101 minutes","[]","Dialogues in English. Shakespeare’s mythical story is performed by dancers of the National Ballet and Contemporary Dance Company of Spain at the Royal Theater of Madrid, Teatro Real. Goyo Montero, the Artistic Director of the Nuremberg’s Ballet Company signs the choreography and Prokofiev’s music is played by the Madrid Symphonic Orchestra.","stream","[]","[]","['Ballets']","['Filmed ballets', 'Ballets (Music)']","https://d3crmev290s45i.cloudfront.net/frames/1009411xxx/1009411733/1009411733-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799530"
"asp3799480-marc","","Counseling and psychotherapy ethics. Self-awareness, competence, and boundaries","","101 minutes","[]","All mental health professionals and students need to be prepared for the wide range of professional ethical scenarios they will inevitably face. Ethical codes and decision-making models are essential to professional preparation, but students and clinicians need more than codes and models. Ethical practice also involves individual practitioners who bring their own individual and cultural backgrounds into the therapeutic process. To help prepare professionals and students, John Sommers-Flanagan and Veronica Johnson focus on three topics central to ethical counseling and psychotherapy practice: (1) interpersonal or cultural self-awareness; (2) self-awareness and competence in making referrals; and (3) boundaries and competence in the digital age through thought-provoking interviews and skill-building counseling vignettes (including a “Be That Client” demonstration), students and professionals will gain a better understanding of how to use competence, empathy, and self-reflection as tools for becoming ethical clinicians.","stream","[]","[]","['Psychotherapy', 'Counselors', 'Counseling', 'Psychotherapists', 'Self-perception']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410952/1009410952-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3799480"
"asp3798234-marc","","Polska","","53 minutes","[]","Polska is the personal journey of 28 year old Polish journalist Beata Ligmann as she traces her country’s experience from the concentration camps of Auswitz and World War II to the fall of the Berlin Wall. Filmed in Poland in 1990 on the eve of the break-up of the Soviet Union, Bradbury retraces Beata’s experience from her student protest days in Gdansk to the present as she watches Soviet troops pack up and turn to an uncertain future in their Russian homeland. Polska anticipates what is to become of Poles in a globalised free market economy once the welfare guarantees of the socialist state have been swept away and the capitalist carpetbaggers of the West prepare to take over form where the Soviets left off stripping Poland of its health. The film includes archival footage from the Solidarity protest days of Lech Walesa. Despite her country facing a foreboding future, Beata’s grace and charm uplifts the human spirit as she questions herself and her fellow Poles about the uncertain road ahead and what lessons might be learnt from their past squeezed in between an expansionist Germany and Russia.","stream","[]","['Poland']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410732/1009410732-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798234"
"asp3798232-marc","","On borrowed time","","87 minutes","[]","In early 2009, Paul was diagnosed with liver cancer and given six months to live. Bradbury picked up his story in mid 2009. Paul had little chance to live given Australia’s poor track record for organ donation and Paul’s rare blood type shared by only 2% of the population. He would just run out of time. But on Christmas Day he beat the odds. He received a phone call from the Austin hospital saying he must come in. They’d found a compatible liver. A young man had been tragically killed in an accident and donated all his organs, including a healthy liver which matched Paul’s blood type. In a remarkable turnaround, somehow Paul had beaten the odds and triumphed over Death with a liver transplant on Boxing Day 2009. As he says in the film, the whole process made him realise we all live ‘on borrowed Time’. We never know when Death is going to strike us down. The film is the positive story of Paul’s journey towards Death and then Life again. Paul kept a diary throughout this remarkable journey charting his mood swings and experience while waiting. Waiting. It is now a book, ‘Tales from the Cancer Ward’.  On Borrowed Time documents Paul’s reflections on Life, Love, Art, Beauty, Religion and Death. It uses clips from Paul’s films to illustrate these major themes which run throughout his films in a remarkable career stretching over 40 years. Cox has made 22 feature films and 11 docos. It’s a prodigious output not realised by any of his peers. All are low budget films, all made outside the Hollywood model and defiant of trivia and gratuitous violence. On Borrowed Time includes interviews with some of Australia’s best known actors and Paul’s regular collaborators who he has worked with over the last 40 years – Julia Blake, Bob Ellis, John Clark, Chris Hayward, Jackie McKenzie, Phillip Adams, Wendy Hughes.","stream","['Cox, Paul']","['Australia']","['Motion picture producers and directors', 'Cancer']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410731/1009410731-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798232"
"asp3798218-marc","","Chile. Hasta cuando?","","57 minutes","[]","A portrait of a brutal military dictatorship made during a three month visit to Chile in 1985 by David Bradbury. The footage reveals a country torn with civil strife and political unrest; military intimidation of the population; indiscriminate arrests: murder torture and disappearances were facts of Chilean life. Bradbury’s film traces the 12 years from 1973 to 1985 of General Augusto Pinochet’s dictatorship whose forces seized power in a bloody, US-backed coup that left Marxist president Salvador Allende dead and with him any hopes of democracy remaining in Chile. Under General Pinochet’s rule 50,000 Chileans have been detained, and many are missing, believed dead.","stream","[]","['Chile']","['Student protesters', ""Murder victims' families""]","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410724/1009410724-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798218"
"asp3798212-marc","","Welcome","","63 minutes","[]","The screen of WELCOME remains black throughout most all the film as the actual dialogue reveals the filmmaker, ZHU Rikun being ""welcomed"" by Chinese government officials and being encouraged to make a film that satisfies their goal of presenting favorable news (""scenic "" views of the area). Their ""welcome"" attempts to disguise government censorship through bullying and threats to the filmmaker. The Chinese Government workers do not want the filmmaker to document the lives of mine workers with pneumoconiosis and their trials and tribulations seeking compensation from the government. WELCOME records the dialogue between the filmmaker and government officials who obviously prize economic development above human rights and don't want the public to know how blatant they are about this. WELCOME presents the filmmaker, ZHU Rikun as one who protests and persists in telling the truth. He is a Revolutionist.","stream","[]","['China']","['Lungs', ""Workers' compensation"", 'Miners', 'Mineral industries', 'Occupational diseases']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410720/1009410720-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798212"
"asp3798169-marc","Brahms, Johannes, 1833-1897, composer","Valery Gergiev conducts the LSO in Brahms' Requiem and Szymanowski's Stabat Mater. German requiem","","65 minutes","[""Valery Gergiev conducts the LSO in Brahms' Requiem and Szymanowski's Stabat Mater""]","Valery Gergiev, with his largely Russian repertory and dramatic manner, isn't the first conductor who comes to mind for Brahms' warm and ecumenical German Requiem. But this reading, which was half of a pair of successive concerts at the Barbican concert hall in London (music from both performances is used here), works very well, and there's not much identifiably Russian about it. Gergiev adopts the modern tendency to take the work in flowing, moderate tempos, and it comes in at just over an hour, quite a bit less than in many of the classic versions. One challenge with this kind of reading is to keep all the forces intact, for Brahms, as warmly melodic as he may be, is always a contrapuntist at heart. Here the sizable fugues of the second movement, ""Denn alles Fleisch ist wie Gras,"" pose few problems for the London Symphony Chorus and its director, Simon Halsey. The work's big tunes, which so many listeners find life-affirming, are done with the straightforwardness that serves them best, and the players of the London Symphony Orchestra, who surely have played the work many times, find freshness in it. The live sound from the LSO's own label is exemplary. A fine representation of this work for both collectors and newcomers to its wonders.","stream","[]","[]","['Requiems']","['Filmed performances', 'Requiems']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324599/1009324599-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798169"
"asp3798166-marc","Mendelssohn-Bartholdy, Felix, 1809-1847, composer","Symphonie no. 3 'Ecossaise'. Symphony no. 3 'Scottish'","","41 minutes","[]","LSO Live presents the first release in a new Mendelssohn symphony cycle featuring Sir John Eliot Gardiner. Gardiner's interpretations can be seen and heard to full effect. Mendelssohn's Symphony No.3 and Hebrides Overture were both inspired by his travels to the British Isles, and are among the composer's most popular works. Also featured on this release is the Portuguese pianist Maria João Pires performing Schumann's Piano Concerto.","stream","[]","[]","['Symphonies']","['Symphonies', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324608/1009324608-disc001-file001-frame03205-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798166"
"asp3798164-marc","Schumann, Robert, 1810-1856, composer","Concerto pour piano. Piano concerto","","38 minutes","[]","LSO Live presents the first release in a new Mendelssohn symphony cycle featuring Sir John Eliot Gardiner. Gardiner's interpretations can be seen and heard to full effect. Mendelssohn's Symphony No.3 and Hebrides Overture were both inspired by his travels to the British Isles, and are among the composer's most popular works. Also featured on this release is the Portuguese pianist Maria João Pires performing Schumann's Piano Concerto.","stream","[]","[]","['Concertos (Piano)']","['Concertos', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324608/1009324608-disc001-file001-frame00915-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798164"
"asp3798163-marc","Mendelssohn-Bartholdy, Felix, 1809-1847, composer","Ouverture. Les Hébrides","","12 minutes","[]","LSO Live presents the first release in a new Mendelssohn symphony cycle featuring Sir John Eliot Gardiner. Gardiner's interpretations can be seen and heard to full effect. Mendelssohn's Symphony No.3 and Hebrides Overture were both inspired by his travels to the British Isles, and are among the composer's most popular works. Also featured on this release is the Portuguese pianist Maria João Pires performing Schumann's Piano Concerto.","stream","[]","[]","['Overtures']","['Overtures', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324608/1009324608-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798163"
"asp3798153-marc","Mendelssohn-Bartholdy, Felix, 1809-1847, composer","Le songe d'un nuit d'été. A midsummer night's dream","","57 minutes","[]","To mix metaphors, Sir John Eliot Gardiner has the knack of going for the jugular when exposing the nerve-ends of most music, particularly so in the case of Mendelssohn. He was at it again, whacking elfin grace into the long grass and focusing on volatile energy, in the LSO's and Barbican Centre's continuing Shakespeare series, it being 400 years since he died.","stream","[]","[]","['Orchestral music', 'Incidental music']","['Filmed performances', 'Incidental music']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324609/1009324609-disc001-file001-frame02615-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798153"
"asp3798152-marc","Mendelssohn-Bartholdy, Felix, 1809-1847, composer","Symphonie no. 1 (London version)","","97 minutes","[]","To mix metaphors, Sir John Eliot Gardiner has the knack of going for the jugular when exposing the nerve-ends of most music, particularly so in the case of Mendelssohn. He was at it again, whacking elfin grace into the long grass and focusing on volatile energy, in the LSO's and Barbican Centre's continuing Shakespeare series, it being 400 years since he died.","stream","[]","[]","['Symphonies']","['Symphonies']","https://d3crmev290s45i.cloudfront.net/frames/1009324xxx/1009324609/1009324609-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798152"
"asp3798062-marc","","The guest","","20 minutes","[]","Following the personal story of a Danish first-time surrogate mother, The Guest explores issues of maternal bonding, modern families, relatedness, and desired control over body and mind. We follow the mature surrogate and her female partner through the pregnancy, and through intimate interviews we are given a rare insight into the tabooed and secretive world of surrogacy in Scandinavia. In a society where surrogacy is a legal grey area surrounded by much stigmatization, the surrogate and her family deal with prevailing social norms and the possible condemnation by the outside world. The surrogate expresses motivational factors, ethical considerations and thoughts about motherhood, family concerns, gift giving, LGBT rights, and alternative assisted reproduction.","stream","[]","['Denmark']","['Surrogate mothers', 'Same-sex parents', 'Parenthood', 'Families']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410657/1009410657-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798062"
"asp3798060-marc","","Los guardianes del Mayab","","34 minutes","[]","Luis Puc is a Yucatecan Mayan jmen (shaman). He dies and travels to the dimension of the seven heavens where he meets the báalam (guardians). Through them, he receives healing powers and wisdom, which he uses to come back to life to help his fellow men.","stream","[]","['Mexico']","['Mayas', 'Future life', 'Shamans', 'Religion']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410656/1009410656-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798060"
"asp3798058-marc","","Journey to the maggot feeder","","68 minutes","[]","This film tries to solve the mystery of a bizarre Arctic fairy tale. Priit Tender, an Estonian animator, makes a film about an old Chukchi legend – The Maggot Feeder. The unconventional narrative is misunderstood by western audiences and Priit takes off on a journey to Chukotka in the north-eastern corner of Siberia, where he unearths deeper layers of the tale and local culture. This anthropological road movie deals with the importance of storytelling and it invites the viewers to undertake a journey into the depths of the Chukchi inner world.","stream","[]","['Russia']","['Tales', 'Chukchi']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410655/1009410655-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798058"
"asp3798056-marc","","Ignacio's legacy","","52 minutes","[]","Between 1960 and 1992, the acclaimed documentary filmmaker Brian Moser made four films concerning indigenous peoples of northwest Amazonia: ""Piraparana"" (1960), ""War of the Gods"" (1971), ""A Small Family Business"" (1983), and ""Before Columbus"" (1992). The film ""Ignacio's Legacy"" documents a journey in early 2016 by Brian, his son Titus, and anthropologists Stephen and Christine Hugh-Jones to show and return these films and other audio-visual material to the Barasana and Makuna peoples. Alongside capturing the journey and the peoples’ reactions to the films, it draws upon the earlier films to explore various forms of cultural change over nearly sixty years.","stream","[]","['Colombia']","['Manners and customs', 'Barasana Indians', 'Documentary films', 'Macuna Indians', 'Social change']","['Ethnographic films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410654/1009410654-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798056"
"asp3798054-marc","","Zulu love letter","","100 minutes","[]","Opening shot: a woman is discovered passed out in her car. Next she is in an ambulance having a flashback to the time of South Africa’s State of Emergency 13 years ago, a period of maximum police repression. Third sequence: the woman, now in the hospital, assures her skeptical, deaf daughter that she will be recovered in time for her birthday. Fourth scene, she again slips into a flashback where she, a journalist accompanied by a photographer, documents a young student chased and shot by the police; her last word is Amandla! ‘the power is ours!’ This pattern of narrative interrupted by flashback continues throughout Zulu Love Letter* until finally the reporter, Thandeka Khumalo, succeeds in bringing these two narratives, the nightmare of the apartheid past and the hope of the new South Africa, together so to create a chance to move on with her life.  A Zulu love letter or incuwadi yothando is a beadwork necklace; throughout the film Mangi is seen working on a collage which is her modern interpretation of this traditional art form.","stream","[]","['South Africa']","['Women journalists', 'Post-traumatic stress disorder', 'Victims of state-sponsored terrorism', 'Parents of deaf children']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410329/1009410329-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798054"
"asp3798052-marc","","Zan Boko","","92 minutes","[]","Gaston Kaboré's film Zan Boko explores the conflict between tradition and modernity, a central theme in many contemporary African films, such as Keita and Ta Dona. It tells the poignant story of a village family swept up in the current tide of urbanization. In doing so, Zan Boko expertly reveals the transformation of an agrarian, subsistence society into an industrialized commodity economy. Zan Boko is also one of the first African films to explore the impact of the mass media in changing an oral society into one where information is packaged and sold. The film provides viewers with a unique opportunity to see our own televised civilization through the eyes of the traditional societies it is replacing.","stream","[]","['Burkina Faso', 'Africa, West']","['Urbanization']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410328/1009410328-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798052"
"asp3798050-marc","","You have struck a rock!","","29 minutes","[]","You Have Struck A Rock! commemorates the special contribution of South African women to the success of the anti-apartheid struggle. It recovers the remarkable ""women's campaigns"" of the 1950s against the hated pass system. This massive, non-violent civil disobedience movement was only finally crushed by the 1960 Sharpeville Massacre and the banning of anti-apartheid organizations. Lilian Ngoyi, Helen Joseph, Dora Tamana and other leaders recall this struggle and their imprisonment and banning. Yet they remain undaunted, demonstrating the South African proverb: ""When you have touched a woman, you have struck a rock.""","stream","[]","['South Africa']","['Women, Black']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410327/1009410327-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798050"
"asp3798048-marc","","Woubi cheri","","63 minutes","[]","Woubi Chéri is the first film to give African homosexuals a chance to describe their world in their own words. Often funny, sometimes ribald, but always real, this documentary introduces us to gender pioneers demanding their right to construct a distinct African homosexuality.  The film introduces us to a cross-section of Abidjan's woubi community. Vincent, an immigrant from Burkina Faso, is a traditional griot and sage. Laurent defied his father's wishes that he become an auto mechanic to open a patisserie in Abidjan. Bibiche and Tatiana are cross-dressing prostitutes. Barbara, a glamorous more mature transvestite, is the leader of the tight-knit group and President of the Ivory Coast Transvestites Association. Laurent recalls this community was like a new family. ""Your real family was the one you created. Nobody had to hide anything.""","stream","[]","[""Abidjan (Côte d'Ivoire)"", ""Côte d'Ivoire""]","['Gays', 'Gay men', 'Manners and customs', 'Cross-dressers']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410326/1009410326-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798048"
"asp3798046-marc","","Witches in exile","","79 minutes","[]","From Tanzania and Zambia to Ivory Coast and Ghana belief in witchcraft continues to terrorize women: the denunciation, brutal beating, the banishment to an unknown village without family or friends. In Northern Ghana alone there are estimated to be more than 5000 'witches' confined to 'witches villages', part sanctuaries, part prisons. Witches in Exile is the first film to tell their story and the story of the human rights struggle to find a solution to a practice deeply embedded in African tradition and gender economics. Witches in Exile introduces us to four women who have taken refuge in the Kukuo witches' camp and who represent a cross section of the 'witch' population of Northern Ghana today. It leads us on a step-by-step journey on how a woman becomes stigmatized as a 'witch'. 'Witches' are overwhelmingly older women who are no longer of value for bearing children or doing heavy field work. They are characteristically accused of killing family members or causing crop failures, natural misfortunes to which they must attribute supernatural causes. Accusations of witchcraft tend to increase during periods of social upheaval and development such as at the time of Independence or the present period of economic austerity. Once accused of witchcraft, women are stoned or beaten and then taken to a traditional priest who is believed to have special powers for detecting witches. After the accused woman drinks a concoction, a chicken is killed and the manner of its death throes determines guilt or innocence. Some of the women themselves even come to believe in their own guilt and admit to spirit possession. A condemned woman must remain in the witches' camp; the village chief provides her with a hut where she tries to scrape out an impoverished living for herself, giving a share to the chief. No watchtowers or fences are necessary; if she returns to her home village she knows she could be killed or beaten again. Much of the local population appears to enthusiastically endorse this cruel practice, especially men; one woman, however, dryly observes, ""A witch is anyone you don't like."" Originating in pre-Christian, pre-Islamic oral tradition, the belief has passed directly into contemporary culture especially through the medium of popular video movies which spread like wildfire across the country.  In Accra and other modernizing regions of Ghana, as well as among the human rights community, there is considerable embarrassment over the persistence of this deep-seated superstition. (Although the depth of this concern is mitigated somewhat by the fact that the Director for Human Rights for the Northern Region admits he still believes in witchcraft.) Several solutions have been suggested such as closing the camps - even turning them into tourist attractions. But when a parliamentary delegation on human rights visited the camps intent on closing them, they found the women themselves adamantly opposed because they knew they would not be accepted by their families and home villages. Allison Berg's documentary is exceptional among 'exposés' of African traditional practices, like female genital mutilation, in its sensitivity to the larger belief system which underlies witchcraft. Witches in Exile makes clear that one cannot successfully attack a phenomenon like witches' camps in isolation but must see them as part of a wider set of beliefs designed to exclude women, especially older women, who have out-lived their place in Dagboni society. The film untangles the complex intersection of anthropology, political science, and economics which must be addressed in any strategy for liberating women in Africa.","stream","[]","['Ghana', 'Africa']","['Witchcraft', 'Witches']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410325/1009410325-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798046"
"asp3798044-marc","","Wend Kuuni. Le don de Dieu","","68 minutes","[]","Wend Kuuni is a landmark in African filmmakers' attempts to ""return to the sources"" of their culture, to recover a ""usable"" African past to solve the problems of the African present. Filmmaker Gaston Kaboré adapts the measured rhythms of traditional African storytelling to create an authentically African cinematic language. He retells an ancient fable about a mute, memoryless orphan, driven from his homeland, who is renamed Wend Kuuni (""God's Gift"") by the grateful village which adopts him. Kaboré uses this simple tale to demonstrate that traditional Mossi values can still provide answers to many problems besetting modern Africa, fractured by rural dislocation, refugees, and political conflict.","stream","[]","['Africa']","['Village communities', 'Children', 'Orphans', 'Mutism']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410324/1009410324-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798044"
"asp3798042-marc","","Udju azul di yonta. The blue eyes of Yonta","","94 minutes","[]","In Udju Azul di Yonta, the most compelling character is Vicente, a disenchanted hero of the independence struggle who has only grudgingly adapted himself to post-revolutionary society. He is a figure with whom many disappointed Western '60s activists will identify. As ""Comrade Boss"" of a fish warehouse, he continues to work for the development of his country against staggering odds. A power outage (a recurrent motif in the film) has spoiled an entire catch of fish and the fishermen and fishmongers are furious. Corruption and kickbacks have become rampant in the city; unbridled free market capitalism is triumphant. Vicente confesses to an old comrade, ""We thought the revolution was for everyone, but it is only here for a few of us."" Despairing at his own compromised ideals, he exclaims, ""Vicente no longer exists; I am a vulture,"" devouring the carcass of his revolutionary hopes.","stream","[]","['Guinea-Bissau']","['Man-woman relationships']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410323/1009410323-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798042"
"asp3798040-marc","","Thunderbolt","","104 minutes","[]","The first half of the film is in a sense a retelling of the Othello story - except the protagonists are not Abyssinian and Venetian but Yoruba and Ibo. Yinka and Ngozi met in the National Youth Service Corps; Ngozi is finishing her stint as a teacher in a village while Yinka already works as a construction engineer in a nearby city. The seeds of jealousy are planted when a friend of Yinka, like Iago in the Shakespeare play, suggests that Ngozi is having a secret affair because ""Ibo are untrustworthy."" Adding to Yinka's suspicions, Ngozi has recently inherited some money and so is a financially independent woman. In this half, as in the Shakespeare play or any standard Western melodrama, the action is propelled entirely by psychological motivations.  The emergence of a vital and prolific popular cinema in Nigeria could be regarded as an important African response to the encroachment of Western pop culture in this age of global information flows. On the other hand Nigerian video films, perhaps inevitably, reflect some of the less attractive features of post-colonial society. There is a fetishism of material prosperity often in imitation of Europe and America; Westernization seen through African eyes. And one can't help wondering what the public health impact of validating traditional over Western medicine might be in a continent fighting the AIDS epidemic. An indigenous popular cinema will inevitably transmit and reinforce the priorities and beliefs of the society that finances it. An art cinema based in essentially non-profit filmmaking, on the other hand, can risk interrogating that society's values and suggesting alternatives. Nigerian cinema may soon face the same problem confronted by the U.S.: how to nurture and finance a non-commercial cinema, which can act as a critique and complement to its commercial counterpart.","stream","[]","['Nigeria']","['Traditional medicine', 'Yoruba (African people)', 'AIDS (Disease)', 'Man-woman relationships', 'Igbo (African people)']","['Feature films', 'Foreign films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410322/1009410322-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798040"
"asp3798038-marc","","Thomas Sankara. The upright man","","53 minutes","[]","As Africa looks desperately for leaders of integrity and vision, the life and ideals of the late Thomas Sankara seem more and more relevant and exemplary with the passage of time. This new film should go a long way towards explaining why, though largely forgotten in this country, Sankara is still venerated on his own continent as the 'African Che', a legendary martyr like Patrice Lumumba or Amilcar Cabral. The film recovers for the present a detailed history of Sankara's brief four-year rule and his revolutionary program for African self-reliance as a defiant alternative to the neo-liberal development strategies imposed on Africa by the West, both then and today.","stream","['Sankara, Thomas']","['Burkina Faso']","['Presidents']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410321/1009410321-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798038"
"asp3798036-marc","","This is Nollywood","","57 minutes","[]","First came Hollywood, then Bollywood and now Nollywood, Nigeria’s booming film industry, which released 2000 features in 2006 alone. Where else can you shoot a full-length dramatic film for $10,000 in 7 days? Until recently little known outside its own country, THIS IS NOLLYWOOD explains why Nigerian video production is becoming recognized as a phenomenon with broad implications for the cultural and economic development of Africa.","stream","[]","['Nigeria']","['Motion picture industry', 'Motion pictures']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410320/1009410320-disc001-file001-frame00045-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798036"
"asp3798034-marc","","These hands","","47 minutes","[]","Who would have suspected that a 45 minute documentary about women crushing rocks, without narration or plot, would offer one of the most unforgettable and rewarding experiences of recent African cinema? Flora M'mbugu-Schelling's quiet tribute to women at the very bottom of the international economic order ultimately deepens into a mediation on human labor itself. These Hands will stimulate viewers to rethink documentary and to question their own role as consumers in a global economy. In These Hands, the camera acts as a compassionate witness to a day in the life of Mozambican women refugees working in a quarry outside Dar es Salaam - the relentless toil, the tender childcare, the nostalgic songs and joyous dancing at day's end. We slowly come to recognize that these women are, in fact, parts of a giant machine, not just the quarry but the international economic system as a whole. The rocks, the women, the scarred landscape, are being constantly ground into the common currency of industrial civilization. As the film unspools, we, the viewers, look on powerless and complicit, realizing we too are enmeshed in this global mechanism of social, economic and ideological reproduction. Director Flora M'mbugu-Schelling has explained why she refused to interpret or romanticize these women's story, to reduce them to a simple political pose or anthropological point. ""Certain things you can say with words and certain things you cannot find words for ... The time has passed when we can use the classic documentary style. I don't want to offend my audience by telling them what they should see or feel."" It is precisely this refusal of premature closure that makes viewers so much more aware of their relationship to the film and its protagonists.","stream","[]","['Tanzania']","['Crushed stone industry', 'Women', 'Quarries and quarrying']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410319/1009410319-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798034"
"asp3798032-marc","","The Willmar 8","","51 minutes","[]","The Willmar 8 is Academy Award winner Lee Grant's documentary about working women which has been featured on the front page of The Wall Street Journal, excerpted on 60 Minutes, and was broadcast nationally by PBS. The film tells the story of eight unassuming, apolitical women in America's heartland--Willmar, Minnesota--who were driven by sex discrimination at work to take the most unexpected step of their lives and found themselves in the forefront of the struggle for women's rights. Risking jobs, friends, family and the opposition of church and community, they began the longest bank strike in American history in a dramatic attempt to assert their own equality and self-worth.","stream","['Citizens National Bank (Willmar, Minn.)']","['Minnesota']","['Women bank employees', 'Independent unions', 'Sex discrimination in employment', 'Sex discrimination against women', 'Strikes and lockouts']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410318/1009410318-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798032"
"asp3798028-marc","","Tableau ferraille","","89 minutes","[]","Tableau Ferraille offers an intimate view of how modernization, at least as practiced in today's Africa, corrodes traditional communities and retards grassroots development. Like such past Senegalese masterpieces as Ousmane Sembene's Xala and Djibril Diop Mambety's Hyenas, it deplores a corrupt post-colonial elite's exploitation of the promise of African independence.","stream","[]","['Senegal', 'Africa']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410316/1009410316-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798028"
"asp3798026-marc","","Taafe fanga","","100 minutes","[]","Director Adama Drabo has devised a gender-bending farce set among the 18th Century Dogon to make some serious points about the status of women in Africa today. In Taafe Fanga, Drabo has revised the Sigi myth (which seems originally to have expressed male anxiety over female control of fecundity) into a myth about women's right to resist patriarchy, in the griot's words, ""to fight for the right to be different and equal. This film, along with Drabo's 1991 feature Ta Dona provide important examples of how contemporary African artists are freely reappropriating traditional belief systems to illuminate pressing social issues.","stream","[]","['Mali']","['Dogon (African people)', 'Women', 'Sex role']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410315/1009410315-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798026"
"asp3798024-marc","","Strange fruit","","58 minutes","[]","Strange Fruit is the first documentary exploring the history and legacy of the Billie Holiday classic. The song's evolution tells a dramatic story of America's radical past using one of the most influential protest songs ever written as its epicenter. The saga brings viewers face- to- face with the terror of lynching even as it spotlights the courage and heroism of those who fought for racial justice when to do so was to risk ostracism and livelihood if white - and death if Black. It examines the history of lynching, and the interplay of race, labor and the left, and popular culture as forces that would give rise to the Civil Rights Movement.While many people assume Strange Fruit was written by Billie Holiday herself, it actually began as a poem by a Jewish schoolteacher and union activist from the Bronx who later set it to music. Disturbed by a photograph of a lynching, the teacher wrote the stark verse and brooding melody about the horror of lynching under the pseudonym Lewis Allan in 1938. It was first performed at a New York teachers' union rally and was brought to the attention of the manager of Cafe Society, a popular Greenwich Village nightclub, who introduced Billy Holiday to the writer. Holiday's record label refused to record the song. Holiday persisted and recorded it on a specialty label instead. The song was quickly adopted as the anthem for the anti-lynching movement. According to the Center for Constitutional Rights, between 1882 and 1968, mobs lynched 4,743 persons in the United States, over 70 percent of them African-Americans. The haunting lyric and melody made it impossible for white Americans and politicians to ignore any longer the Southern campaign of racist terror. The documentary includes a moving recitation of the lyric by Abbey Lincoln and a powerful musical performance by Cassandra Wilson. But it's the footage of Lady Day herself performing her bitter and heart-wrenching signature song that stands at the center of the film. Holiday sang it until her death in 1959. Folk singer Pete Seeger, playwright and critic Amiri Baraka, veteran Civil Rights activist Rev. Dr. C.T. Vivian, and Milt Gabler of Commodore Records, which first recorded Strange Fruit with Billie Holiday in 1939, add their voices to the story. The schoolteacher who penned Strange Fruit under the pseudonym Lewis Allan was named Abel Meeropol, the same Abe Meeropol who adopted the two sons of ""atom bomb spies"" Julius and Ethel Rosenberg after their 1953 execution. The boys, now middle-aged, help relate the tale, illuminating the fevered world of art and politics in which they grew up. Educators in American History, Black Studies, American Studies, Social History, Jewish American History, Radicalism, Popular Culture, Social Movements, and Ethnomusicology will find Strange Fruit and its multi-level themes an exciting teaching tool. The film concludes with a montage of recent hate crimes indicating that Strange Fruit remains all-too-relevant today.  STRANGE FRUIT Southern trees bear a strange fruit Blood on the leaves and blood at the root  Black body swinging in the southern breeze Strange fruit hanging from the poplar trees  Pastoral scene of the gallant south  The bulging eyes and the twisted mouth Scent of magnolia sweet and fresh And the sudden smell of burning flesh!  Here is a fruit for the crows to pluck  For the rain to gather, for the wind to suck  For the sun to rot, for a tree to drop Here is a strange and bitter crop. -- Music and lyrics by Lewis Allan, copyright 1940.","stream","['Holiday, Billie', 'Allan, Lewis']","['United States']","['Lynching', 'Protest songs', 'Civil rights movements']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410314/1009410314-disc001-file001-frame00065-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798024"
"asp3798022-marc","","State of denial","","83 minutes","[]","By the year 2000, an estimated 4.2 million people in South Africa were infected with HIV; if present trends continue by 2010, 7 million will have died of the disease. State of Denial puts a human face behind the numbers by introducing us to a cross-section of South Africans involved with the AIDS epidemic. It shows how they must fight not only the disease but the greed of the drug cartels and the incomprehensible inactivity of their own government in order to get treatment. The film clearly blames President Thabo Mbeki and his administration for questioning the link between HIV and AIDS. Not only does his position prohibit the use of antiretroviral drugs, but adds to the confusion about how the disease is transmitted and about how to practice 'safe sex'. In 2000 he even arranged a special meeting of advisors and to which he invited 'denialists', i.e. those who dispute that HIV causes AIDS, who used the meeting as a platform for their discredited views. There are those who contend that a reason for Mbeki's stance is that developing a program to make antiretrovirals widely available to the large numbers needing them would drain scarce funds from his plans to fight poverty in post-apartheid South Africa and leave his country beholden to international monetary and pharmaceutical interests. Yet the loss of a generation in its prime due to this disease would hurt the reconstruction of South Africa as much as anything facing the new society. A remarkably successful movement, however, has grown up around this tragedy. The Treatment Action Campaign (TAC) opposed Mbeki's stone-walling and pressured drug companies to cut the cost of antiretroviral drugs and medications treating opportunistic infections. We meet Zackie Achmat, HIV positive leader of the campaign, who refused to take life-saving drugs until they are available through the public health system to every South African who needs them. TAC's activism forced Pfizer to drastically cut the cost of Diflucan which treats thrush, a common opportunistic infection among people with HIV. TAC has also gone to court and, over government objections, won the right of HIV positive pregnant women to use nevirapine to prevent passing on the disease to their children. Ordinary South Africans are also unobtrusively volunteering to help those with AIDS. Buyile, a retired nurse, runs a home-based healthcare program in the Kutsong township of Carletonville. She travels more than 3 hours by train each day to reach her patients. There is little she can do without the proper drugs, for patients like Elizabeth who dies during the making of the film. We are also introduced to Mary, the mother of two infected children both of whom have been lucky enough to qualify for antiretroviral trials and are doing better. She worries, however, about what will happen to them if she does not get treatment. Others are speaking out at great personal cost about their HIV status. In 1998, Gugu Dlamini was stoned to death by her neighbors when she announced that she had tested positive. Nonetheless, Lucky Mazibuko writes a weekly column for the mass circulation Sowetan about life with AIDS. We hear from readers how Lucky's column has opened their eyes to the reality of AIDS. The Zola Support Group provides a forum for people with HIV, especially young women, to discuss their own relationships, sexual practices, and the use of condoms. State of Denial in essence argues that AIDS may well the greatest threat to South Africa since apartheid and, by extension, to the entire continent since colonialism and the slave trade. Neither profits nor politics can be placed before it. It will require the mobilization of the whole community, including the global community, to deal with this catastrophe. State of Denial is a disturbing yet inspiring tool for involving that community in the struggle against AIDS.","stream","[]","['South Africa']","['AIDS (Disease)', 'HIV infections']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410313/1009410313-disc001-file001-frame00410-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798022"
"asp3798018-marc","","Seniors. Four years in retrospect","","60 minutes","[]","For most students, college is a time of dizzying personal change, both confusing and exhilarating. Seniors: Four Years in Retrospect helps prepare undergraduates to take full advantage of these invaluable years of questioning and growth. The filmmakers of Frosh, the widely acclaimed chronicle of one year in a racially diverse freshman residence hall, returned to Stanford three years later to see how college life had changed five of these students. Combining extensive footage shot during senior year with prophetic clips and ""outtakes"" from Frosh, the two directors have produced an altogether new film focusing on the different trajectories students from diverse backgrounds take to a fulfilling and successful college experience. Monique, daughter of a crack-addicted mother, almost drops out during her first year but is taken under the wing by two black women mentors; she graduates with honors and plans to go on for her Ph.D. Cheng, an academically driven, politically conservative Chinese American pre-law major defies his parents by taking a job as a high-risk investment banker in Singapore. Sam, a white, male, heterosexual ""jock,"" accepts increasing campus diversity but still seeks his own cultural enclave in the BMOC fraternity. Brandi comes to Stanford as a logical consequence of her upper middle class African American background; but she drops out for two years to discover a reason of her own for going to college. Debbie ""washes out"" of her pre-med program and becomes disenchanted with her sorority; she switches to Women's Studies where she develops the self-confidence to go on to a prestigious med school. Together these concise case studies constitute a unique sociological investigation of continuity and change on today's college campuses. The film will help students, faculty and counselors discuss such issues as: the importance of student advisors and appropriate role models, especially for first-generation college students the pros and cons of taking time off during college the benefits of changing majors and revising career plansthe economic, peer and family pressures affecting career choicethe role of Greek life and ethnic ""theme houses"" in promoting cultural diversity - or campus Balkanization the development of individual and community identity on an increasingly polarized campus the reassuring fact that most undergraduates survive Freshman year and invent their own unique college experience.","stream","[]","['California']","['College seniors', 'College students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410311/1009410311-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798018"
"asp3798016-marc","","Sango malo","","95 minutes","[]","Sango Malo offers American viewers an intimate and engaging portrait of the complex social dynamic underlying economic and political change in a typical African village. It argues passionately that a populist education must be a key component of any democratic, human-centered development paradigm for Africa. Bassek ba Kobhio explains why his first feature focuses on education: ""It is education which can form a new people ... It is hard to think about changing African society without envisioning an appropriate form of education."" Sango Malo contrasts two views of education. The traditional headmaster represents a rigid, ""Eurocentric."" curriculum designed to produce docile colonial administrators. Malo, the radical young teacher, emphasizes the practical skills needed to build a self-reliant rural community. The film illustrates Brazilian educator Paolo Freire's celebrated distinction between an education which the ruling class uses to inculcate its values in students' minds and one which empowers students to shape their own destiny. Malo's innovative ideas soon spread to the rest of the village. With his help, the peasants establish a cooperative store and a cocoa marketing cooperative which undercut the power of the village chief, store owner and priest. When Malo alienates the villagers by demanding too rapid change, his enemies call in the army which arrests and imprisons him. But Malo has taught his lessons so well the villagers can carry on his reforms without him. In the last, open-ended shot, the camera discretely pulls back as the peasants celebrate a future they themselves will make. The narrative thrust, the responsibility for development, no longer lies with the village elite, nor the progressive schoolmaster, nor even the socially-engaged filmmaker, but has passed to the peasants themselves and to the African audiences viewing the film.","stream","[]","['Cameroon']","['Teachers', 'Villages', 'Rural schools']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410310/1009410310-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798016"
"asp3798014-marc","","Le silence de la forêt","","90 minutes","[]","Le silence de la forêt is a film about the difficulty for even the most well-intentioned person to know and respect another culture. In this case, the problem is so acute that there is even heated debate over what to call that 'other'. The subtitles in the film use the familiar word 'pygmies', a relatively pejorative European term; the Bantu or villagers' expression for the same group, Babingas, carries similar negative connotations. These highly specialized, tropical rainforest hunter-gatherers should perhaps be called by their own ethnonym, Aka, MoAka (sing.) and BaAka (pl.) 'Pygmies' were first introduced to a wide Western reading public through the now controversial, romanticized account of Colin Turnbull, The Forest People (1961). This film is based on the similarly sentimental novel Le silence de la forêt by Etienne Goyemide. The film stars Eriq Ebouaney, well-known from playing Lumumba in the film of the same name, and is scored by Manu Dibango, the Cameroonian music legend. The fact that this film is the first to focus on the exploitation and racism between more modern Africans and an autochthonous people, so ironically reminiscent of the attitudes of European colonists towards Africans, makes it even more unusual and fascinating. The film's hero Gonaba, unlike many Africans educated in Europe, decides to return to his homeland of the Central African Republic, full of ideals for fulfilling the promises of independence.","stream","[]","['Central African Republic']","['Babinga (African people)']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410309/1009410309-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798014"
"asp3798012-marc","","La vie est belle","","84 minutes","[]","La Vie est Belle takes us inside the vibrant music scene of Kinshasa, the Congo's exhilarating and exasperating capital whose back alleys and clubs pulsate to the beat of some of the most influential music in the world. The film, starring Soukous music legend Papa Wemba, tells the ""rags to riches"" story of a poor country musician who seeks fame in the city's vibrant music industry. This lively farce illustrates the Congolese faith in Systeme-D or debrouillardise, fending for yourself to survive in the face of overwhelming obstacles. If there is a commercial cinema in Africa's future, then La Vie est Belle may be one of its precursors.","stream","[]","['Kinshasa (Congo)', 'Congo (Democratic Republic)']","['Rural-urban migration', 'Manners and customs']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410308/1009410308-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798012"
"asp3798010-marc","","A walk in the night","","79 minutes","[]","A Walk in the Night is one of the first films from a new generation of talented young black South African filmmakers who have become active since the overthrow of apartheid in 1994. Mickey Madoda Dube's debut feature adapts Alex La Guma's celebrated 1962 novella of the same name into a fast-paced crime thriller set in present day Johannesburg. The fact that this story could be so convincingly updated to the present indicates how little racial power dynamics in South Africa have changed. The fact that this program was produced and broadcast by the government owned South African Broadcasting Corporation shows how much they have. Alex La Guma (1925-1986), the son of a leading early anti-apartheid activist, was himself imprisoned twice for his political activities - in 1956 as part of the Treason Trials and in 1962 for progressive journalism. He wrote A Walk in the Night while banned (under house arrest) and it was originally published outside the country in Nigeria. In 1967 he fled South Africa for Britain, dying in exile in 1986 while the ANC's representative in Cuba. The filmmaker, Mickey Madoda Dube, was born in Soweto in 1960 and studied drama at the University of Witswatersrand and film on a Fulbright at the University of Southern California. Since returning to South Africa, he has collaborated in a series of short story adaptations as well as produced eight dramas and a five part series on the Truth and Justice Commission for the South African Broadcasting Corporation. Dube's film adaptation shifts the emphasis of La Guma's story in several significant ways. For example, by moving the location from Capetown's vibrant District 6 in the 1950s to a drab, working class Johannesburg neighborhood today, the original story's Coloured flavor has become more generic, non-white South Africans. In fact, the milieu of police brutality, frustrated young men and omnipresent crime which Dube so powerfully evokes, will be immediately recognizable to anyone familiar with our own inner cities. Dube's script also tightens the personal ties between the major characters, condensing the drama and heightening the ultimate sense of tragedy. In so doing, he is perhaps suggesting that the fate of all South Africans has become more closely intertwined than ever before. Dube frames his film with references to the ghost-walking scene in Act 1 of Shakespeare's Hamlet. In La Guma's original, the bard is quoted only once, although, significantly, the novella takes its title from this passage: ""I am thy father's spirit doomed for a certain term to walk the night."" The central character, Mikey, is clearly intended to have parallels with Hamlet. His patrimony has also been unjustly usurped, in this case, by South Africa's white supremacist regime. Mikey's ""Uncle"" Doughty, like Hamlet's uncle Claudius, has had an affair with his mother and Mikey ends up killing him, though this brings not resolution but further tragedy. The sordid nightscape of Johannesburg and the flashing sparks of the steel mill where Mikey worked evoke the Hell from which the ghost seeks release through his son's revenge.","stream","[]","['South Africa']","['Racism', 'Blacks']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1009410xxx/1009410307/1009410307-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798010"
"asp3798008-marc","","Le défi Madrilène de José Carlos Martínez","","30 minutes","[]","Rewarded in his homeland for an outstanding career as principal dancer of Paris Opera & choreographer, José Martinez was appointed Artistic Director of the National Company of Ballet and Contemporary Dance by Spain's Ministry of Culture. This doc shows his work, while facing the challenge of unveiling his Spanish elite dancers, both at home and internationally.","stream","['Martinez, José Carlos']","['Spain']","['Dance companies']","['Documentary films', 'Filmed dance']","https://d3crmev290s45i.cloudfront.net/frames/1009402xxx/1009402715/1009402715-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798008"
"asp3798006-marc","","Renaud Garcia Fons. Beyond the double bass","","58 minutes","[]","French version, English sub. Renaud Garcia-Fons is one of the greatest double bass virtuosos, mixing influences from classical music to flamenco, jazz & Middle Eastern flavors. Combining the highest level of dexterity with freedom & creativity, he is a genius revolutionizing how double bass is conceived, played and perceived. A 60' concert is also available. Renaud Garcia-Fons est l'un des plus grands virtuoses de la contrebasse. Il a une identité musicale unique, combinant des influences allant de la musique classique au flamenco en passant par le jazz et la musique du Moyen-Orient. Ce génie, connu tant pour son excellence technique que pour sa liberté créatrice, révolutionne la manière de fabriquer, de jouer et de concevoir la contrebasse. Un concert de 60' est également disponible.","stream","['Garcia-Fons, Renaud']","[]","['Double bass music', 'Double bassists']","['Documentary films', 'Concert films']","https://d3crmev290s45i.cloudfront.net/frames/1009402xxx/1009402713/1009402713-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798006"
"asp3798004-marc","","Trial at Sayville","","59 minutes","[]","This play, written by J. E. Franklin, was presented by Blackgirl Ensemble Theatre at Harlem's Uptown Renaissance Restaurant with discussion after the play between actors and audience.","stream","['Father Divine']","['United States']","['Trials']","['Filmed plays']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401353/1009401353-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3798004"
"asp3796505-marc","","That's why they calls us colored","","13 minutes","[]","An old mans' desire to find his long lost family, takes him somewhere he never imagined.","stream","[]","[]","['Race relations', 'Family reunions']","['Short films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401355/1009401355-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3796505"
"asp3796503-marc","","Max becoming Max","","47 minutes","[]","This is a story about a special needs 12-year-old and some of the remarkable people who helped him get to a very good place in his life. Max Blackwin seems like any grade-sixer, but unlike the other kids, he has already faced more challenges, and won more personal victories, than most of them will see in a lifetime. Our film follows Max in and around his new school in New Hampshire, where just six months in, he was improving in every class, excelling at every sport. And along his way, bringing a smile to every face. This is an intimate family portrait, complete with twists and turns and a happy ending. It says a lot, too, about integrated learning, and what we all stand to lose if programs like this are reduced or eliminated. It is indeed a joy to behold but it's also a cautionary tale – and timelier than ever.","stream","[]","['New Hampshire']","['Special education', 'Children with disabilities']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1009401xxx/1009401346/1009401346-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3796503"
"asp3399171-marc","","Attachment and the dance of sex. Integrating couples and sex therapy","","55 minutes","[]","Until relatively recently, the very notion that concepts like romantic love and the longing for emotional closeness had any scientific basis raised eyebrows among the academic research establishment. Susan Johnson, the developer of Emotionally Focused therapy (EFT), has not only been a clinical pioneer in demonstrating how to bring an immediate experience of deep intimacy into troubled relationships, but has brought the rigor of empirical science to bear in establishing EFT's effectiveness. As both a clinician and researcher, she's established that it's not an oxymoron to speak of the ""science of love."" In her keynote, Susan will show how attachment science offers a new understanding of sexuality and how the emotional sanctuary of committed relationships can help partners discover their distinctive sexual signature and lead to optimal lovemaking.","stream","[]","[]","['Sex therapy', 'Emotion-focused therapy', 'Couples therapy']","['Filmed lectures', 'Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1008463xxx/1008463792/1008463792-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795186"
"asp3795185-marc","","Dynamic shorelines","","7 minutes","[]","Coastal shorelines are dynamic environments, as currents and wave action continually shift sediment from one location to another. Shorelines are constantly changing as new land features appear, while other features disappear. This video explores the natural rhythm of shorelines and examines how human activity is drastically affecting the supply of sediments.","stream","[]","['North America']","['Dams', 'Coast changes', 'Barrier islands', 'Beaches', 'Shorelines', 'Beach erosion', 'Earth sciences', 'Geology', 'Sediment control', 'Environmental sciences']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401225/1009401225-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795185"
"asp3795183-marc","","Another ice age?","","9 minutes","[]","With the world focused on global warming, the thought of a full glacial advance that could produce another ice age seems far-fetched. But given the cyclical nature of climate fluctuation, is another ice age really a possibility? This video explains the factors that affect climate fluctuation ... and makes a case for keeping those woolen sweaters.","stream","[]","['Earth (Planet)', 'Europe']","['Global cooling', 'Glaciers', 'Global warming', 'Earth sciences', 'Climatic changes', 'Geology', 'Environmental sciences']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401224/1009401224-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795183"
"asp3795181-marc","","Geysers","","3 minutes","[]","Like the dancing waters of a Las Vegas fountain, geysers fascinate us. In this video, Jacob Lowenstern, USGS Scientist-in-Charge for Yellowstone National Park, provides a brief overview of the geologic process that produces geysers.","stream","[]","['Yellowstone National Park', 'Old Faithful Geyser (Wyo.)']","['Magmas', 'Geysers', 'Geothermal resources', 'Earth sciences', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401223/1009401223-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795181"
"asp3795179-marc","","Carlsbad Caverns","","8 minutes","[]","Often geologic forces produce violent events, but at other times the results can be miracles of nature. Over millions of years, groundwater seeping through sedimentary rock formations has created some wondrous caverns and caves. One of the most beautiful examples is in New Mexico. This video presents the spectacular formations of Carlsbad Caverns and explains the process that created it.","stream","[]","['Carlsbad Caverns National Park (N.M.)']","['Caves', 'Rock-forming minerals', 'Gypsum', 'Rocks', 'Stalactites and stalagmites', 'Earth sciences', 'Geology', 'Limestone']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401222/1009401222-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795179"
"asp3795177-marc","","The perfect flood","","8 minutes","[]","Floods are nature's way of replenishing soil and sediments in low-lying areas along waterways. Efforts to protect towns and developments by controlling floods can sometimes backfire. When events in nature conspired to produce ""The Perfect Flood"" in 1993, it overwhelmed all attempts at flood control, leaving violence and destruction in its wake.","stream","[]","['Missouri River', 'Mississippi River', 'Valmeyer (Ill.)', 'Saint Louis (Mo.)']","['Levees', 'Floods', 'Flood damage', 'Earth sciences', 'Waterways', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401221/1009401221-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795177"
"asp3795175-marc","","Creating breadbaskets","","7 minutes","[]","We often think of wind as a destructive force, building into epic tempests such as hurricanes or tornadoes, or racing across the plains scouring the earth of topsoil. But without the sediment deposits the result from wind, world agriculture would be far less abundant. This video explains how loess deposits became the breadbaskets of the world.","stream","[]","['Loess Plateau (China)']","['Loess', 'Agriculture', 'Winds', 'Earth sciences', 'Geology', 'Soil physics']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401220/1009401220-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795175"
"asp3795173-marc","","Mass wasting. La Conchita","","6 minutes","[]","Geology often focuses our attention on the conflict between human activity and nature. When towns and neighborhoods are built in geologically precarious locations, tragedy may follow. This video tells the story of one small town in California, located in a picturesque oceanfront location along the Pacific coast.","stream","[]","['La Conchita (Calif.)']","['Mass-wasting', 'Natural disasters', 'Landslides', 'Earth sciences', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401219/1009401219-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795173"
"asp3795171-marc","","Factors of earthquake destruction","","10 minutes","[]","The power of geologic forces is never more evident than during earthquakes. These seismic events cause massive destruction. This video examines four earthquake events and compares the factors that contributed to the death and destruction resulting from each earthquake.","stream","[]","['Mexico City (Mexico)', 'San Francisco (Calif.)', 'China']","['Earthquakes', 'Plate tectonics', 'Natural disasters', 'Earthquake damage', 'Earth sciences', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401218/1009401218-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795171"
"asp3795169-marc","","Geologic maps","","8 minutes","[]","Geologic maps are some of the most important tools used by geologists. This video looks at the history of geologic maps, starting with William Smith’s ""Map That Changed the World"" in the 1800s, and explains how geologists in the field create geologic maps today.","stream","[]","[]","['Earth sciences', 'Geology', 'Geological mapping', 'Rocks']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401217/1009401217-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795169"
"asp3795167-marc","","New world riches","","7 minutes","[]","The complex interplay of tectonic forces, intense volcanism, and metamorphic activity can sometimes produce hidden treasures like metallic ores, which can be refined into precious metals such as gold and silver. This video tells the story of how the search for these precious metals drove the exploration of the New World in the 16th century.","stream","[]","['Mexico', 'Sierra Madre Occidental (Mexico)']","['Precious metals', 'Mineral industries', 'Silver', 'Earth sciences', 'Geology', 'Gold']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401216/1009401216-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795167"
"asp3795165-marc","","Sedimentary resources. Coal","","7 minutes","[]","Oil may grab the headlines, but another energy resource found in sedimentary rock layers is the single largest fuel source worldwide for generating electricity. Coal, formed from organic plant material buried in sediment layers for millions of years, occupies a prime position in world energy resources.","stream","[]","[]","['Fossil fuels', 'Coal mines and mining', 'Power resources', 'Earth sciences', 'Geology', 'Coal']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401215/1009401215-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795165"
"asp3795163-marc","","Sedimentary resources. Oil and gas","","10 minutes","[]","The modern world runs on oil. Despite efforts to develop alternative energy sources, hydrocarbon fuels still control the world energy market. These oil and gas deposits occur only in the right combination of sedimentary rock layers. This video looks at the big picture of oil and gas, from marine plankton to existing reserves, and explains how geology affects the world’s most valuable commodity.","stream","[]","[]","['Petroleum', 'Fossil fuels', 'Rocks', 'Power resources', 'Earth sciences', 'Oil wells', 'Geology', 'Environmental sciences']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401214/1009401214-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795163"
"asp3795161-marc","","The dust bowl","","10 minutes","[]","The line between fertile grassland and desert wasteland can be very thin. What was once green and verdant can become desolate and barren in a blink of geologic time. In the 1930s, a severe drought and poor agricultural methods turned an area of the southwestern United States into a virtual dust bowl, as valuable topsoil was blown hundreds and thousands of miles away. This video uses archival footage and interviews with survivors to paint a dramatic portrait of the Dust Bowl era.","stream","[]","['Great Plains']","['Wind erosion', 'Crops and soils', 'Environmental disasters', 'Dust storms', 'Earth sciences', 'Droughts', 'Geology', 'Dust Bowl Era, 1931-1939']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401213/1009401213-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795161"
"asp3795159-marc","","Supervolcanoes","","8 minutes","[]","Humans have created weapons capable of massive violence, but the potential for destructive energy dwarfing any nuclear weapon lies within nature. Supervolcanoes can produce a cataclysmic explosion 40,000 times larger. This video tells the story of a simmering time bomb in the heart of the American West, beneath the jewel of the National Park System.","stream","[]","['Yellowstone National Park', 'Krakatoa (Indonesia)', 'Toba Lake (Indonesia)']","['Natural disasters', 'Supervolcanoes', 'Volcanic eruptions', 'Earth sciences', 'Geology', 'Environmental sciences']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401212/1009401212-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795159"
"asp3795157-marc","","Igneous rocks","","7 minutes","[]","Nearly all of the oceanic crust and large parts of the continental crust are comprised of igneous rock. Originating deep in Earth’s underworld, magma is created from silicate minerals by tectonic forces. Some magma cools slowly beneath the surface, but some is forced to the surface as lava where it cools quickly. This video illustrates how process and materials affect the formation of igneous rock.","stream","[]","[]","['Magmas', 'Igneous rocks', 'Rocks', 'Volcanic ash, tuff, etc', 'Earth sciences', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401211/1009401211-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795157"
"asp3795155-marc","","The rock cycle","","8 minutes","[]","We tend to think of rocks as fixed ... frozen in time ... never-changing, but actually rocks are constantly changing. This process of change, which affects all rocks and rock material, is known as the Rock Cycle. This video looks at the relation between igneous rocks, sedimentary rocks, and metamorphic rocks, and explains where each fits in the rock cycle.","stream","[]","[]","['Geochemical cycles', 'Rocks', 'Magmatism', 'Earth sciences', 'Geology', 'Metamorphism (Geology)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401210/1009401210-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795155"
"asp3795153-marc","","Atomic structure and bonding","","6 minutes","[]","Animated rocks standing in a police line-up may not be the usual approach to identifying minerals, but a little humor sets the stage for a quick introduction to atomic structure and chemical bonding.","stream","[]","[]","['Chemical elements', 'Atomic structure', 'Atoms', 'Minerals', 'Earth sciences', 'Geology', 'Chemical bonds']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401209/1009401209-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795153"
"asp3795151-marc","","Seafloor exploration","","10 minutes","[]","In many ways, the seafloor is the ""final frontier"". In fact, we know more about the surface of the moon than we know about the seafloor, the largest part of Earth’s surface. Scientific exploration of the seafloor began in the late eighteenth century, but two-and-a-half centuries later we ask, ""How do we know what we know?""","stream","[]","['Atlantic Ocean']","['Underwater exploration', 'Oceanography', 'Ocean bottom', 'Submarine topography', 'Sumbarine geology', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401208/1009401208-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795151"
"asp3795149-marc","","Continental drift","","8 minutes","[]","Alfred Wegener and his persistence in developing evidence for Continental Drift illustrates the importance of scientific inquiry in challenging existing theories. This video presents the main evidence for Wegener’s continental drift hypothesis and describes the reaction of the scientific establishment to his work.","stream","[]","[]","['Research', 'Pangaea (Supercontinent)', 'Continental drift', 'Earth sciences', 'Geography', 'Geology', 'Environmental sciences']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401207/1009401207-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795149"
"asp3795147-marc","","Foundations of modern geology","","10 minutes","[]","The evolution of geology as a science is a relatively recent development. Milestones in its development are explored in this video, which focuses on the work of James Hutton and William Smith.","stream","[]","[]","['Research', 'Earth sciences', 'Fossils', 'Geology', 'Maps']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401206/1009401206-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795147"
"asp3795145-marc","","The danger of lahars","","3 minutes","[]","Lahar flows, a type of mass wasting event related to volcanic activity, are often deadly because of their energy and speed. Their tremendous force can bulldoze through almost anything in their path, creating an area of destruction that can be hundreds of square miles.","stream","[]","[]","['Mass-wasting', 'Lahars', 'Natural disasters', 'Earth sciences', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401205/1009401205-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795145"
"asp3795143-marc","","A dynamically changing Earth","","4 minutes","[]","Earthquakes are among the most frightening naturally occurring hazards. In populated areas, immediate damage to structures and infrastructure is expected, and governments try to prepare for these disasters. But secondary impacts like tsunamis often receive less attention until after they occur, reminding us again of the complex interaction of Earth’s systems.","stream","[]","[]","['Tsunami damage', 'Earthquakes', 'Natural disasters', 'Tsunamis', 'Earth sciences', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401204/1009401204-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795143"
"asp3795141-marc","","Origins of a mountain","","3 minutes","[]","The snow-capped Himalayan-Pamir Mountain Belt is the ""roof"" of a ridge of folded and faulted rocks formed by the collision of the Indian and Eurasian plates. For those who attempt to climb Mount Everest, the world’s highest mountain peak on land, time is not on their side. Tectonics and surficial processes continue to raise the Himalayan Mountains to new heights at some of the fastest uplift rates in the world.","stream","[]","['Himalaya Mountains', 'Everest, Mount (China and Nepal)']","['Mountaineers', 'Geology, Structural', 'Earth sciences', 'Mountains', 'Fossils', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401203/1009401203-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795141"
"asp3795139-marc","","A transformation of beauty","","3 minutes","[]","Metamorphism transforms common limestone into marble, a specialized and highly desired product for art works and construction. The wide variety of colors and textures found in various geological settings makes possible unique sculptures and buildings. Even the most similar marbles are usually distinguished by slight color and textural differences.","stream","[]","[]","['Metamorphic rocks', 'Architecture', 'Marble', 'Sculpture', 'Earth sciences', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401202/1009401202-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795139"
"asp3795137-marc","","Reefs. Diversity on display","","3 minutes","[]","One of the more surprising examples of sedimentary formation is a coral reef – a complex structure dependent on the interplay of the biotic creatures that comprise the reef. Ancient reefs, now land-locked, can provide keys to Earth’s history and markers for potential locations of energy sources.","stream","[]","[]","['Sedimentary rocks', 'Reefs', 'Earth sciences', 'Coral reefs and islands', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401200/1009401200-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795137"
"asp3795135-marc","","Volcanologists at risk","","3 minutes","[]","Volcanoes are inherently unpredictable, a trait which only heightens the potential danger of the forces lying beneath the earth’s surface. In efforts to reduce the death toll from natural disasters, volcanologists study active volcanoes at close range; but sometimes, trying to predict the unpredictable costs a terrible price.","stream","[]","['Cascade Range', 'Saint Helens, Mount (Wash.)']","['Volcanology', 'Earthquakes', 'Volcanoes', 'Earth sciences', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401199/1009401199-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795135"
"asp3795133-marc","","Nature's surprise!","","3 minutes","[]","Igneous rocks are formed when molten magma or lava cools and crystallizes to form various minerals. Massive granite formations found in many mountain ranges are common, such as Half-Dome in Yosemite National Park. But occasionally nature fools us with its ability to create the unexpected.","stream","[]","[]","['Lava', 'Igneous rocks', 'Volcanoes', 'Earth sciences', 'Geology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401198/1009401198-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795133"
"asp3795131-marc","","Mineral identities","","2 minutes","[]","Unless it is a very unusual feature, a single characteristic seldom reveals a mineral’s identity or origin. Fortunately, like people, minerals have distinctive combinations of characteristics that provide clues to what they are and where they came from.","stream","[]","[]","['Earth sciences', 'Minerals', 'Geology']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401197/1009401197-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795131"
"asp3795129-marc","","How tall is tall?","","2 minutes","[]","Most people think of the Himalayas as the tallest mountains in the world, but a dormant volcano in the Hawaiian Islands named Mauna Kea would tower over Mount Everest if measured from its base on the seafloor to its summit.","stream","[]","['Grand Canyon (Ariz.)', 'Mauna Kea (Hawaii)', 'Everest, Mount (China and Nepal)', 'Mariana Trench']","['Mountains', 'Geology', 'Volcanoes']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401196/1009401196-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795129"
"asp3795127-marc","","What is geology?","","2 minutes","[]","Understanding geology can change the way you view the world. After you watch the video, look at your own environment with a new awareness of the connections between geologic materials and everyday life.","stream","[]","[]","['Earth sciences', 'Minerals', 'Geology']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1009401xxx/1009401195/1009401195-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795127"
"asp3795117-marc","","The legacy of a war. Vietnam","","89 minutes","[]","The Vietnam War lasted longer than any other in U.S. history.  On the 25th anniversary of U.S. withdrawal from Vietnam, ""The NewsHour with Jim Lehrer"" examines the war's lasting impact through a series of panel discussions.  Questions of the war's effect on politics and policy, the military and the media, and the country's psyche are discussed and debated. ","stream","[]","['Vietnam']","['Vietnam War, 1961-1975']","['Television news programs', 'Filmed panel discussions']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375425/1009375425-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795117"
"asp3795115-marc","","Covering the fall of Baghdad","","50 minutes","[]","Three reporters who chose to remain in Baghdad during the U.S. led invasion of Iraq describe their experiences in the last days of Saddam Hussein's regime. Segments include reports from New York Times correspondent John Burns during the bombardment of Baghdad and after its fall, and conversations with NPR's Anne Garrels and Anthony Shadid of the Washington Post.","stream","[]","['Iraq']","['Iraq War, 2003-2011']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375424/1009375424-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795115"
"asp3795113-marc","","Newshour with Jim Lehrer. Remembering the civil rights movement. They were there","","73 minutes","['Newshour with Jim Lehrer']","Frontline figures in the Civil Rights Movement reflect on their experiences, their colleagues, and where America now stands on the issue of race in a series of NewsHour conversations and discussions. Included are conversations with Dorothy Height, Vernon Jordan, and John Lewis about their memoirs and remembrances of the March on Washington, Rosa Parks, and Hamilton Holmes. This collection also features a 1997 interview with Ruby Bridges, who in 1960, at 6-years old, became the first African American child to desegregate an elementary school.","stream","[]","['United States']","['Civil rights movements', 'African Americans']","['Filmed interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375423/1009375423-disc001-file001-frame00415-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795113"
"asp3795111-marc","","The news hour with Jim Lehrer. 2000 IMF-World Bank meetings & protests. Global views","","54 minutes","['The news hour with Jim Lehrer']","In this video, The NewsHour with Jim Lehrer discusses April 2000 protests against the World Bank and International Monetary Fund.","stream","['World Bank', 'International Monetary Fund']","['Washington (D.C.)']","['Globalization', 'Demonstrations']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375422/1009375422-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795111"
"asp3795109-marc","","The news hour with Jim Lehrer. Explaining globalization","","43 minutes","['The news hour with Jim Lehrer']","What does globalization mean for the world economy and for Americans? That's the topic explored in this series of reports and discussions from The NewsHour with Jim Lehrer. Business correspondent Paul Solman strolls through Brookline, Massachusetts with Harvard economics professor Robert Lawrence, exploring what globalization looks like at street level. David Gergen discusses globalization with New York Times columnist Tom Friedman. Peruvian economist Hernando De Soto discusses his book ""The Mystery of Capital: Why Capitalism Triumphs in the West and Fails Everywhere Else"". And the implications of a world without borders are discussed with Friedman and Moises Naim, editor of ""Foreign Policy"" magazine.","stream","[]","['United States']","['Economics', 'Globalization', 'Capitalism']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375421/1009375421-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795109"
"asp3795107-marc","","The news hour with Jim Lehrer. Talking show biz","","62 minutes","['The news hour with Jim Lehrer']","The NewsHour with Jim Lehrer looks at the entertainment business. Segments include conversations with ""Sopranos"" creator David Chase, Pulitzer-winning playwright Nilo Cruz, actor Kevin Kline discussing his portrayal of Shakespeare's ""Falstaff,"" and a mostly verbal discussion with the world's most famous mime, Marcel Marceau. Also, a business-oriented look at Cirque du Soleil and the creation of an American opera, ""Margaret Garner,"" based on Toni Morrison's book, ""Beloved."" This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.","stream","[]","['United States']","['Performing arts']","['Television news programs', 'Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375420/1009375420-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795107"
"asp3795105-marc","","The NewsHour with Jim Lehrer. Staging a show on The NewsHour","","79 minutes","['The NewsHour with Jim Lehrer']","NewsHour correspondents report on a variety of notable theater productions, including opera versions of Arthur Miller's ""A View from the Bridge,"" F. Scott Fitzgerald's ""The Great Gatsby,"" and Toni Morrison's ""Beloved.""  Also, two plays based on news events are examined: transcripts of cockpit voice recordings provided the basis for ""Charlie Victor Romeo,"" a play about aircraft emergencies; and ""The People's Temple"" is a play about the Jonestown Massacre, based on diaries and the recollections of survivors.  Shakespeare is the subject of two more reports: a look at the re-creation of the Globe Theatre in London and a report written in iambic pentameter about a Shakespeare street festival in Denver. Also included is a profile of the Tony Award winning Children's Theatre Company of Minneapolis. This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.","stream","[]","['United States']","['Opera', 'Theater']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/content/1009375xxx/1009375419/1009375419-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795105"
"asp3795103-marc","","The news hour with Jim Lehrer. Shakespeare on The news hour","","61 minutes","['The news hour with Jim Lehrer']","The NewsHour examines the legacy of William Shakespeare from a number of perspectives. They include a discussion of a recently discovered work thought to be by Shakespeare, film treatments of Shakespeare's plays, a Denver street festival, and a Shakespearean acting course for experienced actors.  Also included are a conversation with actor Kevin Kline about his portrayal of Sir John Falstaff and a report on the re-creation of the Globe Theatre in London. This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.","stream","['Shakespeare, William']","[]","['Theater']","['Television news programs', 'Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1009375xxx/1009375418/1009375418-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795103"
"asp3795101-marc","","Word within the word. Sabad Nirantar","","74 minutes","[]","The film looks at how the Word lives, resonating ordinary lives across centuries. Beginning from an everyday cloudy monsoon morning in the city of Bhopal, it travels to Malwa, Madhya Pradesh, (the hub of tribal India) that is also known as the second home to Pt. Kumar Gandharva, one of the greatest musicians of our time. Here within the fast altering fabric of a challenged rural life we encounter common people, age-caste-gender regardless, fighting hard to earn a square meal daily, yet keeping music alive at the bosom of a gnawing fate. Far beyond the scope of any intellectual resolve it is at once a refusal to die, and more significantly a bid to seize eternity from historic annihilation. 'Sabad Nirantar' is a crucial gateway to the India we are fast forgetting, one that is difficult to classify and categorise but simpler to understand if you hear its common folk talk. It is this human landscape within which one can aspire to come to terms with one's contemporary dilemmas stemming from learned responses, fragmented dreams.","stream","[]","['India']","['East Indians', 'Folk music', 'Folk literature, Indic', 'Folk poetry, Indic', 'Folk religion']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1009289xxx/1009289583/1009289583-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3795101"