"filmID","creator","title","date_of_publication","runtime","series_title","summary","format_type","associated_entity","geography","subject_group","genre","image_url","direct_url"
"asp1760966-clmv","Mozart, Wolfgang Amadeus, 1756-1791","Great piano concertos. Nos. 6, 19 & 20. Vol. III","2005","83 min","['Great piano concertos']","As part of the celebration of Mozart's 250th birthday this DVD features different piano concertos from different times in the great composer's life. Performers on this DVD include Christian Zacharias, Radu Lupu, and Ivan Klansky.","stream","[]","[]","['Concertos (Piano)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398986/1004398986-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760966"
"asp1760843-clmv","Bach, Johann Sebastian, 1685-1750","Die Kunst der Fuge. Cello suites","2000","101 min","[]","","stream","[]","[]","['Canons, fugues, etc. (String quartet), Arranged', 'Suites (Violoncello)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398816/1004398816-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760843"
"asp1760837-marc","Bach, Johann Sebastian, 1685-1750, composer","Die Kunst der Fuge. Cello suites","","2 minutes","['Die Kunst der Fuge']","This is a performance of Contrapunctus 9, a 4, alla Duodecima, from Die Kunst der Fuge, performed by Keller Quartet.","stream","[]","[]","['Canons, fugues, etc. (String quartet)']","['Filmed performances', 'Fugues']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398320/1004398320-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;1760837"
"asp1760607-clmv","Scheffer, Frank, 1956- drt","Attrazione d'amore. Gustav Mahler ; Voyage to Cythera: Luciano Berio","2000","106 min","['Juxtapositions']","Attrazione d'amore documents the conductor Riccardo Chailly & the Royal Concertgebouw Orchestra, with rehearsals & performances of works by Mahler, Mozart, Debussy, Stravinsky, Varese & Puccini's Tosca; featuring interviews of Luciano Berio & Chailly. Voyage to Cytheria uses the 3rd mvt. of Berio's Sinfonia as focal point of a survey of the history of musical tradition, through musical quotes from of performances conducted by Berio, rehearsals, archival documents & interviews with Chailly & Louis Andriessen.","stream","['Mahler, Gustav', 'Berio, Luciano', 'Chailly, Riccardo', 'Andriessen, Louis', 'Concertgebouworkest']","[]","['Music', 'Conductors (Music)', 'Composers']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004275xxx/1004275996/1004275996-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760607"
"asp1760597-clmv","Mozart, Wolfgang Amadeus, 1756-1791","Great piano concertos. Vol. IV","1991","114 min","['Great piano concertos']","Features performances of Mozart's piano concertos no. 5, 8, 17, and 27.","stream","[]","[]","['Concertos (Piano)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398984/1004398984-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760597"
"asp1760586-clmv","Tan, Dun, 1957- cmp cnd","Water concerto for water percussion & orchestra","2009","38 min","[]","","stream","[]","[]","['Concertos (Percussion with instrumental ensemble)']","['Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004327xxx/1004327063/1004327063-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760586"
"asp1760584-clmv","Tan, Dun, 1957","Water concerto","2009","11 min","[]","","stream","[]","[]","['Concertos (Percussion)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004399xxx/1004399396/1004399396-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760584"
"asp1760366-clmv","","Choral ikons","1996","105 min","[]","A performance of John Tavener's Choral ikons inside a virtual reality-created restoration of the interior of the Hagia Sophia church in Istanbul, as it appeared in the sixth century.","stream","[]","[]","['Icons', 'Choral music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004399xxx/1004399274/1004399274-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760362"
"asp1760548-clmv","Xenakis, Iannis, 1922-2001","La Légende d'Eer","2005","47 min","[]","","stream","[]","[]","[]","['Filmed performances', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004045xxx/1004045699/1004045699-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760548"
"asp1760543-clmv","Brahms, Johannes, 1833-1897","Symphony No. 4 in E minor, Op. 98","2007","44 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398512/1004398512-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760543"
"asp1760518-clmv","Brahms, Johannes, 1833-1897","Concerto for violin and cello in A minor, Op. 102 (double concerto)","2007","37 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398500/1004398500-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760518"
"asp1760514-clmv","","Stephen Kovacevich plays Bach, Schumann, Beethoven","2009","91 min","[]","","stream","[]","[]","['Variations (Piano)', 'Suites (Piano)', 'Piano music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398434/1004398434-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760514"
"asp1760508-clmv","","Israel Philharmonic Orchestra. 70th anniversary concert","2007","92 min","[]","","stream","[]","[]","['Concertos (Piano)', 'Orchestral music', 'Waltzes', 'Concert films', 'Concertos (Violin)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398498/1004398498-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760508"
"asp1760350-clmv","Bach, Johann Sebastian, 1685-1750","Gidon Kremer. Back to Bach","2006-2011","130 min","[]","Recordings of the 3 Bach partitas for violin, and a documentary on violinist Gidon Kremer and how Bach's works have permeated his artistic and personal lives, and on how Kramer approaches interpreting the music of Bach.","stream","['Kremer, Gidon']","[]","['Music', 'Suites (Violin)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398694/1004398694-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760350"
"asp1760231-clmv","Bach, Johann Sebastian, 1685-1750","Bach cantatas","1996-2001","124 min","[]","Conductor Sir John Eliot Gardiner's attempt to perform all of Bach's cantatas in a single year. Follows him on a pilgrimage with the Monteverdi Choir and the English Baroque Soloists to the places where Bach lived and worked.","stream","['Bach, Johann Sebastian']","[]","['Cantatas, Sacred']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398296/1004398296-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760231"
"asp1760201-clmv","Tan, Dun, 1957","Paper concerto","2009","48 min","[]","Paper, normally a utilitarian material, becomes a solo instrument in Tan Dun's ingenious and inventive Paper Concerto, fusing orchestral music and organic sounds to create accessible, even melodious, music that is almost beyond imagination.","stream","[]","[]","['Concertos (Percussion)', 'Music videos']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004327xxx/1004327057/1004327057-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1760201"
"asp1759969-clmv","","Anthems from King's. English choral favourites","1996","57 min","[]","","stream","[]","[]","['Choruses, Sacred (Mixed voices), Unaccompanied', 'Choruses, Sacred (Mixed voices) with organ', 'Concert films']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398422/1004398422-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1759969"
"asp1759962-clmv","Tavener, John","Fall and resurrection","2000","67 min","[]","","stream","['Tavener, John']","[]","[]","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004327xxx/1004327055/1004327055-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1759962"
"asp1759773-clmv","Brahms, Johannes, 1833-1897","Achúcarro. Brahms piano concerto no. 2","2009","128 min","[]","","stream","[]","[]","['Concertos (Piano)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004327xxx/1004327061/1004327061-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1759773"
"asp1759558-clmv","Haydn, Joseph, 1732-1809. cmp","String quartet op. 76, no. 5 D-Dur Hob. III:79","2005","26 min","[]","","stream","[]","[]","['String quartets']","['Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398742/1004398742-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1759558"
"asp1759508-clmv","Haydn, Joseph, 1732-1809","The Lindsays play Haydn. String quartet in C major, op. 54, 2","[2005]","27 min","[]","This is a performance of Hayden's String quartet, op. 54, no. 2, C-Dur Hob. III:57, performed by Lindsay String Quartet, and directed by Hans Petri [sic].","stream","['Lindsay String Quartet']","[]","['String quartets']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398740/1004398740-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1759508"
"asp1759283-clmv","Haydn, Joseph, 1732-1809","Haydn string quartets","2005","171 min","[]","","stream","['Lindsay String Quartet']","[]","['String quartets', 'String quartet']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398226/1004398226-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1759283"
"asp1759281-clmv","","Between two worlds","1996","89 min","[]","","stream","[]","['India']","['Sitar players']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004327xxx/1004327054/1004327054-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1759281"
"asp1759103-clmv","Reynolds, Roger","Sanctuary. For percussion quartet & live electronics","2011","200 min","[]","","stream","['Reynolds, Roger']","[]","[]","['Filmed interviews', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004399xxx/1004399196/1004399196-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1759103"
"asp1758904-clmv","Bernstein, Leonard, 1918-1990","Wonderful town","2003","75 min","[]","The Berlin Philharmonic's 2002 New Year's Eve concert which includes a semi-staged concert version of Bernstein's 1953 Broadway musical, Wonderful town, as well as songs by Bernstein and George Gershwin.","stream","['Chodorov, Jerome', 'Bernstein, Leonard', 'Fields, Joseph A']","[]","['Musicals', 'Films for the hearing impaired', 'Popular music', 'Music videos']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004283xxx/1004283495/1004283495-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1758904"
"asp1758564-clmv","","Gábor Takács-Nagy. Bartók String quartet no. 5 (4th movement)","2009","67 min","[]","In this masterclass, Gábor Takács-Nagy works on the fourth movement of Bartok's 5th string quartet.","stream","['Bartók, Béla']","[]","['Chamber music', 'String quartets']","[]","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151533/1004151533-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1758564"
"asp1758561-clmv","Beethoven, Ludwig van, 1770-1827","Stephen Kovacevich at the Verbier Festival Academy. Ludwig van Beethoven, Piano sonatas no. 21 & 31","2009","101 min","[]","","stream","['Beethoven, Ludwig van']","[]","['Piano', 'Sonatas (Piano)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151532/1004151532-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1758561"
"asp1758559-clmv","","András Schiff at the International Musicians' Seminar, Prussia Cove. Schubert, Moments musicaux nos. 1, 3 & 4","2007","57 min","[""András Schiff at the International Musicians' Seminar, Prussia Cove""]","""In this masterclass, András Schiff works with a student on three movements from Schubert's much loves Moments musicaux""--Original container.","stream","['Schubert, Franz']","[]","['Piano', 'Piano music']","['Instructional films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151530/1004151530-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1758559"
"asp1758515-clmv","","András Schiff. Bach Partita no 2 in C minor, BWV 826","2007","45 min","[]","""In this masterclass, András Schiff works with a student on Bach's Second Partita for keyboard""--Original container.","stream","['Bach, Johann Sebastian']","[]","['Piano']","[]","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151529/1004151529-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1758515"
"asp1758448-clmv","","Frans Helmerson at the Verbier Festival Academy. Franz Schubert, Arpeggione Sonata, D821","2010","40 min","[]","Swedish cellist Frans Helmerson began playing the cello at the age of 8. He is renowned throughout the world as one of the great teachers of the cello. He holds professorships at the Musikhochschule in Cologne, where he is based, and at the Escuela Superior de Musica Reina Sofia in Madrid. He is a regular teacher at the Verbier Festival Academy.","stream","[]","[]","['Concertos (Violoncello)', 'Violoncello']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151527/1004151527-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1758448"
"asp1758300-clmv","Schubert, Franz, 1797-1828","Stephen Kovacevich at the Verbier Festival Academy. Franz Schubert, Impromptus, op. 90, D899","2009","41 min","[]","","stream","['Schubert, Franz']","[]","['Piano']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151526/1004151526-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1758300"
"asp1758077-clmv","","Iannis Xenakis and Harry Halbreich in Conversation","2005","66 min","[]","","stream","[]","[]","['Composition (Music)']","['Filmed interviews', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398754/1004398754-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1758077"
"asp1757927-clmv","Handel, George Frideric, 1685-1759","Simon Carrington at the Three Choirs Festival. George Frederick Handel, Choruses from 'Messiah'","2010","131 min","[]","","stream","[]","[]","['Educational films', 'Oratorios']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151522/1004151522-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757927"
"asp1757919-clmv","","Gábor Takács-Nagy at the Verbier Festival Academy. Piano quartet no. 3 in C minor","2008","72 min","[]","In this masterclass Gábor Takács-Nagy works on the first movement of Brahms' tragic 3rd Piano Quartet.","stream","['Takács-Nagy, Gábor', 'Brahms, Johannes']","[]","['Chamber music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151518/1004151518-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757919"
"asp1757917-clmv","","Steven Isserlis at the International Musicians' Seminar, Prussia Cove. Fantasiestücke op. 73","2008","73 min","[]","","stream","['Schumann, Robert']","[]","['Violoncello']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151515/1004151515-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757917"
"asp1757903-clmv","","Zakhar Bron at the Verbier Festival Academy","2008","96 min","[]","""In this masterclass he works on Bach's chaconne for solo violin, considered a pinnacle of writing for solo violin and one of the most challenging pieces in the repertoire"" --Original container.","stream","['Bach, Johann Sebastian']","[]","['Violin', 'Suites (Violin)', 'Chaconnes (Violin)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151514/1004151514-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757903"
"asp1757890-clmv","","Maxim Vengerov. Ravel Tzigane","2008","45 min","[]","","stream","[]","[]","[]","['Masterclass', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151510/1004151510-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757890"
"asp1757888-clmv","","Maxim Vengerov. Britten Violin concerto, Op. 15","2008","49 min","[]","","stream","[]","[]","[]","['Masterclass', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151506/1004151506-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757888"
"asp1757861-clmv","","Maxim Vengerov. De Sarasate Carmen Fantasy, Op. 25","2008","55 min","[]","","stream","[]","[]","[]","['Masterclass', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151505/1004151505-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757861"
"asp1757847-clmv","","Maxim Vengerov. Beethoven Violin Sonata No. 4","2007","59 min","[]","","stream","[]","[]","[]","['Masterclass', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151504/1004151504-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757847"
"asp1757832-clmv","","Maxim Vengerov. Mozart violin concerto No. 3, K. 216","2007","47 min","[]","","stream","[]","[]","[]","['Masterclass', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151503/1004151503-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757832"
"asp1757826-clmv","","Maxim Vengerov. Bach 'Adagio and Fugue' from BWV 1001","2007","55 min","[]","","stream","[]","[]","[]","['Masterclass', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151502/1004151502-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757826"
"asp1757750-clmv","","Tracer. Chamber works 1952-1999","2007","68 min","['Chamber works in surround sound']","","stream","['Brown, Earle']","[]","[]","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004045xxx/1004045695/1004045695-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757748"
"asp1757661-clmv","Subotnick, Morton","Morton Subotnick. Electronic works. Volume 2","2004","156 min","['Morton Subotnick']","","stream","['Martin, Tony', 'Subotnick, Morton']","[]","['Video recordings', 'Computer music', 'Electronic music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004399xxx/1004399272/1004399272-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757666"
"asp1757659-clmv","Crumb, George","Makrokosmos I & II","2004","77 min","[]","","stream","['Crumb, George']","[]","['Suites (Piano)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398586/1004398586-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757657"
"asp1757548-clmv","Cage, John","One¹¹ and 103","2006","170 min","['Complete John Cage edition']","First commercial release of Cage's only feature-length film. Chance operations were used with respect to the shots, in black & white. The lighting & editing is by Cage & Andrew Culver. ""The orchestral work 103 musically accompanies One¹¹ ... 103 is divided into seventeen parts. its density varies from solos, duos, trios to full orchestra tuttis""-- Original container.","stream","['Cage, John']","[]","['Orchestral music', 'Aleatory music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004045xxx/1004045706/1004045706-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757548"
"asp1757496-clmv","Xenakis, Iannis, 1922-2001","Kraanerg","2008","117 min","['Orchestra & Electronics in Surround Sound']","","stream","[]","[]","[]","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004045xxx/1004045598/1004045598-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757496"
"asp1757449-clmv","","Electronic music 2","2008","49 min","['Electronic music in surround sound']","","stream","[]","[]","[]","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004399xxx/1004399414/1004399414-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757488"
"asp1757332-clmv","","Sorceress of the new piano","2008","140 min","[]","Through personal interviews with Tan and various composers, critics and colleagues, Sorceress of the new piano explores Margaret Leng Tan's career as a pianist, her work with John Cage, and her development as a toy piano virtuoso. The maverick of the piano contains complete performances of seven works, principally by John Cage; some filmed during stage performances.","stream","['Cage, John', 'Tan, Margaret Leng']","[]","['Toy piano music', 'Prepared piano music', 'Monologues with music (Musique concre`te)', 'Piano music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004045xxx/1004045595/1004045595-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757332"
"asp1757275-clmv","","The revenge of the dead Indians. In memoriam John Cage ; a composed film","2008","173 min","['Complete John Cage edition']","","stream","['Cage, John']","[]","[]","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004045xxx/1004045604/1004045604-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757275"
"asp1757273-clmv","Cage, John","49 waltzes for the five boroughs","2008","121 min","['Complete John Cage edition']","A video realization of all locations in John Cage's work. Includes the names of the actual locations, a detailed map of the locations, and a full view of the map indicating the 3-point triangulation of the current waltz. Bonus: audio realization of Waltz 9, recorded by Gillespie in March 1979.","stream","[]","[]","['Aleatory music', 'Waltzes']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004045xxx/1004045596/1004045596-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757273"
"asp1757258-clmv","Czernowin, Chaya","Pnima. Ins innere","2006","92 min","[]","An opera in three acts referencing the Holocaust deals with the way that people react to traumatic experiences. The actors on stage do not sing or speak.","stream","[]","[]","['Holocaust, Jewish (1939-1945)', 'Operas']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004045xxx/1004045594/1004045594-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757258"
"asp1757166-clmv","Scelsi, Giacinto, 1905-1988","Giacinto Scelsi. The piano works, 3. 5","2006","74 min","['Giacinto Scelsi']","","stream","[]","[]","[]","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004399xxx/1004399208/1004399208-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757174"
"asp1757144-clmv","","Music on 2. Profile in Music - Placido Domingo","1971","56 min","[]","","stream","[]","[]","[]","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1003804xxx/1003804996/1003804996-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757144"
"asp1757132-clmv","","André Previn's music night, 1977. Programme 3","1977","50 min","[""André Previn's music night, 1977""]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003986xxx/1003986586/1003986586-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757132"
"asp1757101-clmv","","Notes from a Diva. Cardiff Singer of the World 1995 Masterclass","1995","49 min","[]","","stream","[]","[]","[]","['Masterclass', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1003804xxx/1003804994/1003804994-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1757101"
"asp1756971-clmv","","Flashmob. The Opera","2004","59 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003804xxx/1003804992/1003804992-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756971"
"asp1756967-clmv","","Last night of the proms, 1992","1992","177 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003751xxx/1003751516/1003751516-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756967"
"asp1756962-clmv","","André Previn's music night, 1977. Programme 4","1977","49 min","[""André Previn's music night, 1977""]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003751xxx/1003751514/1003751514-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756962"
"asp1756938-clmv","","Music from the Northern Lands","1985","86 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003751xxx/1003751518/1003751518-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756938"
"asp1756860-clmv","","A touch of classics programme 6","1997","29 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003568xxx/1003568800/1003568800-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756860"
"asp1756835-clmv","","A touch of classics programme 5","1997","29 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003568xxx/1003568799/1003568799-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756835"
"asp1756809-clmv","","A touch of classics programme 4","1997","29 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003568xxx/1003568798/1003568798-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756809"
"asp1756807-clmv","","A touch of classics programme 3","1997","29 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003568xxx/1003568797/1003568797-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756807"
"asp1756763-clmv","","A touch of classics programme 2","1997","29 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003568xxx/1003568796/1003568796-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756763"
"asp1756761-clmv","","A touch of classics programme 1","1997","29 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003568xxx/1003568795/1003568795-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756761"
"asp1756122-clmv","Janáček, Leoš, 1854-1928","Katya Kabanova","1982","97 min","[]","Katya and her husband, Tichon, are dominated by Tichon's mother, Kabanicha. When Kabanicha sendsTichon away on a short trip, Katya falls in love with Boris.","stream","[]","[]","['Operas']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1003804xxx/1003804991/1003804991-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756122"
"asp1756120-clmv","","The golden ring","1965","88 min","[]","","stream","['Solti, Georg', 'Wagner, Richard']","[]","['Operas', 'Sound recordings', 'Music rehearsals']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003804xxx/1003804990/1003804990-disc001-file001-frame00970-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756120"
"asp1756115-clmv","Sullivan, Arthur, 1842-1900","BBC Proms 1982. Gilbert and Sullivan, Grainger","1982","57 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003751xxx/1003751515/1003751515-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756115"
"asp1756113-clmv","","Great conductors of the Third Reich. Art in the service of evil","1943","53 min","[]","","stream","[]","['Germany']","['Music', 'Conductors (Music)']","['Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1003804xxx/1003804986/1003804986-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756113"
"asp1756111-clmv","Beethoven, Ludwig van, 1770-1827","Moonlight sonata","1937","85 min","[]","","stream","[]","[]","[]","['Filmed performances', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1003804xxx/1003804985/1003804985-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756111"
"asp1756108-clmv","Stravinsky, Igor, 1882-1971. cmp","Rattle's rite. Music on two","1992","50 min","[]","","stream","[]","[]","['Ballets', 'Symphony orchestras']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003568xxx/1003568794/1003568794-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756108"
"asp1756106-clmv","Berlioz, Hector, 1803-1869","BBC Proms 1977. Berlioz's Te Deum (The Sunday Prom)","1977","58 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003568xxx/1003568793/1003568793-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756106"
"asp1756102-clmv","Verdi, Giuseppe, 1813-1901","BBC proms 1997. Verdi Requiem","1997","101 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003568xxx/1003568792/1003568792-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756102"
"asp1756094-clmv","","Bernard Haitink. Brahms Symphony No. 3, Op. 90","2007","218 min","[]","","stream","['Haitink, Bernard']","[]","['Music', 'Conducting', 'Symphonies']","[]","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151519/1004151519-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756094"
"asp1756092-clmv","Beethoven, Ludwig van, 1770-1827. cmp","Steven Kovacevich. Beethoven piano concerto no. 2, op. 19","2011","50 min","[]","","stream","[]","[]","['Concertos (Piano)', 'Music']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/content/1004308xxx/1004308235/1004308235-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756092"
"asp1756090-clmv","","Joanna MacGregor at The Royal Academy of Music","2009","143 min","[]","In this masterclass she works with students on movements from his piano masterpiece Vingt Regards sur L'Enfant-Jésus.","stream","['Jesus Christ', 'Messiaen, Olivier']","[]","['Piano', 'Piano music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151534/1004151534-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756090"
"asp1756088-clmv","","András Schiff at the Royal Academy of Music, London. The last three piano sonatas, opp. 109, 110, 111","2007","160 min","[]","""Here, András Schiff looks at the three great piano sonatas which end the cycle. He analyses each sonata in detail and discusses and demonstrates his personal interpretation and technique in playing these sublime works."" --Original container.","stream","['Schiff, András', 'Beethoven, Ludwig van']","[]","['Sonatas (Piano)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151531/1004151531-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756088"
"asp1756086-clmv","","Kurt Masur at The Verbier Festival Academy","2010","95 min","[]","""... Kurt Masur works with two young conductors on the first two movements of Mendelssohn's ""Italian"" symphony. The masterclass is followed by a complete performance of the work with each of the four movements conducted by a student""--Original container.","stream","['Mendelssohn-Bartholdy, Felix']","[]","['Conducting', 'Symphonies']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151528/1004151528-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756086"
"asp1756072-clmv","","Emanuel Ax at The Verbier Festival Academy","2010","99 min","[]","","stream","['Beethoven, Ludwig van']","[]","['Sonatas (Piano)', 'Piano', 'Variations (Piano)', 'Piano music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151525/1004151525-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756072"
"asp1756059-clmv","","Ana Chumachenko at the Verbier Festival Academy. Violin masterclass","2009","118 min","[]","""In this masterclass she works with students on the first movements of three of Mozart's Violin Concertos""-- Original container.","stream","['Mozart, Wolfgang Amadeus']","[]","['Concertos (Violin)', 'Violin']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151523/1004151523-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756059"
"asp1756056-clmv","","Stephen Hough at the Royal Academy of Music, London. Piano masterclass","2008","80 min","[]","","stream","['Liszt, Franz']","[]","['Piano', 'Rhapsodies (Music)', 'Piano music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151521/1004151521-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756056"
"asp1756044-clmv","","Dame Evelyn Glennie at the Royal Northern College of Music","2008","92 min","[]","""In this masterclass [Evelyn Glennie] works on two twentieth century percussion compositions""--Original container.","stream","['Koppel, Anders', 'Miki, Minoru']","[]","['Percussion music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151517/1004151517-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1756044"
"asp1755972-clmv","","Håkan Hardenberger at the Royal Northern College of Music","2008","132 min","[]","""In this masterclass Håkan Hardenberger works with students on three key works from the 20th century trumpet repertoire""-- Original container.","stream","['Henze, Hans Werner', 'Martinů, Bohuslav']","[]","['Trumpet and piano music', 'Trumpet', 'Sonatas (Trumpet and piano)', 'Sonatas (Trumpet)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151516/1004151516-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1755972"
"asp1755938-clmv","","Joan Rodgers with singers from British Youth Opera. Opera arias: singing masterclass","2008","127 min","[]","In this masterclass Joan Rodgers works with young singers on five operatic arias.","stream","['Gounod, Charles', 'Mozart, Wolfgang Amadeus', 'Tchaikovsky, Peter Ilich']","[]","['Operas', 'Singing']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151513/1004151513-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1755938"
"asp1755926-clmv","","Yuri Bashmet at the Verbier Festival Academy. Sonata for viola and piano in C major op. 147","2008","123 min","[]","Yuri Bashmet teaches a masterclass on all three movements of Shostakovich's Sonata for Viola and Piano.","stream","['Shostakovich, Dmitriĭ Dmitrievich']","[]","['Sonatas (Viola and piano)', 'Viola']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151512/1004151512-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1755926"
"asp1755804-clmv","","Maxim Vengerov. Sibelius violin concerto in D minor, Op. 47","2008","51 min","[]","","stream","[]","[]","[]","['Masterclass', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151511/1004151511-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1755804"
"asp1755785-clmv","","Maxim Vengerov. Mendelssohn violin concerto in E minor, Op. 64","2007","48 min","[]","","stream","[]","[]","[]","['Masterclass', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151509/1004151509-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1755785"
"asp1755763-clmv","","Maxim Vengerov. Shostakovitch violin concerto No. 1, Op. 77","2008","47 min","[]","","stream","[]","[]","[]","['Masterclass', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151508/1004151508-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1755763"
"asp1755752-clmv","","Maxim Vengerov. Mendelssohn violin concerto in E minor","2008","51 min","[]","","stream","[]","[]","[]","['Masterclass', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151507/1004151507-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1755752"
"asp1755750-clmv","","Steven Isserlis at the International Musicians' Seminar, Prussia Cove","2007","74 min","[]","In this masterclass, Isserlis works with Guy Johnston, former winner of the BBC Young Musician of the Year competition, on the first movement of Rachmaninov's Cello sonata.","stream","['Rachmaninoff, Sergei']","[]","['Sonatas (Violoncello and piano)', 'Violoncello']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004151xxx/1004151501/1004151501-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1755750"
"asp1754470-clmv","","The Lesley Garrett Show. Notes from Another World. Programme 6","2001","48 min","['The Lesley Garrett Show']","","stream","[]","[]","[]","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1004060xxx/1004060658/1004060658-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754470"
"asp1754468-clmv","","The Lesley Garrett Show. Notes from New York. Programme 5","2001","51 min","['The Lesley Garrett Show']","","stream","[]","[]","[]","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1004060xxx/1004060656/1004060656-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754468"
"asp1754466-clmv","","The Lesley Garrett Show. Notes from the Heart. Programme 4","2001","49 min","['The Lesley Garrett Show']","","stream","[]","[]","[]","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1004060xxx/1004060657/1004060657-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754466"
"asp1754398-clmv","","The Lesley Garrett Show. Notes from Seville. Programme 3","2001","49 min","['The Lesley Garrett Show']","","stream","[]","[]","[]","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1004060xxx/1004060655/1004060655-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754398"
"asp1754385-clmv","","Covent Garden tales","1999","27 min","[]","","stream","['Covent Garden (London, England)', 'Royal Ballet']","[]","[]","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1003986xxx/1003986589/1003986589-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754385"
"asp1754373-clmv","","Covent Garden tales. Athe architects' story. Episode 1","1999","14 min","['Covent Garden tales']","","stream","[]","['Covent Garden (London, England)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003986xxx/1003986590/1003986590-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754373"
"asp1754357-clmv","","Cardiff singer of the world 2005","2005","89 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003986xxx/1003986585/1003986585-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754357"
"asp1754295-clmv","","BBC proms 1999. CBBC children's proms in the park","1999","55 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1003804xxx/1003804987/1003804987-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754295"
"asp1754231-clmv","Xenakis, Iannis, 1922-2001","Works with piano","2010","52 min","[]","","stream","[]","[]","['Sextets (Piano, trombones (3), trumpets (2))', 'Piano with string ensemble', 'Violoncello and piano music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004399xxx/1004399412/1004399412-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754266"
"asp1754154-clmv","","Njinga, the queen king. The return of a warrior","2010","187 min","[]","Musical theater work juxtaposing the life of Njinga, a seventeenth-century female ruler of Ndongo (present-day Angola), with twentieth-century characters and political events.","stream","['Nzinga', 'Queen of Matamba']","['Angola']","[]","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004012xxx/1004012401/1004012401-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754154"
"asp1754038-clmv","Tan, Margaret Leng. itr","She herself alone. The art of the toy piano 2","2010","120 min","[]","","stream","[]","[]","['Toy piano music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004012xxx/1004012400/1004012400-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754038"
"asp1754036-clmv","Xenakis, Iannis, 1922-2001","Charisma X. Iannis Xenakis","2008","61 min","['Xenakis edition']","Charisma X follows  the life of Iannis Xenakis from childhood through his final composition. Musicologist Makis Solomos guides audience through Xenakis' key periods and accomplishments interspersed with musical performances and comments from those who knew or worked with Xenakis.","stream","['Xenakis, Iannis']","['Greece']","['Composers']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004012xxx/1004012399/1004012399-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754036"
"asp1754022-clmv","Feldman, Morton, 1926-1987","Trio","2009","105 min","[]","","stream","[]","[]","[]","['Filmed performances', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004012xxx/1004012398/1004012398-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1754022"
"asp1753916-clmv","Xenakis, Iannis, 1922-2001","String quartets","2009","34 min","[]","First complete recording of Xenakis' works for string quartet, recorded in surround sound with full video.","stream","['Xenakis, Iannis']","[]","[]","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004399xxx/1004399420/1004399420-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1753912"
"asp1753886-clmv","Xenakis, Iannis, 1922-2001. cmp","Tetras","2009","18 min","[]","","stream","[]","[]","['String quartets']","['Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004012xxx/1004012397/1004012397-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1753886"
"asp1753799-clmv","Wagner, Richard, 1813-1883. cmp lbt","Tristan und Isolde","2010","255 min","[]","","stream","[]","[]","['Operas']","['Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1003804xxx/1003804982/1003804982-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1753799"
"asp1753750-clmv","Strauss, Richard, 1864-1949","Elektra. Tragic opera in one act","2010","125 min","[]","A performance of the tragic opera of the fall of the house of Agamemnon.","stream","[]","[]","['Operas', 'Electra (Greek mythology)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1003804xxx/1003804981/1003804981-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1753750"
"asp1753593-clmv","Tchaikovsky, Peter Ilich, 1840-1893","Cherevichki. The Tsarina's Slippers","2009","155 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1003804xxx/1003804980/1003804980-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1753593"
"asp1748127-clmv","Brahms, Johannes, 1833-1897","Europa-konzert from Athens","2004","113 min","[]","","stream","[]","[]","['Concertos (Piano with string orchestra)', 'Piano quartets']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004399xxx/1004399304/1004399304-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748127"
"asp1750088-daiv","","Samba on your feet","2007","58 min","[]","This lively film goes behind the scenes of the samba and carnival world in Rio de Janeiro to reveal how the cultural clash of the African/Black and European/White cultures gave birth to a new tradition. The historian Haroldo Costa, an expert in carioca folklore, explains how African slaves' beliefs, gods and music mixed with Spanish Catholic and Indian influences centuries ago to create the remarkable fusion that is Brazilian culture.The historian Haroldo Costa, an expert in carioca folklore, explains how African slaves' beliefs, gods and music mixed with Spanish Catholic centuries ago to create the remarkable fusion that is Brazilian culture.The film includes interviews with many active performers and writers of samba such as the composer and singer Xango da Mangueira. He recalls the first days of carnival in Rio de Janeiro when he and his fellow performers sang and danced in the streets but were treated like vagrants and harassed by the police. Mae Helena D'Oxosse, a priestess in the umbanda tradition, incorporates samba in her religious practices and carries on a tradition among her working-class followers that is five hundred years old.","stream","[]","['Rio de Janeiro (Brazil)', 'Brazil']","['Carnival', 'Sambas', 'Cultural fusion']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831867/1003831867-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1750088"
"asp1748290-clmv","","Roland Pöntinen. Listening to yourself","2007","171 min","['Legato : the world of the piano']","","stream","['Pöntinen, Roland']","[]","['Piano music']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398524/1004398524-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748290"
"asp1748250-clmv","","Kurt Masur. Gala concert on the occasion of his 80th birthday","2007","93 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398252/1004398252-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748250"
"asp1748239-clmv","Mahler, Gustav, 1860-1911","Symphony no. 2 in C minor. ""Resurrection""","2007","89 min","[]","","stream","[]","[]","['Symphonies']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004276xxx/1004276008/1004276008-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748239"
"asp1748232-clmv","","Jerusalem International Chamber Music Festival","2009","140 min","[]","","stream","[]","[]","['Variations (Piano, 4 hands)', 'String sextets (Violins (2), violas (2), violoncellos (2))', 'Quartets (Piano, clarinet, violin, violoncello)', 'Piano trios', 'Clarinet and flute music', 'Violin music', 'Piano quintets']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004276xxx/1004276003/1004276003-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748232"
"asp1748132-clmv","Mendelssohn-Bartholdy, Felix, 1809-1847","Discovering masterpieces of classical music. Mendelssohn violin concerto (1844) Performance","2007","29 min","[]","","stream","[]","[]","['Concertos (Violin)']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398916/1004398916-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748132"
"asp1748129-clmv","Mozart, Wolfgang Amadeus, 1756-1791","Discovering masterpieces of classical music. Mozart symphony No. 41 Performance","2007","32 min","[]","","stream","[]","[]","['Symphonies']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004399xxx/1004399030/1004399030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748129"
"asp1748128-clmv","Schumann, Robert, 1810-1856","Discovering masterpieces of classical music. Schumann piano concerto (1845) Performance","2006","34 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004399xxx/1004399228/1004399228-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748128"
"asp1748122-clmv","Liszt, Franz, 1811-1886","Barenboim. The Liszt recital from La Scala","2007","79 min","[]","","stream","[]","[]","['Piano music']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398858/1004398858-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748122"
"asp1748133-clmv","","Oboe fantasy. Heinz Holliger, Keller Quartet","2006","50 min","[]","","stream","[]","[]","['Sonatas (Oboe)', 'Quartets (Oboe, violin, viola, violoncello)', 'Instrumental music']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398882/1004398882-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748133"
"asp1748071-clmv","Beethoven, Ludwig van, 1770-1827","Introducing Beethoven. Symphony no. 9","2002","74 min","['Discovering masterpieces of classical music']","Includes full performance of Beethoven's ninth symphony, and a documentary about the symphony featuring Beethoven scholar Wulf Konold.","stream","['Beethoven, Ludwig van']","[]","['Symphonies']","['Documentary films', 'Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004276xxx/1004276001/1004276001-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748071"
"asp1748113-clmv","Brahms, Johannes, 1833-1897","Discovering masterpieces of classical music. Brahms Violin Concerto (1878) Performance","2002","41 min","[]","","stream","[]","[]","['Concertos (String orchestra)']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398502/1004398502-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748113"
"asp1748112-clmv","Bach, Johann Sebastian, 1685-1750","Back(h) in Cöthen","2000","6 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398420/1004398420-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748112"
"asp1748111-clmv","Bach, Johann Sebastian, 1685-1750","Sarabande from Cello Suite No. 5, BWV 1011","2000","2 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398376/1004398376-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748111"
"asp1748110-clmv","Bach, Johann Sebastian, 1685-1750","Die Katze lässt das Mausen nicht' from Coffee Cantata, BWV 211","2000","5 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398322/1004398322-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748110"
"asp1748109-clmv","Bach, Johann Sebastian, 1685-1750","Brandenburg concerto No. 6 in B Flat Major, BWV 1051","2000","15 min","[]","","stream","[]","[]","['Concertos (String orchestra)']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398292/1004398292-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748109"
"asp1748108-clmv","Bach, Johann Sebastian, 1685-1750","Brandenburg concerto No. 5 in D Major, BWV 1050","2000","20 min","[]","","stream","[]","[]","['Concertos (Chamber orchestra)']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398288/1004398288-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748108"
"asp1748107-clmv","Bach, Johann Sebastian, 1685-1750","Brandenburg concerto No. 4 in G Major, BWV 1049","2000","15 min","[]","","stream","[]","[]","['Concertos (Recorder, violin with string orchestra)']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398284/1004398284-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748107"
"asp1748106-clmv","Bach, Johann Sebastian, 1685-1750","Brandenburg Concerto No. 3 in G Major, BWV 1048","2000","10 min","[]","","stream","[]","[]","['Concertos (String orchestra)']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1004398xxx/1004398280/1004398280-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748106"
"asp1748105-clmv","Bach, Johann Sebastian, 1685-1750","Brandenburg concerto No. 2 in F Major, BWV 1047","2000","11 min","[]","","stream","[]","[]","['Concertos (Chamber orchestra)']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398274/1004398274-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748105"
"asp1748104-clmv","Mahler, Gustav, 1860-1911","Symphony no. 3","2007","101 min","[]","","stream","['Nietzsche, Friedrich Wilhelm']","[]","['Symphonies']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004276xxx/1004276009/1004276009-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748104"
"asp1748069-clmv","Schumann, Robert, 1810-1856","Discovering masterpieces of classical music. Schumann piano concerto (1845) Documentary","2006","27 min","[]","","stream","[]","[]","['Concertos (Piano with chamber orchestra)']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004275xxx/1004275987/1004275987-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748069"
"asp1748068-clmv","Mozart, Wolfgang Amadeus, 1756-1791","Discovering masterpieces of classical music. Mozart Symphony No. 41 Documentary","2007","27 min","[]","","stream","[]","[]","['Symphonies']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004275xxx/1004275986/1004275986-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748068"
"asp1748066-clmv","","Discovering masterpieces of classical music. Mendelssohn violin concerto (1844) Documentary","2007","25 min","[]","","stream","[]","[]","['Concertos (Violin with orchestra)']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004275xxx/1004275985/1004275985-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748066"
"asp1748065-clmv","","Discovering masterpieces of classical music. Brahms violin concerto (1878) Documentary","2007","26 min","[]","","stream","[]","[]","['Concertos (Violin with orchestra)']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1004275xxx/1004275984/1004275984-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748065"
"asp1748119-clmv","","The Cleveland Orchestra at Carnegie Hall","2006-2007","70 min","[]","","stream","[]","[]","['Polkas', 'Concertos (Piano)', 'Waltzes', 'Operas', 'Concert films', 'Overtures']","['Nonfiction television programs', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004398xxx/1004398772/1004398772-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748119"
"asp1748061-clmv","Wagner, Richard, 1813-1883","Prelude to 'Parsifal","2007","15 min","[]","","stream","[]","[]","[]","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004275xxx/1004275980/1004275980-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748061"
"asp1748059-clmv","Bach, Johann Sebastian, 1685-1750","Brandenburg concerto No. 1 in F Major, BWV 1046","2000","19 min","[]","","stream","[]","[]","['Concertos (Chamber orchestra)']","['Nonfiction films', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1004275xxx/1004275953/1004275953-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1748059"
"asp1746449-daiv","","Dance on. Marcia McFee","1994","28 min","['Dance on']","Missouri-born Marcia McFee, who formerly danced in the companies of Murray Louis and Alwin Nikolais, talks about her current activities as a master's candidate in theological studies and a dance soloist specializing in dances in religious settings. She describes her use of structured improvisation as the choreographic basis of her performances; finding and enhancing dance spaces in churches; costumes, music, and non-musical accompaniment for her dances; and preparing audiences to view dancing in church. She briefly discusses her early dance studies in Kansas City; college work at Texas Women's University and New York University; and her experiences as a student and performer with Murray Louis and Alwin Nikolais.","stream","['Mahoney, Billie', 'McFee, Marcia']","['United States']","['Dancers', 'Improvisation in dance', 'Religious dance']","['Television interviews']","https://d3crmev290s45i.cloudfront.net/frames/1001282xxx/1001282731/1001282731-disc001-file001-frame00185-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1746449"
"asp1746345-daiv","","Ted Brandsen. The European/American divide","2010","11 min","['Dancepulp']","","stream","['Brandsen, Ted']","[]","[]","['Television interviews']","https://d3crmev290s45i.cloudfront.net/content/1004047xxx/1004047523/1004047523-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1746345"
"asp1746160-daiv","","A Renaissance revel","1992","77 min","[]","Performance of 16th-century social dances (ca. 66 min.), followed by ca. 7 min. of candid footage of the performers, artistic director Carol Téten, and audience members after the performance.","stream","['Dance Through Time (Dance group)']","[]","['Ballroom dancing', 'Dance']","['Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1003541xxx/1003541231/1003541231-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1746160"
"asp1746127-daiv","","Rudy Perez countdown. Reflections on a life in dance","2011","84 min","[]","","stream","['Perez, Rudy', 'Rudy Perez Dance Theater']","['New York (State)', 'California']","['Hispanic Americans in art', 'Choreographers', 'Modern dance']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1004295xxx/1004295651/1004295651-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1746127"
"asp1746029-daiv","","Live at Broadway Dance Center. Latin fusion/salsa for beginners with Luis Salgado. Vol. 4","2011","35 min","['Live at Broadway Dance Center']","","stream","[]","['Latin America']","['Salsa (Dance)', 'Dance']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/content/1004237xxx/1004237843/1004237843-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1746029"
"asp1746016-daiv","","Live at Broadway Dance Center. Vol. 3","2011","47 min","['Live at Broadway Dance Center']","","stream","[]","['Latin America']","['Mambo (Dance)', 'Cha-cha (Dance)', 'Dance']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/content/1004237xxx/1004237841/1004237841-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1746016"
"asp1746002-daiv","","Live at Broadway Dance Center. Vol. 2","2011","42 min","['Live at Broadway Dance Center']","","stream","[]","['Latin America']","['Merengue (Dance)', 'Dance']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/content/1004237xxx/1004237840/1004237840-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1746002"
"asp1745987-daiv","","Pirouette class #2","2011","47 min","[]","","stream","[]","[]","['Ballet dancing']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/content/1004160xxx/1004160649/1004160649-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1745987"
"asp1733486-daiv","","15 days of dance. The making of 'Ghost light'","2010","1354 min","[]","""American Ballet Theatre Studio Company and choreographer Brian Reeder were commissioned by the Center for the Moving Image, University of Buffalo to create a new dance. This film documents the making of the dance, day-by-day.""--Original container.","stream","['Reeder, Brian']","['New York (State)']","['Ballet', 'Dance', 'Choreography']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1004200xxx/1004200641/1004200641-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://aspresolver.com/aspresolver.asp?DAIV;1734583"
"asp1689497-ant1","","Viva mi tierra caliente","2003","56 min","[]","One of the least known but most extraordinary musical regions of Mexico is the Tierra Caliente - the hotlands - in Guerrero & Michoacan states. Juan Reynoso is the last, perhaps the greatest of a line of traditional ""calentano"" violin virtuosos. Filmed in Reynoso's homeland in the state of Guerrero, and featuring Reynoso, members of his family, and two of his students (Paul Anastasio and David Tobin) in performance.","stream","['Reynoso Portillo, Juan']","['Mexico']","['Music', 'Violinists']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1003830xxx/1003830900/1003830900-disc001-file001-frame00065-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689497"
"asp1689495-ant1","","The tree of knowledge","1981","23 min","[]","This video focuses on the Totonac Indians of eastern central Mexico and their ceremonial Huehues dance.","stream","[]","[]","['Totonac Indians', 'Indians of Mexico']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1003830xxx/1003830894/1003830894-disc001-file001-frame01225-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689495"
"asp1689493-ant1","","The tree of life","1988, 1973","28 min","[]","""Los Voladores"" (The Flyers) is a 1500 year old rite performed by the Totonac Indians of eastern Mexico. Sacred to Quetzalcoatl, the ritual is at the spiritual heart of Mexico. Combines Mexican Indian dance, music, poetry and art in a meditation on our place in nature, on how to keep the world in balance by our lives.","stream","[]","['Mexico']","['Indian dance', 'Totonac Indians', 'Indians of Mexico']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1003830xxx/1003830893/1003830893-disc001-file001-frame00205-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689493"
"asp1689491-ant1","","The eagle's children","1992","39 min","[]","Mexican-American ""danzantes"" travel to Chalma, Central Texas, and San Diego as they rediscover their indigenous heritage.","stream","[]","['Mexico']","['Indian dance', 'Folk dancing, Mexican', 'Indians of Mexico']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003830xxx/1003830892/1003830892-disc001-file001-frame00250-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689491"
"asp1689489-ant1","","Séance reflections","2004","43 min","[]","Njebe and Martha, a couple from Gaborone, Botswana, have tried various medical interventions to determine the reason why they remain childless. They decide to consult a charismatic diviner and healer in Njebe's birth village, Moremi. In reviewing portions of their filmed séances with ethnographer Richard Werbner, the couple are moved by the diviner's revelations about their intimate lives, but are puzzled by the diviner's rapid recital of highly ambiguous, archaic verse, his leading them in chants of call and response, and his preaching against Christianity and for restored communication with the ancestors, leaving the couple doubting the healing treatment.","stream","[]","['Botswana']","['Traditional medicine', 'Healers', 'Spiritual healing', 'Ancestor worship', 'Healing']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1003830xxx/1003830888/1003830888-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689489"
"asp1689487-ant1","","Monday's girls","1993","48 min","[]","A grandmother named Monday Moses in Ogoloma, Nigeria is responsible for taking the young girls of the village through the rites of passage into womanhood so that they will be ready for marriage.","stream","[]","[]","['Igbo (African people)']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1003516xxx/1003516649/1003516649-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689487"
"asp1689485-ant1","","Portraits from a dream show","1991","50 min","[]","","stream","[]","['India']","['Circus', 'Circus workers']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1003516xxx/1003516644/1003516644-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689485"
"asp1689483-ant1","","Talk and more talk","1991","29 min","['Caribbean eye']","Much of Caribbean culture is oral. This video investigates oral “literature” in the region and includes the work of many of the Caribbean’s best oral performers and “composers.” It features Louise Bennett, Paul Keens-Douglas, Edward Brathwaite, Michael Smith, Mutabaruka, Jeannette Layne-Clarke, Bruce St. John, and Dennis “Sprangalang” Hall.","stream","[]","['Caribbean Area']","['Oral tradition', 'Folk literature', 'Communication in folklore', 'Storytelling']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003381xxx/1003381478/1003381478-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689483"
"asp1689481-ant1","","Indigenous survivors","1991","26 min","['Caribbean eye']","Although the indigenous population of the Caribbean was decimated by the European invasion, many peoples and many cultural traditions have survived and grown stronger through change and hybridization. This program looks at survivors from Guyana, Trinidad, St. Vincent, Dominica, and Belize, examining their current movements toward exchange, cooperation, and united action.","stream","[]","['Caribbean Area']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003381xxx/1003381477/1003381477-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689481"
"asp1689479-ant1","","Games we play","1991","27 min","['Caribbean eye']","Caribbean children grow up playing games that shape the attitudes and expectations of their roles in later life. This video explores these games and looks at the adult games to which they lead, focusing on draughts in Barbados, dominoes in Dominica, all fours in Trinidad, warri in Antigua, and cricket on all the islands. It also questions the reasons for Caribbean women’s historically low level of participation in these games.","stream","[]","['Caribbean Area']","['Amusements', 'Play', 'Recreation', 'Games']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003381xxx/1003381476/1003381476-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689479"
"asp1689477-ant1","Morgan, Mary","The sociolinguistics of language","1987","26 min","[]","In a lecture, Dr. Mary Morgan introduces areas comprising the sociolinguistics of language: language variation, ethnography of communication, language in social context, language change, and speech act theory. Identifies the people who do the studies, linguists, anthropologists and sociologists, by their point of view. Briefly demonstrates methods used in studying different languages.","stream","[]","[]","['Sociolinguistics', 'Language and languages']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1003364xxx/1003364878/1003364878-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689477"
"asp1689475-ant1","","Women in action","1991","30 min","['Caribbean eye']","Women have always been entrepreneurs in the informal economy of the Caribbean. Cohosted by Vincentian Earlene Home, this video focuses on a number of projects centered on women and work in Dominica, Jamaica, and Guyana.","stream","[]","['Caribbean Area']","['Feminism', 'Women']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003364xxx/1003364877/1003364877-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689475"
"asp1689473-ant1","","Family of the Caribbean","1983","53 min","['Caribbean eye']","Exploring Caribbean culture, this program looks at the music, visual arts, dance, theater, literature, and people of the Caribbean. It shows the Carifesta festival of the arts and highlights the many levels of shared experience and expression found in the highly multicultural region.","stream","[]","['Caribbean Area']","['Arts']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003364xxx/1003364876/1003364876-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689473"
"asp1689471-ant1","","Community celebration. Other Caribbean festivals","1991","28 min","['Caribbean eye']","Festivals create and sustain a sense of community in the Caribbean. This video looks at such folk festivals of the region as the Hindu festival of Phagwa in Trinidad and Guyana; the La Rose and La Marguerite flower festivals in St. Lucia; the Johnkunnoo of Jamaica, Belize, and the Bahamas; Masquerade in Guyana and St. Kitts; and the Hosein festivals of Trinidad and Jamaica.","stream","[]","['Caribbean Area']","['Festivals']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003364xxx/1003364875/1003364875-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689471"
"asp1689469-ant1","","Caribbean carnivals","1991","27 min","['Caribbean eye']","Beginning in Trinidad Carnival, this video examines carnivals on every Caribbean island. It explores the unique forms of each celebration and reveals their shared role as a path to the liberation of the spirit.","stream","[]","['Caribbean Area', 'Trinidad']","['Carnival']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003364xxx/1003364874/1003364874-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689469"
"asp1689467-ant1","","The cross and the crossroads","2004","30 min","[]","Documentary about Candomblé, an Afro-Brazilian religion, as practiced in Bahia, Brazil.","stream","[]","['Bahia (Brazil : State)', 'Brazil']","['Candomblé (Religion)', 'Afro-Brazilian cults', 'Candomblé music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003352xxx/1003352888/1003352888-disc001-file001-frame00215-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1689467"
"asp1650530-flon","","Vietnam mission. [fifty years among the Montagnards]","1994, 1993","57 min","[]","""This is the story of a remarkable Canadian-American missionary couple who settled in 1929 among the Montagnard tribes of Vietnam's central highlands. For 50 years, Gordon and Laura Smith lived there, preaching, working to open leprosariums and orphanages, and compiling a unique archive of diaries, books, photographs, and 16 mm films that record a fascinating way of life that has now vanished.""--Original container.","stream","['Smith, Gordon H']","['Indochina', 'Vietnam']","['Montagnards (Vietnamese people)', 'Missionaries']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003832xxx/1003832155/1003832155-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1650530"
"asp1652631-flon","","Tidikawa. At the edge of heaven","1992","47 min","[]","This film captures the poignancy of a native people undergoing cultural change. When Susan Cornwell first encountered the Bedamini in Papua, New Guinea in 1971, they were aggressive and practiced cannibalism as part of their religion. She was able to befriend them and make a landmark film, Tidikawa and Friends. Now, on her return, she finds a people in Western dress, wearing T-shirts instead of nose bones. Many have been converted to Christianity. They perform their tribal dances for money, and use calculators to determine the charges. Susan shows them the old film and they respond with excitement to images of their former selves. The skillful intercutting of old and new footage dramatizes the effects of westernization on an indigenous people. ","stream","[]","[]","['Bedamini (Papua New Guinean people)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003832xxx/1003832119/1003832119-disc001-file001-frame00190-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1652631"
"asp1652627-flon","","They carry their families","2000, 1998","12 min","[]","Life in a rural village in Mauritania is hard on women. Tradition and Islamic religion are intertwined to reinforce strict gender roles. The husband is the protector and keeper; his word is law. While the men take their ease, the girls and women are off to the fields during the peanut planting and harvest season, walking five miles each way, and coming home with heavy burdens from the fields to prepare the family dinner. They carry the water, sweep the yard, wash the clothes, and care for the children. This short, beautifully filmed video captures succinctly the subservience of women, while at the same time remaining respectful of tradition and culture. There are no drugs, alcohol or loneliness in this kind of community, where family bonds are very strong. We hear from several young Peace Corps workers in the village who are hopeful that by educating and thereby widening the horizons of young women, eventually women will have more choices. From a Western perspective, the future of Africa depends on education and family planning.","stream","[]","['Mauritania']","['Sex role', 'Women']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003832xxx/1003832112/1003832112-disc001-file001-frame00195-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1652627"
"asp1652623-flon","","The unholy Tarahumara","2000, 1998","57 min","[]","In Mexico's vast and astonishing Copper Canyon area of Chihuahua, isolated from much of the world, live the Tarahumara Indians. Descendants of the Aztecs who fled the Spaniards, they live without electricity in spectacularly beautiful but rocky land where farming is difficult and game is scarce. Poor, and without resources, they are torn between the lure of modern life and maintaining their age-old traditions.In an unprecedented way, the filmmaker was able, over a period of five years, to document the ways of these gentle and reticent people. She overlays Tarahumara folk tales with footage of day-to-day life. The candid observations of one old Indian who would rather have modern comforts than preserve his traditions in poverty, provides an ironic note. One of the revelations is that the people who are thought to be very reserved are actually playful and delight in gossip. The Unholy Tarahumara is a poetic representation of a lifestyle and culture that normally is cloaked in secrecy.","stream","[]","[]","['Tarahumara Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003832xxx/1003832098/1003832098-disc001-file001-frame00200-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1652623"
"asp1649691-flon","Jerstad, Jon","The sultan's burden","1995","50 min","[]","Sultan Issa Maigari is the ruler of the northern Cameroon province of Adamawa, an area the size of England. Served by a liveried bodyguard of servants and slaves, he lives in an extraordinary thatched palace with his harem of wives and concubines and his thirty children. We are in a world of heraldry and magic, an ancient world fast disintegrating under the pressures of contempory political forces.In 1992 the Sultan allowed anthropologist Lisbet Holtedahl, and award-winning director Jon Jerstad, to film his life. Never before had a traditional Islamic leader granted such access to a world that seems straight out of the Arabian Nights. We see the many problems besetting the Sultan, ranging from the threat of an armed rebellion among the peasant farmers, to his impossible task of justifying support for the national Christian goverment to his local Moslem subjects. His courtiers criticize his rule. His own Praise-Singer (surely the worst Praise Singer in Africa) contributes a bitter diatribe against the Sultan for his lack of generosity. The intrigues of the court are reminiscent of Shakespearean drama. Filmed as the first democratic elections in Cameroon were about to be held, The Sultan's Burden captures the myriad political and ethnic rivalries which occur all over Africa as it emerges from a colonial past.","stream","[]","['North Province (Cameroon)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003832xxx/1003832083/1003832083-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1649691"
"asp1649689-flon","","The spirit of Kuna Yala","1991, 1990","60 min","[]","This program is a lively and upbeat portrait of a native people determined to survive the encroachment of the western world. It features the Kuna Indians of Panama's San Blas Islands as they unite to protect their rainforest homeland, Kuna Yala, and the tradition it inspires. Told entirely in the words of the Kunas, the film is a plea to care for the earth from a people who have a deep and intimate relationship with the land.","stream","[]","['San Blas Islands (Panama)']","['Cuna Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003832xxx/1003832077/1003832077-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1649689"
"asp1652612-flon","","The ocre people. Nomads of Namibia","1995, 1993","35 min","[]","In the desert of Namibia, life has always been a harsh struggle enriched by a feeling of oneness with the land. The people of Ova Himba were cattle herders, who followed the rains and knew where to find water and vegetation. They migrated between their encampments, the women repairing the huts with cow dung. Chief Kamasuthu, his mother, children and three wives always lived in the manner prescribed by their ancestors. They ground ocre with butterfat and herbs and decorated their bodies with this deep-hued mixture. This honored the fine cattle of their ancient gods. The drought and the war in Angola forced them into shanty towns and took away their dignity. Their children grew scornful of the old ways. This ancient, nomadic tribe, which had been untouched by the 20th century, now faces an uncertain future.","stream","[]","['Namibia']","['Himba (African people)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003832xxx/1003832055/1003832055-disc001-file001-frame00200-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1652612"
"asp1649687-flon","","The musical steppes of Mongolia","1995, 1994","51 min","[]","Alain Desjacques, a well-known ethnomusicologist, takes us on a pilgrimmage to find and record the best traditional musicians and singers on the steppes of Mongolia. Desjacques had spent time in Mongolia before and had learned the language. Thus he was welcomed and given access to domestic life, with its closely knit families and intergenerational living. Set against stunning vistas of the rugged terrain, the film captures not only the music, but the richly textured details of daily life - hospitality customs, food preparation, games, caring for the herds. It is a portrait of a people who live almost entirely off their animals - horses, yaks, camels, and sheep - with little contact with the outside world. Travelling by horseback, truck and foot, Desjacques tracks down the most revered diphonic musicians. The diphonic sound combines a base drone with a melodic upper register. We hear part of an epic song which takes the singer seven days to perform, completely from memory. The venerable flutist, Narantsogt, performs inside his yurt, producing diphonic sounds that mimic nature. His daughter serves the customary salted tea and yak yogourt fermented in a goat skin bag. The Musical Steppes of Mongolia provides a unique view of a rapidly disappearing culture. ","stream","[]","['Mongolia']","['Ethnology', 'Folk songs, Mongolian', 'Ethnomusicology', 'Folk music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003832xxx/1003832049/1003832049-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1649687"
"asp1646911-flon","","The last refuge","1996, 1994","52 min","[]","Relegated to remote reservations on the rugged slopes of Mt. Pinatuba, the Aetas, the original inhabitants of the Phillipines have battled lowland expansion, commercial logging, and increasing encroachment on their ancestral land. They are struggling to survive and to preserve their ancestral culture. The Last Refuge was conceptualized in collaboration with anthropologist Dr. Ruffino Tima. It traces the history of this endangered tribe. They were hunted down and killed as ""uncivilized savages"" by the Spanish colonizers who sought their eradication, and were exploited as slaves by their lowland Malay counterparts. Rare archival footage documents life on the reservation that the Americans created to provide a sanctuary for these ""non-Christian"" people. The Americans tapped their jungle skills as guerrilla fighters during World War II. The Last Refuge presents the only footage available of tribal life before Mt. Pinatubo's devastating volcanic eruption, and tracks the Aetas as they cope with the obliteration of this mountain sanctuary, their last refuge.","stream","[]","['Philippines']","['Ethnology', 'Aeta (Philippine people)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003832xxx/1003832026/1003832026-disc001-file001-frame00200-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1646911"
"asp1641513-flon","","The Lacandon Maya","2007","48 min","[]","Interweaving past and present and combining fabulous archival film and photographs with current documentary footage, The Lacandon Maya tells the story of an isolated community catapulted into civilization within the space of one generation. In 1960 Collin Hanney, an explorer, discovered an isolated group of Mayan Indians who 400 years earlier had fled into the Mexican jungle to escape the Spanish invasion. His discovery thrust the Indians into the modern world. Now Hanney's widow returns to the group to see how they have fared and to show them the photos and films Hanney shot when he first encountered them. The film combines the widow's pilgrimage with the story of one of the sons of a Mayan wise man encountered by Hanney, who pays homage to his father. We learn how the tribe has struggled to keep their culture and language alive, and how they are combating the exploitation of their raw materials and the influx of outsiders. Besides these challenges there is also the effect of access to education and technology on the younger generation. The film provides insight into the history and mythology of the Lacandon, whose stories even foretold the impact of the destruction of the rain forest on the whole world. It eloquently captures the conflicting values of ancient civilizations and the modern world.","stream","['Hanney, Collin']","['Chiapas (Mexico)']","['Lacandon Indians', 'Anthropology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003832xxx/1003832020/1003832020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641513"
"asp1649684-flon","","The King does not lie. The initiation of a priest of Shango","1993","43 min","[]","Documentary showing the ritual and ceremony associated with the initiation of a Shango priest, the Thundergod of the traditional Yoruba religion. Takes place in a contemporary Puerto Rican community among New World practitioners of the ancient religion, Santeria.","stream","[]","[]","['Santeria']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003832xxx/1003832018/1003832018-disc001-file001-frame00195-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1649684"
"asp1641324-flon","","The emperor's birthday","1997","52 min","[]","When Emperor Haile Selassie of Ethiopia was overthrown in August, 1975, by Colonel Mengistu, sixty of his cabinet members were executed and he was never seen again. Yet there remained the belief among many Rastafarians that he was still alive. They continued to worship him as the Lion of Judah and considered him the Black Christ. The Emperor s Birthday, using old footage and interviews, sifts through the sequence of events that led to a Rastafarian movement in Ethiopia, England and the Caribbean. It shows that the movement was both political and spiritual. Curiously, the Emperor was mostly indifferent to them. In 1935, Mussolini invaded Ethiopia. Haile Selassie appealed unsuccessfully to the League of Nations for help. In reaction to this abandonment, there was an outpouring of support for him from people of African descent in the West. Marcus Garvey from Jamaica declared Africa for Africans and urged repatriation. Jazz in Harlem echoed with a longing for Africa. The film traces the preparations being made for the celebration of the Emperor s one hundredth birthday. We meet Rastas who had made arduous journeys from all over the world, and learn of the struggle with poverty faced by the ones who have settled in Ethiopia. This is probably as close a look as outsiders will get at a gentle, spiritual people who are closely identified with the African soul and whose ways have always aroused suspicion.","stream","['Haile Selassie', 'Emperor of Ethiopia', 'I']","['Ethiopia']","['Rastafari movement']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003826xxx/1003826805/1003826805-disc001-file001-frame00200-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641324"
"asp1645992-flon","Heimans, Frank","The eleven powers (Bali)","1980","48 min","[]","This film records the most spectacular sacred ceremony of the Balinese people. The Eka Dasa Rudra, or Festival of the 11 Powers, was held by order of the high priests to restore the balance between good and evil in the universe. The entire Balinese population of two million participated. In Bali, religion governs all aspects of life. A complex synthesis of Buddhism, animism, Sivaism and Hinduism, its rituals go back to the dawn of time. The film captures the sight and sound of this richly textured event.","stream","[]","['Bali Island (Indonesia)', 'Indonesia']","['Rites and ceremonies']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003831xxx/1003831999/1003831999-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1645992"
"asp1641541-flon","Elsass, Peter","The journey back","1988","50 min","['Earth is our mother']","In The Journey Back (Part II), the filmmakers return after several years to show the original film (The Earth is Our Mother) to the tribes and learn how they feel about their representation. This follow-up film concentrates on the Arhuaco Indians who continue to maintain their strong spiritual and cultural identity in the face of wide ranging attempts to grab their land, torment their spiritual leaders, and make their independent lifestyle untenable. The Arhuaco are unimpressed with the earlier film even though it attempts to plead their cause to the outside world. Physically small, garbed in pristine white with box-like headdresses, pain smolders on their faces when they speak of the injustice they have suffered, including the assassination of their spiritual leaders. The Journey Back gives voice to the ravages of their colonial history.Member of a series: The Earth is Our Mother (Part I).","stream","[]","[]","['Arhuaco Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003907xxx/1003907003/1003907003-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641541"
"asp1641508-flon","Elsass, Peter","Two Indian tribes in South America","1988","53 min","['Earth is our mother']","Anthropologist and psychologist Peter Elsass studied two Indian tribes in Colombia and Venezuela over a 16-year period. In his film, The Earth is Our Mother (Part I), we see their different ways of dealing with encroaching white civilization. The Motilon Indians in the lowland of Venezuela gave up their traditional ways and became dependent on the Catholic missionaries who converted them. They became spiritually and economically impoverished. The Arhuaco Indians, in the mountains of northern Colombia, threw out the missionaries and maintained their cultural integrity. They have an abiding spiritual attachment to their land. Films in this series: The Earth is Our Mother, The Journey Back (Part II).","stream","[]","[]","['Motilon Indians', 'Arhuaco Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831998/1003831998-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641508"
"asp1630993-flon","","The cross and the bodhi tree. Two christian encounters with buddhism","2001","44 min","[]","This fascinating film is about two unique individuals, a French Catholic priest and an English Protestant nun and the powerful influence of Buddhism on both of them. Father Francois Ponchaud, a published author, writes on Cambodian politics and history and speaks fluent Khmer with Cambodian villagers. Mother Rosemary leads a life of silence and prayer in a convent in Oxford. Yet both the active missionary priest and the contemplative Mother Superior practice Buddhist meditation. For Father Ponchaud, who lost nearly all his students in the Cambodian ""killing fields,"" meditation sustains him in the face of tragedy, as well as in everyday life. For Mother Rosemary, this meditation lent support to her life of prayer when ""prayer seemed to go dead."" In the era of globalization, when human ventures and ideas are being thrown together an unprecedented rate, Father Ponchaud and Mother Rosemary point a way forward both for institutional religions and for seekers of truth outside the confines of convention. They shed light on the character of Jesus Christ, the path of the Buddha and the call to holiness. They demonstrate that it is possible to retain deep roots in one tradition while being profoundly enriched by another.","stream","['Ponchaud, François']","[]","['Buddhism', 'Christianity and other religions']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826799/1003826799-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1630993"
"asp1641500-flon","","Taigana. The last reindeer people in Mongolia","2002","17 min","[]","This fascinating film depicts the Taigana, an unusual tribe of nomads living in the mountainous Hovsgol region of Mongolia, near the Siberian border. Nomadism has deep spiritual meaning for the Taigana; their annual migration represents the cyclical nature of life to them and has profound sacred meanings. All their activities are dictated by the world of the spirits. They believe the valleys and mountains are inhabited by their forefathers and by the Supreme Divinity. The Taigana are entirely dependent on their reindeer. They use the sturdy animals to move along the same paths their ancestors did for hundreds of years. Each family owns ten to seventy reindeer which provide most of the diet of the Taigana. The meat is dried and preserved while the milk is used for drinking and making cheese. The skin is utilized to make clothing for the extremely cold winter. Unfortunately, in the mid-nineties the Mongolian government restricted theTaigana's movements with disastrous consequences. The tribe had to remain too long in their camps. As a result, reindeer waste increased, many reindeer sickened and died and forty per cent of the tribe contracted gastroenterological illness and diseases of the joints. The tribe wrote a desperate letter to international aid organizations protesting their conditions and help was sent by International Crossroads and the Mongolian Red Cross. Their struggles continue to this day.","stream","[]","['Mongolia']","['Nomads', 'Reindeer herders']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831958/1003831958-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641500"
"asp1641491-flon","Augé, Marc","Spite. An African prophet-healer","1985, 1984","56 min","[]","People from all over the Ivory Coast seek out prophet- healers for treatment of their medical and emotional problems. Some of these ailments may be caused by the stress of cultural change. Often Western medicine cannot cure them. This stunningly photographed film focuses on Sebim Odjo, who draws upon Moslem, Christian and traditional African beliefs in his healing ceremonies. He moderates disputes, tracks down the source of illness, and uses his powers to heal. We see a water cure used on a patient ill with spite.","stream","['Odjo, Sébim']","[""Côte d'Ivoire""]","['Spiritual healing', 'Healing']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831933/1003831933-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641491"
"asp1641489-flon","","Spirit doctors","1997","27 min","[]","Folk healing has been part of the Mexican culture since pre-Columbian days. This tradition still flourishes in the Mexican American communities of the lower Rio Grande Valley. This film follows three healers in their daily work. Josefa, a traditional curandera, uses a variety of herbal and spiritual techniques. She is shown giving blessings, performing ritual cleansings and communicating the wandering soul of the dead man. Maria heals her patients by channeling the spirit of Mexico's most famous healer who died sixty years ago. Trini is a traditional partera, or midwife. She plays an important role in the community where one third of all births take place outside of the hospital. Filmmaker Monica Delgado is herself a descendant of a curandera and partera. These cameo portraits show how traditional beliefs flourish in Mexican American culture.","stream","[]","['Texas']","['Healers', 'Traditional medicine', 'Healing', 'Mexican Americans']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831931/1003831931-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641489"
"asp1652594-flon","Petrissans, Paul","Songs for Ralph","2000","43 min","[]","This is a loving and lively musical tribute to Ralph Rinzler, the man who championed indigenous American music, first as a musician, then in field research and recording, and finally as the founder of the Center for Folklife in the Smithsonian Institute. Beginning in the fifties, Rinzler sought out and encouraged folk musicians in the bluegrass, Cajun, shout and Native American traditions. In this film, performers such as Doc Watson, Pete Seeger, David Grisman, the Moving Star Hall Singers and Bernice Johnson Reagon, to name a few, throw heart and soul into song. They remember Ralph's friendship and support, as well as his enthusiasm for new talent. It was Ralph who convinced the Smithsonian Institute that a department should be created for American folk culture. Under his leadership, the Smithsonian produced the annual Folklife Festival and later purchased Folkway Records from Moe Ash, thus preserving American indigenous music for the enjoyment of future generations. The film is a rich tapestry of folk experience expressed in music and oral history. The civil rights movement, the labor movement, the troubles of farm workers, and the longing of immigrants -- all these are expressed in the folk tradition Rinzler helped preserve.","stream","['Smithsonian Institution', 'Center for Folklife Programs and Cultural Studies', 'Rinzler, Ralph']","['United States']","['Folk music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003831xxx/1003831921/1003831921-disc001-file001-frame00205-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1652594"
"asp1641480-flon","Hardy, Ian","Singing between two worlds - learning traditional music in the heart of modern India","2002, 2001","27 min","[]","This is a warm portrait of one of the most revered musical families in India, in which the cherished tradition of dhrupad vocal music is passed on from father to son. The Dagar brothers are handsome, affable young men at home in contemporary India. Yet they sit cross legged on a carpeted floor submitting to the instructions of their father, hour after hour, day after day, in order to master the complex tonalities of this demanding music. Their musical tradition has been passed on orally from father to son, kept alive for thousands of years without the aid of writing. Singing Between Two Worlds presents for the first time on film an in-depth look at the extraordinary approach to musical training fundamental to the classical music of India. This method is known as the guru shishya parampara. Through it, the Dagar brothers devote their lives to learning dhrupad vocal music, and strive to take their place among the twentieth generation of their family to have mastered this tradition. Viewers will gain an appreciation not only of the demands but also of the beauty of Indian classical music.","stream","['Dagar Brothers']","['India']","['Dhrupad', 'Vocal music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831905/1003831905-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641480"
"asp1650483-flon","Gardner, Janet","Siberian dream","2004","33 min","[]","Originally from a small village in the Buryat region of Siberia, Irina Pantaeva emigrated to the U.S. in the 1980s. Every summer, Irina, a world-famous model, and her son travel back to help her troubled family, trapped in the new free market society struggling with alcoholism, lawlessness and despair. Through interviews with academics, local shamans, monks, musicians, and farmers, Siberian Dream shows the effects of perestroika and glasnost on this Buryat community. The Buryats are trying to develop an open society while struggling to revive their culture. Irina and her family embody these efforts. Buryat-Mongols -- including the Pantaeva family -- practice Buddhism and Shamanism simultaneously. Irina celebrates her endangered Buryat-Mongol culture, teaching her son the importance of honoring their ancestors. Dr. David Foglesong, Professor of Russian History at Rutgers, illuminates the effects of Russification and the events and personalities driving glasnost and perestroika. Dr. Robert Thurman, Professor of Religion at Columbia University and President of Tibet House, New York, discusses Tibetan Buddhism and history as it affected the Mongolian tribes to which the Buryats belong.","stream","['Pantaeva, Irina']","['Buri?atii?a (Russia)']","['Buriats']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831896/1003831896-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1650483"
"asp1655012-flon","","Seven nights and seven days","1992","49 min","[]","This beautifully photographed film documents an unusual healing ceremony in Senegal. It shows how a community gathers together to treat and heal one of its members who is suffering from postpartum depression. After giving birth, the young woman refuses to care for her child. Years before her mother and grandmother had been treated for a similar illness by the same shaman, Fat Seck. The ceremony, called the Ndepp, is organized by the Lebou people of Senegal to honor their ancestral spirits and to ask them to allow a cure to take place. Performed over seven days and nights, the Ndepp is complicated with a precise set of rules. A large part of the population participates. Fat Seck, the healer, resolves this family problem. Trances and sacrifices are part of the cure. After the week, the young woman is restored to normal behavior, an effective mother and community member.","stream","[]","['Senegal']","['Lebou (African people)', 'Traditional medicine', 'Healing']","['Documentary']","https://d3crmev290s45i.cloudfront.net/frames/1003831xxx/1003831880/1003831880-disc001-file001-frame00205-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1655012"
"asp1641470-flon","Gleason, Judith","Sentinels of the earth. Conversations with the sierra popolu","2002","50 min","[]","This is an innovative, intimate portrait of stalwart members of an indigenous people who inhabit Mexico's Sierra de Santa Marta and speak a derivative of ancient Olmec. For convenient classroom use, eight episodes, focussed on various aspects of their culture, have been divided into Parts I and II -- available separately. Part I begins with recollections of an outlawed carnival celebration intercut with old women performing ""Dance of the Tiger"" in honor of the corn god. Episode two: younger women collaborate, guided by Santana, in making a fuel-saving clay stove. Episode three moves to Apolinar s clinic for a group-cleansing, followed by his recital of a chant to restore a soul stolen by wiley spirits called chanecos. In section four, Santana recounts her life-story. Part II begins with Don Tomas pouring libations to the rain god. Episode six find us in a polygamous household. Episode seven dramatizes the popular story of Homshuk, the corn god, as Gabriel and his second wife labor in the fields. To conclude, the Arizmendi brothers revive ballads of the Sierra on homemade instruments.","stream","[]","['Mexico']","['Anthropology']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831877/1003831877-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641470"
"asp1650479-flon","Rock, Marcia","Salt harvesters of Ghana","2009","19 min","[]","This starkly beautiful film exemplifies the burden borne by African women to survive and support their families. The Ghanaian women who live on a lagoon in Ada, mine for salt with their bare hands during the three month-long dry season. Ankle deep in brackish water, they bend, scoop, bag and tote the raw salt, often developing sores and swellings. But they are happy to have this seasonal work and their indomitable spirit shines through. They boast that the men would not be as skillful in collecting and cleaning the salt. Their families depend on the meager income from the sale of salt to provide food and clean water. Women have done this back-breaking work for the last three hundred years. Although they dream of improving their lives with their income, in the end they have to spend all of the earnings on sustenance. While the government has promised them clean water, it has yet to materialize. The soundtrack includes traditional work songs as well as an original song by Ghanaian musicians.","stream","[]","['Ghana']","['Women', 'Salt industry and trade', 'Salt workers', 'Sexual division of labor']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831866/1003831866-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1650479"
"asp1642927-flon","Grauer, Rhoda","Rasinah. The enchanted mask","2006","54 min","[]","Watching the lithe, expressive movements of Javanese masked dancer Rasinah, one would never believe a 72-year old woman is behind the mask! She is a master of an ancient form of mask dance called Topeng Cirebon, which originated in West Java, Indonesia. Rooted in Islamic mysticism, the spiritual significance of the masks and dances was restricted to ""specialist families,"" who for centuries passed on their unique heritage from generation to generation. By the late 1900s the popularity of Topeng Cirebon had faded -- its mystical masters forgotten. Once one of the most popular of the Topeng artists, Rasinah had been reduced to poverty as the taste for this traditional art form waned. Two young men became enraptured by tales of a hidden national treasure living in a remote village. They set out to find Rasinah to rescue her dance from extinction. Not having danced in twenty years and afraid that she was now too old, she hesitates. But once she holds the mask, her body moves again like a young dancer and she is off on an incredible journey of renewal. The film captures ancient rituals, spirit-infested graveyards, and enchanted masks. Fortunately, Rasinah's granddaughter, Erli, is able to carry on the age-old tradition. This colorful documentary shows the history, function and meaning of these masked dances.","stream","[]","['Indonesia']","['Topeng (Dance)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831838/1003831838-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1642927"
"asp1642918-flon","Mereghetti, Elisa","Portrait of Altine in the dry season","2001","27 min","[]","Twenty-seven year old Altine is a mother of two, living on the plains of Northern Senegal. As we watch her going about her daily chores, rhythmically threshing the millet, cooking over an open fire, she tells us of her aspirations. Her strongest wish is for adequate food, good health, and to remain close to her family. Images of Western life have not penetrated her village which is three hours from a paved road. This cinematically beautiful film captures life in the dry season which lasts nine months. Cows and goats share the dusty landscape. Villagers trek great distances to bring back the heavy load of water for daily needs. Although life is difficult, there is a dignity about the people.","stream","[]","['Senegal']","['Women']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831385/1003831385-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1642918"
"asp1689380-gltv","Croall, Heather","Paradise bent","2000","51 min","[]","This is one of the first explorations of the Samoan fa'afafines, boys who are raised as girls, fulfilling a traditional role in Samoan culture. The film shows how in the large Samoan family there may be one or two fa'afafines who are not only accepted but appreciated. They cheerfully share the women's traditional work of cooking, cleaning and caring for children and the elderly. Today's fa'afafines are becoming more westernized and look more like drag queens. Dance has always been an important part of Samoan culture. From an early age, the fa'afafines dance the female role, and many continue to dance as entertainers in nightclubs. We meet Cindy, a popular dancer, who has fallen in love with a representative of the Australian High Commission. They live together in the Australian compound, which lands him in trouble. He is transferred to Australia, but gives up his job and returns to be with Cindy. Several anthropologists, including Derek Freeman and Tom Pollard comment on the phenomenon. Paradise Bent brings up issues of culture and gender and the complexities of sexual identity.","stream","[]","['Samoa']","['Sex role', 'Transvestism']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831362/1003831362-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?GLTV;1689380"
"asp1641450-flon","Gardner, Elizabeth O'Brien","Our Lady's","2006","26 min","[]","Our Lady's is the story of how one Boston suburban parish, energized by a dynamic leader, rose up against the powerful Church hierarchy to demand that their voices be heard. They became a part of what s been called the first full-scale laity revolt in the history of the Catholic Church. Father Walter Cuenin and his parishioners at Our Lady Help of Christians Church in Newton, MA. Was horrified and saddened when they learned that a popular priest had molested a number of local children years before. When it was revealed that the local church hierarchy, including Boston s Archbishop Cardinal Law, had known about the abuse for years but continued to transfer the suspected priest from parish to parish, their grief turned to collective outrage. Father Cuenin, a progressive and outspoken priest had clashed with Cardinal Law over issues like women?s ordination and gay rights in the past. Now he began to speak out publicly about problems in the Catholic Church, encouraging both his fellow priests and his parishioners to do the same. Voice of the Faithful was born, an organization demanding that lay people have a greater say in the running of the church. But in a culture where obedience is prized above all else, will a rebellious parish like Our Lady's be quashed?","stream","['Catholic Church']","['Massachusetts']","['Child sexual abuse by clergy']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831351/1003831351-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641450"
"asp1650460-flon","Rychik, B","Oh, you black bird. The forgotten holocaust of the Romanies","2001","59 min","[]","Although it is acknowledged that the Gypsies were the victims of the Nazi scourge, this downtrodden group has seldom told its story to the outside world. When seventy year old Romany, Helena Malikova revisits Auschwitz where more gypsies met their end than anywhere else, she shares with us her bitter memories. The terrorist measures against the Romanies went back to a decree issued by the Reich President February, 1933, to the effect that the Romanies were among the ""worthless"" or ""Gaunerpopulation."" By December, 1938, Himmler had ordered the extermination of the Gypsy nuisance. Nazi doctors appraised each person for racial composition and determined who would go to an extermination center and who was to be crowded into a cold, barren work camp to suffer starvation and disease. The film also bears witness to the incredible disrespect the Communist regime had for the Romanies: a pig farm and a recreation center were built on the sites of the former concentration camps. The Gypsies put their suffering into mournful songs which survive today. The film is laced with their music and their memories.","stream","[]","[]","['World War, 1939-1945', 'Romanies']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831332/1003831332-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1650460"
"asp1650458-flon","","Odo^ yá! Life with AIDS","1999","59 min","[]","""This is the affirming story of how Candombleþ, a Brazilian religion of African orign, has become as source of strength and power for a group of AIDS sufferers. Shot in Rio de Janeiro, São Paulo and Bahia, it shows the rituals of Candombleþ and the celebration of Carnival ... This beautifully shot documentary puts the epidemic in a cultural context, showing how this joyful religion helps its followers cope with the illness.""--Original container.","stream","[]","['Brazil']","['AIDS (Disease)', 'Candomblé (Religion)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831330/1003831330-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1650458"
"asp1652554-flon","","Ndebele women","1997","52 min","[]","The Ndebele women are known throughout the world for their vivid and multi faceted art forms, especially the colorful embellishment of their houses. Their arid land is pierced with blocks of color, each dwelling singular in a stylized way. Their resplendent clothing also boldly proclaims their identity. This unique film also explores Ndebele rituals never shown on film before. We see their fertility rites, a celebration that bonds them to their ancestral tradition. Ndebele performance art shows how traditional forms of expression can become a vehicle for political empowerment today. Nelson Mandela referred to the Ndebele as a ""Rainbow People."" Despite a history of racial oppression, forced removal from their ancestral land and economic privation, their pride and sense of joy has endured.","stream","[]","[]","['Women, Ndebele', 'Ndebele (African people)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003831xxx/1003831309/1003831309-disc001-file001-frame00205-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1652554"
"asp1641441-flon","","Navajo warriors. The great secret","2003","50 min","[]","Navajo soldiers in World War II used their unwritten Native American tongue as an unbreakable code language. Ironically the U.S. military used the Native American language as a potent instrument of war. Successive generations of young Navajo men who fought in the elite division of the U.S. Marine Corps, relate their stories in this film. Reveals how their strong Navajo cultural identity and spiritual references correlated with traditional Marine Corps values and a passionate patriotism.","stream","['United States', 'Marine Corps']","[]","['World War, 1939-1945', 'Navajo language', 'Navajo Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831308/1003831308-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641441"
"asp1689366-flon","Oskooee, Mehrdad","My mother's home, lagoon","2001","30 min","[]","Like Kurosawa's Woman in the Dunes, 67-year-old Kobra battles the elements on a lagoon in Iran to eke out a living for herself and her 100-year-old invalid mother. Even on New Year's day she is out in her rowboat before dawn, dropping and hauling her nets for the modest catch. She must argue fiercely with the men in the marketplace for a fair price, and physically battle fishermen on the water who claim the territory where her nets are placed. In an unforgettable scene the men tear her nets and scuffle with her on the deck until she falls into the water. Mother and daughter live together in a weather- beaten cottage on the edge of the lagoon. Pictures of their deceased loved ones surround them. The Koran, the voice of the mullahs on the radio, and their love for one another sustain them. With simplicity and honesty, this documentary makes a universal statement of the harsh realities many women face, and the strength that sustains them.","stream","[]","['Iran']","['Women', 'Families']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831304/1003831304-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1689366"
"asp1652548-flon","","Mundo milagroso. (miraculous world)","1996, 1995","28 min","[]","In Texan communities along the Rio Grande River, there is a vibrant mixture of Spanish Catholicism and Indian mysticism. For hundreds of years various saints and religious figures have made appearances to a receptive public. This film takes a respectful look at the current manifestations of these symbols of faith and the people who hold them dear.The filmmakers, one of whom is of Mexican descent, set out for the border to witness these phenomena themselves. They visit the modest home of Paulita Rivera in Hidalgo, TX, who discovered the face of Jesus in a tortilla she had made. Soon the tortilla was encased in plastic and revered by supplicants for its healing properties. Another town boasts the Shrine of the Holy Camaro where a religious silhouette suddenly appeared on a Chevrolet. Believers congregate daily to pray for miracles for their loved ones. In Brownsville stands the Madonna Tree whose bark displays an image of the Virgin. We hear from people who believe that God intervened for them and cured their ailments.In these border towns there is an abiding faith in spiritual forces. Just as their Indian ancestors saw divinity in the rising of the sun each day, so they have sighted objects of faith in their daily surroundings.","stream","[]","['Mexican-American Border Region']","['Miracles']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003831xxx/1003831288/1003831288-disc001-file001-frame00195-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1652548"
"asp1652546-flon","","Mountains of gold. The people of Porgera","1995","53 min","[]","Mountains of gold is a unique chronicle of a nomadic, hunter/gatherer society undergoing the profound change to a money economy over a ten-year period. Unlike what happened in many tribal societies, the Ipini of Papua New Guinea did not allow themselves to be exploited. This tribe was first discovered by Australian explorers in 1938. Original footage shows their amazement at seeing their ""white ancestors"" in their midst. This program follows the dynamic of cultural change as it occurred in this former Stone Age society.","stream","[]","['Papua New Guinea', 'Enga Province (Papua New Guinea)']","['Ethnology', 'Gold mines and mining']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003831xxx/1003831284/1003831284-disc001-file001-frame00195-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1652546"
"asp1641428-flon","Bloch, Sérgio","Mini cine tupy","2006","11 min","[]","This delightful short is for film lovers everywhere. Jose Zagati is a trash gatherer on the outskirts of Sao Paulo. To his wife's dismay, he is obsessed with creating and running a fully functioning film theater from recycled objects. The seats, projector and the very films themselves come from discarded objects. He has turned his modest garage into a gathering place for the children of the village who experience the joy of cinema (and popcorn) free of charge. This short film shows how one man's obsession with cinema has taken over his life, while at the same time it bring pleasure to a whole community.","stream","[]","['Brazil']","['Recycled products', 'Motion picture theaters']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831267/1003831267-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641428"
"asp1646900-flon","","Midnight son. A Nunamiut village in Alaska","2000","37 min","[]","Alaska has undergone a rapid transformation from traditional Eskimo life to modern living in an extraordinarily short period of time. The Nunamiut Eskimo village of Anaktuvuk Pass, is at once a microcosm of this larger transition and markedly unique. The three hundred residents of this small, isolated town are the only tribe of inland Eskimos in the world, comprising their own linguistic group and biological heritage. Unlike most traditional cultures which have been ravaged by Western culture, Anaktuvuk has balanced old ways and new horizons. The anthropologist lived among a family of four generations and captures with spontaneity their daily life. From the elders who remember hunting caribou and still speak only their native language to the youngsters who search the internet and participate in consumer culture, Anaktuvuk is two worlds in one. The film follows the day-to-day struggles of Juke and Julia, his pregnant girlfriend, as they try to come to terms with their future.","stream","[]","['Alaska', 'Anaktuvuk Pass (Alaska)']","['Nunamiut Eskimos', 'Eskimos']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003831xxx/1003831265/1003831265-disc001-file001-frame00195-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1646900"
"asp1650443-flon","","Memories of paradise","2004","52 min","[]","After an earthquake in the 1970s buried the city of Yungay, Peru, the survivors were given government aid to settle a new town in the jungle, which they called Paraíso or Paradise. In the beginning, the peasants grew corn, coffee and other crops. When the economic aid ended, the residents successfully turned to coca cultivation. This attracted drug lords and then Shining Path Maoists. This then led to great violence which prompted the government to launch a full-scale assault on the Maoists. Paradise was destroyed and the residents were forced to flee, but now the original settlers are starting to come back to rebuild.","stream","[]","['Peru']","['Documentary films', 'Coca industry', 'Drug traffic', 'Terrorism']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831257/1003831257-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1650443"
"asp1646895-flon","","Margaret Mead. An observer observed","1996","86 min","[]","Dealing with the controversies as well as the accomplishments of Margaret Mead's life, this program weaves together a story of a scientist, adventurer and international celebrity whose ideas shaped how we think about ourselves.","stream","['Mead, Margaret']","['United States']","['Documentary films', 'Anthropologists']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003831xxx/1003831249/1003831249-disc001-file001-frame00200-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1646895"
"asp1641421-flon","Boyd, Don, 1948 Aug. 11","Man, God and Africa","1995, 1992","52 min","[]","While the media has focused on the violent history of South Africa, it has paid little attention to a social phenomenon of great importance. Some nine-million South African blacks live with a strong commitment to their religion, Pentecostal Christianity. Their faith has enabled them to survive appalling hardship and deprivation. Their religion is a blend of deep-rooted African traditions and the imported values of Christianity. This commitment could be a stabilizing force in the new South Africa. This film captures the joyous singing and rhythmic movement that is common to the various black churches. It shows the African influence on funerals, baptisms, and weddings. Through these ceremonies the churches foster a sense of community and pride at being black South African. Adherents cut across all social classes. One sees an educated civil rights lawyer practice centuries-old healing practices. We hear from representatives of the traditional Church hierarchy, such as Archbishop Tutu and Alan Boesack, who have a profound respect for the adaptation of Christianity to the African culture.","stream","[]","['South Africa']","['Blacks']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831244/1003831244-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641421"
"asp1689350-food","","Maharajah burger","2000","51 minutes","[]","This film takes a wry look at the cultural confrontation of East and West, as reflected in attitudes towards the cow. In India, the cow is revered and cared for well beyond its prime. We see a hospice where cows spend their last days in comfort. When the BBC reports on the mass slaughter of cows due to mad cow disease, the Indians are appalled. One suggests that the British send their sick and old cows to India for caretaking. When McDonald's opened up in New Delhi, featuring the Maharajah Burger, there was outrage at this affront. To many Indians it is a symbol of Western cultural imperialism -- Western greed undermining traditional values in India. One elderly maharajah hopefully observes that the Indian culture has survived thousands of years and will not succumb to this latest onslaught.","stream","[]","['India']","['East and West', 'Fast food restaurants', 'Cows']","['Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1003831xxx/1003831235/1003831235-disc001-file001-frame00205-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FOOD;1689350"
"asp1646882-flon","","Living in America. A hundred years of Ybor City","1989","54 min","[]","This film celebrates the long and rich tradition of Latin culture in this country in its vivid portrayal of Ybor City, Florida. This multicultural community was founded in the 1880s, when Cuban, Spanish and Italian immigrants arrived to work in the thriving cigar factories. It flourished until World War II when the effects of assimilation, urban renewal and the decline in the cigar industry led to its demise. The film captures the colors, rhythms, and texture of this close-knit, ethnic enclave. Here people played dominoes over a cup of cafe con leche, socialized at the dance clubs, and took pride in a perfect, hand-rolled cigar. Although they experienced hard times and discrimination, they always had a protective community to fall back on.","stream","[]","['Ybor City (Tampa, Fla.)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003831xxx/1003831212/1003831212-disc001-file001-frame00190-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1646882"
"asp1641400-flon","Goheen, John","Lady warriors","2002","91 min","[]","In addition to their stories are brief glimpses of Hopi and Navajo life. Sequences include scenes shot on the Hopi reservation as well as a Navajo puberty ceremony. This award winning film is about the will to succeed, about the importance of age-old traditions and the struggles of minority girls to grow up in today's America.","stream","[]","[]","['Navajo women', 'Anthropology', 'Hopi Indians', 'Hopi women', 'Navajo Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831180/1003831180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641400"
"asp1645969-flon","Boman, Kine","Herdswoman","2009","58 min","[]","This colorful film portrays three Sami women of different generations as they follow the reindeer herds of Lapland. Their stories reflect the transition from a nomadic existence to modern life. When a court case questions their ancient rights to the reindeers pasture, their life as reindeer keepers is at risk. The film captures the vulnerability of indigenous peoples in the modern world and the colonization process which has led to the present conflict over the right to land and water.","stream","[]","['Lapland']","['Women', 'Sami (European people)', 'Reindeer herders']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003831xxx/1003831105/1003831105-disc001-file001-frame00190-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1645969"
"asp1630788-flon","Mire, Soraya","Fire eyes. Female circumcision","1995","58 min","[]","This powerful and important film is the first to present an African viewpoint on a culturally explosive issue. Somali filmmaker Soraya Mire knows firsthand about the traditional African practice of female genital mutilation. At thirteen she was subjected to it and spent the next twenty years recovering physically and emotionally from its cruel legacy. Fire Eyes explores the socio-economic, psychological, and medical consequences of this ancient custom which affects more than 80 million women worldwide. In this film several women who have been subject to this ""rite of passage"" voice varying points of view on perpetuating the practice. While a few courageous women would spare their daughters this suffering, others fear their daughters would be unmarriageable. The troubling fact is that female circumcision is a women s ritual upheld by mothers, grandmothers and aunts, to conform to the male expectation for a chaste wife. Testimony from doctors detail the various forms of female circumcision and the horrendous ob/gyn problems that result. Dr. Groesbeck Parham, an African American, studied with a Sudanese doctor in Khartoum. He observes, ""When you are confronted with a situation rooted in such deep cultural mores, you have to be careful not to become arrogant. But I think it is a practice that needs to be revamped."" An extraordinary documentary for Women s Studies, Anthropology, African Studies, Public Health and Human Rights programs. (A closed captioned version available on vhs only. Please specify when ordering.).","stream","[]","[]","['Female circumcision', 'Anthropology', ""Women's issues""]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826725/1003826725-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1630788"
"asp1630786-flon","Thompson, Rustin","False promises. The lost land of the Wenatchi","2002","57 min","[]","Our Wenatchi Reservation was taken from us in 1894. Our hunting and fishing rights were also taken at that time, against our wishes. Many of our tribesmen are scattered in various parts of the State of Washington where the land is poor ... We, the Wenatchi Indians, wish to have our fishing and hunting rights restored to us in the Wenatchee Valley and forests."" (Chief John Harmelt, 1933) This film makes an impassioned plea for the return of the land that was taken from the Wanatchi Indians of Washington State. For generations they lived and fished on their land. In 1855, they were offered a reservation under the terms of the Yakama Treaty. The U.S. failed to honor that treaty as well as others which were made with the tribe. Historian E. Richard Hart has been working in Indian affairs for over thirty years. He knows of no other case where a tribe was promised fishing rights in a ratified treaty and again in a ratified agreement, and still does not have those rights honored. As a result of these injustices, the Wenatchis had to leave their land. Most moved to the Colville Indian Reservation. In 1937, Chief Harmelt died, but today his granddaughter and her children have taken up the fight along with other tribal elders of the Wenatchi Advisory Board and many others. About 28% of the land in the area that should have been a Wenatchi Reservation is still a part of the public domain. When will the U.S. right this historical wrong?.","stream","[]","[]","['Anthropology', 'Wenatchi Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826722/1003826722-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1630786"
"asp1630983-flon","Bloch, Sérgio","Donkey without a tail","2006","30 min","[]","Trash collecting may sound dismal, but in this film, shot in Rio de Janeiro, the people featured are undaunted, and proud of their survival skills. They make their living picking through trash in search of recyclable material and are popularly known as donkeys without a tail. This occupation traces its roots to the job of garrafeiro, or ""bottle collector."" Portuguese immigrants to Brazil made their living pushing wooden carts down the street to collect bottles (thus their nickname bears the allusion to pack animals.) The early immigrants sold only bottles and other containers that could be re-used. Today trash collectors work with a wide variety of materials; plastics, glass, iron, copper, paper, and cardboard. By following the daily route of five of these energetic collectors we come into contact with one aspect of urban life in Brazil.","stream","[]","['Brazil']","['Refuse collectors']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826702/1003826702-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1630983"
"asp1630981-flon","Karimi, Babak","Devil on the roof","2001","62 min","[]","The celebrated Iranian photographer, Nasrollah Kasraian and his wife, anthropologist Ziba Arshi, have documented many unique populations living within the borders of Iran. This film provides a fascinating look at the Turkmans of Iran, who live in small villages northeast of Teheran, near the Afghanistan border. It examines how Turkman society has changed over several years. Devil on the Roof captures varied aspects of their traditional culture. It shows how shamans treat physical and mental illnesses with music, sticks and swords. It depicts the women s roles - raising children, working in the rice fields and weaving magnificent rugs and clothing. Four years after the initial filming, the filmmakers return to the Turkman villages where they find radical changes have occurred. The introduction of electricity has brought television - the key to modernization. Because of their geographical location, the Turkmans can pick up TV transmissions from the Russian Turks (Turkmanistan) and have access to Russian - and American-programs. The children watch sitcoms, play video games, drink Coke and attend schools decorated with paintings of Mickey and Minnie Mouse.","stream","[]","['Iran']","['Turkmen']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826699/1003826699-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1630981"
"asp1630969-flon","","Contact. The yanomami Indians of Brazil","1991","28 min","[]","This documentary, shot in one of the most remote corners of the Brazilian Amazon, graphically depicts the devastating impact of contact with the outside world on an isolated indigenous tribe, the Yanomami Indians. They are considered to be the last major Stone Age people in the Amazon. Since 1987, as the result of the incursion of Brazilian gold miners, an estimated fifteen percent of the Yanomami Indians have died from malaria and related diseases to which they have little resistance. Further, the mining operations have polluted rivers and scared away game animals thereby destroying the Yanomami s traditional ecosystem. Although the Brazilian government is ostensibly trying to protect the Indians, such efforts are undermined by the fact that their mineral-rich ancestral land is coveted by mining interests. This frontier section of the Brazilian Amazon is labeled a national security zone and off limits to all unauthorized persons, including anthropologists. Producer Geoffrey O Connor was smuggled into Yanomami territory so that he could record the plight of these endangered peoples. A closed captioned version is available on vhs only. Please specify when ordering.","stream","[]","['Brazil']","['Yanomamo Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826685/1003826685-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1630969"
"asp1689326-flon","","Breaking leaves","2000","31 min","[]","""In the Haitian countryside, where people have little access to doctors, hospitals, or conventional medicine, peasants have learned to use local leaves, herbs, and therapeutic massage as a way of curing simple ailments. This video follows several men and women as they take us into the bush to look for leaves that they need for healing. We then follow them home where they explain and demonstrate their way of preparing the poultice or infusion.""--Original container.","stream","[]","['Haiti']","['Traditional medicine', 'Herbs', 'Social medicine']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826648/1003826648-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1689326"
"asp1650421-flon","","Bosnia hotel","1997","49 min","[]","Juxtaposed with reflections of Samburu warriors from Kenya upon their experience as part of the UN peace-keeping force in Bosnia are their traditional practices of circumcision and blood drinking.","stream","['United Nations']","[]","['Samburu (African people)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003830xxx/1003830982/1003830982-disc001-file001-frame00195-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1650421"
"asp1641235-flon","","Bisha. The awesome fire test","1997","52 min","[]","""The Bisha ceremony is the ultimate ordeal for revealing the truth. Suspects lick a white-hot iron pan with their tongues. If they are scorched, it shows they are lying: if not, they have unequivocally proven their innocence""--Original container.","stream","[]","['Middle East']","['Bedouins', 'Ordeal']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826636/1003826636-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641235"
"asp1630956-flon","","Becoming a woman in Okrika","1991","27 min","[]","Five females, fifteen to seventeen years old, undergo a traditional rite of passage that used to be a necessary prelude to marriage in Okrika. This sequence of events takes place in the village of Ogbogbo, which is part of the Okrika community of Ijo-speaking people who populate the Niger Delta in Rivers State, Nigeria.","stream","[]","['Nigeria']","['Ijo (African people)', 'Women']","['Documentary']","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826623/1003826623-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1630956"
"asp1652517-flon","","Bali, beyond the postcard","1993","62 min","[]","Film follows the passing down of a dance tradition to the youngest member of a family whose gamelan music and legong dance span four generations. Includes footage of rehearsals for the child's debut performance, interviews with family members, and full gamelan orchestra.","stream","[]","['Bali Island (Indonesia)', 'Indonesia']","['Gamelan music', 'Music', 'Balinese (Indonesian people)', 'Dance']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003907xxx/1003907657/1003907657-disc001-file001-frame00200-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1652517"
"asp1630944-flon","","At the edge of conquest. The journey of Chief Wai-Wai","1992","30 min","[]","At the Edge of Conquest looks at the situation of the Waiapi Indians, a small, isolated tribe that came in contact with the outside world in the late 1970s. Today they are threatened by invading gold miners, by the Brazilian government s recent proposal to reduce their land by 10%, and the state government s plan to construct a highway directly through their territory. But their strategy for survival has been effective: defend their lands from invasions while their leaders navigate the tricky waters of Brazilian politics. The film focuses on the charismatic leader, Chief Wai-Wai, as he travels from his remote village to Brazil's capitol, encountering for the first time airplanes, elevators, and skyscrapers. But the real barriers are not physical but bureaucratic and cultural. He doesn't read or write, has never been at a meeting before, and doesn't speak the language of these foreign people. Unlike the traditional depictions of indigenous persons as pristine, removed from the forces of the outside world, At the Edge of Conquest reveals a society grappling with the real politique of a larger nation-state. Chief Wai-Wai is fighting the role of victim in a desperate effort to shape the destiny of his people. It is a voyage resembling a cross between Alice in Wonderland and a Kafkaesque nightmare. But it is one which ultimately all isolated indigenous societies are forced to make if they are to survive this rapidly changing world.","stream","[]","['Brazil']","['Indians of South America', 'Wayampi Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826611/1003826611-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1630944"
"asp1630925-flon","","Africa I remember","1997","30 min","[]","Tunde Jegede, musician and composer, travels to the Gambia to immerse himself in the the oral traditions of the kora, an African harp lute. He is filmed learning and performing with elderly artists in West Africa and performing his composition ""The Cycle of Reckoning"" with the London Sinfonietta.","stream","['Jegede, Tunde']","['Africa, West']","['Kora (Musical instrument)', 'Music', 'Documentary films', 'Musical instruments']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826590/1003826590-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1630925"
"asp1641348-flon","Haasen, Bettina, 1969","A love apart","2008","53 min","[]","This beautifully filmed documentary was shot in Niger, in the barren landscape of the desert, where a nomadic tribe, the Tuareg, keep their traditional ways. A charismatic teenager, Rhaissa, is about to marry a man she has never met. She learns from her girlfriend Fatima that her husband-to-be is not very handsome nor has an abundance of ""ashek"" or pride. But Rhaissa only giggles for she is resigned to her fate. Her parents have accepted the proposal and the unspoken tribal rules must be followed. This is the last time that Rhaissa can be a girl and have a shepherd's freedom to follow the sheep. The marriage ritual demands that Rhaissa spend the week before her marriage in a wedding tent, where she cannot speak to anyone or leave its confines. It is hard for this beautiful, energetic girl to be so confined but she submits with good grace. Her friends rubs potions into her skin and brush her hair as they prepare her for the big event. Outside the tent the wedding celebration begins in earnest as villages arrive on camels loaded with gifts, Some of her other girlfriends are rebelling against these tribal ways and want to choose their own mates. Rhaissa however remains a dutiful Tuareg, and is willing to first meet her husband on the wedding night. This warm, intimate documentary allows the viewer to glimpse a tradition that may soon be just a memory.","stream","[]","['Niger']","['Tuaregs', 'Arranged marriage']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1003830xxx/1003830919/1003830919-disc001-file001-frame00190-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1641348"
"asp1689306-gltv","","A little for my heart and a little for my God","1994","58 min","[]","Since in Algeria most women traditionally are not allowed to mix with men, female orchestras customarily entertain gatherings of women. When they play, women remove their veils and dance, away from the view of men. All summer long one can hear music from roof terraces and walled gardens as women celebrate engagements, weddings and the circumcision of their sons.The meddahatts are women musicians who perform for other women. Though they are much in demand, they are held in low esteem. Many are widowed or divorced and have fallen on hard times. But their earthy humor and erotic showmanship delights their normally constrained sisters.This film is a portrait of one such orchestra. Only a woman filmmaker could have penetrated this closed environment and captured on film sucha spontaneous and colorful portrait. Paradoxically, this orchestra includes Sid Ahmen and Amin, a gay couple. Nobody seems to question their presence, the only men in an exclusively female world.","stream","[]","['Algeria']","['Music', 'Women', 'Gay men']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003830xxx/1003830918/1003830918-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?GLTV;1689306"
"asp1630922-flon","","A family in France","1993","40 min","[]","This is a portrait of a country family living in a small village, Cassaniouze, in the Auvergne province. Their story typifies how the solid traditions and time honored ways are slowly fading away in the face of modern life. The village of 700 people has a zero birth rate and most of its inhabitants are retired. A Family in France exemplifies the disintegration of rural areas in industrialized nations.","stream","[]","['Cassaniouze (France)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826586/1003826586-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?FLON;1630922"
"asp1667076-daiv","","Lin Hwai-min. Floating on the ground","","147 min","[]","This documentary by Reiner E. Moritz, portrays Lin Hwai-min, Cloud Gate Dance Theatre of Taiwan and Cursive II in the context of the company's history, including interviews with the choreographer, dancers and creative crew.","stream","['Zürcher Ballett', 'Lin, Huaimin', 'Yun men wu ji']","['Taiwan']","['Ballet', 'Choreographers', 'Modern dance']","[]","https://d3crmev290s45i.cloudfront.net/content/1002742xxx/1002742176/1002742176-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1667153"
"asp1667069-daiv","","Folias","2008","29 min","[]","","stream","[]","[]","['Ballet']","['Filmed performances']","https://d3crmev290s45i.cloudfront.net/content/1000545xxx/1000545732/1000545732-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1667069"
"asp1665810-daiv","","Symbolic dance. The conference of birds","[2005?]","42 min","['Dance series']","The performers dance and speak as they represent birds who set out to find truth and a new meaning for their lives.","stream","[]","[]","['Modern dance']","[]","https://d3crmev290s45i.cloudfront.net/content/1004145xxx/1004145600/1004145600-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665810"
"asp1665803-daiv","","The dancing prophet","1999","25 min","['Dance series']","""This classic documentary profiles the great and controversial American dancer, Ruth St. Denis, a pioneer of modern dance""--Original container.","stream","['St. Denis, Ruth']","['United States']","['Women dancers', 'Documentary films', 'Biographical films', 'Modern dance']","[]","https://d3crmev290s45i.cloudfront.net/content/1004145xxx/1004145599/1004145599-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665803"
"asp1665796-daiv","","The shipyard dance","[2005]","58 min","['Dance series']","In 1996 The Liz Lerman Dance Exchange created the largest public art event ever staged in northern New England, finding common ground between the arts and the military.","stream","['Dance Exchange', 'Portsmouth Naval Shipyard (U.S.)', 'Lerman, Liz']","['New Hampshire']","['Performance art', 'Modern dance']","[]","https://d3crmev290s45i.cloudfront.net/content/1004145xxx/1004145598/1004145598-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665796"
"asp1665779-daiv","","Dance","[1999?]","42 min","[]","","stream","[]","[]","['Dance for children', 'Dance in motion pictures, television, etc', 'Ballet', 'Dance']","[]","https://d3crmev290s45i.cloudfront.net/content/1004145xxx/1004145595/1004145595-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665779"
"asp1665775-daiv","","Dancing on the edge of success. An interview with choreographer Margaret Jenkins","[2005?, p1987?]","25 min","['Dance series']","Dancer/choreorgrapher Margaret Jenkins discusses her sources and influences, the early days of her company, and the joys and difficulties of keeping San Francisco's premier modern dance troup alive and well. Also looks at her dance company as they rehearse and develop and collaborative piece with Yoko Ono.","stream","['Jenkins, Margaret']","[]","['Modern dance', 'Choreography']","[]","https://d3crmev290s45i.cloudfront.net/content/1004145xxx/1004145594/1004145594-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665775"
"asp1665770-daiv","","Balanchine Foundation video archives","1998, p1997","55 min","['George Balanchine Foundation archive of lost choreography']","Features Frederic Franklin rehearsing a dancer from the New York City Ballet in an excerpt from Glazunov's ballet Raymonda with moves choreographed by George Balanchine. Includes an interview where Frederic discusses the premiere of Balanchine's version of this work and his part in it.","stream","['Balanchine, George', 'Franklin, Frederic']","[]","['Modern dance', 'Dancers', 'Ballet', 'Choreography']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131060/1004131060-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665770"
"asp1665762-daiv","","Balanchine Foundation Video Archives","1998, p1996","79 min","['George Balanchine Foundation archive of lost choreography']","Features Frederic Franklin and Maria Tallchief rehearsing dancers from the the New York City Ballet in excerpts of Stravinsky's ballet Le baiser de le fée with moves choreographed by George Balanchine. Includes an interview with Frederic Franklin, Maria Tallchief and Vida Brown, all of whom performed this work with the George Ballanchine dance troup. They also reminiscence about some of the other works they performed with him, and the experience of being on the dance troup in general.","stream","['Balanchine, George', 'Franklin, Frederic', 'Brown, Vida', 'Tallchief, Maria']","[]","['Modern dance', 'Dancers', 'Ballet', 'Choreography']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131059/1004131059-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665762"
"asp1665752-daiv","","Balanchine Foundation Video Archives","2008","101 min","['Archive of lost choreography']","Features Frederic Franklin and Maria Tallchief rehearsing dancers from the the New York City Ballet in excerpts of Stravinsky's ballet Le baiser de le fée with moves choreographed by George Balanchine. Includes an interview with Frederic Franklin, Maria Tallchief and Vida Brown, all of whom performed this work with the George Ballanchine dance troup. They also reminiscence about some of the other works they performed with him, and the experience of being on the dance troup in general.  ","stream","['Balanchine, George', 'Franklin, Frederic', 'Tallchief, Maria']","[]","['Modern dance', 'Dancers', 'Ballet', 'Choreography']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131058/1004131058-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665752"
"asp1665741-daiv","","Balanchine Foundation video archives","1996, p1995","114 min","['George Balanchine Foundation archive of lost choreography']","Dame Alicia Markova reconstructs George Balanchine's choreography for the role of the Nightingale, which she created in his ballet Le chant du rossignol (The song of the nightingale) for Serge Diaghilev's Ballets Russes in 1925. She begins by describing the action (based on the fairy tale by Hans Christian Andersen) as the music is played, then works intensively with dancer Iohna Loots on the nightingale's variation and pas de deux with Death, a role intended to be performed by a female dancer. Historians Millicent Hodson and Kenneth Archer, who assisted in the reconstruction, appear briefly on camera.","stream","['Balanchine, George', 'Dame', 'Markova, Alicia']","[]","['Ballet']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131057/1004131057-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665741"
"asp1665721-daiv","","Balanchine Foundation video archives","1998, p1997","107 min","['George Balanchine Foundation interpreters archive']","Maria Tallchief coaches dancers in excerpts from Stravinsky's Apollo and Tchaikovsky's Swan lake, with moves choreographed by Balanchine.","stream","['Balanchine, George', 'Tallchief, Maria']","[]","['Pas de deux', 'Ballet', 'Choreography']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131056/1004131056-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665721"
"asp1665709-daiv","","Balanchine Foundation video archives. Allegra Kent coaching excerpts from Bugaku","2002, p1999","97 min","['George Balanchine Foundation interpreters archive']","Allegra Kent coaches dancers in excerpts from Bugaku, with moves choreographed by Balanchine.","stream","['Balanchine, George', 'Kent, Allegra']","[]","['Pas de deux', 'Ballet', 'Choreography']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131055/1004131055-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665709"
"asp1665269-daiv","","Balanchine Foundation video archives","2001, p1999","69 min","['George Balanchine Foundation interpreters archive', 'Balanchine Foundation videos']","Melissa Hayden coaches dancers in excerpts from Donizetti variations, with moves choreographed by Balanchine.","stream","['Balanchine, George', 'Hayden, Melissa']","[]","['Pas de deux', 'Ballet', 'Choreography']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131054/1004131054-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665269"
"asp1665261-daiv","","Balanchine Foundation video archives","1997, p1996","108 min","['George Balanchine Foundation interpreters archive']","Features Maria Tallchief rehearsing dancers from the New York City Ballet in the Pas de deux from Mendelssohn's Scottish symphony.  Included is an interview where Maria discusses premiering the work with the George Balanchine dance troupe, and the experience of dancing with them in general.","stream","['Balanchine, George', 'Tallchief, Maria']","[]","['Modern dance', 'Dancers', 'Ballet', 'Choreography']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131053/1004131053-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665261"
"asp1665241-daiv","","Balanchine Foundation Video Archives","1997, p1996","70 min","['George Balanchine Foundation interpreters archive']","Wilde, who created the principal ballerina's role in Square dance upon its premiere by the New York City Ballet in 1957, discusses details of Balanchine's choreography, the use of square dance caller Elisha C. Keeler in the original production, and Balanchine's teaching in general.","stream","['Balanchine, George', 'Wilde, Patricia']","[]","['Ballet']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131052/1004131052-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665241"
"asp1665225-daiv","","Balanchine Foundation Video Archives","1996","119 min","['George Balanchine Foundation interpreters archive']","Patricia Wilde, who created the principal ballerina's role in George Balanchine's Raymonda variations (then titled Valses et variations) for the New York City Ballet in 1961, coaches young dancers in the two ballerina variations and pas de deux from the ballet. In the interview sections, she analyzes details of the choreography, describes how Balanchine taught specific steps and movements, and discusses the relationship between his teaching and his choreography. She also recalls the ballet's first performance, and compares it to his previous ballets Raymonda (1946), staged with Alexandra Danilova for the Ballet Russe de Monte Carlo, and Pas de dix, first presented by New York City Ballet in 1955.","stream","['Balanchine, George', 'Wilde, Patricia']","[]","['Ballet']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131051/1004131051-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665225"
"asp1665173-daiv","","Balanchine Foundation Video Archives","1996, p1995","76 min","['George Balanchine Foundation interpreters archive']","Interview with Maria Tallchief (ca. 12 min.). / Tallchief recalls the premiere of the ballet, then titled Le palais de cristal, by the Paris Opéra Ballet in 1947, and describes some of the dancers who performed in it, notably Lycette Darsonval (who created the variation on this tape), Jacqueline Moreau, and Micheline Bardin. She demonstrates how some of the choreography shows the influence of the Paris Opéra Ballet style, and analyzes details of Balanchine's choreography. She also discusses the New York City Ballet's 1948 production of the ballet, retitled Symphony in C, in which she danced the variation on this tape.","stream","['Balanchine, George', 'Tallchief, Maria']","[]","['Ballet']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131050/1004131050-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665173"
"asp1665162-daiv","","Balanchine Foundation Video Archives","1996, p1995","82 min","['George Balanchine Foundation interpreters archive']","Interview with Maria Tallchief (ca. 14 min.). Tallchief, who created the principal ballerina's role in George Balanchine's Pas de dix, first presented by the New York City Ballet in 1955, compares this ballet with Balanchine's earlier Raymonda (1946), staged with Alexandra Danilova for the Ballet Russe de Monte Carlo. She discusses how Balanchine taught various ballet steps and movements that appear in the ballet, including passé.","stream","['Balanchine, George', 'Tallchief, Maria']","[]","['Ballet']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131049/1004131049-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665162"
"asp1665153-daiv","","Balanchine Foundation Video Archives","c1996, p1995","72 min","['George Balanchine Foundation interpreters archive']","Maria Tallchief, a former principal ballerina with the New York City Ballet, coaches a current principal, Helene Alexopoulos, in excerpts from the leading roles she created in two ballets choreographed by George Balanchine to the music of Igor Stravinsky: Firebird (1949) and Orpheus (1948). In the interview sections, she analyzes details of the choreography, noting the Russian folk flavor in the berceuse, the importance of hand and arm movements and épaulement in Balanchine's choreography, and his emphasis on the proper execution of transitional steps, including walking and running. Having been married to Balanchine at the time, she was able to observe at close hand the creative process that produced both ballets.","stream","['Balanchine, George', 'Tallchief, Maria']","[]","['Ballet']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131048/1004131048-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665153"
"asp1665020-daiv","","Balanchine Foundation video archives. Pas de deux (ballerina solo)","c2008, p1996","113 min","['George Balanchine Foundation interpreters archive']","Features Maria Tallchief rehearsing dancers from the New York City Ballet in excerpts from Hindemith's The four temperaments and Delibes' Sylvia. Includes an interview with Maria where she talks about performing these works under Balanchine and about the works themselves.","stream","['Balanchine, George', 'Tallchief, Maria']","[]","['Modern dance', 'Dancers', 'Ballet', 'Choreography']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131047/1004131047-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1665020"
"asp1664378-daiv","","Balanchine Foundation video archives","c2008, p1996","115 min","['George Balanchine Foundation interpreters archive']","Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now.","stream","['Marie-Jeanne', 'Balanchine, George', 'Taras, John']","[]","['Modern dance', 'Dancers', 'Ballet', 'Choreography']","[]","https://d3crmev290s45i.cloudfront.net/content/1004131xxx/1004131046/1004131046-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1664378"
"asp1664343-daiv","","Dance on the wind. Memoirs of a Mississippi shaman","1994","27 min","[]","Eno Washington, an African American street and stage dancer, discusses the African roots of African American dance. Includes performance footage and archival footage.","stream","['Washington, Eno']","['Africa, West']","['African American dance', 'Dance, Black', 'Documentary films', 'Folk dancing']","[]","https://d3crmev290s45i.cloudfront.net/content/1003502xxx/1003502832/1003502832-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1664343"
"asp1664285-daiv","","Water flowing together","[2008?]","57 min","[]","""Offers an intimate portrait of a remarkable dancer, Jock Soto, who retired from the New York City Ballet at age forty, after a twenty-four-year career. Soto's journey as an openly gay man of Navajo Indian and Puerto Rican descent provides a rare glimpse into the life of a dancer and the disparate worlds which shaped this important artist. Soto was asked to join the New York City Ballet by George Balanchine at sixteen after first studying at the affiliated School of American Ballet on a full scholarship.""--Original container.","stream","['Soto, Jock']","['United States']","['Ballet dancers', 'Puerto Ricans', 'Gay men', 'Navajo Indians']","[]","https://d3crmev290s45i.cloudfront.net/content/1003832xxx/1003832175/1003832175-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1664285"
"asp1664278-daiv","","The call of the jitterbug","c1988","36 min","[]","Documentary on the jitterbug and lindy hop, a dance craze that swept the nation beginning in Harlem in the 1930s. Delilah Jackson, Mama Lu Parks, George Lloyd, Sugar Sullivan-Niles, Frank Manning, Sandra Gibson, and musicians Bill Dillard and Dizzy Gillespie also reminisce about dancing at the Savoy Ballroom and other popular clubs, which are seen in historical film footage. Parks and Manning are shown teaching the dance, which continues to be performed in clubs and on stage.","stream","['Savoy Ballroom (New York, N.Y.)']","['United States']","['Lindy (Dance)', 'Boogie woogie (Music)', 'Dance', 'Jitterbug (Dance)', 'Swing (Dance)', 'African Americans', 'African American dance']","[]","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826795/1003826795-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1664278"
"asp1664156-daiv","","Is it really me?","c2002","28 min","[]","A documentary about ten young women who are polishing their dancing and singing skills at the Broadway Theatre Project. The focus of the film is the way the dancers feel about their own bodies. The director of the project, Ann Reinking, and guest teacher Gwen Verdon strive to have the women focus on ""what's inside"" and to develop a healthy acceptance of their bodies.","stream","[]","[]","['Women dancers', 'Body image in women', 'Body image in adolescence', 'Young women']","[]","https://d3crmev290s45i.cloudfront.net/content/1003831xxx/1003831146/1003831146-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1664156"
"asp1664141-daiv","Scheider, Brenda Siemer","In my hands","2009","56 min","[]","This inspiring film brings hope to parents and caregivers of children who are ""different."" It focuses on individuals and families learning to live with a little-known and potentially fatal connective tissue disorder, Marfan Syndrome. People with the condition are frequently tall, with disproportionately long arms and legs. Young people, especially, are challenged by looking different than their peers. In My Hands asks the universal questions. Who am I? What am I? Different, and that's ok. Dancer and choreographer Ann Reinking, whose son Chris is affected with the condition, works with a group of teenagers, designing movement and dance that capitalizes on their shaky long bodies, and unexpectedly, inspires their self- esteem.","stream","[]","[]","['Marfan syndrome', 'Dance']","[]","https://d3crmev290s45i.cloudfront.net/content/1003826xxx/1003826771/1003826771-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DAIV;1664141"