"filmID","creator","title","date_of_publication","runtime","series_title","summary","format_type","associated_entity","geography","subject_group","genre","image_url","direct_url"
"asp3232825-marc","","Crack me off","","104 minutes","[]","The Laughing Samoans are a comic duo featuring Eteuati Ete and Tofiga Fepulea'i, two New Zealanders of Samoan descent whose comic shows are immensely popular across the country. Comedy sensations, The Laughing Samoans (aka Eteuati Ete and Tofiga Fepulea’i) have come a long way since their debut gig at the Fringe Festival in Wellington in 2003. In addition to commanding such major NZ venues as The Aotea Centre and The Michael Fowler Centre, The Laughing Samoans now fill large concert halls in the USA, Hawai’i, Australia, and (obviously) throughout the Pacific region.","stream","[]","['New Zealand']","['Samoans', 'Stand-up comedy', 'New Zealand wit and humor']","['Filmed stand-up comedy routines', 'Comedy films']","https://d3crmev290s45i.cloudfront.net/frames/1006885xxx/1006885006/1006885006-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232825"
"asp3232823-marc","","Choka-Block","","95 minutes","[]","The Laughing Samoans are a comic duo featuring Eteuati Ete and Tofiga Fepulea'i, two New Zealanders of Samoan descent whose comic shows are immensely popular across the country. Choka-Block is The Laughing Samoans latest and funniest video and features all of the popular characters – Tala & Fai, Sam & Tony, Jonathan & Bryan, Paul & Victor and more. Choka-Block includes Room Eleven Boys, Extreme Sports, Chief Concern, Doing Homework, Buying A Car, Leaver’s Ball, Island Time, and Samoa’s Got Talent.  This content has been rated PG: Parental Guidance Recommended for Younger Viewers for adult themes.","stream","[]","['New Zealand']","['Samoans', 'Stand-up comedy', 'New Zealand wit and humor']","['Filmed stand-up comedy routines', 'Comedy films']","https://d3crmev290s45i.cloudfront.net/frames/1006885xxx/1006885004/1006885004-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232823"
"asp3232819-marc","","Terminal USA","","61 minutes","[]","Dignity, tradition and stereotypes are trashed in this psychedelic look at a dysfunctional Japanese American family - a drug dealing nihilist with a girlfriend from outer space, a computer nerd twin brother who has a passion for phone sex, an oversexed cheerleader sister, a nymphomaniacal mother and an upright and honorable father. Stars Jon Moritsugu, Jenny Woo, Sharon Omi and Ken Narasaki.","stream","[]","[]","['Japanese American families']","['Motion pictures']","https://d3crmev290s45i.cloudfront.net/frames/1006345xxx/1006345405/1006345405-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232819"
"asp3232817-marc","","Surplus","","24 minutes","[]","Struggling to feed a family of seven in the midst of a prolonged drought, a Korean farmer stalks his barren fields and painfully deliberates on a course of action to fend off starvation. It is a stark tale tinged with magical realism juxtaposing the fleeting innocence of childhood against the cruelties of poverty and the complex emotions of child abandonment. As a Korean adoptee, Joy Dietrich draws insightful parallels to the growing pains of the Korean adoptee community.","stream","[]","['Korea (South)', 'Korea']","['Poverty', 'Adopted children', 'Hunger', 'Adoptees']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006345xxx/1006345401/1006345401-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232817"
"asp3232691-marc","","Reflections on Teaching. Teaching Poetry With Helen Vendler","","40 minutes","['Reflections on Teaching']","How does a master teacher introduce students to poetry? What critical choices can be made to help students read with greater pleasure and understanding? Poetry critic and scholar Helen Vendler answers these questions as she guides students through a reading of William Butler Yeats's masterpiece ""Among School Children"" (1928).","stream","[]","[]","['Poetry', 'Lecture method in teaching']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1004475xxx/1004475418/1004475418-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232691"
"asp3232689-marc","","Derek Bok Center Series on College Teaching. Physical And Vocal Exercises. The Act Of Teaching, Part II. 6","","16 minutes","['Derek Bok Center Series on College Teaching']","This video by the Derek Bok Center for Teaching and Learning is about helping teachers improve their presentation skills through physical and vocal exercises.","stream","[]","[]","['Learning', 'College teaching', 'College teachers', 'Lectures and lecturing']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1004475xxx/1004475414/1004475414-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232689"
"asp3232687-marc","","Derek Bok Center Series on College Teaching. Making Complex Matters Simple. Technically Speaking. 5","","33 minutes","['Derek Bok Center Series on College Teaching']","This video by the Derek Bok Center for Teaching and Learning is about how to become an effective speaker which includes finding creative ways on how to make complex matters simple.","stream","[]","[]","['Learning', 'College teaching', 'Lectures and lecturing', 'Lecture method in teaching', 'College teachers']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1004475xxx/1004475410/1004475410-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232687"
"asp3232685-marc","","Derek Bok Center Series on College Teaching. 4","","30 minutes","['Derek Bok Center Series on College Teaching']","This video by the Derek Bok Center for Teaching and Learning is about using lectures as a part of teaching college courses.","stream","[]","[]","['College teachers', 'Lecture method in teaching', 'Teaching']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1004475xxx/1004475406/1004475406-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232685"
"asp3232683-marc","","Derek Bok Center Series on College Teaching. Teaching From A Student's Perspective. What Students Want. 3","","24 minutes","['Derek Bok Center Series on College Teaching']","The Derek Bok Center for Teaching and Learning asked over forty undergraduates questions regarding what they find exciting and frustrating in the classroom, or how they believe they learn best to find out what student swant of the classroom experience.","stream","[]","[]","['Students', 'Student evaluation of teachers']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1004475xxx/1004475402/1004475402-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232683"
"asp3232681-marc","","Derek Bok Center Series on College Teaching. Cases For Discussion. Women in the Classroom. 2","","28 minutes","['Derek Bok Center Series on College Teaching']","Series of short videotaped vignettes depicting moments in teaching and learning in which the role of women is an issue, either because of the gender of the teacher or students, or because of the topic under discussion. Based on observed classroom experiences.","stream","[]","[]","['Women', 'Women college students', 'Classroom environment', 'Sex discrimination in education']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1004475xxx/1004475398/1004475398-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232681"
"asp3232679-marc","","Derek Bok Center Series on College Teaching. Interactive Teaching In Physics. From Questions To Concepts. 1","","29 minutes","['Derek Bok Center Series on College Teaching']","This video features the preparation and delivery of a lecture by Harvard University Professor Eric Mazur in his innovative elementary physics course. Using the techniques of peer instruction and just-in-time learning, Mazur demonstrates how lectures and active learning can be successfully combined and how students can monitor their own understanding of class material and offer feedback to faculty.","stream","[]","['United States']","['Physics', 'Group work in education']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1004475xxx/1004475394/1004475394-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232679"
"asp3232243-marc","","Tying Your Own Shoes","","16 minutes","[]","Tying Your Own Shoes is an intimate glimpse into the exceptional mindsets and emotional lives of four adult artists with Down Syndrome. An artful, four-way essay about ability, this animated documentary explores how it feels to be a little bit unusual. In her follow-up to her award-winning film, John and Michael, filmmaker Shira Avni pursues a deeper understanding of esteem and disability by inviting Petra, Matthew, Daninah, and Katherine to consider their pasts, relationships, and ambitions. Tying Your Own Shoes is a hybrid of auteur documentary and animation cinema, two forms with which The National Film Board of Canada has developed a world-renowned expertise over the past 70 years.","stream","[]","[]","['Down syndrome patients as artists', 'Down syndrome']","['Animated films', 'Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007172xxx/1007172201/1007172201-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232243"
"asp3232241-marc","","Les Yeux Noirs. Private Eyes","","14 minutes","[]","This 3D stereoscopic animation tells the story of Matthew, a boy who is never afraid of the dark. Since he's been in darkness all his life, Matthew has eyes where other people only have hands, feet or ears. This week is Matthew's birthday and he's very curious about the surprise his parents are preparing for him. Can he find it?","stream","[]","[]","['Blind children', 'Blindness in children']","['Animated films', ""Children's films"", 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007172xxx/1007172197/1007172197-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232241"
"asp3232239-marc","","Petra's Poem","","4 minutes","[]","In this short film, Toronto artist Petra Tolley, who has Down syndrome, performs a soliloquy that encapsulates her distinctive take on the social self. Drawing from her emotional experiences, she illustrates what it feels like to be ""in the middle."" Employing rotoscopy, hand-drawn animation techniques, and subtle stereoscopic 3D, the film captures Petra as she engages the camera with unflinching directness and dignity.","stream","[]","[]","['Down syndrome']","['Animated films', 'Short films', 'Filmed literary readings']","https://d3crmev290s45i.cloudfront.net/frames/1007172xxx/1007172196/1007172196-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232239"
"asp3232237-marc","","John And Michael","","11 minutes","[]","This animated short pays tribute to two men with Down syndrome who shared an intimate and profoundly loving relationship that deeply affected the filmmaker. Narrator Brian Davis brings the characters to life with great sensitivity.","stream","[]","[]","['Gay couples', 'Down syndrome']","['Animated films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007172xxx/1007172184/1007172184-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232237"
"asp3232235-marc","","A Child Unlike Any Other","","11 minutes","[]","In this short documentary about autism, director Anna Barczewska examines the complex challenge of raising autistic children. Through the voice of Jan's devoted mother and the comments of specialists, the film offers an introduction to this neurological disorder that reduces one's ability to communicate with the outside world.","stream","[]","[]","['Autistic children', 'Mothers of autistic children', 'Autism in children']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007172xxx/1007172182/1007172182-disc001-file001-frame00600-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232235"
"asp3232183-marc","","Black journal. 1969, Part 2","","355 minutes","['Black journal']","Black Journal #14, 1969.07 Black Culture: Percival Borde, Eleo Pomare, Review of past programs Dance, Deep South  Black Journal #15, 1969.08 South Africa  Black Journal #16, 1969.09 Pan African Cultural Festival in Algeria, Interviews with Cleaver & Carmichael  Black Journal #17, 1969.10 Comedy skit, Black politics, Nina Simone  Black Journal #18, 1969.11 Malcolm X, Liberation University, Music - Black producers -Tom Wilson, Walter Bishop, Del Shields, Record business - Motown Records, Athletes on racism  Black Journal #19, 1969.12 Charles Hamilton comments on the past decade, Two Black Panthers Slain (Panel discussion including Masai Hewitt, Minister of Education) - (also Program #25 - 6/60).""And Still We Survive"" a film about the events of the 1960's, Roberta Flack, Nikki Giovanni.","stream","[]","['United States']","['Civil rights', 'African American dance', 'African Americans']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007858xxx/1007858017/1007858017-disc001-file001-frame00065-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232183"
"asp3232181-marc","","Black journal. 1969, Part 1","","354 minutes","['Black journal']","Black Journal #8, 1969.01 1. The outlook for 1969 vis -a-vis Black Americans, particularly in the areas of economics, politics, and community control. Participants on the program included panelists listed in program #7 plus filmed interviews with publisher Carlton Goodlett, Ron Karenga, actor James Brown, political scientist Dr. Charles Hamilton, religious leaders Rev. Albert Cleague and Rev. Jesse Jackson and the Honorable Elijah Muhammad. 2. Exclusive interview with Judge William Booth, former commissioner of Human Rights Commission of the city of NY. Black Journal #9, 1969.02 1. A look at Harlem's Apollo Theatre where many Black stars have launched their careers after appearing on the Apollo Theatre's Amateur Hour. 2. Afro-American styles. 3. Interview with Judge William Booth, former chairman of the Human Rights Commission of New York City. 4. Crisis in Medicine - an examination of the need for more medical care in the ghettos of America. This extensive study was originated by Lou House, a board member of the Council of Bio-Medical Careers in Chicago. 5. A tribute to Malcolm X - including an interview with his widow, Sister Betty Shabazz. Black Journal #10, 1969.03 1. This program features two filmed segments dealing with Black politics and community health and welfare in the South today. 2. A tribute to the Rev. Dr. Martin Luther King. 3. A look at the Schomberg collection in New York. Black Journal #11, 1969.04 1. A look at the Black cultural achievements in the South. This segment looks at modern dance group at North Carolina College, an improvised drama by the Dashiki Theatre in New Orleans, an art class under Dr. John Biggers at Texas Southern University; and music compositions of Roger Dickerson in New Orleans. 2. Black economics in the South; visits Black Journal Atlanta and New Orleans, also as well as rural areas to report on the Crawfordville enterprises and the East Georgia Farmer's Co-operatives. 3. A tribute to Paul Robeson. Black Journal #12, 1969.05 1. A tribute to Malcolm X (replay). 2. A report from Cornell University regarding Black students' movements. Also Black student movements in the South. 3. An executive interview with Clifford Alexander, former chairman of the Equal Employment Opportunities Commission, with reporters James Booker and Robert Maynard. 4. Just Like You - an original poem with film by Osborne Smith. Black Journal #13, 1969.06 Review of the past year: Black Panthers (Repeat Huey Newton from Program #1 6/12/68). Black Journal #14, 1969.07 Black Culture: Percival Borde, Eleo Pomare, Review of past programs Dance, Deep South. Black Journal #15, 1969.08 South Africa Black Journal #16, 1969.09 Pan African Cultural Festival in Algeria, Interviews with Cleaver and Carmichael Black Journal #17, 1969.10 Comedy skit, Black politics, Nina Simone Black Journal #18, 1969.11 Malcolm X, Liberation University, Music - Black producers -Tom Wilson, Walter Bishop, Del Shields, Record business - Motown Records, Athletes on racism Black Journal #19, 1969.12 Charles Hamilton comments on the past decade, Two Black Panthers Slain (Panel discussion including Masai Hewitt, Minister of Education) - (also Program #25 - 6/60).""And Still We Survive"" a film about the events of the 1960's, Roberta Flack, Nikki Giovanni.","stream","[]","['United States', 'Southern States']","['African Americans']","['Television interviews', 'Television panel discussions', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007696xxx/1007696719/1007696719-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232181"
"asp3232179-marc","","Die Rebellen von Oberhausen","","53 minutes","[]","This documentary film by Hansjürgen ""Jason"" Pohland is about the recent history of German cinema.","stream","[]","['Germany']","['Motion picture authorship', 'Motion pictures']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006977xxx/1006977507/1006977507-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3232179"
"asp99240799900971","",".. And the Earth Did Not Swallow Him","","104 minutes","[]","The film is an adaptation of the prize-winning novel, '... y no se lo tragó la tierra' by Tomas Rivera. Set in 1952, and seen through the eyes of Marcos, a twelve-year-old boy, the story follows a family's migrant journey through a year in their lives. Marcos is the second son of a migrant farmworker family; his brother is missing in action in the Korean war. The family travels to Minnesota, following the crops. The housing is awful; sometimes the boss furnishes no water to the workers, and TB goes untreated. In good times the pay is [dollar]15 a day for adults, half that for children. For a few sordid weeks, Marcos' parents leave him in the care of a corrupt couple. He is expelled from school for fighting, and he finds solace in a graveyard. The boy's recollections of the poignant, sometimes funny and sometimes terrifying experiences become a magical voyage of self-discovery.","stream","[]","['Minnesota']","['Migrant labor', 'Migrant agricultural laborers', 'Children of agricultural laborers']","['Film adaptations']","https://d3crmev290s45i.cloudfront.net/frames/1007757xxx/1007757101/1007757101-disc001-file001-frame00495-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3231900"
"asp3231884-marc","","Top Hat & Tales. Harold Ross and The Making of The New Yorker","","48 minutes","[]","Top Hat & Tales chronicles the early years of The New Yorker, from its fledging beginnings under its legendary creator and editor Harold Ross, to its rise as an indispensable American institution. Interviews with celebrated writers and cartoonists such as John Updike, David Remnick, Roger Angell, Lee Lorenz, and Roz Chast will inform how The New Yorker's signature style and content was shaped by its early contributors, including E.B. White, James Thurber, Charles Addams, Janet Flanner, J. D. Salinger, and more. Film clips, home movies and images from the anthology of The New Yorker covers and cartoons illustrate this look at one of journalism's most revered publications. Commentary by Charles Schulz, Stuart Hample and Roy Blount, Jr. offer insight into The New Yorker's role in the nation's cultural history.","stream","['Ross, Harold Wallace']","['United States', 'New York (State)', 'New York (N.Y.)']","['Publishers and publishing', 'Journalists']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1007065xxx/1007065175/1007065175-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3231884"
"asp3231018-marc","","Reorienting Africa. The Chinese in Ghana","","37 minutes","[]","This documentary, by Christine Choy, is about Chinese workers and Chinese economic development in Ghana, Africa.","stream","[]","['Ghana', 'China']","['Economic development', 'Chinese', 'Business enterprises, Foreign', 'Chinese diaspora']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007810xxx/1007810443/1007810443-disc001-file001-frame00145-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3231018"
"asp3231016-marc","","From Darkroom To Daylight","","64 minutes","[]","From Darkroom To Daylight explores how the dramatic change from film to digital has affected photographers and their work.  Photographer Harvey Wang, who began taking pictures as a teenager, was mid-career when the tools of his craft were made nearly obsolete with the transition to digital. Wang interviewed more than 20 important photographers and prominent figures in the field, including Jerome Liebling, George Tice, David Goldblatt, Sally Mann, Eugene Richards as well as innovators Steven Sasson, who built the first digital camera while at Kodak and Thomas Knoll, who along with his brother created Photoshop. Much of Wang’s work has been about disappearance—of trades, neighborhoods, ways of life—and to live through this transition in his own craft has enabled him to illuminate the state of the art as both an insider and a filmmaker.","stream","[]","[]","['Photography', 'Photographers']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007780xxx/1007780829/1007780829-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3231016"
"asp3231014-marc","","Capoeira. Episode 5","","26 minutes","['Capoeira']","En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.","stream","[]","['Brazil']","['Martial arts', 'Capoeira (Dance)']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007776xxx/1007776289/1007776289-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3231014"
"asp3231012-marc","","Capoeira. Episode 4","","26 minutes","['Capoeira']","En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.","stream","[]","['Brazil']","['Martial arts', 'Capoeira (Dance)']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007776xxx/1007776288/1007776288-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3231012"
"asp3231010-marc","","Capoeira. Episode 3","","26 minutes","['Capoeira']","En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.","stream","[]","['Brazil']","['Martial arts', 'Capoeira (Dance)']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007776xxx/1007776287/1007776287-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3231010"
"asp3231008-marc","","Capoeira. Episode 2","","26 minutes","['Capoeira']","En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.","stream","[]","['Brazil']","['Martial arts', 'Capoeira (Dance)']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007776xxx/1007776286/1007776286-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3231008"
"asp3231006-marc","","Capoeira. Episode 1","","26 minutes","['Capoeira']","En Capoeira, Beto Simas, Maestro Muñeco, visita las más diversas escuelas de capoeira en Brasil y en el mundo, hablando con otros profesores y estudiantes, y revelando toda la magia y el encanto de esta arte brasileña.","stream","[]","['Brazil']","['Martial arts', 'Capoeira (Dance)']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007776xxx/1007776285/1007776285-disc001-file001-frame00190-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3231006"
"asp3230908-marc","","Strategies for growth. Team building","","9 minutes","['Strategies for growth']","Team Building examines how to drive people performance through growth opportunities, culture, and the hiring process.  Featuring: Michael Reefe (Inacom), Laurie Benson (Inacom), Brian Tinkler (Inacom), Don Matzkin (Friday Architects / Planners, Inc.), Anthony Bracali (Friday Architects / Planners, Inc.), Jeanna Sellmeyer (ASSET Group, Inc.), and Jennifer Fogg (ASSET Group, Inc.).","stream","[]","[]","['New business enterprises', 'Teams in the workplace', 'Strategic planning']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007026xxx/1007026588/1007026588-disc001-file001-frame00195-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230908"
"asp3230906-marc","","Young entrepreneur's video guide. Starting a business. Section 1","","10 minutes","[""Young entrepreneur's video guide""]","In this chapter you will learn what business plans are and why they are important.  Featuring: Tony Hsieh (Zappos.com), Catherine Hughes (Radio One), Joshua Dziabiak (ShowClix), Christopher Kelly (Sentry Centers), Arel Moodie (Empact),  Dr. Irum Tahir (High Point Chiropractic Wellness), Windsor Hanger (Her Campus), Stephanie Kaplan (Her Campus), Katia Beauchamp (Birchbox), Barnabas Shakur (Project Re-Generation), and Maria Cortez (El Maguey y LaTuna).","stream","[]","[]","['Business planning', 'Entrepreneurship']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007026xxx/1007026004/1007026004-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230906"
"asp3230904-marc","","Young entrepreneur's video guide. Overview","","6 minutes","[""Young entrepreneur's video guide""]","This video is an introduction to A Young Entrepreneur's Video Guide to Starting and Growing a Business. It introduces the speakers and content you will learn in subsequent chapters.","stream","[]","[]","['Entrepreneurship']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007026xxx/1007026000/1007026000-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230904"
"asp3230902-marc","","The talented Mr. Stone","","28 minutes","[]","The Talented Mr Stone is a half hour documentary following controversial young theatre director Simon Stone during his time as Resident Director at Sydney’s famous Belvoir Street Theatre. Filmed by Simon Target over 6 months, we see one of Australia’s hottest new talents at work on 3 productions: Ibsen’s Wild Duck, Arthur Miller’s Death of a Salesman, and Tennessee Williams’s Cat on a Hot Tin Roof. Stone’s radically re-written version of Wild Duck has been invited to Norway to the Ibsen Festival in Oslo. The other two plays are transferred to bigger theatres after sell out seasons at Belvoir. But though his productions are hugely popular, not everyone approves of the way Stone alters classic plays to suit his needs. The program features comment on the controversy, from theatre ‘elder statesman’ Neil Armfield and writer/director Andrew Upton, Artistic Director of Sydney Theatre Company, as well as actors and Stone collaborators, Ewen Leslie and Toby Schmitz.","stream","['Stone, Simon']","['Australia']","['Theater']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006971xxx/1006971351/1006971351-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230902"
"asp3230900-marc","","Kelly loves Tony","","58 minutes","[]","Seventeen-year-old Kelly Saeteurn has a dream - she calls it her American dream. As a fresh high school graduate on her way to college, she envisions a rosy future for herself; Kelly is the first in her family of Iu Mien refugees from Laos to have accomplished as much as she already has, but her dreams exist in sharp contrast to her reality - she is also pregnant. Her boyfriend Tony is a junior high school drop-out and ex-con. The brutal honesty of this film's footage and dialogue offers viewers a rare glimpse into the lives of two young people struggling to make their relationship work in the face of overwhelming obstacles like parenthood, gender issues and cultural and educational differences.","stream","['Saeteurn, Kane Ian', 'Saelio, Nai']","['California']","['Teenage pregnancy', 'Yao Americans (Asian Americans)', 'Dropouts']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006345xxx/1006345371/1006345371-disc001-file001-frame00280-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230900"
"asp3230898-marc","","Earth at risk. Building a resistance movement to save the planet","","417 minutes","[]","Earth at Risk is an annual conference featuring thinkers and activists who are willing to ask the hardest questions about the seriousness of our situation. Interviews and presentations include: Derrick Jensen, Arundhati Roy, William Catton, Jr., Rikki Ott, Thomas Linzey, Gail Dines, Jane Caputi, Waziyatawin, Aric McBay, Stephanie McMillan, Lierre Keith, and Nora Barrows-Friedman. Earth at Risk is convened by Derrick Jensen who has argued that we need a resistance movement to save the planet.","stream","[]","[]","['Environmental management', 'Ecology']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1005653xxx/1005653257/1005653257-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230898"
"asp3230562-marc","","Video studies in growing a business. 40 ideas to get you there. Chapter [XIII]","","6 minutes","['Video studies in growing a business']","40 Great Ideas presents 40 calls upon both our featured entrepreneurs as well as a number of other successful Jewish entrepreneurs to provide 40 great insights that can be called upon at any time during your entrepreneurial journey.","stream","[]","[]","['Jewish businesspeople', 'Entrepreneurship']","['Instructional films', 'Filmed interviews']","https://d3crmev290s45i.cloudfront.net/frames/1007627xxx/1007627025/1007627025-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230562"
"asp3230560-marc","","Video studies in growing a business. Business planning. Chapter V","","10 minutes","['Video studies in growing a business']","In Business Planning, our featured entrepreneurs will share ideas about having a business plan.","stream","[]","[]","['Business planning', 'Entrepreneurship']","['Instructional films', 'Filmed interviews']","https://d3crmev290s45i.cloudfront.net/frames/1007627xxx/1007627017/1007627017-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230560"
"asp3230558-marc","","Konjak Julio. The little conductor","","10 minutes","[]","Julio, an 8-year-old boy, quits school and works as a ""konjak"" (driver's assistant in public transportation). He considers his work as a ""konjak"" as his leisure time, and he thinks that school is important, but he is not finding a way to go back to school.","stream","[]","['Timor-Leste']","['Education']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007601xxx/1007601997/1007601997-disc001-file001-frame00485-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230558"
"asp3230539-marc","","Daily practice. Trauma recovery. Neuroplasticity - the brain can change. Day 23","","7 minutes","['Daily practice']","Day 23: Neuroplasticity - The Brain can Change in the Daily Practice is NOT a Luxury Item from the Trauma Recovery Program.","stream","[]","[]","['Neuroplasticity', 'Psychic trauma', 'Post-traumatic stress disorder']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007601xxx/1007601862/1007601862-disc001-file001-frame00005-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230540"
"asp3230492-marc","","Thematic map & release. Resolving core beliefs after trauma","","56 minutes","[]","Dr Anna B. Baranowsky presents Thematic Map and Release for the Traumatology Interest Network section of the American Counseling Association, host of Trauma Bytes.  The approach was developed for practice within a Tri-Phasic Trauma Therapy model.  TMandR is a Phase II (working through trauma) intervention.  She describes the tri-phasic model and methods for introducing TMandR.  TMandR is used to identify rigidly held beliefs that result in emotional strain and negative cognition.  The Diagnostic Criterion for PTSD now addresses Negative Perceptions and beliefs as part of Criterion D.  Traumagenic Perception is directly addressed within this process and release exercise.  QandA's follow the presentation.","stream","[]","[]","['Psychic trauma', 'Post-traumatic stress disorder']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007601xxx/1007601838/1007601838-disc001-file001-frame00105-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230492"
"asp3230490-marc","","How to create a wellness mind map","","3 minutes","[]","Creating a mind map can help you bypass any negative critical thinking. Watch this simple demonstration on how Dr. Anna Baranowsky creates a well-being mind map. We encourage you to try to build your own wellness mind map and embrace the positivity in your life.","stream","[]","[]","['Well-being', 'Post-traumatic stress disorder']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007601xxx/1007601837/1007601837-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230490"
"asp3230418-marc","","Aislados. La perle que resiste. Tumaco","","53 minutes","['Aislados']","Conocido como ""La Perla del Pacífico"", Tumaco es el segundo centro urbano del departamento de Nariño y cuenta con un enorme potencial turístico y una riqueza cultural que son sus principales argumentos para enfrentar a la violencia causada por el narcotráfico. En este capítulo de Aislados, nos adentramos en Tumaco, un municipio bañado por las aguas del océano pacífico que es reconocido por su biodiversidad, por sus ritmos musicales y tradiciones culturales heredados de los esclavos africanos y por ser una de las cunas futbolísticas del país. Lamentablemente, también es conocido por una dura realidad de violencia, que sus habitantes enfrentan cada día.","stream","[]","['Tumaco (Colombia)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007601xxx/1007601448/1007601448-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230418"
"asp3230412-marc","","Jilel. The calling of the shell","","78 minutes","[]","Jilel (The Calling of the Shell) is the story of Molina, a young Marshallese girl who is confronted for the first time with the idea that her island 'her beloved homeland' is vanishing because of the rising seas caused by world-wide global warming and how she turns the tide of doom.The most cherished person in Molina's life is her grandmother, Bubu Titi.  On her deathbed, as the old woman draws her last breaths, she bequeaths to Molina a Jilel, a gorgeous shell that has been in the family for centuries.  The old woman's last words implore the deeply saddened Molina to treasure and to protect the shell because of its immense power.Heeding her Bubu Titi's warning, Molina places the Jilel carefully in her closet.  A few days later her rapscallion of an older brother Ketowate and his friend Samson, who are broke from the expense of Bubu Titi's funeral, find themselves in desperate need of cigarettes. Ketowate decides to search his house for spare change and comes upon the basket containing the Jilel. Not understanding its significance, Ketowate sells the shell to a local store. The ancient heirloom immediately begins to resist being out of its rightful owner's hands by turning off anything that draws power within its reach, and thus the Jilel begins its long and twisted international journey. After everything in Ketowate's life begins to go wrong, he realizes that somehow he must get the shell back for his sister, but his only hope in finding the Jilel rests with the powerful sorceress, Lijimu, whose reputation for evil and black magic in the Marshall Islands is unparalleled.","stream","[]","['Marshall Islands']","['Climatic changes']","['Feature films']","https://d3crmev290s45i.cloudfront.net/frames/1007600xxx/1007600610/1007600610-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230412"
"asp3230410-marc","","Two doors. 두 개의 문","","101 minutes","[]","This documentary is about the long battle over the truth on the Yongsan tragedy of 2009; that killed five evictees, one policeman and how the other protesters who survived the riot, are now facing prison term.","stream","[]","['Yongsan-gu (Seoul, Korea)', 'Korea (South)']","['Eviction', 'Memorials']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581424/1007581424-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230410"
"asp3230408-marc","","The empire of shame. 탐욕의 제국","","92 minutes","[]","The documentary is about how the Korea Labor Welfare Corporation, with lures of a 1000% performance bonus, continues to operate and remains staffed in spite of the serious risk it gives to its workers health.","stream","['Samsŏng Chŏnja']","['Korea (South)']","['Industrial hygiene', 'Electronic industry workers', 'Industrial safety']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581423/1007581423-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230408"
"asp3230402-marc","","KT-man","","59 minutes","[]","This documentary by LEE Jin-woo is about a man's lifelong dedication to a telecom company in South Korea.","stream","[]","['Korea (South)']","['Employees', 'Telecommunication']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581417/1007581417-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230402"
"asp3230398-marc","","Brain games. Battle of the sexes. Season 2, episode 7","","23 minutes","['Brain games']","Why does it seem like men are from Mars and women are from Venus? Play along as host Jason Silva, with help from renowned biological anthropologist Helen Fisher of Rutgers University, reveals how the male and female brain are different. We'll put real couples head-to-head and brain-to-brain to see how each gender scores in a series of tests. Find out why men never seem to ask for directions, why women can stay cool in stressful situations and which gender is better at packing the trunk of a car!","stream","[]","[]","['Sex differences (Psychology)', 'Women', 'Men']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581401/1007581401-disc001-file001-frame00215-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230398"
"asp3230396-marc","","Brain games. Illusion confusion. Season 2, episode 11","","23 minutes","['Brain games']","Most people think that optical illusions are examples of ways our brain is FAILING us. But in this episode, you'll learn how optical illusions are a great way of revealing the powerful mechanisms at work that allow your brain to perceive three dimensions. Wonder junkie Jason Silva and deception specialist Apollo Robbins will put your mind through the test with an intricate set of illusions to see how easily your brain can be fooled.","stream","[]","[]","['Visual perception']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581400/1007581400-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230396"
"asp3230394-marc","","Brain games. It's about time. Season 2, episode 2","","23 minutes","['Brain games']","Wonder why a watched pot never boils? See how the brain can warp time. Neuroscientist Dr. Chess Stetson explains the oddball effect using a series of pictures. Kittens flash on viewers' screen at the same rate, but when an odd-looking creature with fangs pops up, it appears to stay on the screen for longer. Illusionist Apollo Robbins uses juggling pins to show what happens when the brain doesn't have enough time to process information, while Jason Silva plays with the speed of sound and light.","stream","[]","[]","['Time perception']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581399/1007581399-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230394"
"asp3230392-marc","","Brain games. What you don't know. Season 2, episode 6","","23 minutes","['Brain games']","We're going to put you through a series of tests to show you how surprisingly little your brain understands about the way the world works. You'll be shocked, shaken and left wondering, 'How did I miss that?' Think you can explain how a zipper works, or correctly draw something as simple as a bicycle? If you said yes, you might be surprised! From zippers to bikes, host Jason Silva will show us what we really don't know and teach us some surprising facts about our brains along the way.","stream","[]","[]","['Knowledge, Theory of', 'Perception']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581398/1007581398-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230392"
"asp3230390-marc","","Brain games. Liar, liar. Season 2, episode 12","","23 minutes","['Brain games']","Experts say that we lie anywhere from 20 to 200 times a day, even though most people consider themselves to be truthful. In this episode, host Jason Silva and deception specialist Apollo Robbins break down why we lie and what happens in the brain, even though science tells us that the truth is physiologically and neurologically easier.","stream","[]","[]","['Truthfulness and falsehood']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581397/1007581397-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230390"
"asp3230388-marc","","Brain games. Use it or lose it. Season 2, episode 10","","23 minutes","['Brain games']","All the latest research says that your brain is no different than the muscles in your body: it needs exercise to stay youthful and fit. In this episode, wonder junkie Jason Silva and deception specialist Apollo Robbins are going to put your brain to the test with a serious workout. If you play along, you'll come out with a few unexpected ways to boost your mind's flexibility, concentration, and memory. So get ready to use it 'or lose it' on Brain Games.","stream","[]","[]","['Neurophysiology', 'Mental health']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581396/1007581396-disc001-file001-frame00060-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230388"
"asp3230386-marc","","Brain games. You decide. Season 2, episode 9","","23 minutes","['Brain games']","The human brain makes thousands of decisions a day, whether you realize it or not. On the streets of Las Vegas, Nev., illusionist Apollo Robbins demonstrates choice blindness. Asking participants to pick between two photos, Apollo has them describe which woman in the picture they find most attractive. But with a simple sleight of hand, 75 percent of the test subjects are fooled into describing the woman in the picture they did NOT select.","stream","[]","[]","['Decision making']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581395/1007581395-disc001-file001-frame00560-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230386"
"asp3230384-marc","","Brain games. Don't be afraid. Season 2, episode 4","","23 minutes","['Brain games']","BRAIN GAMES examines the brain's internal tug of war between fear and rationalization. Whether walking down a spooky street at night or experiencing the seconds leading up to a car accident, we'll see how dread builds feelings of fear. The director of one of New York City's scariest haunted houses 'Fear Factors' a group of volunteers. The subjects are blindfolded, ear-muffed, and handcuffed to a chair. Without their senses, see how they react to snakes, cockroaches, and rats, or so they think.","stream","[]","[]","['Fear', 'Anxiety']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581394/1007581394-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230384"
"asp3230382-marc","","Brain games. Motion commotion. Season 2, episode 3","","23 minutes","['Brain games']","Evolving in a world that is constantly moving, our brain had to develop a sophisticated sense of motion in order to survive. This episode of BRAIN GAMES stops to ask a deceptively simple question, what really is motion? We explore the science behind how our brain detects, interprets, and reacts to motion, and you'll see how easily this hard wiring can be fooled, for better and for worse.","stream","[]","[]","['Optical illusions', 'Motion perception (Vision)']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581393/1007581393-disc001-file001-frame00230-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230382"
"asp3230380-marc","","Brain games. Focus pocus. Season 2, Episode1","","23 minutes","['Brain games']","Your peripheral vision is like a cell phone camera from 1998 '- blurry! Host Jason Silva and psychologist Brian Scholl show how concentration can be elusive with some of mind-boggling experiments. While viewers zero in on a football game on the field, most will be surprised to learn that cheerleaders took off their shirts right before their eyes. Later, three unsuspecting people fail to notice that the cheerleaders standing just 15 feet away are actually men dressed as women.","stream","[]","[]","['Cognitive psychology', 'Neuropsychology', 'Attention']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581392/1007581392-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230380"
"asp3230378-marc","","Brain games. Power of persuasion. Season 2, Episode 5","","23 minutes","['Brain games']","This episode of BRAIN GAMES unveils the subtle tricks and tactics that advertisers, marketers, and even con men can use to get you to do what they want, without you noticing. The power of persuasion is a $500 billion a year industry. By exposing viewers to specific stimuli, host Jason Silva can prime the audience to respond in certain ways. If he says 'ducks,' it's more than likely that a viewer will see ducks in a picture that could easily be interpreted as rabbits.","stream","[]","[]","['Persuasion (Psychology)', 'Neuropsychology', 'Cognitive psychology']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581391/1007581391-disc001-file001-frame00110-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230378"
"asp3230376-marc","","Brain games. Seeing is believing. Season 2, Episode 8","","23 minutes","['Brain games']","Scientists have found that optical illusions are one of the best ways to get inside your head to see how your brain works. Through a series of fun, interactive games and illusions we'll play a few tricks on your eyes to show you how your brain builds your reality. You'll learn an easy way to turn beautiful celebrities into ugly monsters using only your mind, and how you can shrink a 6'4 man to half his height. Get ready to see why you shouldn't always believe your eyes - on Brain Games.","stream","[]","[]","['Brain', 'Hallucinations and illusions', 'Neuropsychology', 'Cognitive psychology', 'Visual perception']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581390/1007581390-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230376"
"asp3230374-marc","","Brain games. What's going on. Season 3, Episode 6","","25 minutes","['Brain games']","Whether it's remembering where you parked the car or just finding the light switch in the morning, navigating your busy world can be tough. Luckily, your brain has a built-in navigation system to help make sense of your surroundings. In this episode, we explore spatial awareness and how our brains communicate where we've been and where we're going. Through a series of games and experiments, we'll test the boundaries of your brain's hardwired sense of direction.","stream","[]","[]","['Geographical perception', 'Orientation (Psychology)', 'Space perception']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581389/1007581389-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230374"
"asp3230372-marc","","Brain games. Follow the leader. Season 3, Episode 10","","24 minutes","['Brain games']","Everyone likes to think they're unique, but like it or not, much of your behavior is influenced by copying other people. We're going to mess with your mind as we put you through a series of games and experiments designed to show you why a yawn is so contagious, how imitation leads to flattery and how to discover whether your brain is a born leader or a born follower.","stream","[]","[]","['Imitation', 'Neuropsychology', 'Cognitive psychology', 'Social influence']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581388/1007581388-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230372"
"asp3230370-marc","","Brain games. Mind your body. Season 3, Episode 8","","25 minutes","['Brain games']","This segment of Brain Games is about how your mind and body work together to let you do all that you do -- and how sometimes, the brain will betray you.","stream","[]","[]","['Neuropsychology', 'Cognitive psychology', 'Mind and body']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581387/1007581387-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230370"
"asp3230368-marc","","Brain games. Retrain your brain. Season 3, Episode 7","","25 minutes","['Brain games']","This episode of Brain Games puts your brain to the ultimate test with a series of interactive games and fascinating experiments that reveal its hidden mental shortcuts, and we reveal the surprising ways to give your brain a performance boost.","stream","[]","[]","['Neuropsychology', 'Cognitive psychology', 'Educational games']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581386/1007581386-disc001-file001-frame00430-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230368"
"asp3230366-marc","","Brain games. In it to win it. Season 3, Episode 9","","24 minutes","['Brain games']","Whether you're trying to get to the head of the class, earn the big promotion or just find a parking spot ' every day, you're competing. In this episode we'll explore your brain and competition through a series of, well, competitions! Each viewer will be assigned a team and play along as our Red and Blue teams duke it out in a head-to-head battle to determine the winner.","stream","[]","[]","['Neuropsychology', 'Cognitive psychology', 'Competition (Psychology)', 'Human behavior']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581385/1007581385-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230366"
"asp3230364-marc","","Brain games. Stress test. Season 3, Episode 5","","24 minutes","['Brain games']","In this episode, you'll see how your brain manages stress and how stress also manages you. From traffic jams to screaming babies, angry bosses to bill payments, you're surrounded by stress every day. But stress has a purpose, and you'll discover why it's a good thing in many situations, even though it can overwhelm you. But don't let that stress you out! Through a series of interactive games and experiments, you'll discover how stress works ' and how to handle it better.","stream","[]","[]","['Neuropsychology', 'Stress (Psychology)', 'Cognitive psychology']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581384/1007581384-disc001-file001-frame00300-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230364"
"asp3230362-marc","","Brain games. Laws of attraction. Season 3, Episode 3","","24 minutes","['Brain games']","Why do you like what you like? Out of the billions of people in the world -- what is the hidden formula that makes you find some people especially attractive? Do you have a very specific taste or type? It may surprise you to learn that most of what you call 'attractive' is just a construct created by your brain, proving that attraction, relationships, and love-at-first sight feelings are all in your head.","stream","[]","[]","['Human behavior', 'Perception', 'Neuropsychology', 'Sexual attraction', 'Cognitive psychology']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581383/1007581383-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230362"
"asp3230360-marc","","Brain games. Trust me. Season 3, Episode 4","","28 minutes","['Brain games']","How trusting you are says a lot about you as a person, especially when it seems like everything - commercials, politics, online dating - is designed to deceive your brain. So how do you maintain a level of trust in an untrustworthy world? How do you know who to trust? This episode will show you why it pays to be more trusting of others and a little less trusting of your own brain.","stream","[]","[]","['Human behavior', 'Perception', 'Neuropsychology', 'Trust', 'Cognitive psychology']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581382/1007581382-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230360"
"asp3230358-marc","","Brain games. In living color. Season 3, Episode 2","","24 minutes","['Brain games']","Color is such a big part of our world, yet we often take it for granted. Why do we associate certain colors with certain things? And do we really see every color of the rainbow or is our world just a 'pigment' of our imagination? We'll show you that when it comes to processing colors, things aren't always as simple as black and white.","stream","[]","[]","['Neuropsychology', 'Senses and sensation', 'Color vision']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581381/1007581381-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230358"
"asp3230356-marc","","Brain games. Battle of the ages. Season 3, Episode 1","","24 minutes","['Brain games']","It's long been believed that both your body and your brain deteriorate over time--  In this episode, we explore your brain and how it doesn't always act its age. Through a series of games and experiments, you'll discover how your daily routines might be aging your brain, and how you can actually slow down the clock.","stream","[]","[]","['Cognitive psychology', 'Neuropsychology', 'Ability, Influence of age on', 'Brain']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581380/1007581380-disc001-file001-frame00265-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230356"
"asp3230354-marc","","Brain games. Addiction. Season 4, Episode 2","","25 minutes","['Brain games']","In this episode we'll put you through a series of games and experiments designed to reveal how, like it or not, we're all addicted to something, and why some addictions might be the best thing that ever happened to you. Learn what one of the most addictive sounds in the world is, why you can't stop checking your phone and why that awful pop song is still stuck in your head.","stream","[]","[]","['Neuropsychology', 'Compulsive behavior']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581379/1007581379-disc001-file001-frame00540-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230354"
"asp3230352-marc","","Brain games. Risk. Season 4, Episode 4","","24 minutes","['Brain games']","Whether it's choosing what to eat for breakfast, where to invest your money or just when to cross the street, nearly every choice you make involves some sort of calculated risk. This episode explores how your brain evaluates risk you'll discover why we're all born risk-takers and how life is often a big game of chance. If you pay attention, you'll learn how to assess risk like your life depends on it, because it does.","stream","[]","[]","['Sensory discrimination', 'Neuropsychology', 'Risk']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581378/1007581378-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230352"
"asp3230350-marc","","Brain games. Food. Season 4, Episode 7","","24 minutes","['Brain games']","This film takes a look at food choices and eating, and how what ends up in your belly is usually determined by your brain, rather than your mouth.","stream","[]","[]","['Sensory discrimination', 'Neuropsychology', 'Food preferences']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581377/1007581377-disc001-file001-frame00290-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230350"
"asp3230348-marc","","Brain games. Remember this! Season 1, episode 3","","50 minutes","['Brain games']","With memory, things are not always as they seem: Details go missing, recollections change, and sometimes our brains fill in the blanks and create false visual memories. Our experts are on a mission to find out where memories reside in the brain by examining every millimeter for clues. Investigating every piece of the memory puzzle, from how we recognize faces 'even if they have been digitally distorted' to how we can move memories from short-term to long-term storage.","stream","[]","[]","['Memory']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581376/1007581376-disc001-file001-frame01005-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230348"
"asp3230346-marc","","Brain games. Watch this! Season 1, Episode 1","","60 minutes","['Brain games']","Hack into the ultimate supercomputer - the human brain - as Hollywood filmmakers use color, light, motion, depth and sound to create mind-bending sensory illusions. Is it possible to feel the sensation of accidentally cutting your finger just by watching TV? Much of what we experience may be a mere fabrication, as our brains fill in gaps and stitch together a complete picture of the world bit-by-bit, designed to overcome our eyes' blind spots. But what happens when your senses get crossed?","stream","[]","[]","['Sensory discrimination', 'Neuropsychology', 'Visual perception', 'Optical illusions']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581375/1007581375-disc001-file001-frame00300-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230346"
"asp3230344-marc","","Brain games. Pay attention! Season 1, Episode 2","","50 minutes","['Brain games']","When it comes to mastering and manipulating attention, some of the world's leading experts aren't scientists; they're magicians like David Copperfield. While the brain's attention acts a bit like a spotlight to filter and make sense of a busy world, it can be easily controlled and deceived. Copperfield and a team of experts test, trick. and fool using an elegant form of attention control.","stream","[]","[]","['Neuropsychology', 'Attention', 'Distraction (Psychology)', 'Magicians']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007581xxx/1007581374/1007581374-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230344"
"asp3230274-marc","","Shifting years. Shifting your perception","","3 minutes","['Shifting years']","What are your assumptions about the different generations? Discover a new perspective that will change your views of generations.","stream","[]","[]","['Generations', 'Intergenerational relations']","['Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481522/1007481522-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230274"
"asp3230272-marc","","Shifting years. Seeing our differences as strengths","","2 minutes","['Shifting years']","Discover how differences between generations can be an asset.","stream","[]","[]","['Generations', 'Intergenerational relations']","['Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481521/1007481521-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230272"
"asp3230270-marc","","Shifting years. Generation gap","","2 minutes","['Shifting years']","Discover what a Greek Poet learned about generations 3000 years ago. Time to change our point of view.","stream","[]","[]","['Generations', 'Intergenerational relations']","['Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481520/1007481520-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230270"
"asp3230268-marc","","Shifting years. Finding common ground","","3 minutes","['Shifting years']","Discover how a multi-generational team can do meaningful work ""together""?","stream","[]","[]","['Generations', 'Intergenerational relations']","['Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481519/1007481519-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230268"
"asp3230266-marc","","Shifting years. Eric's story","","3 minutes","['Shifting years']","Everyone has something to learn and to teach. Watch Eric's story to find out what he learned about the power of generations.","stream","[]","[]","['Generations', 'Intergenerational relations']","['Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481518/1007481518-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230266"
"asp3230264-marc","","Seeing Red Cars. You Have to Be Bad Before You Get Good","","5 minutes","['Seeing Red Cars']","Watch the story of musican Billy MacLaughlin and discover how he focused on what he could control instead of what we couldn't, to create change.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481517/1007481517-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230264"
"asp3230262-marc","","Seeing Red Cars. Working With Your Strengths","","2 minutes","['Seeing Red Cars']","When was the last time you lost track of time at work? Make this happen for you and your team.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481516/1007481516-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230262"
"asp3230260-marc","","Seeing Red Cars. Why Is It so Hard to Change","","3 minutes","['Seeing Red Cars']","Social conditioning got us in this fear-based thinking mess. But there is a way to get on the road to change it.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481515/1007481515-disc001-file001-frame00045-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230260"
"asp3230258-marc","","Seeing Red Cars. Understanding the Dynamics of a Team","","4 minutes","['Seeing Red Cars']","Watch the story of Red Tech to see how they created a collective mindset for change.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481514/1007481514-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230258"
"asp3230256-marc","","Seeing Red Cars. The 70%","","3 minutes","['Seeing Red Cars']","Who do you influence first to begin the change process? The answer will surprise you.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481513/1007481513-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230256"
"asp3230254-marc","","Seeing Red Cars. Take Charge","","3 minutes","['Seeing Red Cars']","The marketplace is moving faster than we want. See what Heather does to keep up.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481512/1007481512-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230254"
"asp3230252-marc","","Seeing Red Cars. Keeping on Track","","3 minutes","['Seeing Red Cars']","Find out what mental trigger can help you get more of what you want.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481510/1007481510-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230252"
"asp3230250-marc","","Seeing Red Cars. It's Never Too Late to Change","","2 minutes","['Seeing Red Cars']","If Great Grandaddy can do it, you can do it. Find out how.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481509/1007481509-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230250"
"asp3230248-marc","","Seeing Red Cars. It Started in Your Youth (3rd Grade Story)","","4 minutes","['Seeing Red Cars']","Fear-based thinking started in our youth and for most of us has continued into our work life. But there is a way to overcome this fear.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481508/1007481508-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230248"
"asp3230246-marc","","Seeing Red Cars. How to Manage Your Moments","","3 minutes","['Seeing Red Cars']","70% of our thoughts are focused on fear. Find out what you can do to prevent this destructive focus.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481507/1007481507-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230246"
"asp3230244-marc","","Seeing Red Cars. How Leaders can Influence Others","","2 minutes","['Seeing Red Cars']","Discover how one simple question can influence a team.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481506/1007481506-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230244"
"asp3230242-marc","","Seeing Red Cars. Don't Want .. Don't Want .. Don't Want","","3 minutes","['Seeing Red Cars']","Saying what he doesn't want will not get Ted what he wants. Learn from Ted's story.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481505/1007481505-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230242"
"asp3230240-marc","","Seeing Red Cars. Creating Clarity","","3 minutes","['Seeing Red Cars']","What does success look like? Here is a strategy for your next meeting.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481504/1007481504-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230240"
"asp3230238-marc","","Seeing Red Cars. Creating a Positive Focus","","4 minutes","['Seeing Red Cars']","Change is hard work, but discover what you can do to exercise your brain to adapt to change.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481503/1007481503-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230238"
"asp3230236-marc","","Seeing Red Cars. Creating a Mindset for Change With Seeing Red Cars","","4 minutes","['Seeing Red Cars']","Is there something that is getting in the way of what you want? With the Seeing Red Cars Methodology, you can avoid what is getting in the way and get more of positive outcomes you do want.  You get more of whatever you focus on.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481502/1007481502-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230236"
"asp3230234-marc","","Seeing Red Cars. Creating a Great Day","","3 minutes","['Seeing Red Cars']","Watch how Carol's expectations paved the way to a great day.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481501/1007481501-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230234"
"asp3230232-marc","","Seeing Red Cars. Change Is Hard","","2 minutes","['Seeing Red Cars']","Find out what one thing you can do to get yourself ready to create a mindset for change.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481500/1007481500-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230232"
"asp3230230-marc","","Seeing Red Cars. Being Aware of Our Changing World","","4 minutes","['Seeing Red Cars']","In the clutter of our changing world, saying and believing, ""I am going to be all right"" can make a difference.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481499/1007481499-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230230"
"asp3230228-marc","","Seeing Red Cars. A Sightline to What You Want","","2 minutes","['Seeing Red Cars']","Discover what helps drive people to take action.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481498/1007481498-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230228"
"asp3230226-marc","","Seeing Red Cars. People Can Tell What You Are Thinking","","2 minutes","['Seeing Red Cars']","You can't fool your team. Find out how your behavior affects them.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481497/1007481497-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230226"
"asp3230224-marc","","Seeing Red Cars. A True Example of Positive Focus","","2 minutes","['Seeing Red Cars']","Follow Cliff Young's story to see how he used positive focus to gain success.","stream","[]","[]","['Attitude (Psychology)', 'Self-actualization (Psychology)']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481496/1007481496-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230224"
"asp3230220-marc","","The Other Child. My Brother Has Autism","","13 minutes","[]","Brothers and sisters have a unique window into each other's world. When one of the siblings in the family has autism, that window provides a penetrating view into this fascinating and often misunderstood developmental disability.","stream","[]","[]","['Autistic children', 'Brothers and sisters of children with disabilities', 'Autism in children']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/content/1007470xxx/1007470269/1007470269-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230220"
"asp3230212-marc","","Fashion uncensored uncut. Volume 2, #9","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175973/1007175973-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230212"
"asp3230210-marc","","Fashion uncensored uncut. Volume 2, #8","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175972/1007175972-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230210"
"asp3230208-marc","","Fashion uncensored uncut. Volume 2, #7","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175971/1007175971-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230208"
"asp3230206-marc","","Fashion uncensored uncut. Volume 2, #6","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175970/1007175970-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230206"
"asp3230204-marc","","Fashion uncensored uncut. Volume 2, #5","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175969/1007175969-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230204"
"asp3230202-marc","","Fashion uncensored uncut. Volume 2, #4","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175968/1007175968-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230202"
"asp3230200-marc","","Fashion uncensored uncut. Volume 2, #3","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175967/1007175967-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230200"
"asp3230198-marc","","Fashion uncensored uncut. Volume 2, #2","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175966/1007175966-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230198"
"asp3230196-marc","","Fashion uncensored uncut. Volume 2, #13","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175965/1007175965-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230196"
"asp3230194-marc","","Fashion uncensored uncut. Volume 2, #12","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175964/1007175964-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230194"
"asp3230192-marc","","Fashion uncensored uncut. Volume 2, #11","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175963/1007175963-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230192"
"asp3230190-marc","","Fashion uncensored uncut. Volume 2, #10","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175962/1007175962-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230190"
"asp3230188-marc","","Fashion uncensored uncut. Volume 2, #1","","48 minutes","['Fashion uncensored uncut']","Fashion Uncensored Uncut is an extension of the most risqué fashion shows of the top designers in New York, London, Milan, and Paris – the shows the less fortunate wish they had seen. These programs harness raw sex appeal in uncut, uncensored, unedited catwalk presentations in real time, including the material that hit the cutting room floor when the original Fashion Uncensored programs were made.","stream","[]","[]","['Fashion', 'Fashion designers', 'Fashion shows', 'Models (Persons)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007175xxx/1007175961/1007175961-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230188"
"asp3230186-marc","","Dionysus of the Holocaust","","120 minutes","[]","This video is a filmed production of Femi Euba's Dionysus of the Holocaust presented by Louisiana State University's Theatre School.  It was filmed in March 2014 and directed by Steve Young.  In a post-apocalyptic world, the god Dionysus must decide who will repopulate it: the Caucuses or the Afraks.","stream","['(Greek deity)', 'Dionysus']","[]","['Race relations']","['Filmed plays']","https://d3crmev290s45i.cloudfront.net/frames/1007166xxx/1007166942/1007166942-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230186"
"asp3230184-marc","","Street ballad. A Jakarta story","","53 minutes","[]","JALANAN (‘Streetside’) tells the captivating story of Boni, Ho & Titi, three gifted, charismatic street musicians in Jakarta over a tumultuous 5-year period in their own lives and that of Indonesia. The film follows the young marginalized musicians and their never before seen sub-culture, while also painting a striking, moody and intimate portrait of Indonesia’s frenzied capital city. Using the powerful soundtrack of the musicians’ original compositions to drive the film, it traces their elusive quest for identity and love in the day-to-day of a city overrun by the effects of globalization and corruption.","stream","[]","['Indonesia', 'Jakarta (Indonesia)']","['Identity (Psychology)', 'Street musicians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007163xxx/1007163282/1007163282-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3230184"
"asp3229548-marc","","Kyoto. Heart of Japan","","38 minutes","[]","Master film director, Kon Ichikawa (1915~2008), along with many of Japan's most important artists presents the treasures of one of the world's most beautiful cities, Kyoto, Japan. Filmed at the Ryoanji Temple Stone Garden, the Meditation Hall of Tenryuji Temple, a Geisha residence, the Moss Garden of Saihoji Temple, the Katsura Imperial Villa and the Gion Festival.","stream","[]","['Kyoto (Japan)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007697xxx/1007697833/1007697833-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3229548"
"asp3229546-marc","","The visas that saved lives","","116 minutes","[]","Dramatization of the true story of Chiune Sugihara, a Japanese diplomat who saved thousands of Lithuanian Jews during World War II by granting them visas, though it cost him his own career.","stream","['Sugihara, Chiune']","[]","['World War, 1939-1945']","['Feature films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1007697xxx/1007697832/1007697832-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3229546"
"asp3229544-marc","","Gagaku. Music for eternity","","90 minutes","[]","Transcending time and space for hundred and thousands of years, Gagaku, the traditional music of the Japanese Imperial Court, represents the spirit of an ancient time. Gagaku was introduced from its continental birthplace to Japan between the 5th to the 9th century, becoming fused with ancient Japanese music and adopted in the Nara and Heian periods as the traditional music of the Japanese Imperial Court, a tradition which continues to the present. Gagaku is the oldest orchestral music in the world.","stream","[]","['Japan']","['Bugaku', 'Gagaku', 'Music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007697xxx/1007697831/1007697831-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3229544"
"asp3229542-marc","","Music of the Noh Theatre","","89 minutes","[]","This DVD presents excerpts from noh plays and dances performed by important musicians of the noh theater world. It includes performance excerpts from such works as Okina, Sanbaso, Kami-mai, Miwa, Kakko, Nomori, Shishi, Utaura, Matsumushi, Kanjincho, and Miidera.","stream","[]","[]","['Nō', 'Nō music']","['Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1007697xxx/1007697830/1007697830-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3229542"
"asp3229540-marc","","The Japanese Noh Theatre. Selected scenes","","104 minutes","[]","This program presents excerpts from nine performance selections from the five main schools of traditional Japanese noh. It includes brief interviews with leading noh performers.","stream","[]","[]","['Nō', 'Nō music']","['Filmed interviews', 'Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1007697xxx/1007697829/1007697829-disc001-file001-frame00160-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3229540"
"asp3229538-marc","","The lovers' exile","","87 minutes","[]","Penniless clerk Chubei embezzles public funds to release his lover, the prostitute Unegawa, from her contract at the teahouse. This is the entire plot of ""The Lovers' Exile,"" by classic Japanese dramatist Monzaemon Chikamatsu (1673-1724), the Shakespeare of Bunraku theatre. Bunraku combines the arts of puppetry, a particularly Japanese form of dramatic recitation called joruri, and musical accompaniment by the shamisen. This performance is by the Bunraku Ensemble of Osaka, which includes a number of players who are Living National Treasures of Japan. ""The Lovers' Exile"" is the only filmed adaptation of a classic Bunraku performance [at time of filming].","stream","['Chikamatsu, Monzaemon']","['Japan']","['Man-woman relationships', 'Bunraku', 'Puppet theater']","['Filmed performances']","https://d3crmev290s45i.cloudfront.net/frames/1007697xxx/1007697828/1007697828-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3229538"
"asp3229534-marc","","Return to the Brouck. The Fenland, 40 years On","","94 minutes","[]","Forty years after the production of The Fenland (Le Brouck) comes a follow up about the Audomarois Fenland. Set in the natural environment of northern France, criss-crossed with water ways, market gardening as well as breeding remain the only productive activities. Nevertheless, the number of fenlanders has seriously diminished from 200 farms in the 1970 to 40 in 2010. Other elements are now intervening such as ecology, preservation and development like the Natural Regional Park and the Romelaere Natural Reserve, or leisure activities like waterfowl hunting, fishing and tourism. Through images and words Return to the Brouck expresses this new reality, confronting the actors of the past - young fenlanders of the 70s - with the present. Juxtaposing the images of the past with those of 2010. The core of the film still remains, as in the 70s, the vivid problem of the present and the future of the Audomarois Fenland and its inhabitants.","stream","[]","['Saint-Omer (Pas-de-Calais, France)', 'France']","['Farm life', 'Country life', 'Farmers', 'Manners and customs']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007637xxx/1007637713/1007637713-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3229534"
"asp3229524-marc","","Using wellness programs to benefit cancer patients and survivors","","62 minutes","[]","Using Wellness Programs to Benefit Cancer Patients and Survivors reviews the benefits of exercise for cancer patients and survivors. The video also explains how to increase awareness and referrals to health/fitness clubs among cancer survivors. In that regard, the video explores the steps that clubs can employ to build the capacity of their facility to help cancer survivors be physically active. In addition, the video details best practices for implementing a club's programs for cancer survivors. Finally, the video discusses ideal partnerships and providers of cancer programming.","stream","[]","[]","['Health promotion']","['Nonfiction films', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1007626xxx/1007626830/1007626830-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3229524"
"asp3229522-marc","","Humans in hypoxia. A conspiracy of maladaptation","","58 minutes","[]","Humans in Hypoxia: A Conspiracy of Maladaptation presents a philosophical overview of how humans handle hypoxia, a condition in which a deficit exists in the amount of oxygen supplied to bodily tissues. The video discusses why hypoxia is an important issue, points out how humans adapt to both short-term and long-term hypoxia, and considers whether or not these adaptations are beneficial. The video also looks at the impact that sustained hypoxia has on exercise performance.","stream","[]","[]","['Anoxia', 'Anoxemia', 'Exercise']","['Nonfiction films', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1007626xxx/1007626827/1007626827-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3229522"
"asp3228571-marc","","3-D footage directed by Francis Ford Coppola from 'The bellboy and the playgirls'","","2 minutes","[]","This video is a 3d footage from the 1962 comedy film 'The Bellboy and the Playgirls', directed by Francis Ford Coppola and Fritz Umgelter.","stream","[]","[]","['Detectives', 'Women lingerie industry workers']","['3-D films', 'Comedy films', 'Film excerpts']","https://d3crmev290s45i.cloudfront.net/frames/1007095xxx/1007095635/1007095635-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228571"
"asp3228238-marc","","The Thorn in the Heart. Animations by Valerie Pirson","","2 minutes","[]","These are animated sequences by Valerie Pirson, intended for use as chapter transitions in the film ""The Thorn in the Heart"", that never made the final cut of the film.","stream","['Gondry, Suzette', 'Gondry, Michel', 'Gondry, Jean-Yves']","['France']","['Families', 'Mothers and sons', 'Teachers']","['Animated films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984400/1006984400-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228238"
"asp3228236-marc","","The Thorn in the Heart. Little Monsters","","3 minutes","[]","This short film is Michel Gondry's music video of a Charlotte Gainsbourg song, 'Little Monsters.'","stream","['Gondry, Suzette', 'Gondry, Michel', 'Gondry, Jean-Yves']","['France']","['Mothers and sons', 'Teachers', 'Families']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984399/1006984399-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228236"
"asp3228234-marc","","The Thorn in the Heart. Calendars Doodled","","2 minutes","[]","This short film shows images of one year of drawings by youngsters.","stream","['Gondry, Suzette', 'Gondry, Michel', 'Gondry, Jean-Yves']","['France']","['Mothers and sons', 'Teachers', 'Families']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984395/1006984395-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228234"
"asp3228232-marc","","The Garden. A New Design for the Garden","","2 minutes","['The Garden']","This short film is about the plan to improve the layout of the garden's plots and add new facilities for the public.","stream","[]","['Los Angeles (Calif.)', 'California']","['Community gardens']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984390/1006984390-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228232"
"asp3228230-marc","","The Garden. Allegations of Anti-Semitism","","3 minutes","['The Garden']","This short film is about allegations of antisemitism surrounding the protest of businessman Mr. Horowitz's continuing to hold property that was once a 14 acre community garden in South Central Los Angeles.","stream","[]","['California']","['Antisemitism', 'Community gardens']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984389/1006984389-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228230"
"asp3228228-marc","","The Garden. Protest at Horowitz's Office","","2 minutes","['The Garden']","This is a short film about a protest at against the closure of a community garden in South Central, Los Angeles, featuring Rage Against the Machine vocalist Zack de la Rocha.","stream","[]","['Los Angeles (Calif.)', 'California']","['Community gardens']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984388/1006984388-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228228"
"asp3228226-marc","","The Garden. March to Mayor's Mansion","","2 minutes","['The Garden']","This short film is about a peaceful protest for human dignity, featuring activist Ron Kovic, that took place in front of Los Angeles Mayor Antonio Villaraigosa's home.","stream","[]","['Los Angeles (Calif.)', 'California']","['Community gardens']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984387/1006984387-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228226"
"asp3228224-marc","","Gunnin' For That #1 Spot. Outdoors Vs. Indoors. Bobbito Garcia","","2 minutes","[""Gunnin' For That #1 Spot""]","In this short feature, by Oscilloscope, Bobbito Garcia discusses the advantages of playing basketball outdoors.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984370/1006984370-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228224"
"asp3228222-marc","","Gunnin' For That #1 Spot. The Players. Bobbito Garcia","","2 minutes","[""Gunnin' For That #1 Spot""]","This short feature, by Oscilloscope, shows Bobbito Garcia talking about young basketball players who could make it to the NBA.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984369/1006984369-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228222"
"asp3228220-marc","","Gunnin' For That #1 Spot. Rucker Park. Bobbito Garcia","","3 minutes","[""Gunnin' For That #1 Spot""]","This short feature, by Oscilloscope, shows Bobbito Garcia talking about New York City's street basketball scene, particularly Rucker Park in Harlem.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984368/1006984368-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228220"
"asp3228218-marc","","Gunnin' For That #1 Spot. Bobbitoisms","","4 minutes","[""Gunnin' For That #1 Spot""]","This short film is about the NYC streetball scene and it's players, and features Bobbito Garcia talking about how players get their nicknames.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984367/1006984367-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228218"
"asp3228216-marc","","Gunnin' For That #1 Spot. Director Vs. Beasley","","2 minutes","[""Gunnin' For That #1 Spot""]","This short feature, by Oscilloscope, is about a pick-up basketball game.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984362/1006984362-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228216"
"asp3228214-marc","","Gunnin' For That #1 Spot. Disco 4 Vs. Crash Crew","","2 minutes","[""Gunnin' For That #1 Spot""]","This short feature, by Oscilloscope, is about pick-up basketball games between rap groups that became the Entertainers Basketball Classic, a tournament for aspiring NBA players.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984361/1006984361-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228214"
"asp3228212-marc","","Gunnin' For That #1 Spot. Impromptu Dunk Contest","","4 minutes","[""Gunnin' For That #1 Spot""]","This short feature is about an impromptu dunk contest.","stream","[]","['New York (State)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984360/1006984360-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228212"
"asp3228210-marc","","Gunnin' For That #1 Spot. 40/40 Club. NYC Video Diaries","","2 minutes","[""Gunnin' For That #1 Spot""]","This short feature is about members of a high school basketball team going to a nightclub.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984359/1006984359-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228210"
"asp3228208-marc","","Gunnin' For That #1 Spot. New York is Crazy. NYC Video Diaries","","2 minutes","[""Gunnin' For That #1 Spot""]","This short feature is about members of a high school basketball team watching a homeless man take coins out of a public fountain.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984358/1006984358-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228208"
"asp3228206-marc","","Gunnin' For That #1 Spot. Kyle and Nolan. NYC Video Diaries","","1 minutes","[""Gunnin' For That #1 Spot""]","This short feature is about high school basketball players discussing a game.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984357/1006984357-disc001-file001-frame00005-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228206"
"asp3228204-marc","","Gunnin' For That #1 Spot. Rucker Park Arrival. NYC Video Diaries","","2 minutes","[""Gunnin' For That #1 Spot""]","This short feature is about the arrival of a high school basketball team at Rucker Park in Harlem.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984356/1006984356-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228204"
"asp3228202-marc","","Gunnin' For That #1 Spot. Ugliest Man. NYC Video Diaries","","3 minutes","[""Gunnin' For That #1 Spot""]","This short feature is about high school basketball players joking around.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984355/1006984355-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228202"
"asp3228200-marc","","Gunnin' For That #1 Spot. Bobbitoisms","","1 minutes","[""Gunnin' For That #1 Spot""]","This short feature is about Bobbito Garcia's verbal reactions to situations on and off the basketball court.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984354/1006984354-disc001-file001-frame00010-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228200"
"asp3228198-marc","","Gunnin' For That #1 Spot. Beasley Trash Talk","","4 minutes","[""Gunnin' For That #1 Spot""]","This short feature is about ""trash talking"" during a high school basketball game.","stream","[]","['New York (State)', 'Harlem (New York, N.Y.)']","['Basketball players']","['Documentary films', 'Sports films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984353/1006984353-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228198"
"asp3228196-marc","","Frontrunners. Running Mate Tensions. Mike","","2 minutes","['Frontrunners']","This short feature is about tensions between running mates in a high school election.","stream","['Stuyvesant High School (New York, N.Y.)']","['New York (State)']","['Political campaigns', 'Student government', 'High school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984350/1006984350-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228196"
"asp3228194-marc","","Frontrunners. Revolutionary Pamphlet. Mike","","2 minutes","['Frontrunners']","This short feature is about creating a pamphlet for a high school election.","stream","['Stuyvesant High School (New York, N.Y.)']","['New York (State)']","['Political campaigns', 'Student government', 'High school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984349/1006984349-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228194"
"asp3228192-marc","","Frontrunners. Last Day of School. George","","3 minutes","['Frontrunners']","This short feature is about a high school student announcing to his classmates that he has won the school election.","stream","['Stuyvesant High School (New York, N.Y.)']","['New York (State)']","['Political campaigns', 'Student government', 'High school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984348/1006984348-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228192"
"asp3228190-marc","","Frontrunners. King of the Jungle. George","","3 minutes","['Frontrunners']","This short feature is about a student in a high school election discussing his hair style.","stream","['Stuyvesant High School (New York, N.Y.)']","['New York (State)']","['Student government', 'Political campaigns', 'High school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984347/1006984347-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228190"
"asp3228188-marc","","Frontrunners. George's Lounge","","3 minutes","['Frontrunners']","This short feature is about a high school lounge.","stream","['Stuyvesant High School (New York, N.Y.)']","['New York (State)']","['Political campaigns', 'Student government', 'High school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984346/1006984346-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228188"
"asp3228186-marc","","Frontrunners. Deadline Approaching. George","","5 minutes","['Frontrunners']","This short feature is about students in a high school election soliciting volunteers.","stream","['Stuyvesant High School (New York, N.Y.)']","['New York (State)']","['Political campaigns', 'Student government', 'High school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984345/1006984345-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228186"
"asp3228184-marc","","Frontrunners. Gathering Signatures. George","","3 minutes","['Frontrunners']","This short feature is about a student in a high school election campaign gathering signatures on a petition.","stream","['Stuyvesant High School (New York, N.Y.)']","['New York (State)']","['Political campaigns', 'Student government', 'High school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984344/1006984344-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228184"
"asp3228182-marc","","Frontrunners. First Meeting. George","","2 minutes","['Frontrunners']","This short feature is about preparing for a candidate interview for a high school election.","stream","['Stuyvesant High School (New York, N.Y.)']","['New York (State)']","['Student government', 'High school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984343/1006984343-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228182"
"asp3228180-marc","","Frontrunners. Jon the Pundit. Politicks and Press","","1 minutes","['Frontrunners']","This short feature is about a student who writes for his high school newspaper.","stream","['Stuyvesant High School (New York, N.Y.)']","['New York (State)']","['Student government', 'High school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984341/1006984341-disc001-file001-frame00010-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228180"
"asp3228178-marc","","Frontrunners. The Spectator. Politicks and Press","","5 minutes","['Frontrunners']","This short feature is about students on a high school newspaper covering their school election.","stream","['Stuyvesant High School (New York, N.Y.)']","['New York (State)']","['Political campaigns', 'Student government', 'High school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984340/1006984340-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228178"
"asp3228176-marc","","Frontrunners. Hannah's Room","","2 minutes","['Frontrunners']","This short feature is about Hannah Freiman and her collection of fairies and mermaids, which expresses her spirituality.","stream","['Stuyvesant High School (New York, N.Y.)']","['New York (State)']","['Student government', 'High school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984339/1006984339-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228176"
"asp3228174-marc","","Frontrunners. Self Assessment. Hannah","","2 minutes","['Frontrunners']","This short feature is about a high school student in an election assessing her popularity.","stream","['Stuyvesant High School (New York, N.Y.)']","['New York (State)']","['Political campaigns', 'Student government', 'Elections', 'High school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984338/1006984338-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228174"
"asp3228172-marc","","Flow. For Love of Water. Steven Starr, Article 31","","5 minutes","['Flow']","This short feature is about Article 31, a proposed addition to the Universal Declaration of Human Rights, asserting the right to clean water.","stream","[]","[]","['Water-supply', 'Water resources development']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984336/1006984336-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228172"
"asp3228170-marc","","Flow. For Love Of Water","","3 minutes","['Flow']","This short feature is about a South African company that produces water meters.","stream","[]","[]","['Water-supply', 'Water resources development']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984334/1006984334-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228170"
"asp3228168-marc","","Beautiful Losers. Make Something!! with Tobin Yelland","","5 minutes","['Beautiful Losers']","This short feature, by Arlo N. Rosner, is about making a documentary.","stream","[]","['United States', 'New York (State)']","['Cinematography', 'Art and popular culture', 'Artists']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984320/1006984320-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228168"
"asp3228166-marc","","Beautiful Losers. Make Something!! with Money Mark","","4 minutes","['Beautiful Losers']","This short feature, by Arlo N. Rosner, is about composing music using both traditional and unorthodox instruments.","stream","[]","['New York (State)']","['Musicians', 'Artists']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984319/1006984319-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228166"
"asp3228164-marc","","Beautiful Losers. Make Something!! with Mike Mills","","3 minutes","['Beautiful Losers']","This short feature, by Arlo N. Rosner, is about making posters to display in public areas.","stream","[]","['United States', 'New York (State)']","['Art, American', 'Art and popular culture', 'Artists']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984318/1006984318-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228164"
"asp3228162-marc","","Beautiful Losers. Make Something!! with Lenny Mesina","","4 minutes","['Beautiful Losers']","Beautiful Losers celebrates the spirit behind one of the most influential cultural moments of a generation. In the early 1990's a loose-knit group of like-minded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip-hop, and graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the ""establishment"" art world, this group, and the subcultures they sprang from, created a movement that transformed pop culture. This clip with Lenny Mesina is about film editing.","stream","[]","['United States', 'New York (State)']","['Motion pictures', 'Artists', 'Art and popular culture', 'Art, American']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984317/1006984317-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228162"
"asp3228160-marc","","Beautiful Losers. Make Something!! with KAWS","","5 minutes","['Beautiful Losers']","Beautiful Losers celebrates the spirit behind one of the most influential cultural moments of a generation. In the early 1990's a loose-knit group of like-minded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip-hop, and graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the ""establishment"" art world, this group, and the subcultures they sprang from, created a movement that transformed pop culture.","stream","[]","['United States', 'New York (State)']","['Art, American', 'Art and popular culture', 'Artists']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984316/1006984316-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228160"
"asp3228158-marc","","Beautiful Losers. Make Something!! with Jesse Spears","","3 minutes","['Beautiful Losers']","Beautiful Losers celebrates the spirit behind one of the most influential cultural moments of a generation. In the early 1990's a loose-knit group of like-minded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip-hop, and graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the ""establishment"" art world, this group, and the subcultures they sprang from, created a movement that transformed pop culture.","stream","[]","['United States', 'New York (State)']","['Artists', 'Art and popular culture', 'Art, American']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984315/1006984315-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228158"
"asp3228156-marc","","Beautiful Losers. Make Something!! with Ed Templeton","","4 minutes","['Beautiful Losers']","Beautiful Losers celebrates the spirit behind one of the most influential cultural moments of a generation. In the early 1990's a loose-knit group of like-minded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip-hop, and graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the ""establishment"" art world, this group, and the subcultures they sprang from, created a movement that transformed pop culture. In this clip Ed Templeton helps young people make skateboard graphics and companies.","stream","[]","['United States']","['Skateboarding industry', 'Skateboarding', 'Art and popular culture']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984313/1006984313-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228156"
"asp3228154-marc","","Beautiful Losers. Make Something!! with Aaron Rose","","3 minutes","['Beautiful Losers']","Beautiful Losers celebrates the spirit behind one of the most influential cultural moments of a generation. In the early 1990's a loose-knit group of like-minded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip-hop, and graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the ""establishment"" art world, this group, and the subcultures they sprang from, created a movement that transformed pop culture. In this clip Aaron Rose helps children with a project on zines.","stream","[]","['United States', 'New York (State)']","['Zines', 'Art and popular culture', 'Artists']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984312/1006984312-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228154"
"asp3228152-marc","","A Film Unfinished","","4 minutes","[]","At the end of WWII, 60 minutes of raw film, having sat undisturbed in an East German archive, was discovered. Shot by the Nazis in Warsaw in May 1942, and labeled simply ""Ghetto,"" this footage quickly became a resource for historians seeking an authentic record of the Warsaw Ghetto. However, the later discovery of a long-missing reel complicated earlier readings of the footage. A FILM UNFINISHED presents the raw footage in its entirety, carefully noting fictionalized sequences (including a staged dinner party) falsely showing ""the good life"" enjoyed by Jewish urbanites, and probes deep into the making of a now-infamous Nazi propaganda film.  A FILM UNFINISHED is a film of enormous import, documenting some of the worst horrors of our time and exposing the efforts of its perpetrators to propel their agenda and cast it in a favorable light.","stream","[]","['East Germany (Historical Place)', 'Poland']","['Holocaust, Jewish (1939-1945)', 'Concentration camps', 'World War, 1939-1945']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1006984xxx/1006984309/1006984309-disc001-file001-frame00210-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228152"
"asp3228150-marc","Liszt, Franz, 1811-1886, composer","Années de pèlerinage. Extraits. Première année: Suisse","","25 minutes","['Années de pèlerinage']","Among all Franz Liszt's work, the ""Years of Pilgrimage"" is the piece depicting the best his Romantic inspiration. Bertrand Chamayou, piano rising star got awarded ""Best soloist"" in 2011 and ""Best Recording"" in 2012 for this stunning performance at the ""Victoire de la musique classique"".","stream","[]","[]","['Suites (Piano)']","['Filmed performances', 'Suites']","https://d3crmev290s45i.cloudfront.net/frames/1005741xxx/1005741479/1005741479-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3228150"
"aspdoc00000608","","Hi-Ho Mistahey!","","99 min","[]","Fourteen-year-old Shannen Koostachin launched a campaign to build a suitable school for the children of the Cree community of Attawapiskat in 2008. Two years later, tragedy struck when Shannen was killed in a car accident. Her campaign became a national movement, bringing people from all walks of life together to make Shannen's dream--the dream of fairness in education for First Nations children--a reality. Alanis Obomsawin brings together the voices of those who have taken Shannen's dream across Canada and all the way to the United Nations in Geneva, in a larger-than-life adventure. In February 2012, a motion on education for First Nations children passed unanimously in the House of Commons.","stream","[]","['Attawapiskat Indian Reserve No. 91 (Ont.)', 'Canada']","['Indians of North America', 'Right to education']","['Feature films', 'Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1007826xxx/1007826612/1007826612-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?DSCO;3228074"
"asp3227864-marc","","Merry-go-round or roller coaster? Demonstration of couple therapy","","53 minutes","[]","A video training program intended to assist the practicing clinician. Vivian Nelson and Bill Roller demonstrate a psychotherapy session with a married couple.","stream","[]","[]","['Couples therapy', 'Marriage counseling']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1006786xxx/1006786632/1006786632-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227864"
"asp3227852-marc","","Frontline. Ghosts of Rwanda","","117 minutes","['Frontline']","Rwanda was supposed to be easy.Ten years ago, when the United Nations sent peacekeepers to this small, Central African nation -- with the full support of the U.S. government -- most of the policy-makers involved believed it would be a straightforward mission that would help restore the U.N.'s battered reputation after failures in Bosnia and Somalia. Few could imagine that, a decade later, Rwanda would be the crisis that still haunts their souls.""Ghosts of Rwanda,"" a special two-hour documentary to mark the 10th anniversary of the Rwandan genocide -- a state-sponsored massacre in which some 800,000 Rwandans were methodically hunted down and murdered by Hutu extremists as the U.S. and international community refused to intervene -- examines the social, political, and diplomatic failures that converged to enable the genocide to occur.","stream","[]","['Rwanda']","['Atrocities', 'Ethnic relations', 'Genocide', 'Hutu (African people)', 'Tutsi (African people)']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1007810xxx/1007810438/1007810438-disc001-file001-frame00360-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227852"
"asp3227811-marc","","Cities in China. Xian","","58 minutes","['Cities in China']","This wide-ranging documentary -- from the classic three-part ""Cities in China Series"" -- presents a cultural history of the ancient Chinese imperial city, once the greatest capital in the world and the Eastern terminus of the famed Silk Road.Just outside the city lies one of the world's most spectacular archaeological sites, the burial tomb of China's first emperor, Qin Shi Huang Di, who unified the country and connected the Great Wall. The highlight of the film is its extensive and unique footage of his immense underground army vault, which is larger than a football field, and filled with a life-sized pottery army numbering some 6,000 startlingly lifelike warriors, plus horses, chariots, and weapons.Traveling to nearby areas, the film shows many smaller but also impressive sights. A demonstration of calligraphic stone-rubbing illustrates how picture, style, idea, and moral character come together in Chinese writing. Among several other important archaeological sites visited are the majestic tumulus of the Empress Wu, who boldly left her memorial slab blank so it could be filled in by future generations, and the tomb of her granddaughter, the Princess Yung-tai, with its beautiful murals and exquisite glazed figurines in wall niches.Interspersed with these memories of the past are contemporary scenes of the region's ever-pervasive yellow earth and the enduring, perennial life that it sustains.","stream","[]","[""Xi'an Shi (China)"", 'China']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774660/1007774660-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227811"
"asp3227809-marc","","Water puppetry in Vietnam. An ancient tradition in a modern world","","32 minutes","[]","The ancient tradition of water puppetry has gained worldwide attention in recent years for its lively and unique reflection of agrarian life in the wet-rice villages of northern Vietnam. As water puppetry has grown in popularity among tourists, modern practitioners have altered key components of their performances in terms of both content and format in order to appeal to Western tourists. This insightful and original ethnographic documentary explores the complex interplay between the rise and development of the international tourism industry and the production of culture in the performance of Vietnamese water puppetry. The film, in the words of Prof. Lauren Meeker, of SUNY New Paltz, ""addresses important issues in cultural heritage, tourism, reflexivity, and collaborative filmmaking. It sets up a contrast between the extractive process of 'collecting' heritage on film in which the finished product is not shared with the film subjects, and a collaborative filmmaking process in which the subjects are given the chance to comment upon academic films that have been made about them and then to represent their own culture by making their own short films.""The objective of the Water Puppetry filmmaking team was to return a series of government-made films about the ancient tradition of water puppetry to the village of Bao Ha in the Red River Delta in order to make this invaluable cultural heritage available to the very community recorded in the films. A community screening of these original films was organized and villagers were encouraged to express their opinions about them. Five villagers were subsequently selected and trained to make films of their own about water puppetry. The filmmaking team then organized a second community screening, but this time, the featured films were made by community members themselves. In a powerfully symbolic way, this second set of films represents the process of digital repatriation traveling full circle. The hope was that this collaboration would serve as a model for ethnographic filmmaking, as more and more historically marginalized peoples gain the skills, technology, and need for a fuller understanding of their own past as well as a means to articulate their present and future.Water Puppetry in Vietnam is a rich, complex, and thought-provoking work that will captivate students and generate discussion in a wide variety of courses in cultural anthropology and ethnography, Asian studies, and development and tourism studies. It was produced and directed by Sam Pack, Associate Professor of Cultural Anthropology at Kenyon College.","stream","[]","['Southeast Asia', 'Vietnam']","['Water puppetry', 'Puppets', 'Puppet theater']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774659/1007774659-disc001-file001-frame00185-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227809"
"asp3227805-marc","","The thread of Karma","","50 minutes","[]","In 1991, filmmakers Ritu Sarin and Tenzing Sonam made The Reincarnation of Khensur Rinpoche, which followed the search of a Tibetan monk, named Choenzey, to find the reincarnation of his recently deceased master, Khensur Rinpoche, and documented Choenzey's eventual discovery of a four-year-old boy recognized by the Dalai Lama to be the one. Without sentimentality, the film captured the moving relationship that developed between the erstwhile disciple and his young master.Sixteen years later, the directors revisit the reincarnation at Drepung Monastery in South India, where he has been brought up within the age-old traditions of Tibetan Buddhist monastic life. He is now 20 years old, and his devoted attendant, Choenzey, continues to take care of him. His spiritual teacher is Geshe Wangchen, one of the most respected masters in the monastery, who was himself a disciple of Khensur Rinpoche.The Thread of Karma offers an intimate look at the life of the young lama as he aspires to live up to the reputation of his former incarnation. It also explores his moving relationship with the two people closest to him, his attendant and his spiritual master, both of whom were connected to him in his previous life. By focusing on these ties that cut across lifetimes, the film paints a touching and insightful portrait of the Rinpoche even as it demystifies the Tibetan Buddhist tradition of reincarnation.The Thread of Karma will engage students and generate discussion in a variety of courses in Tibetan and Asian studies, Buddhist studies, cultural anthropology, and comparative religion. It was produced by Ritu Sarin and Tenzing Sonam for White Crane Productions.","stream","[]","['India']","['Buddhist monks', 'Reincarnate lamas', 'Reincarnation', 'Rinpoches']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774657/1007774657-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227805"
"asp3227803-marc","","The shadow circus. The CIA in Tibet","","50 minutes","[]","The Tibetan people are well known for being devoutly religious and peace-loving. Few, however, know that thousands of Tibetans took up arms against the invading forces of Communist China and for more than a decade waged a bitter and bloody guerrilla war of resistance. From the mid-1950s until 1969 the Tibetans were aided in their efforts by an unlikely ally: the CIA.Between 1957 and 1969 the CIA armed, financed, and helped train Tibetan guerrillas who operated first inside Tibet, and later -- after the Dalai Lama's escape to India in 1959 -- from a base in Mustang, a remote corner of northwestern Nepal. This project, code-named ST Circus, was one of the CIA's longest-running covert operations. The withdrawal of the CIA's support in 1969 was as abrupt as its initial involvement was unexpected: The Tibetans had simply fitted into America's larger policy of destabilising or overthrowing Communist regimes, and when that no longer applied, they were abandoned.Featuring unique archival footage and exclusive interviews with former Tibetan resistance fighters and surviving CIA operatives, this powerful documentary reveals for the first time this hitherto unknown chapter in Tibet's recent history -- a tale that is both heroic and tragic, and full of sad ironies and unexpected twists that overturn all preconceptions about both Tibet and the CIA. It was produced by Ritu Sarin and Tenzing Sonam.","stream","['United States', 'Central Intelligence Agency']","['United States', 'Tibet Autonomous Region (China)', 'China']","['Espionage, American', 'Insurgency', 'Guerrillas']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774656/1007774656-disc001-file001-frame00325-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227803"
"asp3227801-marc","","The reincarnation of Khensur Rinpoche","","50 minutes","[]","Choenzey is a 47-year-old Tibetan monk who lives in exile in a Buddhist monastery in southern India. His spiritual master, Khensur Rinpoche, has been dead four years. But according to Tibetan belief, the Rinpoche will be reincarnated and it is Choenzey's responsibility to find the reincarnation and look after him. This utterly fascinating and compelling film follows Choenzey's search and eventual discovery of an impish but gentle four-year-old who is recognized by the Dalai Lama to be the looked-for reincarnation. Without sentimentality, this thought-provoking film captures the moving relationship that develops between the erstwhile disciple and his young master. The film's exemplary combination of intimacy with its subjects and intellectual detachment will stimulate discussion, analysis, and interpretation in a variety of courses in cultural anthropology, Asian and Tibetan studies, Buddhist studies, and comparative religion. It was produced by Tenzing Sonam and Ritu Sarin in 1991, but not released to American educational audiences until 1999.See also the filmmakers' 2007 sequel, The Thread of Karma, which provides an intimate look at the life of the now 20-year-old lama as he aspires to live up to the reputation of his former incarnation.","stream","[]","['Tibet (China)', 'China', 'India']","['Buddhism', 'Buddhist monks']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774655/1007774655-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227801"
"asp3227799-marc","","The myth of the Buddha's birthplace","","36 minutes","[]","This fascinating and thought-provoking documentary explores the process by which a modern myth is created. An engaging blend of mystery story and solid anthropological field research, the film illustrates how the people in a small village in eastern India have come to believe that the Buddha was born in their village, despite ample evidence to the contrary. Their belief goes against the view of most experts and most Buddhists, who maintain that the Buddha's birthplace is in southern Nepal, more than 400 miles to the north.In 1928 a stone inscription written in the ancient Pali language was found in Kapileswar, a small village in the state of Odisha. The inscription declared that the Buddha was born there. Since its discovery, scholars have contested the authenticity of the Kapileswar inscription and the truth of its claim. The stone inscription has since mysteriously vanished, making it difficult to arrive at a definitive conclusion. For many decades the Hindu villagers paid no attention to this inscription and its claim, but in the 21st century they have created a ceremony celebrating the birthday of the Buddha along with a myth depicting how the Buddha was born there.Anthropologist James M. Freeman lived in Kapileswar during the 1960s and '70s, when he collected information for his books on the village temple and the people of the village. At that time, there was no Buddha Birthday ceremony in the village, and there was no Buddha myth. In 2007, Freeman returned to Kapileswar, along with anthropologist Annapurna Devi Pandey, who was born near the village but now lives and teaches in the U.S. The film follows them as they search for the lost inscription and examine why, after several decades of indifference, the villagers now have taken up the claim that their village is the Buddha's birthplace and hold onto this belief, even though most experts reject their claim.The film shows that Kapileswar village is indeed located in a region with an ancient Buddhist tradition of historical importance, with vast monumental archaeological ruins. Kapileswar is located at the site of one of the most important events in world Buddhist history. Visible from Kapileswar is Dhauli hill, the place where the emperor Ashoka, after converting to Buddhism, constructed a stone elephant symbolizing the Buddha and set up a stone edict indicating his intention to spread Buddhism throughout the world.No one questions the authenticity of these Buddhist relics, but the same cannot be said of the Kapileswar inscription. Freeman and Pandey uncover new evidence implicating its authenticity, which many experts now agree resolves the controversy.But Freeman and Pandey make an additional unexpected and significant discovery. They find that the villagers have created a new myth to go along with their new ceremony of the Buddha's birthday. This is a myth, not in the sense of a false story, but of a sacred tale, involving sacred events and people, in a sacred time and space, connecting the people of the village to this sacred world. One of the villagers, a maker of myth, tells the story and points to the exact place where, in the villagers' version, the Buddha was born.With its ""sensitivity and flair,"" its vivid and colorful imagery, and its sophisticated scholarship, The Myth of the Buddha's Birthplace will engage students and engender thought and discussion in a wide range of courses in cultural anthropology, India and South Asia, Hinduism and Buddhism, and all religious studies. It was produced by James M. Freeman, Emeritus Professor of Anthropology, San Jose State University, and Annapurna Devi Pandey, Lecturer in Anthropology and South Asia Studies, University of California, Santa Cruz.","stream","['Gautama Buddha']","['Kapileswara (India)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774654/1007774654-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227799"
"asp3227797-marc","","The great gathering","","51 minutes","[]","This remarkable documentary provides a rare and fascinating study of the history, meaning, and diverse participants of the Maha Kumbha Mela, a spectacular Hindu sacred festival held every twelve years on the banks of the Ganges in India. The Kumbha Mela is the largest festive gathering of humanity on earth. It rotates between four different host cities. In 2001 it is estimated that 50 million people gathered for this unique event. By bathing in the Ganges during the Kumbha Mela it is believed that one will be absolved of all past-life Karma and freed from the vicious cycle of birth and death.The Kumbha Mela of 2001 was a very auspicious occasion and was held in Allahabad. Pilgrims came by plane, train, car, and foot from every corner of India as from around the world. Virtually every nationality and religion on earth was represented, and participants rightly felt that the spiritual energy of the world was focused on this momentous celebration. The film includes commentary by a diverse selection of participants and pilgrims, spectacular scenes of the bathing ceremonies, and many telling and intimate details of the spiritual activities that abounded. Among the highlights are scenes of the Naga Babas, a nakedly-clad sect of holy men, who left their caves in the Himalayas to bathe in the Ganges and perform their spiritual duties.""The Great Gathering"" will stimulate thought and discussion in a wide range of courses in Asian and Indian studies, cultural anthropology, and comparative religion. It was produced by David Ehrlich and directed by Mary Sue Connolly for Black Witch Films.","stream","[]","['India', 'Allahabad (India)']","['Festivals', 'Sadhus', 'Hindu pilgrims and pilgrimages', 'Kumbha Melåa (Hindu festival)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774653/1007774653-disc001-file001-frame00240-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227797"
"asp3227795-marc","","The great ceremony to straighten the world","","56 minutes","[]","Caught between the seduction of prosperity and the threat of cultural disintegration, the people of Bali engage in ceremonies. Through them, the Balinese attempt to maintain balance with God, nature, and one another, and also to turn the recent prosperity from the booming tourist trade into a way of invigorating their culture.This insightful documentary depicts one of Bali's most important ceremonies, one not enacted for nearly 100 years. The ceremony addresses a modern world gone seriously out of balance; it is also meant to remind the Balinese of their history and to engage them in its re-enactment.The video captures highlights of the ceremony while Balinese of varying backgrounds comment on its religious, environmental, cultural, and political meaning. The video will stimulate discussion and analysis in courses in cultural anthropology, religion, Asian and Balinese studies, and ethnomusicology. It was produced by Jann Pasler, Prof. of Music, University of California, San Diego.","stream","[]","['Bali (Indonesia)', 'Indonesia']","['Rites and ceremonies', 'Music', 'Balinese (Indonesian people)', 'Dance']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774652/1007774652-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227795"
"asp3227793-marc","","Taksu. Music in the life of Bali","","24 minutes","[]","Balinese music is like Balinese life. It reflects community harmony, cooperation, and balance. This sensitive documentary is an American musician's unique portrait of Balinese life, art, and spirituality. Focusing on the concept of Taksu, or the spiritual power found in music, instruments, costumes, and dance, the film captures the vibrant rhythm that permeates all Balinese art and culture and suggests how the daily activities of the Balinese echo the tempo and interlocking harmonies of their music. ""Taksu"" will enhance numerous classes in cultural anthropology, Asian and Balinese studies, comparative religion, and ethnomusicology. It was produced by Jann Pasler, Prof. of Music, University of California, San Diego.","stream","[]","['Bali Island (Indonesia)', 'Indonesia']","['Music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774651/1007774651-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227793"
"asp3227791-marc","","Cities in China. Suzhou","","29 minutes","['Cities in China']","Known for centuries as the center of Chinese culture and aesthetics, this Yangzi delta city has often been called the ""Venice of the East"" because of its many canals and bridges. This beautifully filmed portrait of the city leads the viewer through markets and teahouses, sweet shops and bookstores, rice paddies and fish stalls, and two of Suzhou's exquisite gardens.The film -- from the classic three-part ""Cities in China Series"" -- explores the process of silk cultivation, long a Suzhou specialty, and shows the preparation of a regional meal in a simple home kitchen. Two elegant young women sing in a garden, evoking the celebrated days of the literati gathering. An expressive storyteller recounts a traditional epic, enhancing his tale with the sound effect of drum rolls and charging horses.The film concludes with visits to two of Suzhou's famed gardens: the Net Master's Garden and the Garden of the Humble Politician. Whether sensed in these fabled gardens, or evoked in the banter of elderly gentlemen taking tea together, a persistent devotion to basic moral values in shown to be intrinsic to Suzhou life.","stream","[]","['China', 'Suzhou Shi (Jiangsu Sheng, China)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774650/1007774650-disc001-file001-frame00080-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227791"
"asp3227789-marc","","Some Na ceremonies","","31 minutes","[]","The Na people (also known as Moso) of southwest China, along the confluence of Chinese and Tibetan cultures, are best known in the West for their matrilineal kinship system. Western representations of Na culture usually overlook the significance of religion, a central aspect in the lives of Na people. This richly detailed documentary, created by Na directors Onci Archei and Ruheng Duoji and produced by American anthropologist and ethnographic filmmaker Tami Blumenfield, consists of five short pieces that capture important Na ceremonies.In the words of Jenny Chio, Asst. Prof. of Anthropology at Emory University, Some Na Ceremonies ""is one of the most unique yet accessible works of 'participatory video' or community media produced out of China in the recent past."" Ranging from a village film festival, to a pig-sacrifice ceremony, to a three-day funerary ceremony, the ceremonies presented are riveting, elaborate, and meaningful. By avoiding interpretation or voice-over narration but using carefully selected visual images and thought-provoking editing, the film emphasizes the partiality of any representational attempt. The ceremonies presented are but a glimpse of a much larger ceremonial and spiritual world.Some Na Ceremonies is an outgrowth of the Moso Media Project, a collaborative, participatory-media project that provides resources and training for Na people interested in creating and editing digital media, then facilitating community conversations about the finished films.Highly original, challenging, and engaging, Some Na Ceremonies will inspire critical viewing, thinking, and discussion in a wide range of courses in Asian studies, Chinese and Tibetan studies, cultural anthropology, comparative religion, and film studies. Producer Tami Blumenfield is the James. B. Duke Assistant Professor of Asian Studies at Furman University. Filmmakers Onci Archei and Ruheng Duoji are directors of the Moso Folk Museum.","stream","[]","['China']","['Naxi (Chinese people)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774649/1007774649-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227789"
"asp3227787-marc","Meeker, Lauren, 1971","Singing sentiment","","44 minutes","[]","This ""beautifully evocative portrait"" documents the life and activities of elderly quan ho folk singer, Nguyen Thi Ban, in Diem Village, Bac Ninh Province, northern Vietnam. As Ba Ban (grandmother Ban) recounts her life story, it becomes clear how closely her life is intertwined with her love of the music, indicating the intimate connection between quan ho folksong and the rhythms of village life.Skillfully weaving together interview material and footage of everyday life, folk song gatherings, and village rituals shot over several years, the film reveals how quan ho singing is a powerful medium for sharing sentiment and for exchanging feelings of love, respect, and humility.The even, slow tempo of the village quan ho singing, the narrow pitch range, and the controlled body language of the singers all belie the intensity of emotions generated through singing partnerships that are cultivated over long periods of time. Adherence to the rules of exchange in the genre is, for these singers, an expression of sentiment (feeling, emotion). Sentiment is not demonstrated openly through words of affection but rather through song and behavior. The strong sentiments created through singing come out strongly in Ba Ban's explanations of her participation in quan ho activities, how she learned to sing, and how she balanced her love of the music with her work and family obligations.In recent decades, quan ho has become ever more visible to national and international audiences. In 2009, quan ho was accepted to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity, which has resulted in redoubled attention to the genre and, in particular, to its elderly singers in the villages of Bac Ninh Province.The portrait of quan ho presented in Singing Sentiment challenges the pervasive media and film representations of quan ho singers as objects of heritage in which their craft is presented as static and divorced from the daily lives of the singers. Here, in her own words, Ba Ban demonstrates that village quan ho is inseparable from the socio-cultural context of village life in northern Vietnam.With its rich and intimate detail and compelling characters, Singing Sentiment will captivate students and generate thought and discussion in a wide range of courses in cultural anthropology, Asian studies, ethnomusicology, and women's and gender studies. It was produced by Lauren Meeker, Assistant Professor of Anthropology, SUNY New Paltz.","stream","[]","['Vietnam']","['Emotions in music', 'Folk singers', 'Folk songs, Vietnamese', 'Folk music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774648/1007774648-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227787"
"asp3227785-marc","","Sand painting. Sacred art of Tibet","","27 minutes","[]","The ancient art of Tibetan sand painting has been preserved in the monasteries of India and Tibet for some 2,500 years. Traditionally practiced in seclusion, this unique art form has only been practiced publicly in the last decades. In this beautifully photographed and fascinating documentary, Tibetan monks from the Dalai Lama's personal monastery, Namgyal, create the mandala of Kalachakra, the most sacred of all Buddhist sand paintings. The film explores the meaning of the symbols and rituals within the mandala as they have existed through the centuries. The mandala of Kalachakra is considered a visual metaphor for a perfect universe, a palace where deities reside. The highly intricate and delicately adorned diagrams serve as tools for meditation, transition points between the real and the imaginary. This unusual use of artistic visualization in ritual is one of the defining features of Tibetan Buddhism. More than a symbol, the ritual of the mandala is a living enactment of the Buddhist cycle of change and a demonstration of one of the most spiritually advanced of all Buddhist cultures.The film's meditative style perfectly captures the mesmerizing quality of the sand painting. As we hear the scraping of cornets pouring small streams of brilliantly colored sand from their tips, the mandala takes form. An array of extraordinary close-ups appear on-screen: a flaming sword, a lotus blossom, a chariot drawn by mythical animals, a half-inch-tall man fully clothed. Entering the perfect world of the sand mandala, the viewer experiences these compelling symbols and ideas firsthand.Narrator Lobsang Samten guides viewers through this mystical geography, providing insights into the meaning of the ancient designs. He also tells his own story of survival in exile, and his commitment to preserve Tibet's sacred arts and practices before they are lost to humanity. There are at present only 100 people who know the Kalachakra sand painting.Combining stunning imagery and informative commentary, ""Sand Painting"" will stimulate analysis and discussion in a variety of courses in art, religion, anthropology, and Asian Studies. It was produced by Sheri Brenner in 1991, but is available to educational audiences now for the first time.","stream","[]","[]","['Sandpaintings', 'Tantric Buddhism', 'Kālacakra (Tantric rite)', 'Religious films']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774647/1007774647-disc001-file001-frame00160-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227785"
"asp3227783-marc","","Salsa in Japan. A Japanese & Latino mix","","26 minutes","[]","This remarkable documentary on multiculturalism explores the growing subculture of salsa dancing in Japan, where salsa dancing and salsa clubs serve as a source of interaction and cultural mingling between native Japanese and Latino immigrants to Japan. Each group has a different way of dancing and different reasons for going to the dance clubs. In scenes at the clubs these differences are apparent. However, salsa clubs are also important and popular places for interaction between Japanese and Latinos, places where learning between the two groups and a greater cultural appreciation of one another can occur.The video examines two types of salsa clubs in Japan. One draws more Japanese and the other draws more Latinos. The key difference between the two is the purpose for going. In the clubs that draw more Japanese, there is a greater focus on dancing well -- on looking good. Most of the clientele are students of salsa and some enter competitions.The clubs that draw a largely Latino crowd have more of a ""party"" atmosphere. Some of the clientele are great dancers, others not. Some even learn how to dance salsa in Japan, because it's not in fact a universally ""Latin"" dance. The main attraction of these ""parties"" is the chance to get together with other Latinos, blow off steam, and have a good time.""Salsa in Japan"" briefly recounts the history of salsa for those unfamiliar with the dance and examines the many connections between Latin America and Japan through interviews with people involved in the salsa world.This energetic, vibrant, and accessible video will reward viewing and stimulate discussion in any class dealing with issues of multiculturalism and immigration, and in a wide variety of courses in Japanese and Asian studies, Latin American studies, and cultural anthropology. It was produced by Elizabeth Chamberlin.","stream","[]","['Japan']","['Latin Americans', 'Salsa (Dance)', 'Popular music', 'Discotheques']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774646/1007774646-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227783"
"asp3227781-marc","","Primates like us","","58 minutes","[]","In the summer of 1998 a group of primarily American undergraduate students from Central Washington University went to Bali as part of the university's first Balinese Macaque Project field school. The goal was to experience Balinese culture and study macaque monkey behavior and document the entire six-week process with on-location video footage. After compiling and reviewing more than 50 hours of video footage, however, it became clear that what was actually captured was an ethnographic account of a group of undergraduate anthropology majors who were experiencing simultaneously a new culture, the rigors of anthropological fieldwork, and the conflicts of living and working with each other as a team.This fascinating and multifaceted documentary explores the students' experience and examines it in a variety of contexts. The film consists of twelve segments, each of which reflects specific aspects of the field school experience -- ranging from students' takes on various elements of Balinese culture to interpersonal conflicts to the actual methodological aspects of the field school practicum. By envisioning the experience through the ""eyes"" of the students themselves, the film provides a unique perspective on such issues as U.S. cultural attitudes, contemporary undergraduate learning, and the challenges of undergraduate research and fieldwork.While the direct voices of the Balinese are not emphasized, the impact of Balinese ""place"" is evident throughout the students' comments. By the end of the film it is clear that the macaques were not the only ones exhibiting interesting primate behavior.""Primates Like Us"" will stimulate discussion and reflection in a wide variety of anthropology courses. It was produced by Agustin Fuentes, Assoc. Prof. of Anthropology, Univ. of Notre Dame, and directed by Devi Snively.","stream","[]","['Indonesia']","['Balinese (Indonesian people)', 'Macaques', 'College students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774645/1007774645-disc001-file001-frame00430-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227781"
"asp3227779-marc","","Marriages in heaven","","27 minutes","[]","Arranged marriages have been an important aspect of traditional Indian culture since ancient times, and they are still common today. In an arranged marriage, parents find a groom for their daughter or a bride for their son. These matches are typically initiated and arranged by parents‚ social contacts, or matchmakers. But times have changed. In the last 20 to 30 years, there has been a widespread exodus from the villages to the cities, and significant emigration, most notably to the United States. Men have moved away from their homes in search of better education and employment, and more women are working, which increases their opportunities to find spouses on their own. Such marriages are referred to as ""love marriages.""This illuminating documentary explores the ways in which globalization and modernization are affecting young people and changing the traditions of marriage among Indians living both in India and in America. The film examines marriages representing groups from a variety of regions of India, and includes an array of fascinating interviews with parents, matchmakers, astrologers, and of course young brides and grooms.By focusing on an event of interest to all young people, ""Marriages in Heaven"" provides compelling material to stimulate discussion in a wide range of classes in Asian and Indian studies, sociology and social psychology, gender studies, and cultural anthropology. It was produced by Annada D. Rathi.","stream","[]","['India']","['Marriage', 'Arranged marriage', 'Marriage customs and rites', 'Manners and customs']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774644/1007774644-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227779"
"asp3227777-marc","","Kotla walks. Performing locality","","85 minutes","[]","This engaging documentary explores the changing urban life of a contemporary India caught between local tradition and the effects of globalization. The film provides a richly detailed portrait of the lives of residents of Kotla Mubarakpur, an ""urban village"" in South Delhi, by focusing on the family of Sarita and Raman Bhardwaj and their friends and neighbors.Framed by the evocative streets, footpaths, alleyways, courtyards, bedrooms, and sitting rooms of Kotla, the film examines the ways in which the texture of urban spaces is woven into ideas of belonging, intimacy, friendship, ambition, control of one's life, and the desire to be ""here"" but also somewhere else.Raman's family came to Kotla in the wake of the Partition, while Sarita moved from Nainital after marrying. Raman is concerned about the effects of television on his children, and prefers ""chatting"" on the internet, whereas Sarita battles to have the recently disconnected cable TV restored. The Bhardwaj's acquaintances include Jaidev, who is an aspiring musician, Arnima, who wants to be a movie star, and the local policewoman, who is as friendly with fellow members of her Gujar community as she is with the local ""Bad Character.""The exploration of urban life is emerging as a key area of study worldwide, sparked by the increasing effects of globalization upon previously isolated urban communities. Particularly significant is the meaning of locality and neighborhood in a time of transnational flows. How do people create meaning in their lives and make decisions regarding belonging and place at a time of such dislocation and change?Kotla Walks makes thought-provoking connections between the global and the local while providing keen insight into the social meaning of space as well as the changing politics of gender and intimacy. It will generate analysis and discussion in a wide range of courses in Indian and Asian studies, globalization and development studies, urban studies, anthropology, and sociology. It was produced by Sanjay Srivastava and Simon Wilmot, and is in Hindi and English with English subtitles.","stream","[]","['Delhi (India)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774643/1007774643-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227777"
"asp3227775-marc","","Kawitan. Creating childhood in Bali","","57 minutes","[]","This informative and compelling documentary systematically examines the key Balinese early-life ceremonies at every social level in South Bali. Through ceremonies, Balinese culture and performance are linked, with specific musical expression as a common characteristic. The focus of the film is both ethnographic and ethnomusicological as it explores the relationship between Balinese music, movement, ritual, and identity.To illustrate the centrality of performance to Balinese belief and ritual, the film opens with a compact prologue in ""wayang"" (shadow-play) and sacred song, recounting the creation of the universe, the five elements, and the first humans. In the first early-life ceremony, a pregnant woman bathes where sacred springs meet. This provides for a safe delivery, and associated ceremonies transform sexual energies into parental devotion.The film shows daily offerings to spirits surrounding a newborn, and depicts in detail the protective calendrical ceremonies: past-life debts are released in a holy-water purification at six weeks; a first step on the earth is celebrated at three Balinese months; a first haircut and naming ceremony take place at one Balinese year; and an elaborate ceremony to strengthen the spirit guardians is held on a child's third Balinese birthday. The symbolism and significance of the ceremonies are explained by the distinguished priests who actually officiate.In addition, the film affords a rare view of a family consulting a traditional psychic channeler to learn which ancestor has reincarnated in a newborn child, and follows a six-year-old as he commits to serious music study. Renowned musician I Wayan Suweca comments on the intergenerational transmission of artistic power (""taksu"") in Balinese life.Kawitan is the first film (see also Kahyangan: The Balinese Journey of the Soul) in a projected cycle of documentaries portraying the seven life ceremonies and seven after-life ceremonies in Balinese Hindu-Buddhist religion and culture. The film is a collaboration between ethnomusicologist Linda Burman-Hall and director Eli Hollander, both of University of California Santa Cruz. It will stimulate thought and discussion in a variety of courses in Asian and Balinese studies, cultural anthropology, ethnomusicology, and religion.","stream","[]","['Bali (Indonesia : Province)', 'Indonesia']","['Balinese (Indonesian people)', 'Music and dance']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774642/1007774642-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227775"
"asp3227773-marc","","Kamakha through prayerful eyes","","52 minutes","[]","This ""finely crafted, lyrical exploration of a sacred site"" creatively captures the complexity and mystery surrounding Kamakhya Temple, an ancient place of fertility worship in India's northeastern state of Assam. This temple is unique among Hindu temples of the Devi (the Goddess) in that it enshrines no image of Her.In the corner of a dark cave is a rock with an impression of the yoni (the female sexual organs) of the Goddess. This rock is moistened by the waters of a natural spring and it remains covered at all times. Devotees and visitors prostrate before this rock and touch it to connect with the Goddess. No one sees Her.Yet when one steps out of the cave one encounters a rich panorama of visual representations of the Goddess and Her temple, ranging from the ancient sculpture on the temple facade, devotees private photographs, Hindu bazaar arts, crafts, and non-objective painting. Filmmaker Aparna Sharma's deft and imaginative imagery and editing luminously reveal the myriad ways by which devotees visualize Kamakhya, the Goddess who resides in Secret and is not Seen.Fertility worship at Kamakhya dates back to ancient times when the temple complex was a conglomeration of large rocks used by the matriarchal tribes: the Khasis and Garos of Assam. During the late 19th and early 20th centuries, the temple was assimilated into mainstream Hindu culture. But the film examines visual renditions that are distinct from and more complex than the dominant Hindu narrative relating to the site. It begins by evoking the Goddess through a poem by Assam's acclaimed poet, Nilmani Phukan, that is visualized in an immersive montage situating the temple complex in the Assamese landscape.After a portrait of everyday proceedings at the temple, the film moves to two artists who live in its vicinity, depicting their creative motivations, how the Goddess inspires them, and how they give Her form. The film follows the artistic methods they practice on a daily basis and shows how their creations sit within the broader social community surrounding the temple. The film combines observational and reflexive methods to explore how devotees of different socio-cultural backgrounds and aesthetic persuasions imagine and give form to the Goddess who exceeds visual representation.Kamakha Through Prayerful Eyes is at once a riveting ethnographic documentary and an innovative work of filmic art itself. It achieves what its subjects aspire to do: to visualize a Mystery that is not visible. In doing so its impact on viewers is mesmerizing and memorable.Kamakha Through Prayerful Eyes will generate thought and discussion in a wide array of classes in Asian and Indian studies, cultural anthropology, religious studies, women's studies, and film studies. It was produced by Aparna Sharma, a documentary filmmaker, film theorist, and Assistant Professor in the Dept. of World Arts and Cultures/Dance, UCLA. An informative Instructor's Guide written by Prof. Sharma accompanies the film.","stream","['Kāmākhyā Mandira (Gauhati, India)']","[]","['Kāmākhyā (Hindu deity)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774641/1007774641-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227773"
"asp3227771-marc","","Kahyangan. The Balinese journey of the soul","","55 minutes","[]","This remarkable and at times mesmerizing documentary explores the full cycle of Balinese death rituals that support and protect the soul's journey in its endless cycle of life, death, and rebirth. The specific ceremonies, which vary according to social and economic level, family tradition, and individual circumstance, are linked through Hindu-Buddhist tradition and the centrality of various Balinese forms of gamelan and vocal music that validate the rituals, protect the deceased, and guide the soul on its journey.Tied together by the shadow-play story of Cupak, a mortal who traveled to the land of the dead to find his father (Lord Brahma/God), and shaped by Meluasan (a visit to a traditional psychic to determine the wishes of a deceased for their upcoming ceremonies), the film documents elaborate ceremonies for persons of wealth and social distinction along with equivalent ceremonies for commoners. The ceremonies aim to return the body to the five elements: earth, water, fire, space, and wind, and to reunite the soul with God.The ceremonies examined include body washing and beautification, burial, mass exhumation, individual and mass cremation, arranging of bones, releasing ash into streams, reclaiming purified souls from the sea, introducing the spirit to the Gods, and bringing the spirit home to the family temple. Viewers are provided with a rare opportunity to witness both public and private ceremonies captured with unflinching attention to detail.Kahyangan is the second film (see also Kawitan: Creating Childhood in Bali) in a projected cycle of documentaries portraying the principal life and after-life ceremonies in Balinese Hindu-Buddhist religion and culture. The film is a collaboration between ethnomusicologist Linda Burman-Hall and director Eli Hollander, both of University of California Santa Cruz. It will stimulate thought and discussion in a wide range of courses in Asian and Balinese studies, cultural anthropology, ethnomusicology, and religion.","stream","[]","['Indonesia']","['Rites and ceremonies', 'Balinese (Indonesian people)', 'Music and dance']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774640/1007774640-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227771"
"asp3227769-marc","","Ganges. River to heaven","","53 minutes","[]","This extraordinary documentary explores with unparalleled intimacy one of the most cherished of Hindu religious aspirations: to die in the city of Varanasi, on the banks of the sacred Ganges, in the faith that dying here assures liberation from the cycle of earthly life.In Varanasi (also called Kashi), the power of Ganga, the Hindu mother-goddess of the Ganges River, is strongest. Each dawn she calls her children to the ghats, the steps leading down to the water's edge. The young and strong purify themselves in the river's polluted waters. The old and the infirm, too weak for rituals, wait for death. In time, Ganga carries their souls, released from the bondage of reincarnation, to heaven. Their bodies, as ash afloat her crests or flesh submerged in her depths, return to the river.Shot in a hospice for the dying and on the ghats of Varanasi, the film follows four families' struggles to grant a loved one's final wish: to go to heaven. In their common quest the families become a fraction of the hordes of Hindus drawn to the city's holy promise of freedom from reincarnation. As the clans prepare for death, the citizens of Varanasi manage life -- praying for health, dumping industrial waste, begging for pocket change, bathing their children, selling to tourists, monitoring fecal chloroform levels, cremating their mothers -- along the banks of the Ganges. The four families' preparations go virtually unnoticed along the river, where death is a daily part of life.""Ganges: River to Heaven"" investigates the inextricable bond between the sacred river and its people with remarkable sensitivity and depth. From the ghat workers gathering wood for the next cremation, to the chemists gathering water samples for contamination-testing, each perspective sheds new light on India's evolving society and its unchanging veneration of the Ganges. The film also examines many viewpoints on the death process: the families who bring their beloved dying to Kashi Labh Mukti Bhavan, a hospice for the dying; the proprietors of the hospice and their understanding of the service they provide; and the workers and proprietors of the cremation grounds where the bodies are brought for final rites.Keenly observed and filled with unforgettable imagery of ceremonies, rituals, and daily life and death, ""Ganges: River to Heaven"" sheds a profoundly revealing light on the sacred river, polluted from years of overuse, and wonders if the natural force strong enough to sculpt the peaks of the Himalayas and the beliefs of a nation will survive the adoration of generations to come. This illuminating film will engage and challenge students and generate thought and discussion in a wide variety of courses in Asian and Indian studies, cultural anthropology, religion, death and dying, and environmental studies. It was produced by award-winning filmmaker Gayle Ferraro (see also ""Anonymously Yours"" and ""Sixteen Decisions"").","stream","[]","['Vārānasi (Uttar Pradesh, India)', 'River (India and Bangladesh)']","['Death']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774639/1007774639-disc001-file001-frame00055-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227769"
"asp3227767-marc","","Destination. Tourism","","21 minutes","[]","Bodh Gaya, the world's most popular destination of Buddhist pilgrimage, is located in one of India's poorest states. Visitors to this UNESCO World Heritage site are typically shocked by the extreme poverty there, and the Buddhist tradition of alms-giving motivates them to donate money. As a result, Bodh Gaya has developed a sophisticated charity ""industry"" which caters to and depends on tourists and tourism.This thought-provoking documentary explores the complex, interconnected effects of tourism, globalization, culture, philanthropy, and religion in Bodh Gaya. Destination: Tourism provides a deeply perceptive and incisive ethnographic case study as well as a poignant illustration of the overwhelming challenges facing many of the world's poor as they struggle to eke out a living in a seasonal economy almost completely dependent on foreign tourists.As the film illuminates, the tourism economy's volatile nature provides only seasonal and temporary work for local residents: time in Bodh Gaya is measured by the coming and going of strangers. For four winter months there are tourists, and therefore work. The rest of the year is marked by desperate unemployment. In addition, dozens of foreign-owned and foreign-operated monasteries function like all-inclusive resorts, monopolizing tourism services. The monasteries also inflate real-estate values: when farmlands become monasteries, farmers must find a new livelihood. Survival has become a challenge for Bodh Gaya's residents.In the search for sustainable employment, entrepreneurial locals have established hundreds of charity schools for destitute children. These village schools are entirely funded by tourist donations and have become a not-to-be-missed point on the Bodh Gaya tourist itinerary. The mud-hut schools and their slate-and-chalk students have become a ""Kodak moment"" for the visiting Buddhist pilgrims, and a means of livelihood for local residents.Destination: Tourism will generate thought and discussion in any course dealing with international development and globalization, as well as a variety of courses in cultural anthropology, Asian and Indian studies, tourist studies, and religious studies. It was produced by Dafna Kory. The DVD version of the film is fully authored by the filmmaker and includes menus and chapter headings.","stream","['Buddha Gaya Temple']","['Buddh Gaya (India)', 'India']","['Beggars', 'Buddhist pilgrims and pilgrimages', 'Buddhist shrines', 'Poor', 'Tourism']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774638/1007774638-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227767"
"asp3227765-marc","","Between two worlds. A Japanese pilgrimage","","30 minutes","[]","For centuries, pilgrims have come to the Japanese island of Shikoku to trace the 1,000-mile route known as the ""Pilgrimage to the 88 Sacred Places of Shikoku,"" a journey believed to have been first undertaken by Kobo Daishi, founder of Buddhism's Shingon sect in the ninth century.This illuminating documentary is a visual meditation on the phenomenon of pilgrimage and, to a lesser extent, on the processes of ethnographic filmmaking. It combines images of traditional and modern Japan, excerpts from the writings of Kobo Daishi, and commentary by pilgrims, everyday Japanese, and the filmmakers themselves to explore the meaning and persistence of ""pilgrimage"" in contemporary industrial Japan.By examining the effects that rapid change has had on this ritual journey, the film asks: Why do people still undertake pilgrimages to ""sacred"" places? This thought-provoking documentary will generate discussion in courses in Asian studies, Japanese studies, cultural anthropology, Buddhism, and comparative religion. It was produced by Joanne Hershfield and Susan Caperna Lloyd.","stream","['Kūkai']","['Shikoku Region (Japan)', 'Japan']","['Buddhist pilgrims and pilgrimages']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774637/1007774637-disc001-file001-frame00210-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227765"
"asp3227763-marc","","Cities in China. Beijing","","47 minutes","['Cities in China']","This acclaimed documentary -- from the classic three-part ""Cities in China Series"" -- conveys the texture and flavor of the venerable Chinese capital through a close-up look at a number of its inhabitants, both young and old, with varied and fascinating backgrounds. Their stories unfold against the backdrop of a timeless but rapidly changing metropolis.The gold and vermilion roofs of the Forbidden Palace, recalling the splendor of the imperial past, still dominate the center of the city, but highrise apartment buildings are encroaching upon traditional single-story neighborhoods and are dramatically changing the skyline.Highlights include a backstage tour of the Peking Opera, a family reunion of four generations previously dispersed to far-flung outposts, and an interview with the brother of China's last emperor.","stream","[]","['Beijing (China)']","[]","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774636/1007774636-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227763"
"asp3227761-marc","","Turkana conversations. Notes on a Turkana marriage. A wife among wives. 2","","70 minutes","['Turkana conversations']","This, the third and final film in renowned ethnographic filmmakers David and Judith MacDougall's classic Turkana Conversations Trilogy, investigates the views of the Turkana, and especially Turkana women, on marriage and polygyny. As the plans for a marriage in a nearby homestead unfold, the film explores why a Turkana woman would want her husband to take a second (or third) wife, and how the system of polygyny can be a source of solidarity among women while at the same time it may brutally disregard individual feelings.The Turkana women are well aware of the contradictory problems associated with individual liberty and communal survival. The film admirably demonstrates how Turkana culture -- and, by extension, human culture -- is a living thing, shaped by the people who carry it. In Turkana, with English subtitles.","stream","[]","['Kenya']","['Ethnology', 'Turkana (African people)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007774xxx/1007774635/1007774635-disc001-file001-frame00465-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227761"
"asp3227757-marc","","Photo wallahs","","60 minutes","[]","Renowned ethnographic filmmakers David and Judith MacDougall explore the many meanings of photography in this profound and penetrating documentary. The film focuses on the photographers of Mussoorie, a hill station in the Himalayan foothills of northern India whose fame has attracted tourists since the 19th century.Through a rich mixture of scenes that includes the photographers at work, their clients, and both old and new photographs, this extraordinary film examines photography as art and as social artifact -- a medium of reality, fantasy, memory, and desire.""Photo Wallahs"" is perfect for introducing students to the complexity of social and anthropological observation, and it will generate valuable discussion in a variety of courses in Indian and Asian studies, cultural anthropology, and photography.","stream","[]","['India', 'Mussoorie (India)']","['Photography', 'Photographers']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707404/1007707404-disc001-file001-frame00675-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227757"
"asp3227755-marc","","Nawi","","24 minutes","[]","This classic ethnographic documentary, by the renowned filmmaking team of David and Judith MacDougall, explores the nomadic life of the Jie of Uganda. During the dry season the Jie leave their homesteads in large numbers and take their cattle to temporary camps (nawi) in western Karamoja District, where water and grass are more abundant. The film shows the preparations for the 60-mile trip and scenes from the slow journey, including the herding and care of the cattle, bathing at the waterhole, resting under trees, and spending the evening within a thornbush kraal. Includes a number of Jie herdsboys' songs.","stream","[]","['Kenya', 'Uganda']","['Herders', 'Ethnology', 'Jie (African people)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707403/1007707403-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227755"
"asp3227751-marc","","Turkana conversations. Lorang's Way. 1","","66 minutes","['Turkana conversations']","This, the first film in renowned ethnographic filmmakers David and Judith MacDougall's classic Turkana Conversations Trilogy, is a multifaceted portrait of Lorang, the head of the homestead and one of the important senior men of the Turkana. Because they are relatively isolated and self-sufficient, most Turkana (including Lorang's son) see their way of life continuing unchanged into the future. But Lorang thinks otherwise, for he has seen something of the outside world.""Lorang's Way"" is a study of a man who has come to see his society as vulnerable and whose traditional role in it has been shaped by that realization. The film explores Lorang's personality and ideas through his conversations with the filmmakers, the testimony of his friends and relatives, and observation of his behavior with his wives, his children, and men of his own age and status.","stream","[]","['Kenya']","['Ethnology', 'Manners and customs', 'Turkana (Kenya)', 'Turkana (African people)']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707401/1007707401-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227751"
"asp3227749-marc","","Doon School Project. Karam in Jaipur. 3","","53 minutes","['Doon School Project']","This absorbing documentary is the third film in renowned ethnographic filmmaker David MacDougall's long-term, five-part study of childhood and adolescence at the Doon School in northern India. The school is India's foremost boarding school for boys, and the series provides unique insights into the values and training of the Indian middle class in particular and postcolonial elites more generally.With great sensitivity to social, material, and aesthetic details and a keen eye for significant moments of interaction and emotion, ""Karam in Jaipur"" reveals the day-to-day ups and downs of a schoolboy's life. It follows Karam, the main character of the earlier ""With Morning Hearts,"" into the next phase of his life in Jaipur House, one of the five ""Main"" houses of the school. There he must keep up with his classmates, contend with the authority of older boys, and try to make his mark by developing some of his talents.During the period covered by the film, he discovers an aptitude for gymnastics and works to achieve success in the yearly competition. He plays hockey, sings, and struggles to settle into the House. Without being judgmental, the film gives a penetrating insight into Karam's experiences and into the aspirations of the Indian middle class in one of its most characteristic postcolonial institutions.This highly nuanced and remarkable documentary will inspire discussion in classes in cultural anthropology, Asian and Indian studies, visual anthropology, education and childhood studies, and post-colonial studies.","stream","['Doon School']","['India']","['Boarding schools', 'Boarding school students']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707400/1007707400-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227749"
"asp3227747-marc","","In beauty I walk. The Navajo way to harmony","","28 minutes","[]","Set amid the stunning environs of Arizona's rugged Canyon de Chelly, this fascinating documentary explores traditional Navajo Indian spiritual practices and thought. The film examines Navajo art, cosmology, and culture and illustrates how the traditional way of life, called ""walking in beauty,"" seeks to replicate the innate order and harmony of the universe within each individual.The film features Navajo medicine man Johnson Dennison, Navajo philosopher Harry Walters, and noted anthropologist Peter Gold. 'In Beauty I Walk' will stimulate thought and discussion in a wide array of courses in Native American studies, cultural anthropology, comparative religion, and philosophy. It was produced by Sheri Brenner.","stream","[]","['Southwest, New', 'Chelly, Canyon de (Ariz.)']","['Navajo art', 'Indian philosophy', 'Navajo philosophy', 'Indian mythology', 'Navajo Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707399/1007707399-disc001-file001-frame00230-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227747"
"asp3227745-marc","","Gandhi's children","","184 minutes","[]","This unforgettable documentary feature film stands in stark contrast to renowned ethnographic filmmaker David MacDougall's previous films exploring institutions for children in India. In his Doon School Quintet, MacDougall examined India's most prestigious boys' boarding school. His next project, SchoolScapes, was about Rishi Valley School, a progressive co-educational boarding school in South India founded on the educational philosophy of the 20th-century Indian philosopher, Krishnamurti.Gandhi's Children chronicles the life of children in what the filmmaker calls ""the exact opposite of Doon,"" a shelter for orphans and juvenile detainees run by an Indian non-governmental organization. The Prayas Children's Home for Boys is located on the northern fringe of New Delhi in Jahangirpuri, a resettlement colony whose residents were moved from inner-city slums several decades ago. It is still one of the poorest quarters of the city. The home was built in 1993, but its facilities are already deteriorating. There is broken plumbing, defective lighting, and other problems. The boys live in dormitories ranged around two central courtyards.The home provides food and shelter for 350 boys. Some are orphans, some have been abandoned, others have run away from home. About half were picked up from the streets for minor crimes and are held under a court order. Living in the institution for several months, MacDougall explores its routines and the varied experiences of individual boys, including one who had been abducted from his family, one who was a seasoned street-dweller, another who was a pickpocket, and another who had been separated from his family during a fire in his slum area.Despite the harshness of their lives, many of the boys show remarkable strength of character, knowledge, and resilience. Often left to their own devices, they institute a seemingly arbitrary set of checks and balances to make sense of the chaos around them. Then one day 181 new boys arrive, having been ""rescued"" in police raids from sordid child-labor factories. The new children place additional strains on Prayas's already deteriorating facilities. The institution does what it can, but is it enough?Gandhi's Children is filled with scenes of great nuance and sensitivity and its extraordinary succession of revelatory moments exemplifies why David MacDougall's work is unique among the world's greatest ethnographic filmmakers. Destined to become another MacDougall classic, Gandhi's Children will motivate thought, analysis, and discussion in a wide variety of courses in cultural anthropology, Asian and Indian studies, visual anthropology, education, and Third-World studies. It was produced by David MacDougall.","stream","['Prayas (Organization : India)']","['India']","['Boys', 'Orphans', 'Abandoned children', 'Orphanages']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707398/1007707398-disc001-file001-frame00490-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227745"
"asp3227743-marc","","Festive Land. Carnaval in Bahia","","48 minutes","[]","This perceptive and engaging documentary examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnaval that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnaval is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations.At the same time, Carnaval reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnaval. 'Festive Land' explores the rich fabric of Bahian Carnaval from the points of view of four people of different social classes and backgrounds. Marcia is a young black percussionist trying to make a living as a musician. She sees Carnaval as an opportunity to pursue her dream. Ignez and Paulo come from upper-middle-class backgrounds and share a keen enthusiasm for the festival, but they seek out very different aspects of the celebration. Marcos views Carnaval as a way to remain connected to his African roots.Commentary is also provided by noted Brazilian artists, leaders, and scholars. Grammy winner Gilberto Gil gives a personal account of his participation in the quasi-religious afoxe group, Filhos de Gandhi. Daniela Mercury, one of the biggest pop stars in Brazil, discusses the varied influences shaping contemporary Bahian Carnaval music. Antonio Carlos dos Santos, founder of the group Ile Aiye, explains the significance of afro-centric Carnaval groups called 'blocos afros,' and describes how racism is reflected in the social dynamics of the celebration.'Festive Land' will stimulate reflection and discussion in any course studying the African diaspora, cultural anthropology, Latin American studies, comparative religion, or ethnomusicology. It was produced by Carolina Moraes-Liu.","stream","[]","['Salvador (Brazil)', 'Brazil']","['Carnival', 'Manners and customs']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707397/1007707397-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227743"
"asp3227741-marc","","Doon School Chronicles. Part 1","","69 minutes","['Doon School Chronicles']","This intimate and groundbreaking study of India's most prestigious boys' boarding school is one of the most acclaimed works of renowned ethnographic filmmaker David MacDougall. In this original and beautifully photographed film MacDougall examines not only the life of the boys in the school and the culture associated with that life; he also inquires into the school's ""social aesthetics,"" the qualities of place, material objects, and social interaction that provides a distinctive backdrop for the everyday life of this community.Sometimes called ""the Eton of India,"" Doon School has nevertheless developed its own characteristic style and presents a curious mixture of privilege and egalitarianism. The school was established by a group of Indian nationalists in the 1930s to produce a new generation of leaders who would guide the nation after Independence. Since then it has become highly influential in the creation of the new Indian elites and has come to epitomize many aspects of Indian postcoloniality.Shot over a two-year period, the film explores the social aesthetics and ideology of the school through its rituals, the physical environment it has created, and its effects upon several boys of different ages and temperaments. The film is divided into ten ""chapters,"" each headed by a text taken from school documents. This narrative structure lends great cohesiveness to the film and at the same time facilitates classroom use and helps focus discussion on the key themes and issues explored.Doon School Chronicles will take its place among the classics of ethnographic cinema. It is essential viewing for a wide array of classes in cultural anthropology, Asian and Indian studies, visual anthropology, education and childhood studies, and post-colonial studies. An excellent accompaniment to the film is the book, Constructing Post-Colonial India: National Character and the Doon School, by anthropologist Sanjay Srivastava (Routledge, 1998).","stream","[]","['India']","['Boarding schools', 'Boarding school students']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707396/1007707396-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227741"
"asp3227739-marc","","Diya","","56 minutes","[]","This innovative ethnographic documentary by renowned filmmaker Judith MacDougall provides a new way of exploring the complex social life surrounding material objects. The film follows the life history of an important cultural object through the everyday experiences of the people who make, sell, and use it.A diya is a small terracotta oil lamp used throughout India in religious ceremonies. The film begins with a family of potters as they make diyas in the increasingly frantic days before Diwali, the ""Festival of Lights."" The lamps are produced on a potter's wheel, are taken to be sold in the bazaar, and are then used in the Diwali puja ceremonies. Afterwards, they are discarded and return to the earth.Although the potters are proud of their work, they often wish for a different and less arduous existence for their children. In a postscript, the film returns to the potter family and the unexpected revelation that these children will remain in school, ending seven generations of their family's life as potters.This beautiful film is keenly observed and richly infused with the sights and sounds that make the lives of diya potters distinctive and meaningful. ""Diya"" will stimulate discussion and reflection in a variety of classes in social and cultural anthropology, Asian and Indian studies, and visual anthropology.","stream","[]","['India', 'Dehra Dūn (India)']","['Divali', 'Family-owned business enterprises', 'Rites and ceremonies', 'Potters', 'Ceramic lamps']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007707xxx/1007707395/1007707395-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227739"
"asp3227737-marc","","Sixteen decisions","","60 minutes","[]","The Grameen Bank in Bangladesh has lent $2 billion to Bangladeshi women in the form of small business loans, usually of $100 or less. This remarkable documentary explores the human face of this micro-lending experiment that has transformed the lives of millions of Third-World women and their families.The film focuses on the everyday life of of 18-year-old Selina, a mother of two. She was forced into child labor at age seven because her parents were too poor to feed her. Her parents arranged her marriage at age twelve and sold their land for dowry, leaving themselves as beggars when her father lost his eyesight. Now Selina is one of 2.5 million impoverished Bangladeshi women who are reshaping their lives and building a stronger rural economy through small businesses they start with loans (in Selina's case, of $60) from the Grameen Bank. As the film captures the seemingly endless drudgery of her life, Selina reflects on key issues facing her, such as dowry, birth control, education, housing, and her children's futures. Selina's endurance through enormous hardships and her irrepressible hope create an unforgettable portrait of risk-taking, struggle, and activism.""Sixteen Decisions"" refers to a 16-point social charter developed by poor Bangladeshi women and instituted by the Grameen Bank to encourage fundamental community and personal change. The charter encourages discipline, unity, courage, and hard work in all aspects of the women's lives, promotes such social changes as the end of the dowry system and child marriages and the institution of universal childhood education, and calls for the women to practice birth control, keep their children and the environment clean, grow and eat vegetables year-round, and purify the water they drink. Grameen Bank founder Dr. Muhammad Yunus provides commentary on the bank's policies and economic and social vision, and articulates the widespread changes wrought by its micro-lending practices.""Sixteen Decisions"" will generate discussion in a variety of classes in women's studies, anthropology, economics, development issues, and Asian studies. It was produced by Gayle Ferraro.","stream","['Grameen Bank']","['Bangladesh']","['Rural poor', 'Women', 'Microfinance', 'Banks and banking', 'Small business']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638437/1007638437-disc001-file001-frame01135-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227737"
"asp3227735-marc","","Mined to death","","39 minutes","[]","Working at an elevation of 16,000 feet, Quechua-speaking miners in Potosi, Bolivia, dig out zinc, tin, and silver much like their Incan ancestors did more than five centuries ago. This poignant documentary explores the lives and work of the miners as the veins of ore in the sacred mountain they are mining become increasingly depleted and ever more difficult to discover and remove.Rising more than three miles above sea level, the crusty red mountain of Sumaq Orqo dominates the landscape of Potosi, just as it did in the time of the Inca. More than 550 years of mining has marred its cone-shaped mass, and stone openings lead down vertiginous dark shafts to galleries where ore is dug out by pick ax and, where possible, by mechanized drills. Over the centuries it is said that some eight million Indian miners have died working the mines.Today 28 indigenous mining cooperatives eke out a living on the mountain. They drill into the veins of ore, fill the mining carts, and drag the carts up to the surface. Commentary by the miners, their wives, and their children powerfully convey the hardships and tragedies of life in the Andes.A few miners who have escaped the hard labor of the mines now return to the shafts -- guiding tourists. For 10 dollars, tourists can experience first-hand the perils of the mines: noxious gases, unprotected paths, extreme heat and cold, and little to eat or drink for several hours while walking through the bowels of the earth. Interviews with European and American tourists reveal their conflicted emotions after witnessing these harsh conditions.Miners put their faith in the subterranean deity called Tio, who they hope will lead them to a rich vein of ore and protect them as they blast out the metal. Transnational mining companies, however, predict an end to the mining on Potosi mountain. Like the miners, the mountain is exhausted and dying a slow, difficult death.Mined to Death provides an illuminating case study of suffering and hardship that is common among indigenous peoples in the developing, post-colonial world. Its dramatic visuals and forthright testimony will engage students and inspire discussion in a variety of courses in cultural anthropology, Latin American and Andean studies, development studies, tourist studies, and human rights. It was produced and filmed by Prof. Regina Harrison, University of Maryland, who also produced the acclaimed ""Cashing in on Culture: Indigenous Communities and Tourism.""","stream","[]","['Potosi (Bolivia)', 'Bolivia']","['Mineral industries', 'Mines and mineral resources', 'Miners', 'Collective labor agreements', 'Tourism']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638436/1007638436-disc001-file001-frame00445-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227735"
"asp3227733-marc","","Gringo Kullki. Sucres to dollars in Ecuador","","26 minutes","[]","The decade of the 1990s in Ecuador was marked by social tumult and rampant economic inflation, culminating in January 2000 when President Mahuad, acting on the advice of the International Monetary Fund, instituted stringent austerity measures that included the replacement of the traditional Ecuadorian currency, the sucre, with U.S. dollars as the legal currency. The transition was not easy.This unusual and incisive documentary explores in depth the effects of the transition on Ecuador's native people, featuring indigenous people from the mountains as they comment on the government's policy.In the words of Alison Krögel, Assoc. Professor of Andean Literary and Cultural Studies at the University of Denver, ""Gringo Kullki offers an indigenous-centered account of Ecuador's highly fraught transition from the national currency of the sucre to the U.S. dollar. Through a series of Kichwa-language interviews with indigenous campesinos, market vendors, small business people, and intellectuals from various regions of Ecuador, this thought-provoking and insightful documentary offers a much needed counter-balance to hard-data driven analyses of the benefits and costs of dollarization in Ecuador.""Sensitively filmed and deftly edited, Gringo Kullki powerfully demonstrates how the gringo money created hard times for the indigenous people. The brightly colored sucre bills were replaced with paper money of just one color: green. Indigenous elders were confused in their daily buying and selling in the market. Often they were deceived in the change of currency.And who were the people represented on these new dollars? Faces on the old bills were familiar Ecuadorian heroes: Rumiñahui, who battled the Spanish conquistadors; Alfaro, who liberated the indigenous people from a life of serfdom. Instead, native people see a 5-dollar bill that features an unknown, angry-looking man with a furrowed brow (Lincoln). Native people felt cheated: a 5-sucre bill used to buy enough food for a family; with dollarization, now it barely served to buy lunch. In their native language (Quechua), indigenous Andean men and women voice their perspective on the difficult adaptation to a new monetary system.At times poignant, at times humorous, but always illuminating, Gringo Kullki will motivate thought and discussion in a wide range of classes in Latin American and Andean studies, cultural anthropology, global and development issues, and human rights. It was produced by Professor Emerita Regina Harrison, noted Quechua specialist and documentary filmmaker at the University of Maryland, and filmed by Prof. Harrison and Sami Ayriwa. In Quechua, with English subtitles.","stream","[]","['Ecuador']","['Monetary policy', 'Indigenous peoples', 'Dollarization']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638435/1007638435-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227733"
"asp3227729-marc","","Cashing in on culture. Indigenous communities and tourism","","29 minutes","[]","Tourism is one of the largest industries in the world, and one of the most important forms of contemporary contact between different cultures. Eco-tourism and ""ethnic"" tourism, designed specifically to bring affluent and adventurous tourists into remote indigenous communities, are among the fastest-growing types of tourism worldwide.This insightful documentary, filmed in the small tropical forest community of Capirona, in Ecuador, serves as an incisive case study of the many issues and potential problems surrounding eco- and ethnic tourism. Those issues are shown to be simultaneously cultural, economic, and environmental, and are complexly intertwined for both indigenous communities and tourists.The film interweaves illuminating sequences featuring the Quechua-speaking Capirona Indians, Ecuadorian tour operators, anthropologists and other academics, and college-age American tourists to examine the benefits and negative costs of such tourism to everyone involved. The film focuses in particular on how tourism has changed the lives of members of the indigenous community, which took eight years to decide to admit tourists into their villages.The cash flow from tourism that is managed directly by the Indians bypasses the fees normally exacted by travel agencies and tour operators and may be able to sustain the community if revenues are distributed equitably. But how do indigenous communities, in the context of global tourism and business interests, set up and run successful tourist operations without compromising their own cultural traditions and despoiling their environment?""Cashing in on Culture"" explores some of the most perplexing issues facing indigenous communities and raises a multitude of thorny questions. The film will generate discussion in a variety of courses in cultural anthropology, development and Third-World issues, and Latin American studies. It was produced by Prof. Regina Harrison, University of Maryland, who also produced the award-winning ""Mined to Death.""","stream","[]","['Ecuador']","['Manners and customs', 'Quechua Indians', 'Travel', 'Ecotourism']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638433/1007638433-disc001-file001-frame00255-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227729"
"asp3227725-marc","","The high lonesome sound. Kentucky mountain music","","31 minutes","[]","The poignant songs of church-goers, miners, and farmers of eastern Kentucky express the joys and sorrows of life among the rural poor. This classic and universally praised documentary evocatively illustrates how music and religion help Appalachians maintain their dignity and traditions in the face of change and hardship.The film features the noted Appalachian banjo picker Roscoe Holcomb and places him firmly in the context of the land and the people with whom he spent his life.""The High Lonesome Sound"" will generate thought and discussion in numerous courses in American studies, folklore, ethnomusicology, cultural anthropology, the arts and humanities, sociology, and filmmaking. It was produced by renowned filmmaker and musician John Cohen.","stream","[]","['Kentucky']","['Country music', 'Bluegrass music', 'Folk music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638431/1007638431-disc001-file001-frame00010-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227725"
"asp3227723-marc","","The ballad and the source","","19 minutes","[]","The tradition of unaccompanied ballad singing is very old and still cherished in Great Britain, though only a few traditional singers are still alive. This sensitive musical portrait profiles the life and art of Walter Pardon, perhaps the finest living traditional English ballad singer.This classic documentary, produced by noted filmmaker, photographer, and folk singer John Cohen, is an incisive exploration of a dying tradition.","stream","[]","['England']","['Ballads, English', 'Folk songs, English', 'Folk music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638430/1007638430-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227723"
"asp3227721-marc","","Sara and Maybelle. Of the original Carter family","","11 minutes","[]","A rare filmed performance of two members of the original Carter family, whose recordings helped found the country music industry. Here Sara and Maybelle demonstrate their famous guitar picking and harmony singing on ""Sweet Fern"" and ""Solid Gone.""This unique performance documentary was produced by renowned filmmaker and musician John Cohen. It is an important historical record for classes in American studies and popular culture, folklore and folk music, ethnomusicology, and the arts and humanities.","stream","['Carter Family (Musical group)']","[]","['Country music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638429/1007638429-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227721"
"asp3227719-marc","","Post industrial fiddle","","23 minutes","[]","This deceptively simple but profound film explores the importance of music-making in the life of a pulp mill worker in rural Maine. His 'Down East' fiddling style is homemade music, influenced largely by local traditions. The film suggests that music is important as an individual creative act, as one piece of a complex lifestyle, and as one of the elements through which people communicate and sustain friendship. 'Post-Industrial Fiddle' will encourage thought and discussion in any course dealing with cultural studies, and in a variety of courses in American studies, folklore, rural studies, cultural anthropology, ethnomusicology, and sociology. It was produced by renowned filmmaker and musician John Cohen.","stream","[]","['Maine']","['Folk music', 'Country music', 'Fiddlers', 'Old-time music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638428/1007638428-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227719"
"asp3227717-marc","","Musical holdouts","","49 minutes","[]","This classic, entertaining documentary on American traditional music features varied individuals and groups who have not become part of the melting pot of American society.From front porch banjo pickers in Appalachia and the Bluegrass Festival circuit to black children on the Carolina sea islands, cowboys, and Cheyenne and Comanche Indians, they have all retained their cultural identities despite pressures from the mass media and popular culture.This remarkable documentary will stimulate discussion in classes in American studies, folklore, ethnomusicology, popular culture, cultural anthropology, sociology, and the arts and humanities. It was produced by renowned filmmaker and musician John Cohen.","stream","[]","['United States', 'Oklahoma', 'Southern States', 'South Carolina']","['Indians of North America', 'Country music', 'Folk music', 'African Americans', 'Bluegrass music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638427/1007638427-disc001-file001-frame00060-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227717"
"asp3227715-marc","","Gypsies sing long ballads","","29 minutes","[]","Scotland's Gypsies have lived outside mainstream society for more than 500 years. Although some of the 'Travelling People' still live by the sides of roads, most live today in houses and are under pressure to abandon their culture. This film celebrates their traditional music, especially the long unaccompanied British ballads that date back hundreds of years and have been handed down by memory through the generations.This remarkable and sensitive documentary will be of interest to courses in cultural anthropology, European peoples, ethnomusicology, and the arts and humanities. It was produced by the noted filmmaker and musician, John Cohen.","stream","[]","['Scotland']","['Ballads', 'Ethnomusicology', 'Romanies', 'Folk music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638426/1007638426-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227715"
"asp3227713-marc","","End of an old song","","26 minutes","[]","Filmed in the mountains of North Carolina, this acclaimed documentary revisits the region where English folklorist Cecil Sharp collected British ballads in the early 1900s. The film contrasts the nature of the ballad singers with the presence of the juke box: although the lyrical tradition has changed, the singing style continues. The film features Dillard Chandler, who sings with rare intensity and style.The End of an Old Song will enhance a variety of classes in American studies and popular culture, the arts and humanities, ethnomusicology, and cultural anthropology. It was produced by renowned filmmaker and musician John Cohen.","stream","['Chandler, Dillard']","['North Carolina']","['Folk music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638425/1007638425-disc001-file001-frame00045-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227713"
"asp3227711-marc","","Fifty miles from Times Square","","47 minutes","[]","A colorful portrait of life in Putnam County, New York, with its old-time fiddlers, farmers, commuters, and hippies, where an earlier, more traditional, relaxed style of life continues.This now-classic documentary will generate discussion in a range of classes in American studies, cultural anthropology, sociology, and popular culture. It was produced by renowned filmmaker and musician John Cohen.","stream","[]","['Putnam County (N.Y.)', 'New York (State)']","['Music', 'Bluegrass music']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638424/1007638424-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227711"
"asp3227709-marc","","Pericles in America","","69 minutes","[]","This musical portrait of immigrant clarinetist Pericles Halkias and the Epirot-Greek community explores the aspirations and ambivalences of Greek-Americans.Moving between Queens, New York and northern Greece, it presents the traditional music of Epirus, showing how the music unites the Epirot community around the world. The film defines America not as a melting pot, but rather as a place to make a better living. The Epirots who earn their living here have their hearts planted firmly in the mountains of Greece.""Pericles in America"" will generate thought and discussion in courses dealing with immigration and transnationalism, cultural identity, and musical culture, and in many different courses in cultural anthropology, sociology, and American studies. It was produced by renowned filmmaker and musician John Cohen.","stream","[]","['New York (State)', 'Epirus (Greece and Albania)']","['Music', 'Greeks', 'Greek Americans']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638423/1007638423-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227709"
"asp3227707-marc","","Mountain music of Peru","","59 minutes","[]","This classic documentary on the centuries-old music of the Andes demonstrates the importance or the region's musical heritage in preserving the cultural identity of the impoverished native peoples.The musical thread that runs through the Andes extends back past the ancient culture of the Incas, and it is strong enough to have successfully resisted both the Spanish conquest and the forces of modern Western culture. This musical journey travels from small towns and remote mountain villages to the capital city of Lima, showing how Peru's popular music connects even the most isolated people. This outstanding documentary will delight students and generate thought and discussion in classes in cultural anthropology, Latin American and Andean studies, ethnomusicology, popular culture, and global and development studies -- any class in which cultural identity is considered. It was produced by renowned filmmaker and musician John Cohen.","stream","[]","['Peru']","['Folk poetry, Peruvian', 'Peruvians', 'Folk music', 'Folk songs, Spanish']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638422/1007638422-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227707"
"asp3227705-marc","","Dancing with the Incas","","58 minutes","[]","This extraordinary film documents the most popular music of the Andes -- Huayno music -- and explores the lives of three Huayno musicians in a contemporary Peru torn between the military and the Shining Path guerrillas.The film shows how ancient Incan music passed down through the centuries has a contemporary life of its own in the cities of Peru. Lima on Sundays is alive with Huayno music, in which one hears authentic Inca melodies performed on every conceivable type of instrument. In the moody lyrics, the musings of oppressed people assume an existential and timeless quality even when a carnival atmosphere prevails. This is one of the few ethnographic films that deals with complex issues of cultural mixture. Rather than focusing on a single community or ethnic group, the film investigates a broad cultural region and illustrates what happens to it as it confronts the commercial traditions and demands of the West.""Dancing with the Incas"" will generate thought, analysis, and discussion in a wide array of courses in cultural anthropology, Latin American studies, ethnomusicology, popular culture, and the arts and humanities. It was produced by renowned filmmaker and musician John Cohen.","stream","[]","['Peru']","['Huaynos', 'Music', 'Folk music', 'Incas']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638421/1007638421-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227705"
"asp3227703-marc","","Carnival in Q'eros. Where the mountains meet the jungle","","32 minutes","[]","This groundbreaking documentary shows the remarkable Carnival celebrations -- never before seen by outsiders -- of a remote community of Indians high in the Peruvian Andes. Their culture offers important clues into the Inca past and the roots of Andean cultures.The Q'eros play flutes and sing to their alpacas in a ritual to promote the animals' fertility. The film shows how the music evolves from individual, to family, to ayllu, to community, a structure of spiritual activity distinct from the structure of kinship. The Q'eros sing and play separately from each other, producing a heterophonic sound without rhythmic beat, harmony, or counterpoint -- a ""chaotic"" sound texture that exemplifies a key connection between the culture of the Andes and that of the Amazon jungle.The film also focuses on the protracted negotiations by which the Indians were compensated for their participation in the project. This classic and widely acclaimed film is essential viewing in a range of courses in cultural anthropology, ethnomusicology, folklore, Latin American and Andean studies, and comparative religion. It was produced by renowned filmmaker and musician John Cohen.","stream","[]","['Peru']","['Carnival', 'Andes Region', 'Folk music', 'Indians of South America']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638420/1007638420-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227703"
"asp3227701-marc","","Q'eros. The shape of survival","","50 minutes","[]","This classic documentary provides a multifaceted exploration of the way of life of the Q'eros Indians of Peru, who have lived in the Andes for more than 3,000 years.Their economy is nearly self-sufficient and their location, at 14,000 feet, is well adapted for their alpacas (raised for wool) and their llamas (beasts of burden). The Q'eros employ the same agricultural methods, play the same panpipes and flutes, and weave cloth using the same patterns as those described by Spanish chroniclers in the 16th century. The film examines Q'eros music in its shepherd and religious functions and shows weaving as an integral part of family life.""Q'eros: The Shape of Survival"" will engage students and generate discussion in a wide range of courses in cultural anthropology, Latin American and Andean studies, ethnomusicology, comparative religion, and the arts and humnanities. It was produced by renowned filmmaker and musician John Cohen.","stream","[]","[]","['Quero Indians']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638419/1007638419-disc001-file001-frame00595-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227701"
"asp3227699-marc","","Peruvian weaving. A continuous warp for 5000 Years","","25 minutes","[]","This informative documentary examines warp pattern weaving in Peru, an ancient Andean Indian tradition handed down from woman to woman for some 5,000 years.The film features a detailed demonstration of the warp pattern technique on back-strap and four-stake looms by Indian weavers and an interview with Dr. Junius Bird, of the American Museum of Natural History, who discusses this weaving tradition and analyzes significant examples.""Peruvian Weaving"" will enhance numerous courses in cultural anthropology, Latin American and Andean studies, women's studies, and the arts and humanities. It was produced by renowned filmmaker and musician John Cohen.","stream","[]","['Peru']","['Quechua textile fabrics', 'Hand weaving']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638418/1007638418-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227699"
"asp3227697-marc","","Choqela. Only interpretation","","12 minutes","[]","This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology.""Choqela"" will stimulate thought and discussion in courses in cultural anthropology, Latin American studies, comparative religion, and any course in which the problems of interpreting cultural identities and events are considered. It was produced by renowned filmmaker and musician John Cohen.","stream","[]","['Peru', 'Bolivia']","['Indians of South America', 'Aymara Indians', 'Aymara dance']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1007638xxx/1007638417/1007638417-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227697"
"asp3227675-marc","","Ch'an","","7 minutes","[]","1941 was Francis Lee's first film; Ch'an his last. In between, he became an expert Sumi-e watercolorist and here combines eloquent ink paintings with masterful animation methods. The film moves through mysterious shapes, taking the viewer on an explosive meditative journey across the imaginary landscapes of his creations. 16mm 1.37 black & white sound; music by Christopher Atwood.","stream","[]","[]","[]","['Animated films', 'Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481075/1007481075-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227675"
"asp3227671-marc","","Transport","","6 minutes","[]","""Transport came out of many influences in the early 1970s: the dead of Vietnam; the poem of my poetry teacher Anne Sexton, For God While Sleeping; the post-modern dance experiments with trust, to give yourself totally while being lifted by another; and the airborne astronauts of moon exploration."" - Amy Greenfield. 16mm 1.37:1 color sound; camera Sandy D'Annunzio; music Indiran; with Lee Vogt, Amy Greenfield, Chuck Williams, Steven Holly, Joel Polinksy, Don Young, Tom Vint.","stream","[]","[]","[]","['Experimental films', 'Dance films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481073/1007481073-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227671"
"asp3227669-marc","","DL2. (Disintegration line #2)","","12 minutes","[]","DL2 reflects the influence of the American Bauhaus movement in Chicago introduced by Laszlo Moholy-Nagy during the late 30s/early 40s. The film was made by shocking 10-foot-strips of unprocessed black and white film into tanks of cold water, fixer, hot water, developer and then repeating the process. Janiak arranged them into what he called ""interesting sequences,"" optically printed through various pieces of color gels, carefully labeling each color and repeating them at various speeds. 16mm 1.37:1 color sound; music Bumblebees Sip Honey by Peliatan Gamelan.","stream","[]","[]","[]","['Animated films', 'Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481072/1007481072-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227669"
"asp3227667-marc","","Love it/leave it","","14 minutes","[]","The love events that bring people together, revealing at once the absurdities and tenderness of the human comedy, plus a sharp eye for Americana, characterize and permeate the Palazzolo films. 16mm 1.37:1 color sound; music by Ray Whilding White.","stream","[]","['United States']","[]","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481071/1007481071-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227667"
"asp3227665-marc","","Our lady of the sphere","","10 minutes","[]","Alchemical images of transformation fill the screen in Lawrence Jordan's magical collage animation where several ambiguous characters - a boy, a deep-sea diver and a Lady with the orbital head -- make a surrealist dream-like journey. Produced from line engravings and cutouts, Jordan orchestrates the film in terms of a rake's progress. 35mm from 16 mm 1.37:1 color sound.","stream","[]","[]","[]","['Animated films', 'Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481070/1007481070-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227665"
"asp3227663-marc","","Excerpts from Walden. Diaries, notes and sketches","","14 minutes","[]","The viewer shares in Mekas' daily intimacies with family, friends and lovers as they envelope the screen in pulses of audio-visual stimuli. His world becomes yours, and the immersive nature of the cinema experience is broadened to include an onslaught of perceptual associations derived from the rapid-fire barrage of sound and images. Mekas expounds upon New York City much in the same way that Marcel Proust would focus on a Madeleine cookie as a portal for extended recollections on the passage of time and memory. Two sequences from Jonas Mekas' 3 hour epic reveal prime aspects of his diary filmmaking. The first show us a car trip to New Jersey with friends; the second dives headlong into an audio-visual sensory overload at a wild dance party. Each very basic and direct, the results are haiku-like vivid experiences. 16mm 1.37:1 color sound except end of Reel 5 and beginning of Reel 6; music by Frédéric Chopin, Group Image; with Gideon Bachman, Adolfas Mekas, Jonas Mekas, Hella Hammid, Willard Van Dyke, Shirley Clarke, Wendy Clarke, Marilyn Gottlieb-Roberts, Ed Emswhiller.","stream","['Mekas, Jonas']","[]","[]","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481069/1007481069-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227663"
"asp3227661-marc","","The film that rises to the surface of clarified butter","","9 minutes","[]","This film had already been in my mind for a very long time, this type of film. I wanted to do a film which dealt with drawings which somehow had a life of their own, which existed in the same space as real objects and yet still had their own two-dimensional space. I wanted a kind of imagery that didn't refer to anything in our visual vocabulary, and also was so non-objective that it didn't refer to anything. 16mm 1.37:1 black & white sound.","stream","[]","[]","[]","['Live-action/animation films', 'Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481068/1007481068-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227661"
"asp3227659-marc","","Castro Street. (the coming of consciousness)","","10 minutes","[]","Bruce Baillie transforms a walk down a street in Richmond, CA into a voyage of discovery. ""Entirely handmade, sans optical printers or computers,"" everyday events are shifted into something fantastic. The viewer is awakened to a universe of swirling sights and sounds, marvelous moments unfolding in time. 16mm 1.37:1 color sound.","stream","[]","[]","[]","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481067/1007481067-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227659"
"asp3227657-marc","","9 variations on a dance theme","","13 minutes","[]","The sensation of our own movement and the perception of movement in the world around us are very primal experiences from early infancy. It is in this world of movement (the kinesthetic experience) that film and dance make their most exciting and unique contributions. 16mm 1.37 black & white sound; dancer Bettie de Jong; music by McNeil Robinson.","stream","[]","[]","[]","['Experimental films', 'Dance films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481066/1007481066-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227657"
"asp3227655-marc","","N.Y., N.Y. A day in New York","","16 minutes","[]","Prismatic and distorted, Francis Thompson shot the vibrant and fractured images with a Kodak Ciné-Special camera specially rigged with ""secret"" mirrors, kaleidoscopes and even reflective car hubcaps. His objective was to create a ""complete and carefully integrated film using precisely controlled camera distortion in a dramatically unfolding structure."" The experience remains an exquisite time capsule that not only documents Manhattan during the 1950s but also, in the words of the New York Times, proffers ""one of the few geniune masterpieces"" of burgeoning experimental film movement in the United States. 35mm from 16mm 1.37:1 color sound; production assistance D.A. Pennebaker; music by Gene Forrell.","stream","[]","['Manhattan (New York, N.Y.)']","[]","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481065/1007481065-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227655"
"asp3227653-marc","","Gyromorphosis","","7 minutes","[]","""Gyromorphosis strives to bring into actuality the inherent kinetic qualities seen in the construction-sculpture of Constant Nieuwenhuys of Amsterdam. To realize [sic] this aim I have put into motion, one by one, pieces of this sculpture and, with colored lighting, filmed them in various detail, overlaying the images on the film as they appear and disappear. In this way I have hoped to produce sensations of acceleration and suspension which are suggested to me by the sculpture itself."" - Hy Hirsh. 16mm 1.37:1 color sound; music Django by John Lewis, played by the Modern Jazz Quartet.","stream","[]","[]","[]","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481063/1007481063-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227653"
"asp3227651-marc","","Evolution","","8 minutes","[]","""I try to leave the imagination of the spectator as free as possible by using purely invented, abstract forms rather than representational forms. In watching these films it is not necessary to search for hidden meanings or to try to associate these invented forms with familiar objects. The spectator may simply relax and look at these films as one would listen to music in order to fully respond to them."" - Jim Davis 16mm 1.37:1 color sound.","stream","[]","[]","[]","['Animated films', 'Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481062/1007481062-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227651"
"asp3227649-marc","","Bells of Atlantis","","10 minutes","[]","""I remember my first birth in water,"" reads Anaïs Nin in her husband Ian Hugo's aquatic fantasy formed of ""hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages."" The mix of charged language and stunning abstract imagery and music moves the viewer towards -- to paraphrase Marianne Moore -- ""the lost continent within our selves."" 16mm 1.37:1 color sound: acted & recited by Anaïs Nin from Nin's House of Incest; production, photography Ian Hugo; abstract color effects Len Lye, Ian Hugo; electronic music by Louis and Bebe Barron.","stream","['Nin, Anaïs']","[]","[]","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481061/1007481061-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227649"
"asp3227647-marc","","Eaux d'artifice","","13 minutes","[]","The Villa d'Este sculpture gardens frame the nocturnal exploits of a Baroquely-dressed masked figure darting about a waterworks of gushing fountains in ""a Hide and Seek in a night-time labyrinth."" Jets of water form a mesmerizing erotic fantasy paying homage to abstract visual music, early silent cinema, and Sergei Eisenstein's spectacular ""cream-separator"" sequence in Old and New. 16mm 1.37:1 black & white tinted color sound; with Carmilla Salvatorelli; music ""Winter"" movement of The Four Seasons by Antonio Vivaldi.","stream","[]","[]","['Fountains']","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481060/1007481060-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227647"
"asp3227645-marc","","Abstronic. Electronic abstracts: a seeing sound film","","6 minutes","[]","""I wanted to manipulate light to produce visual compositions in time continuity much as a musician manipulates sound to produce music. It was particularly while I listened to music that I felt an overwhelming urge to translate my reactions and ideas into visual form that would have the ordered sequence of music. 35mm 1.37:1 color sound; music Hoe Down by Aaron Copland, Ranch House Party by Don Gillis.","stream","[]","[]","[]","['Animated films', 'Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481059/1007481059-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227645"
"asp3227643-marc","","Four in the afternoon. A film suite","","15 minutes","[]","Four short films adapted from the poetry of James Broughton: Game Little Gladys, The Gardener's Son; Princess Printemps, and The Aging Balletomane. Delightful and sentimental, the interludes date back to silent cinema full of playful mime and dreamy reverie. As such the vignettes offer a welcome antidote to the high-mindness of most avant-garde films. 16mm 1.37:1 black & white sound; production Farallone Films; with Anna Halprin, Welland Lathrop, John Graham; music by William O. Smith.","stream","[]","[]","[]","['Experimental films', 'Short films', 'Silent films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481058/1007481058-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227643"
"asp3227641-marc","","In the street","","17 minutes","[]","While the film vividly depicts Manhattan street life in mid 1940s Spanish Harlem, the inner subject becomes the real expressions seen on the children's faces. Each inhabit a private dream world lost in reverie. In contrast, the close-ups shot by James Agee, engage children making funny faces. Two cameras were employed by Levitt and Loeb to shoot in tandem while circling their subjects. Later they would cut from camera to camera for added authenticity. Helen Levitt was known to have altered the editing whenever she had the opportunity and at one time titled the film, I Hate 110 Street. This unique version differs from others with additional material and a slightly different edit of shot sequences where some shots are placed in a reverse order. 16mm 1.37:1 black & white silent 18fps; music by Arthur Kleiner; mastered from an original print in the collection of Film Preservation Associates.","stream","[]","['Manhattan (New York, N.Y.)']","[]","['Experimental films', 'Short films', 'Silent films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481057/1007481057-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227641"
"asp3227637-marc","","Meshes of the afternoon","","14 minutes","[]","16mm 1.37:1 black & white intentionally silent; with Maya Deren, Alexandr Hackenschmied. The husband and wife team of Maya Deren and Alexandr Hackenschmied created one of the keystone achievements of American avant-garde cinema in their Hollywood home. During its first decade of release, this captivating psychodrama was presented silent (with no soundtrack) and included three additional shots, as seen here.","stream","[]","[]","[]","['Experimental films', 'Short films', 'Silent films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481055/1007481055-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227637"
"asp3227635-marc","","Pursuit of happiness","","9 minutes","[]","Photographer Rudy Burckhardt shows us the ebb and flow of people rushing about Manhattan. Equally exhilarating is his novel approach to snap images quickly on the run, a method he inaugurated and that continues to the present day. In film, he added slow and fast motion, split-screens and superimpositions to his repertory. 16mm 1.37:1 black & white intentionally silent 16fps.","stream","[]","['Manhattan (New York, N.Y.)']","[]","['Experimental films', 'Short films', 'Silent films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481053/1007481053-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227635"
"asp3227633-marc","","Thimble theater","","7 minutes","[]","Cornell's editing tactic is to seduce through the use of dislodged movie tropes. Hence, the viewer is cut loose from any normal meanings to pursue the snippets of clips and fragments taken from long-forgotten obscure movies. One is encouraged to let the Cornellian montages wash over them in an endless reverie of ecstatic moments. 16mm 1.37:1 black & white with color tint silent 18fps; completed by Lawrence Jordan; new music vintage circus organ.","stream","[]","[]","[]","['Experimental films', 'Short films', 'Silent films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481051/1007481051-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227633"
"asp3227631-marc","","A Bronx morning","","14 minutes","[]","Jay Leyda was only 20 years old when he filmed his ode to the Bronx. The film pulses with an intelligence normally attributed to a mature artist and not a first-time filmmaker. His approach offers a beautiful moment-to-moment observation of lives once lived one morning in a borough of New York City. 35mm 1.33:1 black & white silent 20fps: production assistance Leo Hurwitz; new music by Donald Sosin.","stream","[]","['Bronx (New York, N.Y.)']","[]","['Experimental films', 'Short films', 'Silent films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481047/1007481047-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227631"
"asp3227629-marc","","Mechanical principles","","11 minutes","[]","Round and round go the gears in this extraordinary study. Ralph Steiner's second film is mesmerizing in its attention to concentric, repetitive mechanized motions. Far from being pedantic or boring, the movements fascinate and titillate. The comedic is equally central to Steiner's fascination with human-like interactions between the differentials. 35mm 1.33:1 black & white silent 20fps; production assistace Jay Leyda; music by Colin McPhee composed and performed in 1931, now considered lost; new music adapted from Isaac Albeinez's Tango in D by Eric Beheim.","stream","[]","[]","[]","['Experimental films', 'Short films', 'Silent films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481046/1007481046-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227629"
"asp3227627-marc","","Skyscraper symphony","","9 minutes","[]","The most fantastic effects were secured in shooting sheer heights. It was partly the architectural wonder of New York that made the film so stirring, but, really, it was the artist's touch that moved one, the catching of mood, line, color, and feeling in the strange, walled city. 35mm 1.33:1 black & white silent 24fps; new music by Donald Sosin.","stream","[]","['New York (State)']","['Skyscrapers']","['Experimental films', 'Short films', 'Silent films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481045/1007481045-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227627"
"asp3227625-marc","","The life and death of 9413. A Hollywood extra","","14 minutes","[]","The production was made on a shoe-string budget reported by the filmmakers to be a meager $97 and shot mostly in a corner of Florey's kitchen and at several public locations in Los Angeles. The highly entertaining results received wide exposure at little art cinemas then in vogue across the country, and generated much discussion among the public and cinéphiles. Florey, Toland and Vorkapich went on to have exemplary Hollywood careers, each producing significant contributions to film art. Sadly the same can't be reported for its star Jules Raucort, who like the film's namesake ""9413"" saw his acting career slowly unravel. 35mm 1.20:1 black & white silent 20fps, camera Robert Florey, Slavko Vorkapich, Gregg Toland, Paul Ivano; new music by Donald Sosin adapted from George Gershwin's Rhapsody in Blue; with Jules Raucourt, Voya Geroge, Adriane Marsh, Slavko Vorkapich, Robert Florey.","stream","[]","[]","['Motion pictures']","['Experimental films', 'Short films', 'Silent films']","https://d3crmev290s45i.cloudfront.net/frames/1007481xxx/1007481044/1007481044-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3227625"