Crafting the story. Beginnings, middles, and ends
Description
How important is the opening line of a book? Does a writer always have to know what is going to happen next? Where should the line be drawn between historic fact and historical fiction? And what are the particular challenges of writing a biography? Drawing on the expertise of Edvard Radzinsky, Fay Weldon, Anson Cameron, John Lanchester, Nicholas Shakespeare, and other respected authors, this program answers each question with candor and wit-and judging from the authors' responses, there are as many ways to approach storywriting as there are writers.
Runtime
27 min
Series
Subjects
Genre
Date of Publication
[2005], c2000
Database
Films on Demand
Direct Link
Similar Films
English composition II. Arguing with intensity. Lesson 11
The Drama of creation. Writers on writing
Alternate literary voices and vehicles
Character Analysis
English composition I. Exploring the process. Lesson 1
English composition II. Finding hidden arguments. Lesson 13
Freedom writers. Fighting hatred with language arts
English composition II. Everyday research. Lesson 1
Models of non-fiction writing. Reviewing television
Models of writing. Reporting
English composition II. Finding hidden arguments. Lesson 13
Creating characters. Essence of writing
English composition II. The elements of argument. Lesson 2
English composition II. Building support. Lesson 4
English composition II. Documenting research. Lesson 8