"filmID","creator","title","date_of_publication","runtime","series_title","summary","format_type","associated_entity","geography","subject_group","genre","image_url","direct_url"
"asp4384261-marc","","Mountain","","82 minutes","[]","In 'Mountain,' a young Orthodox Jewish woman becomes involved with a nocturnal community of prostitutes and drug dealers.  Tzvia lives with her family in the Jewish cemetery on Jerusalem’s Mount of Olives. During the day, while her husband and children are at school, she is left alone on the mountain. She goes for walks in the cemetery, trying to escape the endless house work. One night, to her surprise, she is exposed to an unsettling sexual scene. Stirred by this image, she starts exploring this new realm of the mountain, while trying to keep a normal face during her daytime routine. Until she can't anymore.","stream","[]","['Israel']","['Prostitutes', 'Drug traffic', 'Orthodox Judaism', 'Jewish women']","['Feature films', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/content/1010220xxx/1010220396/1010220396-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4384261"
"asp4384259-marc","","Diamant noir. Dark inclusion","","110 minutes","[]","Pier Ulmann blames his extended diamond-dealer family for his father's tragic life – and death. To take revenge, he insinuates himself back into the family enterprise, with an elaborate caper in mind. Caught up in the power dynamics between his uncle Joseph and his cousin Gabi, who have very different ideas about the company's future, he finds himself increasingly attracted to his cousin Louisa.","stream","[]","['France']","['Diamond industry and trade', 'Revenge', 'Family-owned business enterprises', 'Families']","['Feature films', 'Crime films', 'Thrillers (Motion pictures)', 'Fiction films']","https://d3crmev290s45i.cloudfront.net/content/1010220xxx/1010220395/1010220395-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4384259"
"asp4384207-marc","","Un regalo para mi abuelo","","14 minutes","[]","Un Regalo Para Mi Abuelo (A Gift for Abuelo) is a film about family, culture and conservation. This poignant and beautiful tale follows a young boy as he transforms from potential predator to fierce protector of the endangered Olive Ridley turtles that nest on the beach near his home. A Gift for Abuelo celebrates differences, draws attention to the things all children have in common, teaches understanding, respect and tolerance, and promotes environmental accountability. This story is special, not only because it teaches the value of coexistence and protecting the natural world, but it also immerses viewers in the traditions and lifestyle of another culture — creating a unique form of rich, engaging education that can be shared with children and adults around the world. As we discover the interdependent, parallel existence of people, places and animals around the world, we begin to recognize the strong and enduring elements that connect us all.","stream","[]","['Mexico']","['Sea turtles', 'Endangered species', 'Wildlife management']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1010220xxx/1010220285/1010220285-disc001-file001-frame00250-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4384207"
"asp4384203-marc","","Timeless craft. Building Mauloa","","19 minutes","[]","TIMELESS CRAFT documents three generations of Pacific Islanders — from Micronesia, Hawai’i and the Marquesas — as they construct a coastal outrigger sailing canoe using traditional tools, methods and materials. The film weaves an atmosphere of quiet beauty and reverence. No visible trappings of the modern world appear in the unfolding scenes that evoke pre-contact Polynesia, a time when master carvers sharpened their rudimentary tools on whetstones and crafted vessels that carried them to neighboring islands and to the far corners of the Pacific. The building of Mauloa was filmed in semi-slow motion. The altered speed and golden images that unfold on the screen create a unique sense of timelessness. Nothing of the modern world exists in the footage - no power tools, t-shirts or sunglasses. All of the scenes evoke pre-contact Polynesia; from sharpening the stone adzes on a whetstone, to staining the koa hull with kukui nut oil. This method of filming carries viewers back to the time when the ancestors of today's Polynesians crafted their canoes with grace and artistry, while respecting solemn ritual and ancient tradition.","stream","[]","['Micronesia (Federated States)', 'Hawaii', 'Marquesas Islands (French Polynesia)', 'Oceania']","['Canoes and canoeing']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1010220xxx/1010220283/1010220283-disc001-file001-frame00245-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4384203"
"asp4384201-marc","","A gift for abuelo. Life, death and buried treasure in Oaxaca, Mexico","","14 minutes","[]","A Gift for Abuelo is a film about family, culture and conservation. This poignant and beautiful tale follows a young boy as he transforms from potential predator to fierce protector of the endangered Olive Ridley turtles that nest on the beach near his home. A Gift for Abuelo celebrates differences, draws attention to the things all children have in common, teaches understanding, respect and tolerance and promotes environmental accountability. This story is special, not only because it teaches the value of coexistence and protecting the natural world, but it also immerses viewers in the traditions and lifestyle of another culture — creating a unique form of rich, engaging education that can be shared with children and adults around the world. As we discover the interdependent, parallel existence of people, places and animals around the world, we begin to recognize the strong and enduring elements that connect us all.","stream","[]","['Mexico']","['Sea turtles', 'Endangered species', 'Wildlife management']","['Documentary films', 'Environmental films']","https://d3crmev290s45i.cloudfront.net/frames/1010220xxx/1010220282/1010220282-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4384201"
"asp4384199-marc","","Wayfinders. A Pacific odyssey","","57 minutes","[]","This award-winning PBS documentary sweeps viewers into a seafaring adventure with a community of Polynesians as they build traditional sailing canoes, learn how to follow the stars across the open ocean, and embark upon a 2,000-mile voyage in the wake of their ancestors. Wayfinders focuses on the revival of wayfinding - the art of guiding a canoe across long distances using only natural signs: the sun, the moon, the stars and the ocean swells. Nainoa Thompson is the first Hawaiian in hundreds of years to master celestial navigation. By passing on these ancient skills to a new generation of wayfinders, Nainoa begins the process of recovering connections with the past and preparing for the challenges of the future. Written, Produced and Directed by Gail K. Evenari Edited by Yasha Aginsky & Nathaniel Dorsky Musical Score by Mark Adler Captain Cook portrayed by Patrick Stewart Narrated by Napualani Cassidy. Wayfinders: A Pacific Odyssey was made possible by grants from the National Endowment for the Humanities. Additional funding was provided by Pacific Islanders in Communications through the Corporation for Public Broadcasting. With special appreciation to the Polynesian Voyaging Society.","stream","['Hōkūleʻa (Canoe)', 'Hawaiʻiloa (Canoe)']","['Polynesia', 'Hawaii']","['Canoes and canoeing', 'Navigation', 'Nautical astronomy']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1010220xxx/1010220281/1010220281-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4384199"
"asp4383619-marc","","Brazil","","12 minutes","['Brazil']","The intention was to camp and fish, but as will be seen, so-called killer or Africanised bees started swarming and stinging.","stream","[]","['Brazil']","['Nambicuara Indians']","['Documentary films', 'Ethnographic films']","https://d3crmev290s45i.cloudfront.net/frames/1010219xxx/1010219960/1010219960-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4383619"
"asp4383617-marc","","Brazil. Nambiquara puberty ritual - September 10","","55 minutes","['Brazil']","Nambiquara Puberty Ritual Ritual de Puberdade Fest da Menina Moça Negaroté Village 27 July 1989 Kithãulhu Group With Lorenço Kithãulhu Explaining Creation Being And Spiritual Beliefs.","stream","[]","['Brazil']","['Puberty rites', 'Nambicuara Indians', 'Rites and ceremonies']","['Documentary films', 'Ethnographic films']","https://d3crmev290s45i.cloudfront.net/content/1010219xxx/1010219959/1010219959-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4383617"
"asp4383615-marc","","Ayu Lha-mo- the oracle of Sabu, filming June 1986","","55 minutes","[]","""Possessed"" Himalayan Oracles Said to Suck Disease From Patients, National Geographic News, May 22, 2004, by Zoltan Istvan Ayu Lha-mo. This oracle is probably the most famous oracle in Ladahk. She’s known for taking a knife from a fire and burning her tongue with its tip to show patients her powers and invulnerability,” said Frank Kressing, a cultural anthropologist at University of Augsburg in Germany.  Kressing has interviewed more than 20 oracles in Ladakh. The rituals of Ladahk oracles are little known to the outside world, even though as many as 200 may practice in the region. The rites and rituals likely derived from the cultures of animistic tribes and shamans of Central Asia, China, Tibet, and Mongolia. These days most oracles are Tibetan Buddhists, one of the primary religions in Ladahk. Oracles usually meet patients in their houses, bringing them to an altar in the kitchen. Generally, the oracle works with several patients simultaneously and talks with each about their ailments before going into a trance. It is said to take about 15 minutes of chanting, ringing bells, praying, and beating drums for a spirit to enter an oracle’s body. Oracles usually invite spirits to take them over, but some oracles report that they become possessed when they don’t want to. Spirits that possess oracles during trance states are usually said to be from the pantheon of Buddhist deities. But sometimes lesser known or unknown spirits, even those from other religions, can control the oracles, they say.  “Once possessed, oracles perform therapy by sucking out disease-causing substances from their patients,” Kressing said. “The oracles later show these substances – usually black mucus or little tar-like pieces – to the patient and audience, and then spit them into a bowl or on the ground.” Oracles also use straws or pipes for sucking out substances from patients, placing them directly against ailing body parts—for example, the chest of a patient suffering from asthma. Seeds, cups of blessed water (and sometimes alcohol), incense, and other instruments assist in the ritual. The oracles also play the role of exorcist—expelling or controlling malign spirits believed to be in patients. Newcomers witnessing the rituals are often startled by oracles in violent trances wielding weapons. In some cases oracles cough, shout, and beat their own bodies until bruises appear—to gain control over a spirit. In extreme situations, male oracles cut themselves with swords, bloodying themselves.  Oracles may also treat the patient violently. A man suffering from liver problems due to alcohol abuse may get yelled at or even hit. “Oracles sometimes fly into a rage and chastise patients while in a trance. It’s not uncommon for oracles to blame patients for their disease and shout at them for not following the tenets of Buddhism properly,” said Elan Golomb, a psychologist.  Traditionally, Ladakh oracles must be approved by a high-ranking Tibetan lama. Once approval is secured, a three- to six-year training process begins. In secluded monasteries and villages, often under the guidance of a senior oracle, the trainees must learn Buddhist scripture, meditation, and methods for becoming a vessel for spirits and deities.  “When I was 18 the Dalai Lama blessed my path to become a lha-mo. I spent many years in the mountains training and learning powers,” said Ayu Lha-mo, now in her early 60s. Beyond healing, oracles also prophesize and perform divination, depending on a patient’s need. Styles, performances, and specialties vary widely between oracles. Some, like Hundar Lha-pa, a male oracle from Hundar village in the Nubra Valley, Ladahk, collaborate with Western doctors to combine traditional and modern medicinal treatments.  Patients Come For Healing, Regardless of Background A typical day for Ayu Lha-mo brings a mixed clientele. Christians, Hindus, Buddhists, and Muslims—who make up half of the region’s population of 200,00—visit her often.  “In Ladahk, where traditional Islam is still practiced, Muslims sometimes go back and forth [across] religious boundaries—this includes some Muslims visiting Buddhist oracles,” said David Pinault, a professor or religion at California’s Santa Clara University. Pinault has studied Muslim-Buddhist relations in Ladakh. Reactions to the oracles’ healing rituals vary. Some patients claim to be healed immediately. Others say there is little improvement in their condition. Some visitors come only to be near a lha-mo or lha-pa which translate to “divine male person” and “divine female person,” respectively.  “I think the healing works for most people,” said Tsewang Dorjey, a monastery guide for tourists whose base is in the city of Leh. “I’ve gone twice for stomach problems and it made me feel better.”  Patients, if they can afford it, pay oracles for their work. The amount is meager. With just a couple of patients each day, Ayu Lha-mo is no wealthier than the average Ladakh farmer—earning the equivalent of a few U.S. dollars a day for battling spirits and healing the sick.  “I’m often [feeling] beat up after a days worth of work,” said Ayu Lha-mo, who appeared physically shaken even on hour after she said the possessing spirit left her body. “But it’s my path to do this work and it’s satisfying to heal people.” 2004 (early 60s, 44 in 1986) "".","stream","[]","['India']","['Rites and ceremonies', 'Mysteries, Religious', 'Oracles']","['Documentary films', 'Ethnographic films']","https://d3crmev290s45i.cloudfront.net/frames/1010219xxx/1010219958/1010219958-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4383615"
"asp4383613-marc","","Australia","","16 minutes","['Australia']","Contrary to some thought, the majority of Indigenous people in the Goldfields in Western Australia are Christian. 1942 – 1997 In loving memory of Leslie Nuwil Harris Born: 12/12/1942 – Weebo Taken Suddenly on 31 May 1997  “Let Not Your Heart Be Troubled”  Safe in the Arms of Jesus.","stream","[]","['Australia']","['Aboriginal Australians', 'Funeral rites and ceremonies']","['Documentary films', 'Ethnographic films']","https://d3crmev290s45i.cloudfront.net/content/1010219xxx/1010219957/1010219957-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4383613"
"asp4383611-marc","","Australia. Finding bardi, 22 February 2001","","12 minutes","['Australia']","A great deal of traditional Aboriginal diet was plants and small game like goannas and insect larvae. This included Bardi. Bardi Grubs are large grubs that live in the ground for many years, feeding on tree roots. The female moths drop the eggs around large gum trees. The newly hatched grubs burrow into the ground where they feed on tree roots. As they grow larger the burrow in which they live also becomes progressively larger, up to several centimeters in diameter.","stream","[]","['Australia']","['Aboriginal Australians']","['Documentary films', 'Ethnographic films']","https://d3crmev290s45i.cloudfront.net/content/1010219xxx/1010219956/1010219956-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4383611"
"asp4247869-marc","","David Susskind archive. Interview with Dr. Martin Luther King, Jr","","102 minutes","[]","David Susskind's historical, long and intimate interview with Dr. Martin Luther King, Jr. Originally aired on June 19, 1963 by WPIX-TV New York. Among the subjects discussed were the current state of the American Civil Rights Movement and the recent (at that time) events in Birmingham, Alabama. Recently restored by the Paley Center.","stream","['King, Martin Luther', 'Jr']","['Birmingham (Ala.)', 'United States']","['Civil rights movements']","['Nonfiction films', 'Interviews']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142505/1010142505-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247869"
"asp4247865-marc","","The limits of my world","","70 minutes","[]","The Limits of My World follows a nonverbal young man's transition from the school system into adulthood. Brian has autism and faces the daily challenges of adjusting to his new life. Filmed from the intimate perspective of his older sister Heather, this documentary seeks to understand Brian's personality beneath his disability.","stream","[]","[]","['Autistic youth', 'Autism in adolescence', 'Children with disabilities']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142503/1010142503-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247865"
"asp4247861-marc","","Space hero. China's first man in space","","51 minutes","[]","China's manned space programme was launched in 1992. Only two countries -- the Soviet Union and the United States -- had successfully launched a man into space, and China was determined to be the third. The space programme was conducted in secrecy. Over the course of the next decade the original field of 1,504 candidates was narrowed down to three top guns from the Chinese Air Force. Those three didn't know who would be selected to fly into space -- and into history -- until it was time to suit up. So great was the secrecy that the name of the first astronaut wasn't made public until after he was in orbit. The launch was not telecast live. But cameras did record the event. Yang Liwei stepped into the capsule as an unknown pilot. When he came back to Earth 14 orbits later he had become China's first space hero. We go behind the closed doors of China's 'Space City' to show the astronaut candidates' rigorous training and testing regime, and the final moments before history was made.","stream","['Yang, Liwei']","['China', 'Outer space']","['Astronauts', 'Astronautics']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142501/1010142501-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247861"
"asp4247857-marc","","No problem. Kidney trade in India","","45 minutes","[]","India has 80,000 cases of kidney failure every year, most needing immediate transplants. In 1995 the Indian government passed a law prohibiting commercial transplants and organ donations from anyone other than relatives, dangerously reducing the number of possible donors. In the nine years before this law came into effect, surgeon Dr Reddy conducted 1,000 kidney transplants. They dealt with the donors in a different way than was usually the case. They bypassed the brokers, a fair amount was paid directly to the donor, and the donor got free medical care for 3 years following the operation. Furthermore, donors were selected not only on medical but also on psychological grounds. Due to the enforcement of the new law, Dr Reddy and his team had to stop their work. The kidney trade in India is thriving as never before, though nowadays declared illegal and therefore uncontrollable.","stream","[]","['India']","['Organ donors', 'Kidneys', 'Donation of organs, tissues, etc']","['Documentary films', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142499/1010142499-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247857"
"asp4247853-marc","","Malaria, the serial killer","","52 minutes","[]","Today, malaria kills twice as many people as AIDS: some 4 million a year. 2 billion people live in regions with malaria; 700 million of them are infected. But this disease’s progress is being marked by relative indifference, perhaps because the countries most badly affected are least able to fund the sort of research which is necessary. But while malaria was eradicated in Europe in the 1950s, it is now thought possible that global warming will lead to its return, and cases have already been found in the south of the Eastern bloc. This programme explains the basics of the disease: the different strains which variously cause exhaustion and death, the history of treatment, from witch doctors to modern pharmaceuticals, and the political and economic aspects of the crisis. Why did the attempt to add malaria to the G8’s agenda fail, even though 90 countries are affected? Why has so little money been invested in the fight against this plague? What does the future hold?","stream","[]","['Africa']","['Malaria', 'Mosquitoes']","['Documentary films', 'Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142497/1010142497-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247853"
"asp4247851-marc","","China's raging sands","","52 minutes","[]","Giant sand storms are wreaking havoc in China. Beijing frequently grinds to a halt as it is blanketed in airborne sand. The sand originates in the northern and the western deserts, but once airborne the sands do not respect national boundaries. They fall on Korea and Japan, and even cross the Pacific Ocean to fall on the United States. The sandstorms are awesome. Walls of sand stretch a kilometre high, and from horizon to horizon. They have the force of a mid-sized earthquake, but last for days. Visibility drops to less than a metre, and temperatures have dropped as low as -55C. The storms can move at the speed of a freight train, and when it’s over, they deposit a layer of sand that suffocates the countryside. China is now engaged in a desperate race to stop the sands. Scientific research and government policy are converging to address the problem. But for herdsmen who have seen their entire flocks wiped out or for farmers who have seen two-thirds of their village disappear, a solution cannot be found soon enough.","stream","[]","['China']","['Sandstorms']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142496/1010142496-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247851"
"asp4247849-marc","","Defenders of the planet. Rocketman","","49 minutes","['Defenders of the planet']","This out-of-this-world series focuses on our relationship with space and the threats our planet may face from it. From killer asteroids to lethal alien viruses, the history of space exploration to the training of NASA’s newest recruit, this is an intergalactic trawl through the past and future of our exploration of the universe.","stream","[]","['Outer space']","['Astronauts', 'Space', 'Space flight']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142495/1010142495-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247849"
"asp4247847-marc","","Defenders of the planet. To boldly go","","49 minutes","['Defenders of the planet']","This out-of-this-world series focuses on our relationship with space and the threats our planet may face from it. From killer asteroids to lethal alien viruses, the history of space exploration to the training of NASA’s newest recruit, this is an intergalactic trawl through the past and future of our exploration of the universe.","stream","['Challenger (Spacecraft)']","['Outer space']","['Space flight', 'Space', 'Space race']","['Educational television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142494/1010142494-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247847"
"asp4247845-marc","","Defenders of the planet. Threat from space","","49 minutes","['Defenders of the planet']","This out-of-this-world series focuses on our relationship with space and the threats our planet may face from it. From killer asteroids to lethal alien viruses, the history of space exploration to the training of NASA’s newest recruit, this is an intergalactic trawl through the past and future of our exploration of the universe.","stream","[]","['Outer space']","['Space', 'Asteroids']","['Educational television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142493/1010142493-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247845"
"asp4247843-marc","","Cosmetic surgery. Under the knife. Episode 3","","52 minutes","['Cosmetic surgery']","We cannot escape our appearance, but the face we show to the world doesn’t always tell the story of who we are. This series explores this growing trend towards plastic surgery – from the first consultation to the final pay-off, each episode follows several different procedures, those who want to be different and what happens when it goes wrong.","stream","[]","[]","['Hair', 'Face', 'Human body', 'Surgery, Plastic']","['Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142492/1010142492-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247843"
"asp4247841-marc","","Cosmetic surgery. Creating beauty. Episode 2","","50 minutes","['Cosmetic surgery']","We cannot escape our appearance, but the face we show to the world doesn’t always tell the story of who we are. This series explores this growing trend towards plastic surgery – from the first consultation to the final pay-off, each episode follows several different procedures, those who want to be different and what happens when it goes wrong.","stream","[]","[]","['Breast', 'Face', 'Human body', 'Surgery, Plastic']","['Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142491/1010142491-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247841"
"asp4247839-marc","","Cosmetic surgery. The pursuit of perfection. Episode 1","","50 minutes","['Cosmetic surgery']","We cannot escape our appearance, but the face we show to the world doesn’t always tell the story of who we are. This series explores this growing trend towards plastic surgery – from the first consultation to the final pay-off, each episode follows several different procedures, those who want to be different and what happens when it goes wrong.","stream","[]","[]","['Breast', 'Face', 'Human body', 'Surgery, Plastic']","['Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142490/1010142490-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247839"
"asp4247837-marc","","Changing sexes. Male to female","","50 minutes","['Changing sexes']","Imagine feeling an alien in your own body; a stranger in your skin? This is a compelling medical journey into the transsexual experience and the science behind sex change. This series reveals the remarkable procedures undertaken by courageous patients as they undergo to miraculously change, and even save, their lives.","stream","[]","[]","['Transgender people', 'Male-to-female transsexuals', 'Sex role']","['Biographical television programs', 'Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142489/1010142489-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247837"
"asp4247833-marc","","Body image. Cosmetic surgery gone wrong. Episode 4","","52 minutes","['Body image']","This series explores the science of human appearance as we navigate our modern world of fast food, celebrities, extreme wealth and outrageous ideals to find out the physical effects the 21st century has had on our bodies. We investigate the stories behind obesity, anorexia and body dysmorphia and what happens when plastic surgery goes wrong.","stream","[]","[]","['Surgery, Plastic']","['Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142487/1010142487-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247833"
"asp4247831-marc","","Body image. Body dysmorphic disorder. I feel so ugly. Episode 3","","52 minutes","['Body image']","This series explores the science of human appearance as we navigate our modern world of fast food, celebrities, extreme wealth and outrageous ideals to find out the physical effects the 21st century has had on our bodies. We investigate the stories behind obesity, anorexia and body dysmorphia and what happens when plastic surgery goes wrong.","stream","[]","[]","['Body dysmorphic disorder']","['Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142486/1010142486-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247831"
"asp4247829-marc","","Body image. Reconstructive surgery. Fixing the body. Episode 2","","52 minutes","['Body image']","This series explores the science of human appearance as we navigate our modern world of fast food, celebrities, extreme wealth and outrageous ideals to find out the physical effects the 21st century has had on our bodies. We investigate the stories behind obesity, anorexia and body dysmorphia and what happens when plastic surgery goes wrong.","stream","[]","[]","['Surgery, Plastic']","['Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142485/1010142485-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247829"
"asp4247827-marc","","Body image. A deadly risk. Obesity. Episode 1","","52 minutes","['Body image']","This series explores the science of human appearance as we navigate our modern world of fast food, celebrities, extreme wealth and outrageous ideals to find out the physical effects the 21st century has had on our bodies. We investigate the stories behind obesity, anorexia and body dysmorphia and what happens when plastic surgery goes wrong.","stream","[]","['United States']","['Obesity', 'Weight loss']","['Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142484/1010142484-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4247827"
"asp4240528-marc","","William Hodges. The art of exploration","","36 minutes","[]","The painter William Hodges is increasingly seen as a key figure in eighteenth-century British art and in its relationships with the wider world. In an age of colonial expansion, Hodges accompanied Captain Cook on his second voyage to the Pacific from 1772 to 1775. His vivid paintings of Tahiti, New Zealand and the Pacific Islands were the first such images widely seen in Europe. In the early 1780s Hodges travelled extensively in northern India, and once again his paintings of landscapes and monuments were a revelation for audiences at home. In 2004 the National Maritime Museum at Greenwich brought together Hodges’ major works from both the Pacific and India for his first-ever full retrospective. Produced alongside the exhibition, this film reviews Hodges’ career and his complex and beautiful art. The contributors include Geoff Quilley, curator of the Greenwich exhibition, author and anthropologist Nicholas Thomas, and the eminent broadcaster Sir David Attenborough, who enthuses about the artist he believes is “the most unjustly neglected British painter of the eighteenth century"".","stream","['Hodges, William']","['Great Britain', 'India', 'Pacific Area']","['Artists', 'Travel in art', 'Art, British', 'Discoveries in geography']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142477/1010142477-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240528"
"asp4240526-marc","","The art of Eric Gill","","51 minutes","[]","Eric Gill was one of the twentieth century’s most admired sculptors. He was also a letter-cutter, typographic designer (of Gill Sans, among other typefaces), calligrapher, architect, writer and teacher. His best-known works include the Stations of the Cross in Westminster Cathedral, carved between 1913 and 1918, and his 1931 Prospero and Ariel for the BBC’s Broadcasting House in central London. Gill lived an extraordinary and unconventional life, converting to Catholicism and creating austere monastic communities in Ditchling, Surrey and at Capel y Ffin in the Black Mountains in Wales. Yet for all the profound religious commitment in much of his art, his sculptures and drawings are often also untamed celebrations of sexuality and the female body. He died in 1940.","stream","['Gill, Eric']","['England']","['Sculptors']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142476/1010142476-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240526"
"asp4240524-marc","","The art of Helen Chadwick","","55 minutes","[]","Until her unexpected death in 1996, Helen Chadwick was amongst the most sparkling, provocative and distinctive of artists. Her sensual and rigorously intellectual works explore desire, sexuality and the body. Produced alongside a major retrospective exhibition organised by London’s Barbican Art Gallery, this film provides a rare opportunity to to reflect on her art. Important installations are featured, such as Ego Geometria Sum, which uses photographs of her own naked body, and the Baroque fantasy The Oval Court, as well as more controversial pieces, including Cacao, a fountain of hot bubbling chocolate, and the Piss Flowers, sculptures made by casting the holes left after urinating in snow.","stream","['Chadwick, Helen']","['Great Britain']","['Women artists', 'Conceptualism']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142475/1010142475-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240524"
"asp4240522-marc","","The art of Henry Moore","","61 minutes","[]","Henry Moore is arguably the greatest sculptor of the twentieth century. Born in Yorkshire in 1898, he died after an exceptionally productive career in 1986. His large-scale sculptures are centrally sited in many major cities across Europe and North America. Indeed it can sometimes seem as if his work has become so familiar that we fail to notice its beauties and its boldness. The Art of Henry Moore aims to rediscover the artist by returning to the works themselves - his sculptures, drawings and graphics - and to Moore's own thoughts about them. Archive photographs from the collection at the Henry Moore Foundation complement the artworks, newly filmed across Britain, in France and the USA. Many of the artist's most significant sculptures are featured, from the earliest models of the 1920s to the monuments of his final years. Drawings from each stage of his career, including the famous tube shelter sketches made during the Blitz, are also included. The specially recorded soundtrack is drawn solely from Moore's words in interviews, articles and letters.","stream","['Moore, Henry']","['Great Britain']","['Sculptors']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142474/1010142474-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240522"
"asp4240520-marc","","The art of Barbara Hepworth","","49 minutes","[]","Barbara Hepworth is a major British artist of the twentieth century. The Art of Barbara Hepworth reveals the beauty and the power of her sculptures and the ideas which motivated her throughout her creative life. Extensive exhibitions at Tate St Ives and Yorkshire Sculpture Park, and the permanent display at the Barbara Hepworth Museum, provide sumptuous settings for many of the works included in this film. Other sculptures have been specially filmed in the locations for which they were made. This revealing and complex exploration of Barbara Hepworth's work features her naturalistic carvings of the 1920s and increasingly abstract sculptures of the 1930s, the ambitious post-war works in wood, stone and bronze, her monumental public commissions and the strikingly diverse creations of her final years. This revealing and complex exploration of Barbara Hepworth's work features two parallel soundtracks. One is taken entirely from the artist's own words, drawn from interviews and letters, and newly recorded by Gina McKee. The other features commentary on Barbara Hepworth's art from curators Penelope Curtis and Chris Stephens, and from the art historian Sir Alan Bowness, who is the artist's son-in-law.","stream","['Hepworth, Barbara']","['England']","['Sculptors', 'Women artists']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142473/1010142473-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240520"
"asp4240518-marc","","The art of Francis Bacon","","53 minutes","[]","Francis Bacon is the essential British painter of the twentieth century. From the end of the Second World War until his death in 1992, he created an extraordinary body of intense and uncompromising figure paintings and portraits. Drawing on diverse influences including Picasso, Velasquez’s portrait of Pope Innocent X, the photographs of Eadweard Muybridge and Sergei Eisenstein’s film Battleship Potemkin, Bacon undertook a pitiless analysis in paint of himself and his friends, of the human body, and of our place in a godless universe. This film explores many of his key canvases which have been newly filmed in HDTV. The works are complemented solely with Bacon’s own words, recorded by Derek Jacobi. The artist’s biography is outlined, but the focus is on his ideas: his thoughts about his work, his reflections about how and why he paints. The result is a rigorous and revealing portrait of one of the few artists who has truly changed the way we see and understand ourselves.","stream","['Bacon, Francis']","['Great Britain']","['Portrait painters', 'Figure painting']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142472/1010142472-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240518"
"asp4240516-marc","","The art of Antony Gormley","","48 minutes","[]","‘It’s a simple proposition. We need one hour of your time. You decide what to do with it. What will unfold is completely unpredictable. We are literally going public. We are putting the Plinth in your hands – or literally under your feet!’ – Antony Gormley; In the summer of 2009 artist Antony Gormley, previously best known for his iconic Angel of the North, created One & Other, a unique portrait of contemporary Britain. Across 100 days, 2,400 volunteers are spending an hour doing whatever they wish on the empty plinth in London’s Trafalgar Square. The artwork has immediately attracted debate, derision, controversy and an enthusiastic following. The Art of Antony Gormley features the documentary Antony Gormley & the 4th Plinth, produced for Sky Arts, which reveals the background to this living monument and explores its origins in the sculptor’s beautiful and mysterious art. Works created across more than two decades were filmed in HD for this visually sumptuous and thought-provoking documentary.","stream","['Gormley, Antony']","['Great Britain']","['Artists', 'Art, Modern']","['Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142471/1010142471-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240516"
"asp4240512-marc","","The EYE. Conrad Shawcross","","27 minutes","['The EYE']","Regularly using subjects which lie on the border of science and philosophy, Conrad Shawcross's structural and often mechanical sculptures question empirical, ontological and philosophical systems ubiquitous within our lives. While at first appearing rational and functional, his complex mechanised systems in the end deny all rational function and so the viewer is forced down philosophical and metaphysical avenues to deduce a 'rasion d'etre'. From early works such as The Nervous System, 2002 -- a monumental spinning machine that endlessly weaves a length of coloured rope into the form of a double helix, the shape of DNA -- to his recent giant spiral work Continuum, 2004, the artist has attempted to visualize, among other things, the incomprehensible of human concerns, time.","stream","['Shawcross, Conrad']","['England']","['Sculptors', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142469/1010142469-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240512"
"asp4240510-marc","","The EYE. Tony Hill","","29 minutes","['The EYE']","Tony Hill's films present entirely new ways of looking at the world in which we live. His extraordinary sculptural films turn and transform, squeeze and stretch the landscape, and constantly challenge how we see what's around us. They are films about perception, time and space, but they are also films about the body and memory and being alive. Above all, they are constantly surprising and delightful and, often, funny. Many of the films have been created with specifically built camera rigs, and a selection of these is demonstrated in this richly illustrated interview with the artist. Among the works that Tony Hill discusses are Downside Up (1984) with its constantly orbiting viewpoint; Water Work (1987), which was shot on and just below the surface of a swimming pool; the sensual film Laws of Nature (1997); and the artist's idiosyncratic portrait of Darlington Hall Estate in Devon, Camera Obscura (2000).","stream","['Hill, Tony']","['England']","['Motion picture producers and directors', 'Art, British', 'Art, Modern', 'Video art']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142468/1010142468-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240510"
"asp4240508-marc","","The EYE. Michael Craig-Martin","","27 minutes","['The EYE']","In 1973 Michael Craig-Martin exhibited a glass of water on a shelf, together with a printed text, and called the work An Oak Tree. As the text explained, the artist had changed the glass of water into an oak tree. More than thirty years later, Craig-Martin creates -- along with screen-savers, works on LCD monitors and conventional paintings -- gloriously colourful environments with blown-up outline images of domestic objects. The conceptual and the rigorously material have been central to the artist's complex development across four decades of work that is both intellectually demanding and austerely beautiful. At the same time Craig-Martin achieved an almost legendary status as a teacher at Goldsmiths, where he encouraged, among many others, Damien Hirst and Sarah Lucas. Richly illustrated with works and environments filmed in Bregenz and Dublin, as well as at notable exhibitions in England, this film profile outlines the career of one of today's most innovative and influential artists.","stream","['Craig-Martin, Michael']","['Ireland']","['Artists', 'Art, Modern', 'Art, Irish']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142467/1010142467-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240508"
"asp4240506-marc","","The EYE. Grayson Perry","","26 minutes","['The EYE']","Since winning the Turner Prize in 2003, Grayson Perry has become the nation's favourite transvestite potter. In this film, he speaks engagingly about why he is an artist that uses ceramics and not a potter, and about the defining themes that run through his work. He explains the elaborate, labour intensive process involved in the making of his work and how he typically uses a variety of different techniques. Alongside the edgy undermining of our expectations of what pottery is, beauty and sensual overload are also of great importance to his practice. 'Claire', he remarks, informs everything that he does, because she is part of him and ""my work is often about part of me. The press use the word 'alter ego' which drives me mad. She's not an alter ego. She's just me in a dress."" His 2006 exhibition, The Charms of Lincolnshire, is illustrated in this profile, and he discusses how he created his own works alongside Victorian artefacts from the archives of Lincolnshire museums to create an atmosphere both macabre and exotic. Perry speaks about new work that he has made for his 2007 show in Japan and how he has branched out from just making pots, though they will always remain an essential element of his artistic output. Please note that this film contains some explicit images and adult text.","stream","['Perry, Grayson']","['England']","['Pottery', 'Potters', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142466/1010142466-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240506"
"asp4240504-marc","","The EYE. Sandra Blow","","28 minutes","['The EYE']","Three spectacular canvases by Sandra Blow were one of the highlights of the 2006 Royal Academy Summer Exhibition. Sadly, this was her last show, as she died in August that year. This film was made in her studio in St. Ives as she was preparing to submit her works, and it captures her remarkable character and her fascinating reflections on a lifetime creating beautiful, rigorous, distinctive and joyous paintings. Sandra Blow spent a formative year as a student in Italy in the late 1940s, and she returned to London to begin a distinguished career dedicated to developing her vigorous abstract art. In addition to paint, she worked with a diverse range of materials, including sacking, plaster and coloured paper collages, and while her work often referred to landscape and to architecture, it was always exploring ideas of pure form and colour, balance and chance, light and movement.","stream","['Blow, Sandra']","['England']","['Painters', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142465/1010142465-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240504"
"asp4240500-marc","","The EYE. Ian Davenport","","27 minutes","['The EYE']","Ian Davenport's 48 metre-long painting Poured Lines transforms the tunnel beneath a railway bridge in Southwark, close to Tate Modern. The painting's numerous vitreous enamel panels were created in a German factory where they were baked at fearsomely high temperatures. This film follows the artist as he creates this remarkable public artwork. Like all of Ian Davenport's work, Poured Lines rigorously explores the qualities and possibilities of paint but is at the same time a joyful and exuberant composition. It also responds to the city around it, enhancing the colours and movements of a busy road. Ian Davenport showed in the near-legendary ""Freeze"" exhibition, organised by Damien Hirst, in 1988 and he was nominated for the Turner Prize in 1991. But as his paintings have evolved over two decades, his central concerns of colour and abstraction, experiment and the everyday, have remained strikingly consistent. Poured Lines exemplifies the simple delight of his very best work.","stream","['Davenport, Ian']","['England']","['Painters', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142463/1010142463-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240500"
"asp4240496-marc","","The EYE. Dryden Goodwin","","28 minutes","['The EYE']","At the heart of Dryden Goodwin's art is a fascination with drawing. But the ways in which he explores this age-old practice are anything but traditional. He combines drawing with photography, film and large-scale screen-based installations. He is engaged with time as well as line, and with the sculptural potential of two-dimensional images. Other concerns in his art are also strongly contemporary: the city, ideas of public and private, voyeurism, desire and emotional distance. Many of Dryden Goodwin's key works are featured in this profile, including his early animations like Heathrow (1994) and the three-screen installation Closer (2002) which features covert video footage of strangers in the city whose features the artist is tracing with a laser pen. He discusses the ambitious eight-screen Dilate (2003) and his most recent film Flight (2006), which is presented in a gallery alongside a display of the thousands of drawings that he made for its production.","stream","['Goodwin, Dryden']","['England', 'Great Britain']","['Artists', 'Art, British', 'Video art', 'Drawing', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142461/1010142461-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240496"
"asp4240494-marc","","The EYE. Vong Phaophanit","","29 minutes","['The EYE']","Vong Phaophanit showed his strikingly seductive Neon Rice Field when he was nominated for the Turner Prize in 1993. Like much of his rich and complex work since then, this installation exhibits a strong interest in language and light, in the painterly qualities of ephemeral materials and in ideas of cultural displacement. He was born in Laos, educated in France and has worked mostly in Britain since the early 1990s. Much of his work now is commissioned for architectural and environmental settings, including Outhouse in Liverpool. Created like many of his large-scale sculptures with fellow artist Claire Oboussier, this is a transparent glass house (with opaque windows) which serves as a flexible social space for the people who live in the surrounding tower blocks. In this profile, the artist reflects on his public work and his more private ""studio"" art, including his engaging series of perforated objects. He also discusses his most recent project, Life Lines, produced with Claire Oboussier in 2006 for Southend-on-Sea. Using cutting-edge electronic technology, Life Lines is an interactive light sculpture that responds to movement, sound, air pressure, humidity, light and wind, to reflect its ever-changing coastal environment.","stream","['Phaophanit, Vong']","['Laos']","['Artists', 'Art, British', 'Installations (Art)', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142460/1010142460-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240494"
"asp4240492-marc","","The EYE. Langlands and Bell","","30 minutes","['The EYE']","Ben Langlands and Nikki Bell, who were nominated for the Turner Prize in 2004, have worked together since 1978. Their precise, formally beautiful art explores the networks of today's global society within a rigorous conceptual and aesthetic framework. They employ a wide range of media, including models displayed as sculpture, wall paintings, furniture and film. Through this diverse output runs a consistent engagement with ideas of space and place, with architecture and identity, with language and with the hidden connections of international politics. In the interview for this film, the artists reflect on their experiences travelling to the warzone of Afghanistan, where they made the controversial film Zardad's Dog and researched the digital animation The House of Osama Bin Laden. Other recent works have used the technologies of immersive games and presented the signs and symbols of contemporary networks. Alongside this exploration of virtual worlds, they have also created real-world urban architecture, most notably the spectacular Paddington Basin Bridge in London.","stream","['Langlands, Ben', 'Bell, Niki', 'Langlands & Bell']","['England']","['Artists', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142459/1010142459-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240492"
"asp4240490-marc","","The EYE. Ian Hamilton Finlay","","25 minutes","['The EYE']","From previously barren moorland in the Pentland Hills near Edinburgh, Ian Hamilton Finlay has created a unique garden as an encompassing work of art. Little Sparta is a magical combination of culture and horticulture, poetry and planting, philosophy and myth. Ian Hamilton Finlay began his work at Little Sparta in the mid-1960s. With friends and collaborators, around a group of old farm buildings he has fashioned landscapes, streams, bridges, glades, lanes, bowers and more. Everywhere there are inscriptions and sculptures reflecting the artist's preoccupations: the Enlightenment and the French Revolution, pre-Socratic philosophy, garden history, World War Two, the sea and fishing fleets, time and mortality. Ian Hamilton Finlay chooses now not to speak about his work in detail. Made to celebrate the artist's 80th birthday in 2005, this film offers only a spare narration to complement a lushly visual showcase of the beauties, provocations and puzzles of Little Sparta.","stream","['Finlay, Ian Hamilton']","['Scotland', 'Little Sparta (Dunsyre, Scotland)']","['Artists', ""Artists' gardens"", 'Gardens', 'Art, Scottish', 'Art, Modern']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142458/1010142458-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240490"
"asp4240488-marc","","The EYE. William Turnbull","","27 minutes","['The EYE']","William Turnbull is one of Britain's most distinguished sculptors and painters. In the late 1940s he studied art in London and then spent time in Paris, and ever since he has rigorously explored a limited number of archetypal forms as well as the fundamentals of art's languages. Over more than fifty years William Turnbull has returned again and again to the head and the mask, to the standing figure and the horse, as well as to possibilities of pared-down, often monochromatic painting. His simple objects, which draw on both primitive and classical ideas, often combine presence and poetry in unique ways. This rare interview with the artist was filmed alongside an extensive retrospective exhibition at Yorkshire Sculpture Park in 2005. Works in bronze, wood and stone as well as (from a period in the 1960s) in brightly-coloured steel are seen at their very best in both light-drenched interiors and in the park's sweeping landscapes.","stream","['Turnbull, William']","['England']","['Painters', 'Sculptors', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142457/1010142457-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240488"
"asp4240486-marc","","The EYE. Michael Landy","","28 minutes","['The EYE']","Michael Landy acknowledges that he will probably always be known as ""that bloke who destroyed all his belongings"". In his 2001 artwork Break Down he publicly and systematically shredded, dismantled and demolished everything that he owned. ""I'm always trying to get rid of myself,"" he says, ""so that I can move on. And then I end up always coming back to the same themes ... I guess I'm a creature of habit."" In this film profile Michael Landy reflects on Break Down and on his other complex and ambitious projects, Scrapheap Services (1996) and Semi-detached (2004). Prompted by his father's injury from an industrial accident, /Semi-detached/ involved the construction inside Tate Britain of a full-scale replica of the exterior of his parents' suburban home. He also discusses his meticulous, delicate drawings as well as the ideas and directly personal concerns that underpin his unconventional art.","stream","['Landy, Michael']","['England']","['Artists', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142456/1010142456-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240486"
"asp4240482-marc","","The EYE. Liliane Lijn","","25 minutes","['The EYE']","Science and Surrealism, ancient myths, Buddhism and feminism are among the frameworks of ideas important to Liliane Lijn's art. In Paris at the end of the 1950s, in Greece and New York, and in England since 1966, she has worked with light, energy and movement, with archetypal shapes and unconventional materials to produce an art that is clear, complex and strikingly beautiful. Many of Liliane Lijn's key drawings and sculptures are featured in this profile, which was filmed alongside an important reassessment of her work at the Mead Gallery. The Poem Machines and Koans of the 1960s and 1970s are considered as well as the ambitious ""goddess"" figures of more recent years. Liliane Lijn speaks passionately about the art she has made across four decades and that she continues, with great energy, to create today.","stream","['Lijn, Liliane']","['United States']","['Sculptors', 'Art and science', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142454/1010142454-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240482"
"asp4240480-marc","","The EYE. Anthony Caro","","29 minutes","['The EYE']","In the early 1960s Anthony Caro led a revolution in sculpture in Britain. His abstract steel constructions, often painted in bold colours, forged a new and internationally influential sculptural language. In the years since his fertile and diverse practice has consistently challenged and extended what sculpture is, and what it might be. At the age of 80, Anthony Caro remains intensely active, working each day in his studio and overseeing every detail of an extensive retrospective at Tate. Preparations for the show are featured in this profile, along with many of his major works, filmed in Britain, Germany and the United States. In interview Anthony Caro speaks about the development of his art from the bronze figures of the 1950s through the many variations of his work with metals, his hybrids of sculpture and architecture, and his recent large-scale, multi-part responses to Old Master painting and the worlds of myth and Christianity. The film is a portrait of an artist of great distinction whose inventiveness and creative vigour are undiminished.","stream","['Caro, Anthony']","['England']","['Sculptors', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142453/1010142453-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240480"
"asp4240478-marc","","The EYE. Stuart Brisley","","28 minutes","['The EYE']","Stuart Brisley is perhaps best-known for his disturbing physical performances which pushed his body to extremes. But his work as an artist over four decades has embraced sculpture and installation, films and fictions, large-scale participatory projects and, most recently, the Web. Illustrated with archive footage and photographs, this profile of the artist explores his understandings of collaboration and community, of politics and the market, of humour and failure. At the centre of his diverse work are the essential qualities of what it means to be human. Brisley's art remains challenging and provocative, not least in the recent project in which he has orchestrated works centred on a Museum of Ordure. The museum has a curator and a collector, and, at least as it was shown at the Freud Museum, London, an apparent display of human excrement. EXPLICIT CONTENT: FULL FRONTAL MALE NUDITY.","stream","['Brisley, Stuart']","['England']","['Art, British', 'Art, Modern', 'Performance artists']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142452/1010142452-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240478"
"asp4240476-marc","","The EYE. Gereon Krebber","","26 minutes","['The EYE']","Gereon Krebber's proposal for a monumental and expensive aluminium object called Tin won the 2003 Jerwood Sculpture Prize. Shot over more than a year, this film follows the creation, casting and placing of the final sculpture. Sitting in the elegant country house garden at Ragley Hall, Tin suggests a kitchen container or a hamburger and yet is at the same time defiantly abstract. Krebber is a young sculptor from Germany who studied at the Royal College of Art and now works in London. The surprising range of his work, and the processes which create it, are revealed here as he talks engagingly about how to create ""seriously flippant"" objects. His art, made with diverse materials including balloons and Cling Film as well as traditional media, has a unique deadpan humour. Its effect, the artist hopes, is to make you ""smile and shiver at the same time"".","stream","['Krebber, Gereon']","['England', 'Germany']","['Sculptors', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142451/1010142451-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240476"
"asp4240474-marc","","The EYE. Yinka Shonibare","","26 minutes","['The EYE']","Yinka Shonibare is a painter, photographer and installation artist whose art is influenced by both the cultures of Nigeria, where he grew up, and Britain, where he studied and now lives. He has exhibited widely all over the world, and this film profile includes exhibitions filmed in London, Rotterdam and Stockholm. His paintings and his sculptural installations make extensive use of dyed fabrics, which became popular in West Africa after independence. But many of these textiles betray Indonesian influences, are manufactured in Holland and are purchased by the artist in Brixton in south London. The complexities of nationality and identity, of history and ethnicity, post-colonialism and today's global economy, form the intellectual and aesthetic arena in which Shonibare works. His works have a strongly contemporary feel, but at the same time they engage with the traditions and masterworks of western art history. The results are witty and playful, sensuous and poetic.","stream","['Shonibare, Yinka']","['England']","['Art, British', 'Textile crafts', 'Installations (Art)', 'Art, Modern', 'Painters']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142450/1010142450-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240474"
"asp4240472-marc","","The EYE. Chris Ofili","","26 minutes","['The EYE']","In 2003 Chris Ofili created the spectacular installation within reach for the British Pavilion at the Venice Biennale. Combining a cycle of paintings depicting lovers in a Paradise-like garden with a shimmering glass dome, Ofili plunged visitors into disorienting spaces of dense colour and enveloping light. Shot in London, Germany and Venice, this film relates the creation of Within Reach. Chris Ofili's reflections on the process are complemented by interviews with his collaborator in Venice, architect David Adjaye, and the structural engineer from Arup Associates, who helped realise the complex dome. Also included is an exploration of The Upper Room, an installation of 13 exquisite canvases by Ofili, which was first shown in 2002. Both this and Within Reach are about ""trying to create an atmosphere for people to feel somehow out of themselves."" His aim, the artist explains, is to ""do something that is sincerely interesting and can honestly enhance the experience of looking.""","stream","['Ofili, Chris']","['Great Britain', 'England']","['Installations (Art)', 'Art, British', 'Art, Modern', 'Painters']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142449/1010142449-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240472"
"asp4240470-marc","","The EYE. Gary Hume","","26 minutes","['The EYE']","Gary Hume makes beautiful paintings. His materials are household paints on aluminium surfaces and his subjects, he says, are ""flora, fauna and portraits"". The results are elegant, delicate, simple, yet elusive and exquisite. Playing gloriously with colour and light, they are paintings of subtle tones, idiosyncratic clashes and insistent reflections. Interviewed in his studio, Gary Hume reflects on his work from the 1980s, when his Doors series won instant acclaim, to his latest creations. As so often, his new work balances recognisable images with abstraction. His people, like Kate (1996) and Michael (2001), are contemporary icons conjured up from bold shapes and strong planes of colour. Illustrated in this profile are many of Gary Hume's most notable paintings, specially filmed in exhibitions in London and Dublin, and in a major 2004 show in Bregenz, Austria. Also featured are the artist's rarely-seen drawings and, in contrasting settings, his deadpan sculpture Snowman.","stream","['Hume, Gary']","['England']","['Painters', 'Painting, British', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142448/1010142448-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240470"
"asp4240468-marc","","The EYE. Joe Tilson","","29 minutes","['The EYE']","Since the 1960s, when he was associated with British Pop Art, Joe Tilson has enjoyed international acclaim for the individuality and originality of his paintings, constructions, prints and multiples. All of his playful, engaging work is informed with ideas from literature, philosophy, ethnography and alchemy. Tilson's early work focussed on mass-market consumerism and politics. But he was soon disenchanted with mechanical methods of production and his art in the 1970s and 1980s employed hand-worked wood and metal in intriguing ways. Shot in and around the artist's studio in Cortona, Italy, this film was produced alongside Joe Tilson's first British retrospective at London's Royal Academy of Arts. He speaks engagingly about his career, his craft and many of his key works, including his most recent paintings. Inspired by the landscape surrounding his home in the Tuscan hills, these works use striking and vibrant colours in conjunction with text, and explore the enduring themes of sex, birth and death.","stream","['Tilson, Joe']","['England']","['Painters', 'Painting, British', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142447/1010142447-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240468"
"asp4240466-marc","","The EYE. Sam Taylor-Wood","","32 minutes","['The EYE']","Many of Sam Taylor-Wood's distinctive photographs and films depict an affluent and fashionable social scene. But her concerns are often isolation and anxiety, conflict and alienation. Her art is alluring and disarming, and also frequently formally inventive. She uses multiple screens, still images combined with sound, and complex interior views conjured up with a panoramic camera. Among her earliest photographs are confrontational and sexually charged self-portraits. Recently, after two periods of treatment for cancer, she has returned to exploring, both directly and allusively, images of herself. Religion too has become a focus for many of her artworks, which at times echo and extend the forms of religious art of the past. In this film, which features extracts from many key works including 16mm, Brontosaurus and Still Life, Sam Taylor-Wood reflects on her concerns and ways of working, on autobiography in her art, and on sex and death. EXPLICIT CONTENT: FULL MALE AND FEMALE NUDITY.","stream","['Taylor-Johnson, Sam']","['England']","['Photographers', 'Art, Modern', 'Art, British', 'Photography, Artistic']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142446/1010142446-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240466"
"asp4240464-marc","","The EYE. Karl Weschke","","26 minutes","['The EYE']","Karl Weschke's impressive, complex paintings picture the human figure and the landscape, the everyday and the mythical. His subjects include dogs and drowned bodies, creatures from legends and, increasingly in recent years, the monumental ruins of ancient Egypt. For more than fifty years, he has explored the possibilities of painting and its relevance to an uncertain world. Produced alongside a retrospective at Tate St Ives, with additional paintings from British collections, this film profiles the artist in the Cornwall that has been his home since 1955. Filmed in and around his studio and in the coastal landscape that informs all of his work, Weschke speaks engagingly about his rich, remarkable life and about many of his most significant canvases. Like his work, the painter is serious, intense, spare -- and yet also with an appealing streak of mischief.","stream","['Weschke, Karl']","['England', 'Germany']","['Painters', 'Painting, British', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142445/1010142445-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240464"
"asp4240462-marc","","The EYE. Malcolm Morley","","34 minutes","['The EYE']","Malcolm Morley is one of the most significant and influential painters working today. Born in England but active in the United States since the late 1950s, Morley has developed an intensely individual vision embracing, but never determined by, autobiography, politics, psychoanalysis, myth, the visual culture of his time and the limitless potential of paint. Filmed as Morley works in his distinctive manner on a spectacular new canvas, this documentary features the artist's provocative reflections on his life, painting technique, influences and concerns. It also illustrates a wide range of his paintings from the earliest abstract works, through the painstakingly precise depictions of reproductions (on postcards, from travel brochures) of ships, contemporary scenes and Old Masters, to the catastrophe pictures of the 1970s. Paintings engaging with ancient cultures followed, and then works based on the cardboard cut-out aeroplane and boat kits which Morley has made since his youth. Most recently, he has returned to paintings of news photographs, exploring a striking and challenging new range of imagery.","stream","['Morley, Malcolm']","['England']","['Painters', 'Painting, British', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142444/1010142444-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240462"
"asp4240460-marc","","The EYE. Gavin Turk","","25 minutes","['The EYE']","Gavin Turk is a leading figure in British contemporary art. His 1991 degree show work Cave, a blue ceramic plaque commemorating his occupancy of a studio, and Pop, the waxwork figure of himself as Sid Vicious, are among the iconic artworks of the 1990s. His ""self-portrait"" signatures and his finely crafted sculptures of everyday objects (such as cardboard boxes cast in bronze) bring the commonplace into an art space and challenge the viewer to engage in new ways. In 2003 he created the major sculpture Her for an exhibition at the New Art Centre Sculpture Park and Gallery. This image of ""Ariadne in a sleeping bag"" draws together many of his key concerns, including the paintings of early modernism and the complexity of sculptural forms, and ideas of authorship, identity and authenticity. In this engaging film, he discusses Her and a wide range of his earlier work.","stream","['Turk, Gavin']","['England']","['Sculptors', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142443/1010142443-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240460"
"asp4240458-marc","","The EYE. Graham Gussin","","28 minutes","['The EYE']","Graham Gussin creates art in an almost bewildering variety of media: film, sound, installation, events, photography, text, painting and more. The key early work Savannah (1990) features a wooden plaque and a wall light, while the production of the ambitious film projection Remote Viewer (2002) involved a trip to Iceland and the services of someone with telepathic ability. Underpinning all of his subtle, witty, often disarmingly beautiful work is a number of consistent concerns and influences: landscape and the notion of the sublime, science fiction cinema and Romanticism, place and movement. Made alongside the most comprehensive exhibition of Graham Gussin's work to date, at Birmingham's Ikon Gallery in 2002, this video profile showcases many of the artist's works, including films and projections such as Beyond the Infinite (1994) and Spill (2000) which plays so productively with time, space and perception.","stream","['Gussin, Graham']","['England']","['Artists', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142442/1010142442-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240458"
"asp4240456-marc","","The EYE. Tracey Emin","","27 minutes","['The EYE']","Although at times obscured by the artist's celebrity, the art of Tracey Emin is serious and focused, challenging and at times startlingly beautiful. In this film, she speaks frankly about her career, the craft of her immensely varied work, and the immediate, personal themes with which she engages: autobiography, memory, desire, and identity. Many of her best-known works, including Everyone I Have Ever Slept With 1963-1995 (1995) and My Bed (1998), are illustrated and discussed, as is a wide selection of drawings, prints, paintings, neons, appliqué blankets and installations. ""I always say if I didn't make art, I'd probably be dead,"" she reflects. ""But let's be more realistic about that. If I didn't make art and I'd done well in life, then I might have gone into retail. I would probably be the person in the shop that would be always organising the displays, and always making the noticeboard look nice in the canteen, stuff like that. I'm a genuinely creative person."" Please note that this video contains explicit images and adult language featured in artworks by Tracey Emin.","stream","['Emin, Tracey']","['England']","['Sculptors', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142441/1010142441-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240456"
"asp4240454-marc","","The EYE. Marc Quinn","","27 minutes","['The EYE']","Marc Quinn remains best known for his sculptures cast from parts of his body. The first of these, Self (initially cast in 1991), was created with nine pints of his frozen blood. Yet, as this profile demonstrates, his art over the past decade has embraced an exciting and diverse range of materials, including lead, ice, wax, glass, frozen flowers and even DNA. His sculptures include both figurative and semi-abstract forms, but each engages with his key preoccupations: life and mortality, self and identity, nature and the world of science. His drawings and photographs similarly teem with ideas about being alive -- and about facing death -- in today's world. In this profile, Marc Quinn speaks eloquently and thoughtfully about many of his key works, including his recent series of classical marble portraits of amputees and people born without limbs, as well as the moving portrait of his son Lucas as a baby modelled from frozen placenta.","stream","['Quinn, Marc']","['England']","['Sculptors', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142440/1010142440-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240454"
"asp4240452-marc","","The EYE. Lisa Milroy","","27 minutes","['The EYE']","Lisa Milroy's paintings are pleasurable and provocative, clear but complex, immediate and yet richly subtle. In 2001 many of her major works were brought together for an important exhibition at Tate Liverpool; this film, the first about her work, was made alongside that show. Her earliest works are depictions of everyday objects: shoes in serried ranks, collections of lightbulbs and household hardware. Later canvases explore the process of depicting images of people, blank facades of buildings, clichés of photographic landscapes. More recent work is looser and less apparently realist. Speaking about the development of her art from the early 1980s onwards, Lisa Milroy discusses how she uses the sensual and descriptive power of paint to express her unique ways of looking at the world. She reflects on the changes in her work; on the impact of Japan and its culture; on photography and time; and on the craft and process of painting.","stream","['Milroy, Lisa']","['Canada']","['Painters', 'Painting, British', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142439/1010142439-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240452"
"asp4240450-marc","","The EYE. Anish Kapoor","","30 minutes","['The EYE']","In October 2002 Anish Kapoor completed his extraordinary sculpture Marsyas for The Unilever Series of commissions in the Turbine Hall at Tate Modern, London. A challenging and overwhelming artwork, Marsyas is a vast red PVC membrane stretched between three massive steel rings. The title refers to a satyr in Greek mythology who was flayed alive by the god Apollo. This film follows the making of Marsyas, from the earliest maquettes to the complex installation at Tate. Anish Kapoor comments on each stage of the process, and on the ideas and concerns of his art. Also illustrated are a range of his other sculptures and two recent large-scale works: Sky Mirror in Nottingham and Taratantara, created for the empty shell of Baltic as this new art centre was being built in Gateshead.","stream","['Kapoor, Anish']","['Great Britain', 'India']","['Sculptors', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142438/1010142438-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240450"
"asp4240448-marc","","The EYE. Tony Cragg","","27 minutes","['The EYE']","In a distinguished career since the mid-1970s, Tony Cragg has produced a strikingly diverse range of sculptures in the widest variety of materials. His prolific output embraces organic and industrial creations, abstract and near-figurative images, delicate, powerful, immediate and yet elusive forms. The sculptor, he says, ""looks for all the forms that don't exist."" Filmed in the UK and Germany, where Tony Cragg has lived since the early 1980s, this profile features works produced over the past twenty-five years for both gallery and public contexts. In interview, Cragg discusses his working methods, his fascination with different materials and his fundamental commitment to sculpture as an artform. He speaks of his passion for the significance of sculpture, for its oddities, its quirkiness and its potential discoveries in today's overwhelmingly utilitarian world.","stream","['Cragg, Tony']","['England']","['Sculptors', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142437/1010142437-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240448"
"asp4240446-marc","","The EYE. Gilbert & George","","26 minutes","['The EYE']","Gilbert Prousch met George Passmore at St Martin's School of Art in 1967. Since then they have famously lived and worked together as Gilbert & George, creating an extraordinary body of provocative artworks. They have exhibited themselves as ""Living Sculptures"", documented the banality of their daily lives in London's East End, and, since the late 1970s, produced vibrant, challenging photographic collages. This video profile of Gilbert & George features a characteristically deadpan performance of themselves. Sex, money, race and religion, they explain, are four themes at the heart of their art. Their interview is complemented by images of many of their works, including the remarkable Dirty Words Pictures made in 1977, together with important collages of the 1980s and 1990s. Asked if their work, and their personas, are ironic, Gilbert says, "" We always think it's struggle enough to drag something out from inside of ourselves onto that wall without trying to be strange or odd about it.  We wanted to be absolutely painful truth,"" George adds. ""I really believe it has to be painful."" EXPLICIT CONTENT: VERY EXPLICIT WORDS IN SOME ARTWORK DISCUSSED.","stream","['George', 'Gilbert & George', 'Gilbert']","['England']","['Artists', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142436/1010142436-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240446"
"asp4240444-marc","","The EYE. Howard Hodgkin","","27 minutes","['The EYE']","Howard Hodgkin is one of the world's leading painters, whose art is admired both by critics and by a wide public. Beginning with a remembered experience, Hodgkin works on his seductive and complex paintings for long periods, characteristically producing richly coloured, sweeping compositions, which continue into the picture-frame itself. These paintings uniquely straddle representation and abstraction, at the same time as they demonstrate both an awareness of history and an understanding of art's potential today. Most recently, his interest in working in different scales, evident particularly in significantly larger paintings such as Americana and After Vuillard, demonstrates his concern to engage the viewer in new and challenging ways. In this interview, illustrated with many key paintings, Howard Hodgkin speaks with warmth and passion about how his methods, about his influences, about colour and composition, and about the fundamental importance of painting. ""You need things to look at,"" he says simply, ""things to affect your feelings, and your intelligence, and your heart.""","stream","['Hodgkin, Howard']","['England']","['Painters', 'Painting, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142435/1010142435-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240444"
"asp4240442-marc","","The EYE. Matthew Dalziel and Louise Scullion","","27 minutes","['The EYE']","Artists Dalziel + Scullion have worked together since 1993, based in the remote north east of Scotland. Using photography, video, sculpture, sound and installation, they have created a collection of work that is recognised for its distinctive vision and sensitivity to its context and the environment. They are well known for their site-specific works, which include important public commissions, such as Horn, the giant stainless steel sculpture sited on the M8 motorway, which intermittently broadcasts poetry, music and voices at passing cars. They reflect on how these works illustrate the contradiction between the strange hybrid of wilderness and the high-tech, man-made industrial installations found in the remote landscapes of Scotland. The point at which nature and culture intersect is a continuing theme throughout their work, despite a more recent shift in geographical focus. In this video profile, Dalziel + Scullion discuss their continuing fascination with timescales and how their work attempts to reflect on the vast gap that exists between the limits of human history and the incomprehensible span of geological processes and creation. Home, the artists' first solo exhibition at The Fruitmarket Gallery, Edinburgh in 2001, comprises an important body of new work, set against the backdrop of the magnificent glacial landscapes of northern Scandinavia. Their art reflects on the primary themes of landscape, evolution, religion and time, and represents a rediscovery of landscape as a means of reflecting on fundamental ideas about the world we live in today.","stream","['Scullion, Louise', 'Dalziel, Matthew']","['Scotland']","['Artists', 'Art, Scottish', 'Installations (Art)', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142434/1010142434-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240442"
"asp4240440-marc","","The EYE. Hamish Fulton","","27 minutes","['The EYE']","Hamish Fulton describes himself as a ""walking artist"". For more than thirty years he has undertaken demanding walks in many parts of the world and drawn on his experiences to create distinctive artworks using text, graphics and photographs. He aims to ""leave no trace"" in the landscape, and he acknowledges that his art cannot represent the experience of a walk. ""What I'm interested in,"" he explains, ""is presenting a sort of skeleton of something, and then the viewer fills in what's missing, maybe from your own experience."" Although they exhibit a striking consistency in their concerns, Hamish Fulton's artworks can exist as large-scale wall paintings and as modest publications, as graphics to compete with advertising hoardings and as online animations. They are informed both by spiritual ideas and by political questions prompted by our uses of the environment and by specific issues such as land rights. Made alongside Hamish Fulton's large-scale 2002 exhibition at Tate Britain, this profile features both an extensive range of the artist's work made since 1971 and an engaging interview in which he outlines his ideas.","stream","['Fulton, Hamish']","['England']","['Artists', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142433/1010142433-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240440"
"asp4240438-marc","","The EYE. Mark Wallinger","","27 minutes","['The EYE']","For his show as Britain's representative at the 2001 Venice Biennale, Mark Wallinger brought together a typically eclectic group of sculptures, videos and installations. Like Ecce Homo, his much-loved life-size statue of Christ created for Trafalgar Square, the exhibition provoked and challenged and moved many of those who experienced it. Mark Wallinger's art is often witty and immediately accessible yet at the same time it engages with some of the traditional grand themes, including religion, spirituality and death. His recent works include the ambitious environment Prometheus, centred around a wall-mounted electric chair, and Threshold to the Kingdom which counterpoints the arrival of passengers at an international airport (and perhaps also in Heaven) with Allegri's beautiful music for the Miserere. In this film profile Wallinger considers the meanings and motivations of his art. He also reflects on his earlier explorations of class and identity, most especially in the series of paintings, photographs and videos about the world of racing which culminated in him owning and running the horse A Real Work of Art.","stream","['Wallinger, Mark']","['England']","['Artists', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142432/1010142432-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240438"
"asp4240436-marc","","The EYE. Rachel Whiteread","","27 minutes","['The EYE']","Rachel Whiteread has created some of the most remarkable and resonant public sculptures of recent years. House (now demolished) cast in concrete the interior of a terraced house in London's East End. Holocaust Memorial is a moving memorial in Vienna to the victims of the holocaust in Austria. Yet she also frequently works on a domestic scale, casting in plaster and resin the spaces inside, around and beneath furniture, floors and staircases. Her art is a uniquely poetic response to the everyday, and to the haunting themes of memory and mortality. In this video profile Rachel Whiteread speaks about the ideas that prompted a number of her best-known sculptures, including Ghost, her first cast of the space inside a complete room, and Monument, which established a shimmering presence in London's Trafalgar Square during the summer of 2001. She also outlines the complexities of creating her often technically challenging works, and reflects on the controversies that they have sometimes set off.","stream","['Whiteread, Rachel']","['England']","['Sculptors', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142431/1010142431-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240436"
"asp4240434-marc","","The EYE. Richard Wilson","","27 minutes","['The EYE']","Richard Wilson is an internationally renowned sculptor and installation artist who often works on an architectural scale. 20:50, his room-sized sea of reflective sump oil, is an overwhelming experience. More recent works like Jamming Gears, made for London's Serpentine Gallery, and Over Easy, built into The Arc arts centre in Stockton-in-Tees, offer resonant and profound challenges to our sense of space and of the environment around us. By turns amusing and disturbing, Wilson's creations are about upsetting our preconceptions of who we are and what kind of world we live in. In this profile, Wilson outlines the genesis and meanings of a selection of key works, including Slice of Reality, a 20-metre-high cross-section of 600-ton dredger set in the Thames riverbed near the Millennium Dome. Like this monument to Britain's shipping industry, many of Wilson's works are created for specific places, and he reflects here on this, on the importance of collaboration and on his spectacular performances throughout the 1980s with Paul Burwell and Anne Bean in the Bow Gamelan Ensemble.","stream","['Wilson, Richard']","['England', 'Great Britain']","['Installations (Art)', 'Sculptors', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142430/1010142430-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240434"
"asp4240432-marc","","The EYE. Antony Gormley","","27 minutes","['The EYE']","An internationally acclaimed artist, Antony Gormley is best known for his monumental sculpture Angel of the North. This earth-bound figure with its massive wings shares with all of Gormley's work a preoccupation both with the human form and with our shared spiritual potential. Antony Gormley's early lead and iron figures were cast from his own body. They demand a physical and emotional response, but they also raise profound philosophical questions about memory, the mind and our senses. Some of his sculptures, such as the tiny sleeping figure modelled on his infant daughter Still IV, are intensely private. Other works, like Field and Allotment II, are sweeping social and architectural explorations on a grand scale. Many of Antony Gormley's most significant works are illustrated in this film profile, including Bed, made from hundreds of loaves of sliced white bread, and the spectacular Quantum Cloud created alongside the Millennium Dome in London. Antony Gormley offers a reflective commentary on these and other works and on the central investigations and imperatives of his art.","stream","['Gormley, Antony']","['England']","['Human figure in art', 'Sculptors', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142429/1010142429-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240432"
"asp4240430-marc","","The EYE. Julian Opie","","27 minutes","['The EYE']","""I often feel that trying to make something realistic is the one criteria I can feel fairly sure of. Another one I sometimes use is, would I like to have it in my room? And I occasionally use the idea, if God allowed you to show him one thing to judge you by, would this really be it?"" Julian Opie's highly distinctive depictions of the modern world are created in an extraordinary variety of media. His bold portraits, subtle landscapes, unconventional wallpaper, playful sculptures of animals, buildings and cars, computer films and much more present simplified and iconic versions of the contemporary environment. In a richly-illustrated interview ranging from his cut-metal sculptures of the early 1980s to the cool minimalism of his cover art for the best of blur CD, Julian Opie reflects on his ways of working, on exposing art in unconventional surroundings, on his sense of the world around him, and on his use of computers which today allow him not to have to construct any of his artworks in the traditional way.","stream","['Opie, Julian']","['England']","['Artists', 'Art, British', 'Art, Modern']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142428/1010142428-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240430"
"asp4240428-marc","","The EYE. Martin Creed","","27 minutes","['The EYE']","Martin Creed is one of Britain's most engaging contemporary artists. His self-effacing work reflects an anxiety to communicate in a world already full of too many things. So he frequently tries to produce both something and nothing, and does so in idiosyncratic ways with the modest means from everyday life. In 2000 his MARTINCREEDWORKS solo exhibition was organised by Southampton City Art Gallery. The show provided the first opportunity to reflect on a wide range of Creed's creations, produced over a decade, including sculpture, installations, interventions, statements and also musical compositions performed with his band owada. Much of this work is illustrated here. Martin Creed discusses his uncertainties about making new works and his reluctance to name what he does as 'art'. He also illustrated how simple, ordinary objects, seen in new ways, can suggest often complex and contradictory meanings. Such objects, and the ideas and questions that they provoke, surprise and delight audiences whose individual experiences of the works will often be strikingly different.","stream","['Creed, Martin']","['England']","['Conceptual art', 'Art, British', 'Art, Modern', 'Performance artists']","['Interviews', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142427/1010142427-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240428"
"asp4240426-marc","","Three approaches to psychotherapy. Part III","","36 minutes","['Three approaches to psychotherapy']","This film series, the famous ""Gloria"" films, was a pioneer in educational film-making in the field of psychology. A film series such as this, in which three therapists - distinguished by their different orientations - share their therapeutic endeavors, had never been made before. Gloria, an actual patient, was courageous enough to allow herself to be photographed while engaged in therapy. We are allowed the privilege of seeing and feeling what actually transpires. The contributions of Dr. Rogers, Dr. Perls, and Dr. Ellis to the field of psychology are monumental, and the continually growing popularity of this series remains a tribute to their achievements. Dr. Ellis challenges Gloria's absolutes - her ""awfulizing"" and ""catastrophizing"" - that make her feel so unhappy with herself, and that sabotage her relationships with others. He teachers her that the irrational things she says to herself cause her negative feelings and her consequent behaviors. Gloria begins to discover that she can correct her irrational thoughts and reverse her negative feelings and behaviors.","stream","['Ellis, Albert']","[]","['Psychotherapy', 'Rational emotive behavior therapy']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142425/1010142425-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240426"
"asp4240424-marc","","Three approaches to psychotherapy. Dr. Frederick Perls, founder of gestalt therapy. Part II","","32 minutes","['Three approaches to psychotherapy']","This film series, the famous “Gloria” films, was a pioneer in educational film-making in the field of psychology. A film series such as this, in which three therapists – distinguished by their different orientations – share their therapeutic endeavors, had never been made before. Gloria, an actual patient, was courageous enough to allow herself to be photographed while engaged in therapy. We are allowed the privilege of seeing and feeling what actually transpires. The contributions of Dr. Rogers, Dr. Perls, and Dr. Ellis to the field of psychology are monumental, and the continually growing popularity of this series remains a tribute to their achievements. The late Dr. Perls, founder of Gestalt Therapy, uses an entirely different approach from Dr. Rogers, equally effective, with a similar goal. Dr. Perls frustrates Gloria into standing on her own two feet and abandoning her roles and games. He frustrates her into being real, knowing and owning her feelings and being in the here and now.","stream","['Perls, Frederick S']","[]","['Psychotherapy', 'Gestalt therapy']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142424/1010142424-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240424"
"asp4240422-marc","","Three approaches to psychotherapy. Carl Rogers, Ph.D. (Client-centered therapy). Part I","","48 minutes","['Three approaches to psychotherapy']","This film series, the famous “Gloria” films, was a pioneer in educational film-making in the field of psychology. A film series such as this, in which three therapists – distinguished by their different orientations – share their therapeutic endeavors, had never been made before. Gloria, an actual patient, was courageous enough to allow herself to be photographed while engaged in therapy. We are allowed the privilege of seeing and feeling what actually transpires. The contributions of Dr. Rogers, Dr. Perls, and Dr. Ellis to the field of psychology are monumental, and the continually growing popularity of this series remains a tribute to their achievements. This film exemplifies the genius and wisdom of the Rogerian system that revolutionized psychotherapy, and that has had such a positive and irreversible effect on all who learn it. Gloria's dilemma regarding the conflict between her beliefs, her feelings and her actions, a universal plight of the human being, is heard and understood by Dr. Rogers without judgment or authoritarian directiveness. It is this understanding, and the affirmation of her own worth and ability, that gives Gloria the strength to cope with her problems, make her own decisions and to feel able.","stream","['Rogers, Carl R']","[]","['Client-centered psychotherapy', 'Psychotherapy']","['Educational films']","https://d3crmev290s45i.cloudfront.net/frames/1010142xxx/1010142423/1010142423-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4240422"
"asp4235576-marc","","La voz mapuche. Chi Mapuche nütram The voice of the Mapuche","","113 minutes","[]","The Mapuche defeated the Spanish Crown invaders, and they do not recognize the border that Chile and Argentina have tried to impose. Presently, the struggle is focused on maintaining the identity as a people and stopping the encroachment of multinational corporations in Mapuche ancestral territory. In an effort to increase profits, logging, hydroelectric, oil, mining, and tourist companies –among others– cause destruction and pollution on both sides of the Andes Mountains. The legal, political and military structures of Chile and Argentina favor the interests of big business. The rights of a people whose spirituality is directly linked to Nature are constantly violated. The search for living in harmony with the environment, a horizontal way of organizing, and a resilience that has never been broken, have allowed the Mapuche to resist for over five centuries and assert: We still exist. In a journey through different communities of Puelmapu (the land where the Sun rises) and Gulumapu (the land where the Sun sets), the documentary ""The Voice of the Mapuche"" takes the viewer across rivers, lakes, forests, and mountains. It registers the words and wisdom of Mapuche women, men, children, youth, and elders. The film breaks through the official news blackout, when it enters the prisons where the defenders of Mapuche rights are serving their sentences. Additionally, it covers a hunger strike that went on for over 100 days and gave rise to a wave of demonstrations. The music, the paintings, the poetry, the language, the rituals, the traditions, and the strength of Nature and the ancestors are present in ""The Voice of the Mapuche"". In this independent documentary, the Mapuche vision of the world is the basis to understand the struggle.","stream","[]","[]","['Mapuche Indians']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010139xxx/1010139331/1010139331-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4235576"
"asp4231363-marc","","Composed","","78 minutes","[]","Through the lens of professional classical musicians, Composed explores the many ways we experience and can address performance anxiety. Faced with the judgment of peers, audience, conductors, and worst of all themselves, these musicians spend years trying to understand and overcome the physical and mental manifestations of their anxiety. Through their stories, we learn valuable lessons learned over a lifetime of professional performance; and we find that we are not alone in our quest to overcome the fear of failure and embarrassment. For anyone wanting to feel strength over fear and compassion over judgment, or simply seeking a closer look at anxiety and what makes us tick, Composed opens the door to a world of high stakes, high pressure, and peak performing.","stream","[]","[]","['Musicians', 'Performance anxiety']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1010139xxx/1010139281/1010139281-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4231363"
"asp99195989000971","","Climate activist Greta Thunberg on the power of a movement","","11 minutes","[]","Although more Americans than ever are worried about climate change, less than 40 percent expect to make “major sacrifices” to tackle the problem. But according to Greta Thunberg, a Swedish teenager and climate activist, drastic action is exactly what's needed to address the problem. William Brangham sits down with Thunberg to discuss galvanizing young people across the globe to the climate cause.","stream","[]","[]","['Youth movements', 'Climatic changes', 'Social movements']","['Television news programs', 'Interviews']","https://d3crmev290s45i.cloudfront.net/content/1010139xxx/1010139280/1010139280-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4216517"
"asp4216471-marc","","Jay myself","","79 minutes","[]","Filmmaker Stephen Wilkes turns his lens on his mentor, photographer Jay Maisel, as he prepares to move out of the six-story former bank building in Manhattan that he, his family and his random collection of objects have inhabited for 48 years.","stream","['Maisel, Jay']","['New York (State)']","['Artists']","['Feature films', 'Documentary films', 'Biographical films']","https://d3crmev290s45i.cloudfront.net/content/1010139xxx/1010139212/1010139212-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4216471"
"asp4185315-marc","","The human body. Learn. Episode 3","","59 minutes","['The human body']","This programme explores the way our experiences shape our minds and bodies as we make the journey from the most helpless to the most sophisticated organism on earth. Dr Chris and Dr Xand van Tullekan uncover how we develop new skills - whether riding a bike or learning to walk. They reveal the unexpected link between our heartbeat and our ability to talk. And they show, for the very first time, how memories are formed in our brains and how our experiences continue to change our bodies and even our genes themselves throughout our lives.","stream","[]","[]","['Learning', 'Human body']","['Educational television programs', 'Television mini-series']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127827/1010127827-disc001-file001-frame00405-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185315"
"asp4185313-marc","","The human body. Survive. Episode 2","","59 minutes","['The human body']","In this programme, Drs Chris and Xand van Tulleken discover the everyday miracles that keep you alive. They explore the extraordinary lengths our bodies go to in order to keep our organs working at every moment of every day. They see how powerful reflexes keep us safe from danger and uncover the amazing mechanisms our bodies call on to repair damage. And for the first time ever, they see exactly how our immune system's killer cells go into battle against deadly infection.","stream","[]","[]","['Adaptation (Physiology)', 'Human physiology', 'Survival', 'Human body']","['Educational television programs', 'Television mini-series']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127826/1010127826-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185313"
"asp4185311-marc","","The human body. Grow. Episode 1","","58 minutes","['The human body']","Over your lifetime you undergo an extraordinary change - no other animal on earth goes through such a dramatic metamorphosis. In this programme, Chris and Xand van Tulleken explore the latest understanding of how we all grow. They uncover the reason our childhood is longer than any other creature on Earth and reveal the communities of microbes - our microbiome - that we cultivate throughout our lives. They uncover the mysterious trigger for our transformation from child to adult and, for the first time, show the remarkable spark of life that is emitted when sperm and egg first meet.","stream","[]","[]","['Human growth', 'Human body']","['Educational television programs', 'Television mini-series']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127825/1010127825-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185311"
"asp4185309-marc","","Rituals (natural history). Great gatherings. 2","","54 minutes","['Rituals (natural history)']","The greatest gatherings on Earth are rituals. They bind us together and keep communities alive. In Siena, rival districts battle for supremacy in a 700 year-old horserace. In Japan, two thousand men perform a chaotic fire ritual to be renewed, while in Malaysia, one devotee joins millions to fulfill a grueling vow to god. At the world's highest mass ritual in the Peruvian Andes, men are initiated into their ancient clan; and in the desert, Burning Man's new rituals fulfil our desire to belong.","stream","[]","['Japan', 'Peru', 'Nevada', 'Malaysia', 'Italy']","['Hinduism', 'Horse racing', 'Pilgrims and pilgrimages', 'Religious gatherings', 'Performing arts festivals', 'Shinto', 'Rites and ceremonies']","['Nonfiction television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127824/1010127824-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185309"
"asp4185307-marc","","Rituals (natural history). The power of nature. 3","","54 minutes","['Rituals (natural history)']","Rituals help us survive and honour the power of nature. An Inuit boy must shoot a seal on sea ice in his rite of passage to become a hunter. In Indonesia, ancestors are said to ensure a good harvest for those who shed human blood in the ritual battle of Pasola. In Japan men haul massive logs, riding them down steep hills, to become giant pillars at a Shinto shrine. Aboriginal ceremonies pass on respect for fire; and big waves surfers create new rituals to take on the power of the ocean.","stream","[]","['Greenland', 'Japan', 'Indonesia']","['Sealing', 'Surfing', 'Rites and ceremonies', 'Aboriginal Australians', 'Shinto', 'Inuit']","['Nonfiction television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127823/1010127823-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185307"
"asp4185305-marc","","Rituals (natural history). Initiation. 4","","50 minutes","['Rituals (natural history)']","Initiation rituals are spectacular, with the power to change who you are. In Papua New Guinea, boys endure brutal skin cutting to become men. In India, a girl gives up her family and has all her hair plucked out in her initiation as a Jain nun. In Senegal, a wrestler hopes ancient rituals will bring success as he tries to enter the sport's big league. And in Taiwan, recruits must complete ten gruelling exercises over rocks in the 'Road to Heaven', the final ritual to join the military elite.","stream","[]","['India', 'Taiwan', 'Papua New Guinea', 'Senegal']","['Military education', 'Jainism', 'Initiation rites', 'Wrestling', 'Rites and ceremonies']","['Nonfiction television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127822/1010127822-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185305"
"asp4185303-marc","","Rituals (natural history). Circle of life. 1","","52 minutes","['Rituals (natural history)']","Incredible ceremonies to mark birth, marriage and death: in the Amazon, a Kayapo family performs rituals to protect a baby from their ancestors' spirits, modern teenagers in China take part in an ancient match-making festival to find love, a Tuareg couple return to their desert roots for their wedding day, and in Indonesia, the Torajan people stage the most elaborate funerals on Earth. At every turn, rituals connect us with our ancestors in an endless circle of life.","stream","[]","['China', 'Brazil', 'Indonesia', 'Niger']","['Funeral rites and ceremonies', 'Marriage customs and rites', 'Birth customs', 'Rites and ceremonies', 'Courtship']","['Nonfiction television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127821/1010127821-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185303"
"asp4185301-marc","","Mission Galapagos. Future frontiers. Episode 3","","53 minutes","['Mission Galapagos']","In the culmination of this scientific expedition, Liz Bonnin and the team see first-hand the impact that humans have had on the Galapagos Islands.","stream","[]","['Galapagos Islands']","['Marine ecology', 'Endangered ecosystems', 'Natural history', 'Marine biology', 'Nature']","['Nonfiction television programs', 'Nature television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127820/1010127820-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185301"
"asp4185299-marc","","Mission Galapagos. Secrets of the deep. Episode 2","","54 minutes","['Mission Galapagos']","Liz Bonnin and the team of scientific experts set off beneath the waves in a specially equipped deep sea submersible and go in search of an elusive ocean giant.","stream","[]","['Galapagos Islands']","['Marine biology', 'Marine ecology', 'Endangered ecosystems', 'Natural history']","['Nonfiction television programs', 'Nature television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127819/1010127819-disc001-file001-frame00525-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185299"
"asp4185297-marc","","Mission Galapagos. Cauldron of life. Episode 1","","52 minutes","['Mission Galapagos']","Liz Bonnin joins a scientific team aboard the research vessel the Alucia on an expedition across the Galapagos Islands.","stream","[]","['Galapagos Islands']","['Iguanas', 'Ecology', 'Endangered ecosystems', 'Natural history']","['Nonfiction television programs', 'Nature television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127818/1010127818-disc001-file001-frame00735-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185297"
"asp4185295-marc","","Icons. Live final. Episode 8","","48 minutes","['Icons']","In this live final hosted by Claudia Winkleman and Nick Robinson, the celebrity advocates return to fight their winning icon's case, and the public vote for the person they think was the greatest figure of the 20th century. Who will the greatest icon be? Voting opens near the start of the programme and there will be two ways to cast your vote: by telephone (details are outlined during the final) or via the series website. The winner is announced at the end of the final.","stream","[]","[]","['Celebrities']","['Nonfiction television programs', 'Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127817/1010127817-disc001-file001-frame00310-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185295"
"asp4185293-marc","","Icons. Artists & writers. Episode 7","","50 minutes","['Icons']","This episode sees actress Lily Cole examine four of the 20th century's greatest artists and writers. Lily explores the lives of Pablo Picasso, Virginia Woolf, Alfred Hitchcock and Andy Warhol - finding out what inspired their most celebrated works, and why they still resonate today. In the 20th century, history unfolded at a rate humanity could barely keep up with, and helping us process these seismic shifts were a group of complex, sometimes dark geniuses: our artists and writers. Cofounder of the Cubist movement, Pablo Picasso possessed extraordinary talent from an early age. He could have had a brilliant career as a traditional artist, but he chose instead to rip up the artistic rule book, creating defiantly sensual and provocative pieces and one of the most powerful and enduring images of conflict that the world has ever seen. Feminist, pacifist and trailblazer Virginia Woolf subverted expectations, both professionally and personally. She broke new ground in literature, was unafraid to write about mental health, and issued a rallying cry for artistic equality on behalf of women everywhere. Nicknamed the master of suspense, Hitchcock's career spanned six decades, and he was behind some of the most famous moments in cinema. Not only was Hitchcock a prodigious film-maker, but he was a pioneer of the industry, transforming the role of film director into that of an artist. His ground-breaking visual and storytelling techniques are ubiquitous in film today. In an age of post-war prosperity, Andy Warhol's work - which explored consumerism and mass production - was so revolutionary that while some thought he had redefined art, others believed he had broken it. He turned the everyday into works of art, and he began documenting every aspect of life decades before the selfie-obsessed culture we live in today.","stream","[]","[]","['Artists', 'Authorship', 'Motion picture producers and directors', 'Motion pictures', 'Art, Modern', 'Authors']","['Biographical television programs', 'Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127816/1010127816-disc001-file001-frame00435-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185293"
"asp4185291-marc","","Icons. Sports. Episode 6","","48 minutes","['Icons']","Clare Balding examine the achievements of four of the 20th century's most influential sports stars. Clare will be assessing the legacies of Pele, Muhammad Ali, Billie Jean King and Tanni Grey Thompson. Each of them transcended their sport and had an impact on the century far beyond their professional record. As the 20th century began, sport largely belonged to those who could afford leisure time, and it was often an amateur pursuit. By the year 2000, sport provided some of the most watched moments in human history - often uniting billions. The 20th century also saw records smashed and previously unimaginable sporting feats achieved. Increasingly, the work of our greatest sport stars highlighted urgent social issues. From the democratisation of sport to the battle for equal pay, the talents of these icons helped shape the world we know today.","stream","[]","[]","['Athletes', 'Sports']","['Biographical television programs', 'Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127815/1010127815-disc001-file001-frame00240-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185291"
"asp4185289-marc","","Icons. Activists. Episode 5","","48 minutes","['Icons']","Sanjeev Bhaskar explore the lives of the 20th century's greatest activists, examining the lives of Emmeline Pankhurst, Helen Keller and Martin Luther King Jr. He'll assess the qualities that made them great and the groundbreaking ways in which each of them fought for their causes. The 20th Century was the century of activism. It was a century in which a series of extraordinarily brave individuals encouraged whole swathes of society to throw off the shackles of oppression and get the rights they deserved. These activists spoke for those without a voice, often prepared to lay down their lives for the causes they believed in. At the beginning of the century, most women couldn't vote, empires ruled much of the planet, and marginalised people across the world were being persecuted. The work of these four icons would help society take huge leaps forward. Clearly, there is much more to do in a pursuit of a world in which everyone is equal, but today's activists stand on the shoulders of these giants. Each of these four greats dared to step outside the expectations society had of them. They changed what the world thought possible for women, the subjugated, disabled people and African Americans, and in doing so advanced their causes exponentially. If it weren't for these four icons, history would be very different.","stream","[]","[]","['Political participation', 'Political activists']","['Biographical television programs', 'Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127814/1010127814-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185289"
"asp4185285-marc","","Icons. Scientists. Episode 3","","49 minutes","['Icons']","This episode sees naturalist Chris Packham assess the lives of the 20th century's greatest scientists. Chris examines the lives of Marie Curie, Albert Einstein, Alan Turing and Tu You You. He explores some of their most famous discoveries - as well as the lesser known human stories behind them - so often overshadowed by the scale and impact of their work. In the 20th century, advancements in science saw life expectancy double; they helped us advance technology in a way which would have been unimaginable just years before - they even meant we shook off gravity and left the Earth itself. The story of science in the 20th century is interwoven with some of the most urgent moments in the history of humanity, from wartime innovations that have cost - and saved - the lives of millions to the worldwide fight against disease and the battles to understand the very fabric of the universe. The four icons examined by this documentary each made significant contributions to mankind, but each was, in a way, an outsider. These icons were marginalised or persecuted for different reasons, be it their sexuality, gender or background - but they do share something in common. They were all people with the temerity to cast off the shackles of conventional thought and received wisdom, and to dare to approach things differently. What this film makes clear is that these are not dusty and lifeless figures of the lab, but extraordinary human beings who often huge sacrifices for their work. They came from different fields - from medicine, chemistry, physics, and mathematics - but humanity owes each of them a great debt.","stream","[]","[]","['Science', 'Scientists']","['Biographical television programs', 'Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127812/1010127812-disc001-file001-frame00255-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185285"
"asp4185283-marc","","Icons. Explorers. Episode 2","","50 minutes","['Icons']","The second in series charts the story of exploration in the 20th century. 20th-century exploration began with flag planting in the name of empire, and over the decades, improvements in technology saw explorers take on greater and greater challenges - pursuing prizes from the poles, to the highest points on earth - and beyond. The incredible individuals who took humankind to the limits of what was thought possible also oversaw an evolution - as time went on, exploration went from a tool of empire to one of cultural discovery and conservation. The story of exploration in the 20th century is one that took us from conquest to understanding. As well as displaying almost superhuman bravery and courage, each of the four icons helped us see our world differently - far from being simply a race to the biggest prizes, some of the most valuable lessons learned from 20th Century explorers are not about unknown wonders, but about appreciating and preserving the world around us. Dermot examines the lives of Ernest Shackleton, Gertrude Bell, Neil Armstrong and Jane Goodall. He uncovers their greatest achievements and explores their legacies. Shackleton: From the Heroic Age of Exploration, Shackleton was not famed for a glorious victory, but his extraordinary humanity in the face of what might have been one of exploration's greatest disasters. Bell: Almost erased from history, Bell was a trailblazing adventurer and spent years learning about the intricate politics of the Middle-East before becoming the first woman to work for British Intelligence. Armstrong: A daring test pilot and Korean War veteran, Armstrong became the focus of the whole world when he stepped out onto the moon and gave us a new perspective on the earth. Goodall:  The first person to successfully study chimps in the wild, Goodall set out to explore and chart the chimpanzees in their natural habitat in a remote part of Tanzania, and over the course of the next 40 years, her work redefined humankind.","stream","[]","[]","['Explorers']","['Biographical television programs', 'Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127811/1010127811-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185283"
"asp4185281-marc","","Icons. Leaders. Episode 1","","49 minutes","['Icons']","Eight-part series exploring the achievements and legacies of some of the greatest figures of the 20th century. Seven well-known advocates each front an hour-long documentary arguing the case for four people from a different field of human endeavour - leaders, explorers, scientists, entertainers, sports stars, artists and writers, and activists. At the end of each documentary, the public vote for their favourite. The icon who wins the public vote in each category is put through to a live final, which sees all of the celebrity advocates return to fight their icon's case - the public then vote again for the person they believe was the greatest figure of the 20th century. The 20th century was a time of extraordinary change. One hundred years of progress which shaped not only the society of the day, but generations to come. A century of seismic shifts contained countless breakthroughs and innovations that impacted our world in ways never seen before. Behind this progress were incredible individuals who chose to defy convention, and in doing so changed the world forever. The life's work of these icons represent benchmarks now set for humanity - from scientists whose discoveries changed the life of billions and redefined what we know about our world to the sports stars and explorers who pushed the boundaries of what humankind thought possible - their stories represent the pinnacle of society's achievements. The series begins with leaders, and sees a well-known figure, passionate about the subject, examining the achievements and legacies of the people whose decisions affect all our lives. 20th century leaders oversaw great victories, unimaginable hardships, sweeping social change, and the worst conflicts in human history.","stream","[]","[]","['Leadership']","['Biographical television programs', 'Television mini-series', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127810/1010127810-disc001-file001-frame00235-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185281"
"asp4185279-marc","","Earth's natural wonders. Surviving against the odds. [Series 2, episode 3]","","52 minutes","[""Earth's natural wonders""]","Earth's Natural Wonders: vast mountain ranges, impenetrable rainforests and dazzling tropical islands. Within these wonders, survival for human beings can be a challenge. Earth's Natural Wonders are among the most extreme places to live on the planet. From soaring mountains to deep jungles, people need bravery and ingenuity to survive within them.","stream","[]","['Ethiopia', 'Alps', 'Mato Grosso (Brazil : State)', 'Faroe Islands', 'Laos']","['Extreme environments', 'Mountains', 'Nature and civilization', 'Survival']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127809/1010127809-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185279"
"asp4185277-marc","","Earth's natural wonders. Surviving with animals. [Series 2, episode 2]","","52 minutes","[""Earth's natural wonders""]","Focusing on the relationships between animals and people living in some of the world's most extraordinary natural wonders, this episode follows nomadic people from the Yamal Peninsula in northern Siberia as they hunt one of the very few animals that can survive in this frozen environment: reindeer. Elsewhere, cameras observe a local ranger in the coastal salt marshes of Northern Australia's Arnhem Land, as he goes in search of the eggs of one of the world's most aggressive predators, the saltwater crocodile.","stream","[]","['Assam (India)', 'Arnhem Land (N.T.)', 'Vanuatu', 'Congo River Valley', 'Himalaya Mountains', 'I︠A︡mal Peninsula (Russia)']","['Extreme environments', 'Nature and civilization', 'Human-animal relationships']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127808/1010127808-disc001-file001-frame00230-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185277"
"asp4185275-marc","","Earth's natural wonders. Surviving the extreme. [Series 2, episode 1]","","52 minutes","[""Earth's natural wonders""]","Cameras explore some of the most breathtaking places on Earth, following the lives of some of the people who call these extraordinary places home. In the first episode, cameras follow Yak-herder Thokmay Lowa as he leads his herd through one of the most treacherous mountain passes in the high Himalaya. Elsewhere, the programme follows members of Inuit communities in the Canadian Arctic as they take part in the hazardous mussel harvest, and people in Siberia searching for mammoth tusks, now released from the Siberian Permafrost after thousands of years.","stream","[]","['Northern Territory', 'Siberia (Russia)', 'Himalaya Mountains', 'Canada, Northern', 'Russia (Federation)', 'Australia']","['Cattle', 'Extreme environments', 'Herders', 'Inuit', 'Nature and civilization', 'Mammoths']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127807/1010127807-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185275"
"asp4185271-marc","","Dynasties. Painted wolf. Episode 4","","53 minutes","['Dynasties']","The leader of a great Painted Wolf family is growing old. Her power to keep the peace is waning. A feud with an ambitious daughter threatens to bring the dynasty down.","stream","[]","[]","['African wild dog', 'Wild dogs', 'Animal behavior', 'Animals']","['Nonfiction television programs', 'Wildlife television programs', 'Nature television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127805/1010127805-disc001-file001-frame01195-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185271"
"asp4185269-marc","","Dynasties. Lion. Episode 3","","52 minutes","['Dynasties']","The leader of a once mighty lion pride must now battle for their very survival. Can this extraordinary lioness save her family from disaster?","stream","[]","[]","['Animals', 'Lion', 'Animal behavior']","['Nonfiction television programs', 'Wildlife television programs', 'Nature television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127804/1010127804-disc001-file001-frame00170-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185269"
"asp4185267-marc","","Dynasties. Emperor. Episode 2","","52 minutes","['Dynasties']","Emperor penguins battle for survival against the worst winter in the world. Working together, can they protect and feed their chicks till they reach adulthood?","stream","[]","['Antarctica']","['Animals', 'Emperor penguin', 'Animal behavior']","['Nonfiction television programs', 'Wildlife television programs', 'Nature television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127803/1010127803-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185267"
"asp4185265-marc","","Dynasties. Chimpanzee. Episode 1","","53 minutes","['Dynasties']","In Senegal, West Africa, live a group of chimpanzees led by an alpha male named David. He has already been alpha for three years - a time when leaders here are usually overthrown. To make matters worse, David has no allies - no-one to help him defend his leadership. As the dry season sets in, the group are forced closer together to survive. But David is now surrounded by rivals who all want his crown and are prepared to kill him for it. David faces brutal battles, has his world engulfed in flames and has to pull off an extraordinary act of deception. In a story of power and politics, can David overcome the threats to his leadership and hold on to the alpha position long enough to sire a possible future heir to his throne?","stream","[]","[]","['Animals', 'Endangered species', 'Chimpanzees', 'Animal behavior']","['Nonfiction television programs', 'Wildlife television programs', 'Nature television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127802/1010127802-disc001-file001-frame00255-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185265"
"asp4185263-marc","","Civilisations. The vital spark. [Episode 9]","","53 minutes","['Civilisations']","Simon's last programme explores the fate of art in the machine and profit-driven world. It looks at the rise of art as a tradeable commodity and turns on one central question: should art create a realm separate from the modern world, a place where we can escape and pull the ladder up after us? Or should it plunge headlong into the chaos and cacophony while transforming the way we see it and live in it? Using the works of both dead and contemporary artists of the 20th and 21st Simon seeks answers to these profound questions.","stream","[]","[]","['Civilization', 'Art, Modern']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127801/1010127801-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185263"
"asp4185261-marc","","Civilisations. The cult of progress. [Episode 8]","","54 minutes","['Civilisations']","David shows how in New Zealand one artist was co-opted by the Maori who used his sills to record their culture and celebrate their ancestors. As the 19th century came to an end, the certainties of industrial and scientific advance were increasingly questioned; many artists (Gauguin and Picasso amongst them) turned to non-Western art and culture for inspiration. And in the face of the catastrophic conflict of the First World War, the idea that progress, reason and industrial advance were guarantors of higher 'civilisation' was rejected.","stream","[]","[]","['Civilization', 'Progress', 'Art', 'Technological innovations', 'Industrialization']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127800/1010127800-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185261"
"asp4185259-marc","","Civilisations. Color and light. [Episode 7]","","53 minutes","['Civilisations']","Simon Schama starts his meditation on colour and civilisation with the great Gothic cathedrals of Amiens and Chartres. He then moves to 16th century Venice where masterpieces such as Giovanni Bellini's San Zaccaria altarpiece and Titian's Bacchus and Ariadne contested the assumption that drawing would always be superior to colouring. Simon ends the film in Matisse's great chapel at Vence, where colour is used - against a backdrop of the Second World War - once more to enrapture, enlighten and as a path to God.","stream","[]","[]","['Pigments industry', 'Civilization', 'Pigments', 'Color in art', 'Light in art', 'Art']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127799/1010127799-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185259"
"asp4185257-marc","","Civilisations. Encounters. [Episode 6]","","54 minutes","['Civilisations']","In the 15th and 16th centuries distant and disparate cultures met, often for the first time, David Olusoga shows, art was always on the frontline. David travels to Japan to explore how the Tokugawa Shogunate, after an initial embrace, became so wary of outside interference that they sought to cut ties with the outside world. But in their art, as in their trade, they could never truly isolate themselves from foreign influences. By contrast the Protestant Dutch Republic was itself an entirely new kind of creature: a market driven nation-state.","stream","[]","[]","['Civilization', 'Art', 'Influence (Literary, artistic, etc.)', 'Cultural relations']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127798/1010127798-disc001-file001-frame00240-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185257"
"asp4185255-marc","","Civilisations. Renaissances. [Episode 5]","","54 minutes","['Civilisations']","Think Renaissance and you think Italy. But in the 15th and 16th centuries the great Islamic empires experienced their own extraordinary cultural flowering. The two phenomena did not unfold in separate artistic universes; they were acutely conscious of, and in competition with, each other and mutually open to influences flowing both ways. The fifth film in Civilisations goes east and west with Simon Schama: to Papal Rome but also to Ottoman Istanbul and Mughal Lahore and Agra, exploring those connections and rivalries.","stream","[]","['Middle East']","['Civilization', 'Art, Renaissance']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127797/1010127797-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185255"
"asp4185253-marc","","Civilisations. God and art. [Episode 4]","","54 minutes","['Civilisations']","Mary Beard broaches the controversial, sometimes dangerous, topic of religion and art. For millennia, art has inspired religion as much as religion has inspired art. Yet there are fundamental problems, which all religions share, in making God or gods visible in the human world. How, and at what cost, do you make the unseen, seen? Beneath all works of religious art there always lies conflict and risk. And the result is often iconoclasm - the destruction of works of art - which Mary believes can, paradoxically, lead on to new forms of creativity.","stream","[]","[]","['Art and religion', 'Religious art', 'Religion in art', 'Civilization']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127796/1010127796-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185253"
"asp4185249-marc","","Civilisations. How do we look. [Episode 2]","","54 minutes","['Civilisations']","Mary Beard looks at images of the human body in ancient art, seeking answers to fundamental questions at the heart of ideas about civilisations. Why have human beings always made art about themselves? What were these images for? And in what ways do some ancient conventions of representing the body still affect us now?","stream","[]","[]","['Human figure in art', 'Figure painting', 'Figure sculpture', 'Civilization']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127794/1010127794-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185249"
"asp4185247-marc","","Civilisations. The second moment of creation. [Episode 1]","","54 minutes","['Civilisations']","Simon Schama investigates the remote origins of human creativity with the first known marks made some 80,000 years ago in South African caves; marks which were not dictated merely by humanity's physical needs. As time passes the elements of civilisation are assembled: written language, codes of law, and expressions of warrior power forged in metals. And humanity begins to produce art not just for ritual, as Simon discovers in Minoan civilisation. But how do such cultures arise and how do they fall? Simon travels to the civilisations of Petra in the Middle East and the Maya in Central America to answer those questions.","stream","[]","['Central America', 'Petra (Extinct city)']","['Civilization']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127793/1010127793-disc001-file001-frame00240-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185247"
"asp4185245-marc","","Big cats. Episode 2","","56 minutes","['Big cats']","Advances in remote and low-light filming technology provide new insight into the secret life of the mysterious small cats. In South Africa, we follow the nocturnal pursuits of the tiny black-footed cat that stakes its claim to the title of the world's deadliest, and in remotest Mongolia we reveal the rarely seen Pallas's cat, at home with her kittens - she hunts by looking like a rock. Finally, in the Karoo of South Africa, we uncover the secret of the serval that thrives amongst the futuristic landscape of Africa's biggest industrial complex. These are remarkable cats, with surprising lives in extraordinary places.","stream","[]","[]","['Felidae', 'Jaguar', 'Lion', 'Animal behavior', 'Tiger', 'Bobcat', 'Animals']","['Nonfiction television programs', 'Wildlife television programs', 'Nature television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127792/1010127792-disc001-file001-frame00130-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185245"
"asp4185243-marc","","Big cats. Episode 1","","53 minutes","['Big cats']","Documentary following ultimate cat species from around the world, from the lions of Tanzania - the only cat species to live in groups - to the tiny rusty spotted cat of Sri Lanka, 200 times smaller than a lion but just as curious. The film also peeks into the secret lives of the Canada lynx, which lives further north than any cat, and follows an African leopard and mother, which for a decade has worn a radio collar allowing scientists to follow every twist and turn of her existence.","stream","[]","[]","['Felidae', 'Leopard', 'Animal behavior', 'Lion', 'Lynx', 'Animals']","['Nonfiction television programs', 'Wildlife television programs', 'Nature television programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127791/1010127791-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185243"
"asp4185234-marc","","Pennhurst","","81 minutes","[]","The Pennhurst State School and Hospital was opened in 1908 as a new model of treating the mentally challenged. Its dual purpose was to segregate and sterilize those deemed “mental defectives” and “feebleminded” from society. Shockingly underfunded and at over twice its capacity of 1300 residents in 1974, a landmark lawsuit was brought against Pennhurst that resulted in the US court demanding its closure and declaring for the first time that “people with mental retardation have a right to live in the community.” While some former residents of the institution see it as a place where they could excel and realize dreams, many others have a radically different view - that of a hell on earth, a place where beatings and rapes and disease were rampant, and where they were denied even the most basic human rights and needs. Pennhurst tells the saga of the institution through the people who know it best - its employees, the lawyers that fought the court battles, the caseworkers who handled the aftermath, and more than any of these the people who called it home. Through its inception as a new treatment paradigm to the landmark court cases which shut it down, ”Pennhurst"" draws parallels between the past and the present, examining the attitudes of society towards the mentally challenged from the early 1900’s to the present day.","stream","['Pennhurst State School (Pa.)']","['Pennsylvania']","['Intellectual disability facilities', 'Asylums', 'People with mental disabilities']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1010128xxx/1010128366/1010128366-disc001-file001-frame00180-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185234"
"asp4185211-marc","","Light in the darkness. Living well after trauma","","77 minutes","[]","A hidden epidemic affects ten percent of the American population daily and for those it grasps, hope can seem like a distant dream. Light In The Darkness is a feature length documentary dedicated to illuminating an understanding of Post-Traumatic Stress Disorder (PTSD).  In a message of hope, the film provides an opportunity of support to so many who may be struggling through difficult mental health conditions, and by means of storytelling will offer a platform for education, discussion, and healing of one of the most common diagnoses in our country. By combining the expertise of neurologists, psychologists, and other experts with the experiences of survivors and their families, Light In The Darkness will reintroduce PTSD to the national conversation at a time when trauma and mental health are meant to take center stage. An estimated 7.8% of americans will experience Post-Traumatic Stress Disorder (PTSD) at some point in their lives. PTSD is a disorder where something major and traumatic happens, and after that major event, it creates a change in your life. Most people associate PTSD closely with military service; however,  many experiences are capable of causing traumatic reactions through any individual. The symptoms from this occurrence causes ripples throughout a person’s life.","stream","[]","[]","['Post-traumatic stress disorder']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/content/1010128xxx/1010128360/1010128360-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185211"
"asp4185209-marc","","We who remain","","16 minutes","[]","The story of a region cut off from the world, ""We Who Remain” ushers the viewer into the heart of a forgotten conflict in the Nuba Mountains of Sudan. The first character-driven VR film shot in an active conflict zone, the story focuses on the students, mothers, journalists and rebels who struggle to improve their lives in the midst of a war that shows no signs of ending.","stream","[]","['Sudan', 'Nuba Mountains (Sudan)']","['War', 'Refugees']","['Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010128xxx/1010128359/1010128359-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185209"
"asp4185027-marc","","Axes and aré. Stone tools of the Duna","","40 minutes","[]","Stone tools of the Duna.","stream","[]","['Papua New Guinea']","['Tools', 'Duna (Papua New Guinean people)', 'Bow and arrow']","['Feature films', 'Documentary films', 'Ethnographic films']","https://d3crmev290s45i.cloudfront.net/frames/1010128xxx/1010128091/1010128091-disc001-file001-frame00505-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4185027"
"asp4183428-marc","","Up down & sideways. Kho ki pa lü","","84 minutes","[]","""If not for you, I have no other true love When we work together the sun sets early Without you I am nothing"" Close to the India - Myanmar border is the village of Phek in Nagaland. Around 5000 people live here, almost all of whom cultivate rice for their own consumption. As they work in cooperative groups -- preparing the terraced fields, planting saplings, or harvesting the grain and carrying it up impossibly steep slopes -- the rice cultivators of Phek sing. The season's change, and so does the music, transforming the mundane into the hypnotic. The love that they sing of is also a metaphor for the need for the other - the friend, the family, the community, to build a polyphony of voices. Stories of love, stories of the field, stories of song, stories in song. 'Up Down & Sideways' is a musical portrait of a community of rice cultivators and their memories of love and loss, created from working together on the fields. It is the first feature film from the u-ra-mi-li project, a larger body of work that looks at the connections between music and labor.","stream","[]","['India', 'Phek (India)']","['East Indians', 'Work songs', 'Rice farmers', 'Folk music']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127369/1010127369-disc001-file001-frame00360-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183428"
"asp4183426-marc","","A Texas myth","","55 minutes","[]","The Glover family invites an indigenous activist group to start a protest camp on their land in West Texas. They call the camp Two Rivers and fight the same company that built the pipeline at Standing Rock. As several industrial projects threaten the region, their struggle reveals much about the colonial legacy of Texas, and how what happens in Texas has reverberations around the world.","stream","[]","['Texas, West']","['Petroleum pipelines', 'Energy development', 'Protest movements']","['Documentary films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127368/1010127368-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183426"
"asp4183424-marc","","True whispers. The story of the Navajo code talkers","","57 minutes","[]","Exploring the personal and heartfelt story of the Navajo Code Talkers, True Whispers tells the stories of the young Navajo men recruited from harsh government boarding schools into the Marines during World War II. From 1942-1945, the Code Talkers devised an unbreakable code in their native language and transmitted vital messages in the midst of combat against the Japanese.","stream","['Marine Corps', 'United States']","['United States']","['Navajo Indians', 'Navajo code talkers', 'Navajo language', 'World War, 1939-1945']","['Documentary television programs']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127367/1010127367-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183424"
"asp4183422-marc","","Healing the healers. Faith leaders as first & second responders","","24 minutes","['Healing the healers']","Before Cantor Michael Shochet, a Senior Clergy at Temple Rodef Shalom in Falls Church, VA, was ordained, he was a police officer in Baltimore who experienced the trauma of his partner being shot in front of him. Today, in addition to serving his congregation, he also leads the Police Chaplain unit for Fairfax County, VA. He has been on call during such traumas as the Pentagon terror attack on 9/11, the Washington Sniper shootings, and many local traumas related to gun violence and terror attacks. Cantor Shochet and Reverend Crebbin discuss the similarities between Police and Faith Leaders as responders to tragedy, the importance of self-care for faith leaders in the aftermath of trauma, the possibility of being re-traumatized when similar events, like the Parkland shooting, occur, and the uses of sacred rituals and theology in the midst of such events.","stream","[]","[]","['September 11 Terrorist Attacks, 2001', 'Death', 'Psychic trauma', 'Church work with the bereaved', 'Mass shootings', 'Spiritual care (Medical care)']","['Educational films', 'Interviews']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127366/1010127366-disc001-file001-frame00225-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183422"
"asp4183420-marc","","Healing the healers. Heartbreak and hope 20 years after tragedy","","17 minutes","['Healing the healers']","Father Basil O’Sullivan is the parish priest in Dunblane, Scotland, which, in 1996, was the site of a shooting at a primary school that killed sixteen children and one teacher. It remains the deadliest mass shooting in Great Britain thus far. Father O’Sullivan reached out to the Sandy Hook community after the shooting. Here, he talks with Reverend Crebbin about his experience as a faith leader, Dunblane’s journey of healing through the past twenty years, and what issues may arise for faith leaders as the acute grief of the initial trauma gives way to mourning over the long term.","stream","[]","[]","['School shootings', 'Psychic trauma', 'Church work with the bereaved', 'Bereavement', 'Sandy Hook Elementary School Massacre, Newtown, Conn., 2012', 'Mass shootings', 'Spiritual care (Medical care)']","['Educational films', 'Interviews']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127365/1010127365-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183420"
"asp4183418-marc","","Healing the healers","","23 minutes","['Healing the healers']","Reverend Crebbin continues the conversation about chronic gun violence as he speaks with Pastor Samuel Saylor, Sr., Senior Pastor of Gardner Memorial AME Zion Church, and Pastor Henry Brown of Hope Street Ministries and Mothers Against Violence of Hartford, CT. Pastors Saylor and Brown both have personal connections to trauma that they discuss with Reverend Crebbin, and in this episode, they describe how they cope with the chronic stress, both mental and physical, that can result from ministering to a community re-traumatized continually by gun violence.","stream","[]","[]","['School shootings', 'Psychic trauma', 'Violence', 'Church work with the bereaved', 'Sandy Hook Elementary School Massacre, Newtown, Conn., 2012', 'Mass shootings']","['Educational films', 'Interviews']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127364/1010127364-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183418"
"asp4183416-marc","","Healing the healers. Looking ahead and moving forward","","18 minutes","['Healing the healers']","Expanding on the conversation he began in the first episode,  Reverend Crebbin talks with another Newtown colleague, Reverend Kathie Adams-Shepherd, formerly of Newtown Episcopal Church, about her healing journey since the Sandy Hook School Shooting. Reverend Adams-Shepherd discusses maintaining faith in the face of tragedy, and talks about how her experience in Newtown prepared her to serve her new community.  Reverend Adams-Shepherd is currently Dean at Christ Church Cathedral in downtown St. Louis, where she ministers to communities (inner-city St. Louis and Ferguson) that face ongoing trauma in the form of chronic gun violence.","stream","[]","[]","['School shootings', 'Psychic trauma', 'Church work with the bereaved', 'Sandy Hook Elementary School Massacre, Newtown, Conn., 2012', 'Mass shootings', 'Spiritual care (Medical care)']","['Educational films', 'Interviews']","https://d3crmev290s45i.cloudfront.net/frames/1010127xxx/1010127363/1010127363-disc001-file001-frame00505-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183416"
"asp4183414-marc","","Healing the healers. Newtown faith leaders unite in tragedy","","20 minutes","['Healing the healers']","When mass trauma strikes, faith leaders are called upon to guide and sustain communities through the aftermath. Their role is to help us heal. But who heals the healers? Healing the Healers is a new resource intended to support clergy, laity, social workers, first responders and other spiritual care providers facing community-level trauma. The five-part film series is accompanied by written reflections and discussion guides written by scholars, clergy and other experts. In the series, Reverend Matthew Crebbin, of Newtown Congregational Church, leads an important conversation with faith leaders who’ve experienced mass trauma, either suddenly, as at Newtown or during 9/11, or through ministering to a community facing chronic violence, such as Hartford, CT, or St. Louis, MO. ABOUT THE EPISODE: Newtown Faith Leaders Unite in Tragedy. Reverend Matthew Crebbin talks with fellow Newtown clergy Rabbi Shaul Praver and Reverend Mel Kawakami about their experiences as faith leaders during and after the Sandy Hook School Shooting. They talk about the steps they’ve taken toward healing and how the trauma and its impact on their lives, faith, and work continues on.","stream","[]","[]","['School shootings', 'Psychic trauma', 'Bereavement', 'Sandy Hook Elementary School Massacre, Newtown, Conn., 2012', 'Mass shootings', 'Spiritual care (Medical care)']","['Educational films', 'Interviews']","https://d3crmev290s45i.cloudfront.net/content/1010127xxx/1010127362/1010127362-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183414"
"asp4183375-marc","","Molenbeek in de hoek","","55 minutes","[]","Coiffure Zaïdi is a barber shop in the heart of Molenbeek, Brussels. The salon is run by Hassan Elouakili and Redouane Aitoumghar, two Belgians of Moroccan origin. The clientele of Coiffure Zaïdi consists merely of local Muslims. Often they enter to have a shave, a haircut or just a chat. Cornered in Molenbeek follows the in and outs of the everyday life in this sleepy corner of Brussels, a place with relatively little importance for the outside world. The shop closes for a day and then, in an instant, everything changes. News breaks of a terrorist attack on Paris. It's November 13, 2015 and when the dust settles, 130 people are dead and 413 more are injured. The investigation quickly determines that the attackers are from Molenbeek, Brussels, the very neighbourhood where Coiffure Zaïdi is located. Cornered in Moolenbeek is a midlength documentary from Berlin (61st) award winning director Sahim Omar Kalifa.","stream","[]","['Molenbeek-Saint-Jean (Belgium)', 'Belgium', 'France']","['Muslims', 'Barbershops', 'Terrorism']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125961/1010125961-disc001-file001-frame00305-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183375"
"asp4183373-marc","","2 girls","","52 minutes","[]","Lota comes from the poor rural area of Bangladesh and dreams to improve her status and gain economic independency. She moves to the megacity of Dhaka, finds shelter in a slum and starts to work in a garment factory. She works 12 hours a day, earning 50 cents of a dollar per hour. Tigist, an Ethiopian girl, was meant to have more privileged life. She was born in a family of two teachers, but after both her parents died in a car crash, she became a victim of abuse by her relatives. Escaping from a situation of enslavement, Tigist ends up on the streets of Addis Ababa. Without a place to sleep or anyone to call for, she is quickly surrounded by predators and has to fight for her surivival. 2 Girls is a character-driven and observational documentary about two young women who are linked to each other through a universal journey of poverty and abuse for the sake of dreaming a better life. It’s a heartbreakingly harsh journey, where Lota and Tigist meet their hopes and destinies. Yet, despite their tough lives, they reveal an inner strength and great dignity. They come from poverty, they fall into even worse conditions, but they never stop striving to improve their state. Overwhelmed by global injustice and gender-oriented abuse, Lota and Tigist manage to keep their souls uncorrupted by the wrongdoings they face. The story of 2 Girls is a story lived every day by millions of girls all around the world but rarely has it been told with the same power of testimony than in this documentary.","stream","[]","['Ethiopia', 'Bangladesh']","['Poverty', 'Young women', 'Abused women', 'Homeless women', 'Prostitutes']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125960/1010125960-disc001-file001-frame00185-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183373"
"asp4183371-marc","","The opposition","","77 minutes","[]","The Opposition is an investigative documentary set in Papua New Guinea that follows local leader Joe Moses’ struggle to save his 3,000 strong community before they are forcibly evicted from their homes. Despite betrayals, police brutality and risks to his own life, Joe battles through the courts for three years fighting those who want to take away his community’s home. The saga starts on Mothers Day, Port Moresby 2012: 100 policemen wield machetes and descend on the Paga Hill Settlement to bulldoze their houses to the ground. Residents are beaten, and cut with machetes; the policemen open fire on the crowd while arresting the Leader of the Opposition Government, Dame Carol Kidu, there to protect the community. This demolition is to make way for the new multi-million ‘master planned development’,  including a five-star hotel, marina wharf and executive residential apartments which will ‘set a new precedent in PNG’. As the struggle unfolds, Joe Moses recruits a coalition of allies including Dame Carol Kidu, investigator Dr. Kristian Lasslett and a motivated team of pro-bono lawyers. Piecing together the evidence, The Opposition shines a light on the pressures of urban development at a time when displacement is becoming a common occurrence for communities around the world. As the Paga Hill crisis becomes a well known David and Goliath battle in Papua New Guinea, the government enters into a profit share with the company, creating a new twist in the saga. The obstacles stack up against the community: in a devastating blow to their morale, their mentor Dame Carol Kidu retires from politics as the Leader of the Opposition, and in a surprising about turn, begins working with the development company who want to evict them. Where once Dame Carol Kidu stood in front of bulldozers to defend the people, she is now in charge of relocating the community, paid by the development company. As the Supreme Court date draws closer, the pressure mounts. Late one night, two plain clothed policemen attempt to arrest Joe Moses and refuse to tell him the reason for his arrest. Fearing for his safety if taken into custody, the community distracts the police and Joe is able to escape into hiding … Current affairs backdrop: There will be an Asia-Pacific Economic Cooperation APEC -meeting hold in Papua New Guinea in November 2018, gathering the great majority of world leaders. The reason this is significant is, that the Paga Hill site, central in the story of The Opposition is also the site of some of the APEC facilities.","stream","[]","['Papua New Guinea']","['Opposition (Political science)', 'Police brutality', 'Eviction']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125959/1010125959-disc001-file001-frame00260-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183371"
"asp4183369-marc","","To kill Alice","","78 minutes","[]","Eunmi, a South Korean woman living in United States, lives a placid life dedicated to music. Her life changes drastically, however, after a vacation to North Korea. She writes a book about her tourist experiences in North Korea and hopes for unification. Eunmi receives a Citizen Journalist Award in South Korea and travels in South Korea for a promotional book tour, where she's suddenly accused of having a communist agenda and spreading propaganda. Public outrage, a media circus and threats of violence erupt all around her. Eunmi loses her voice as a spokesperson of peaceful unification and cultural exchange between the two Korea's and becomes an object of hate for South Korean far-right representatives. She has to fight her way out of South Korea, just to discover that meanwhile her stigma has reached U.S. too.","stream","[]","['Korea (South)']","['Deportation']","['Feature films', 'Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125958/1010125958-disc001-file001-frame00210-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183369"
"asp4183367-marc","","PIIGS","","74 minutes","[]","PIIGS is a documentary that challenges prevalent European budgetary policies and the austerity dogma. It does so by bringing in lesser-known facts and evidence that have the effect of ridiculing prevalent European monetary policies and dominant political certainties. Did you know that the famous god-like Stability and Growth Pact with its 3% deficit limit and theories about critical government debt levels are based on purely invented figures and typing errors in Excel spreadsheet? However, austerity policies keep on dividing the continent into winners and loosers, creating great amount of suffering, particularly in so-called crisis countries. Consequently, the whole European project has become in doubt. PIIGS is a Southern European take into austerity dogma and states with the voice of prestigious international economists, intellectuals and experts, that the origin of the European debt crisis is not the inadequacy of people in crisis countries but the very foundation of euro itself. Unfortunately people are not immune to bad decision making, and the documentary shows how austerity turns into practice in Rome, focusing on a survival story of a cooperative assisting disabled people. The documentary features Noam Chomsky, Stephanie Kelton (Chief Economist for US Senate Budget Committee), Warren Mosler (post-Keynesian economist), Paul De Grauwe (Professor London School of Economics), Yanis Varoufakis (ex Greek Minister of Finance), Marshall Auerback (Research associate, Levy Economics Institute), Erri De Luca (Italian novelist) and Federico Rampini (Italian journalist) among others.","stream","['European Union']","['European Union countries']","['Debts, Public', 'Monetary policy', 'Economic policy']","['Documentary films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125957/1010125957-disc001-file001-frame00140-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4183367"
"asp4181183-marc","","Counseling theories in action series. Existential therapy","","105 minutes","['Counseling theories in action series']","Counseling theory is the compass that allows counselors to navigate the vast territory of clinical practice. A sound counseling theory helps the client and counselor make sense of the client’s experiences and presenting concern. Theory also guides actions toward successful outcomes while generating hope that recovery is possible. Counseling Theories in Action series presents four clinicians working with four different clients. The theories represented are Solution-Focused, Transpersonal, Existential, and Cognitive Behavioral. Viewers will see how professionals make sense of their chosen theoretical model and witness a variety of evidence-based theoretical interventions with the client. The series is a perfect complement to teaching a counseling theories course, as the videos “bring theory to life”.  Intervention Techniques for Existential:  •Life Journey Reflection  •Being Alone •Finding Meaning •What is Important in Life •The Rearview Mirror.","stream","[]","[]","['Counseling psychology', 'Existential psychotherapy']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125161/1010125161-disc001-file001-frame01490-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181183"
"asp4181181-marc","","Counseling theories in action series. Transpersonal therapy","","94 minutes","['Counseling theories in action series']","Counseling theory is the compass that allows counselors to navigate the vast territory of clinical practice. A sound counseling theory helps the client and counselor make sense of the client’s experiences and presenting concern. Theory also guides actions toward successful outcomes while generating hope that recovery is possible. Counseling Theories in Action series presents four clinicians working with four different clients. The theories represented are Solution-Focused, Transpersonal, Existential, and Cognitive Behavioral. Viewers will see how professionals make sense of their chosen theoretical model and witness a variety of evidence-based theoretical interventions with the client. The series is a perfect complement to teaching a counseling theories course, as the videos “bring theory to life”.  Intervention Techniques for Transpersonal: •Clearing the Energy Field  •Client Invitation to Locate and Engage One’s Quiet Space •Immersion in Inner Space •Dialogue with Client in Altered Space About Personal Discoveries •Affirming Insights in Awakened Life •Processing What Has Been Learned Towards Personal Growth •Bonus: Client Debriefing with Therapist.","stream","[]","[]","['Counseling psychology', 'Transpersonal psychotherapy']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125160/1010125160-disc001-file001-frame01320-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181181"
"asp4181179-marc","","Counseling theories in action series. Cognitive behavioral therapy","","96 minutes","['Counseling theories in action series']","Counseling theory is the compass that allows counselors to navigate the vast territory of clinical practice. A sound counseling theory helps the client and counselor make sense of the client’s experiences and presenting concern. Theory also guides actions toward successful outcomes while generating hope that recovery is possible. Counseling Theories in Action series presents four clinicians working with four different clients. The theories represented are Solution-Focused, Transpersonal, Existential, and Cognitive Behavioral. Viewers will see how professionals make sense of their chosen theoretical model and witness a variety of evidence-based theoretical interventions with the client. The series is a perfect complement to teaching a counseling theories course, as the videos “bring theory to life”. Intervention Techniques for Cognitive Behavioral:  •Identifying, evaluating, and responding to automatic thoughts •Changing one’s language •Socratic dialogues and questioning •Use of Imagery •Building resilience.","stream","[]","[]","['Counseling psychology', 'Cognitive therapy']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125159/1010125159-disc001-file001-frame01185-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181179"
"asp4181177-marc","","Counseling theories in action series. Solution-focused therapy","","107 minutes","['Counseling theories in action series']","Counseling theory is the compass that allows counselors to navigate the vast territory of clinical practice. A sound counseling theory helps the client and counselor make sense of the client’s experiences and presenting concern. Theory also guides actions toward successful outcomes while generating hope that recovery is possible. Counseling Theories in Action series presents four clinicians working with four different clients. The theories represented are Solution-Focused, Transpersonal, Existential, and Cognitive Behavioral. Viewers will see how professionals make sense of their chosen theoretical model and witness a variety of evidence-based theoretical interventions with the client. The series is a perfect complement to teaching a counseling theories course, as the videos “bring theory to life”.  Intervention Techniques for Solution-Focused: •Present and Future Orientation •Goal Setting/The Miracle Question •Scaling •Noticing Exceptions •Do One Thing Different.","stream","[]","[]","['Counseling psychology', 'Solution-focused therapy']","['Instructional films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125158/1010125158-disc001-file001-frame01745-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181177"
"asp4181175-marc","","19 bygone sweethearts","","33 minutes","[]","An impressionist investigation of past relationships and true love.","stream","[]","[]","['Couples', 'Love', 'Separation (Psychology)']","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125157/1010125157-disc001-file001-frame00120-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181175"
"asp4181173-marc","","I change I am the same","","1 minute","[]","A short, hilarious film of a woman and a man in various stages of undress - in their own and each other's clothing. You in your clothes. Me in my clothes. You in my clothes. Me in your underpants. You in nothing. Me in your clothes. You in my underwear. Me in nothing. You in your underpants. Me in my underwear. You in nothing. Me in nothing. You in your clothes. Me in my clothes.","stream","[]","[]","[]","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125156/1010125156-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181173"
"asp4181171-marc","","Introduction to humanities","","2 minutes","[]","My first year Humanities class at the San Francisco Art Institute steps before the camera and introduces itself one by one. This film is an appropriate complement to NEAR THE BIG CHAKRA and should be shown immediately after.","stream","[]","[]","[]","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125155/1010125155-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181171"
"asp4181169-marc","","Near the big chakra","","14 minutes","[]","An unhurried view of 37 human female vaginas - ranging in age from three months to 56 years.","stream","[]","[]","['Vagina']","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125154/1010125154-disc001-file001-frame00005-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181169"
"asp4181167-marc","","Riverbody","","6 minutes","[]","A continuous dissolve of 87 male and female nudes.","stream","[]","[]","['Nude in art']","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125153/1010125153-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181167"
"asp4181165-marc","","The struggle of the meat","","3 minutes","[]","When I was editing my last film, ANIMALS RUNNING, a collection of images grouped themselves together but refused to be included in the film. I spliced them together and put them aside. At the same time I was experimenting with sound loops, inspired by John Lilly's work with dolphin language. Briefly, he discovered that when exposed to a repeating loop in a relaxed atmosphere, a subject would begin to hear sounds or words other than those recorded. I made some loops and found that the phrase ""the struggle of the meat"" was a particularly evocative one.THE STRUGGLE OF THE MEAT is a collection of accumulating images in sync with this phrase.Produced with the assistance of the Royal Belgian Film Museum and Agfa-Gevaert.","stream","[]","[]","[]","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125152/1010125152-disc001-file001-frame00035-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181165"
"asp4181163-marc","","Animals running","","21 minutes","[]","A continuous stream of animals from bison to splinters of fishes.","stream","[]","[]","['Animals']","['Experimental films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010125xxx/1010125151/1010125151-disc001-file001-frame00065-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181163"
"asp4181118-marc","","Una mujer fantastica","","104 minutes","[]","Marina and Orlando are in love and planning for the future. Marina is a young waitress and aspiring singer. Orlando is 20 years older than her and owns a printing company. After celebrating Marina's birthday one evening, Orlando falls seriously ill. Marina rushes him to the emergency room, but he passes away just after arriving at the hospital. Instead of being able to mourn her lover, suddenly Marina is treated with suspicion. The doctors and Orlando's family don't trust her. A woman detective investigates Marina to see if she was involved in his death. Orlando's ex-wife forbids her from attending the funeral. And to make matters worse, Orlando's son threatens to throw Marina out of the flat she shared with Orlando. Marina is a trans woman and for most of Orlando's family, her sexual identity is an aberration, a perversion. So Marina struggles for the right to be herself. She battles the very same forces that she has spent a lifetime fighting just to become the woman she is now - a complex, strong, forthright and fantastic woman.","stream","[]","['Chile']","['Transgender women', 'May-December romances', 'Grief']","['Filmed performances']","https://media.proquest.com/media/asp/asp-drm/1010124521/thumbnail.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181118"
"asp4181116-marc","","Culture, then and now. When spirit calls","","5 minutes","['Culture, then and now']","A young woman’s spiritual journey.","stream","[]","['Canada']","['Spirituality', 'Ojibwa Indians', 'Culture', 'Indian women']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124520/1010124520-disc001-file001-frame00020-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181116"
"asp4181114-marc","","Women. Lost","","3 minutes","['Women']","She wanders the streets at night, but her smile hides a secret.","stream","[]","['Canada']","['Indigenous women', 'Indian women']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124519/1010124519-disc001-file001-frame00065-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181114"
"asp4181086-marc","","Sifting through Santa Rosa’s charred ruins","","2 minutes","[]","Join the Hurley family as they go through the ashes of their home in Santa Rosa. Wildfires have burned more than 170,000 acres across Northern California this week.","stream","[]","['California']","['Wildfires']","['Documentary films', 'Short films', 'Personal narratives']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124518/1010124518-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181086"
"asp4181084-marc","","Destroyed in tsunami, a temple is reborn","","2 minutes","[]","Join residents of a Japanese village devastated by the 2011 tsunami as they celebrate the rebuilding of the 1,000-year-old Buddhist Kongoji Temple on higher ground.","stream","[]","['Japan']","['Buddhist temples']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124517/1010124517-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181084"
"asp4181080-marc","","Frugal traveler. Hop on South Africa’s scenic night train in 360","","2 minutes","[]","Follow the Frugal Traveler for a memorable 26-hour train ride from Johannesburg to Cape Town.","stream","[]","['South Africa']","['Railroad travel', 'Railroad trains']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124515/1010124515-disc001-file001-frame00035-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181080"
"asp4181076-marc","","Laundry day around the world","","2 minutes","[]","From handwashing to laundromats, people in different parts of the world gather together to do laundry. Enter those spaces in 360 video.","stream","[]","[]","['Laundries', 'Laundry']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124513/1010124513-disc001-file001-frame00020-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181076"
"asp4181074-marc","","Cook County Jail’s comeback","","2 minutes","[]","After a decade-long reform effort, Cook County Jail in Chicago is now being described as a model facility. Walk through the jail complex to see what has changed.","stream","['Cook County (Ill.)', 'Department of Corrections']","['Illinois']","['Jails', 'Prison administration']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124512/1010124512-disc001-file001-frame00030-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181074"
"asp4181072-marc","","Community and history in Iceland’s geothermal pools","","2 minutes","[]","Iceland has more than 100 public pools, most of which are heated by the country’s abundant geothermal energy.","stream","[]","['Iceland']","['Geothermal district heating', 'Geothermal resources', 'Swimming pools']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124511/1010124511-disc001-file001-frame00020-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181072"
"asp4181070-marc","","Reuniting with boats in the Virgin Islands","","3 minutes","[]","The U.S. Coast Guard is working to retrieve boats that were displaced during Hurricanes Irma and Maria. Ralph Evey's vessel was rescued in a two-day process involving cranes and buoys.","stream","['Coast Guard', 'United States']","['United States Virgin Islands']","['Hurricane Irma, 2017', 'Hurricane damage', 'Hurricane Maria, 2017']","['Television news programs', 'Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124510/1010124510-disc001-file001-frame00035-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181070"
"asp4181068-marc","","Surviving the Texas church shooting","","1 minute","[]","At home recovering from a gunshot wound, Rosanne Solis talks about the church shooting that killed 26 people on Sunday morning in Sutherland Springs, Tex.","stream","[]","['Texas']","['Mass shootings']","['Television news programs', 'Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124509/1010124509-disc001-file001-frame00015-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181068"
"asp4181066-marc","","New seven wonders in 360. Christ the Redeemer","","1 minute","['New seven wonders in 360']","A colossal statue of Jesus Christ on top of Mount Corcovado in Rio de Janeiro.","stream","[]","[]","['Curiosities and wonders', 'Monumento ao Christo Redemptor (Rio de Janeiro, Brazil)']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124508/1010124508-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181066"
"asp4181064-marc","","New seven wonders in 360. Taj Mahal","","1 minute","['New seven wonders in 360']","Mughal emperor Shah Jahan built a mausoleum in memory of his wife, Mumtaz, in Agra, India.","stream","[]","['Agra (India)']","['Curiosities and wonders', 'Taj Mahal (Agra, India)']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124507/1010124507-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181064"
"asp4181062-marc","","Hawaii launches long-term care program","","2 minutes","[]","This week, Hawaii launched the Kupuna Caregivers Program to help support working family caregivers.","stream","[]","['Hawaii']","['Older people', 'Caregivers']","['Documentary films', 'Short films', 'Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124506/1010124506-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181062"
"asp4181060-marc","","Meet the oldest female BMX racer in the U.S. (she’s 69)","","2 minutes","[]","Kittie Weston-Knauer, also known as Miss Kittie, has raced against men and keeps cycling despite knee and hip replacements. She explains how BMX is keeping her young in mind and body.","stream","[]","[]","['Sports for older people', 'Women cyclists', 'Bicycle motocross']","['Biographical films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124505/1010124505-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181060"
"asp4181058-marc","","New seven wonders in 360. The Great Wall","","1 minute","['New seven wonders in 360']","The Great Wall of China was built over a period of 1800 years to protect against invaders.","stream","[]","['Great Wall of China (China)']","['Curiosities and wonders']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124504/1010124504-disc001-file001-frame00045-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181058"
"asp4181054-marc","","New seven wonders in 360. Chichén Itzá","","1 minute","['New seven wonders in 360']","An ancient Maya city that eventually became part of the Maya-Toltec civilization.","stream","[]","['Chichén Itzá Site (Mexico)', 'Mexico']","['Curiosities and wonders', 'Civilization, Ancient']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124502/1010124502-disc001-file001-frame00020-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181054"
"asp4181052-marc","","36 hours in Latino New York City","","1 minute","[]","Revisit the Big Apple in 36 hours and discover the Latino quarters of New York City, from Harlem to Jackson Heights.","stream","[]","['New York (N.Y.)', 'New York (State)']","['Hispanic Americans']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124501/1010124501-disc001-file001-frame00015-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181052"
"asp4181046-marc","","Floating schools in Bangladesh","","2 minutes","[]","In the Natore District in northwest Bangladesh, children attend school on a boat. Flooding is an increasing problem in the country, which is a delta formed by the confluence of major rivers and highly vulnerable to climate change.","stream","[]","['Bangladesh']","['Schools']","['Documentary films', 'Short films', 'Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124498/1010124498-disc001-file001-frame00045-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181046"
"asp4181042-marc","","Vows. Keeping to a tradition, including swords","","3 minutes","[]","Ashley Iorio and David Sands met at the United States Naval Academy and were wed on Veterans Day. Get glimpses from their wedding in 360 video.","stream","[]","[]","['Spouses', 'Military weddings']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124496/1010124496-disc001-file001-frame00025-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181042"
"asp4181040-marc","","Can Rikers Island be saved?","","3 minutes","[]","New York City is spending millions of dollars to overhaul Rikers Island. Take a look around the jail complex in 360 video to see the changes firsthand.","stream","[]","['New York (State)']","['Jails', 'Prison administration']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124495/1010124495-disc001-file001-frame00035-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181040"
"asp4181026-marc","","Coping with Alzheimer’s, together and apart","","5 minutes","[]","Walt and Aline Zerrenner have found a range of coping mechanisms to deal with her memory loss. Join them as they tackle a typical day.","stream","[]","[]","[""Alzheimer's disease""]","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124488/1010124488-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181026"
"asp4181024-marc","","Keeping Indian folk painting alive","","1 minute","[]","An award-winning Madhubani painter explains the historic art form and how she plans to help keep it alive.","stream","[]","['India']","['Painting, Indic', 'Folk art']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124487/1010124487-disc001-file001-frame00015-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181024"
"asp4181022-marc","","A family’s return to Mosul","","3 minutes","[]","Thousands have been returning to western Mosul after Iraqi forces pushed ISIS out of the city. The Salman family moves back amid risks and widespread damage to their neighborhood. They now hope to rebuild.","stream","[]","['Iraq']","['Return migration', 'Refugee families', 'Return migrants', 'Refugee camps']","['Television news programs', 'Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124486/1010124486-disc001-file001-frame00040-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181022"
"asp4181018-marc","","Leaving a condemned Mexico City building","","2 minutes","[]","Since the Sept. 19 earthquake in Mexico, about 500 buildings across Mexico City have been found to be structurally unsafe. At this building on Iturbide street, residents are packing up and leaving.","stream","[]","['Mexico']","['Emergency management', 'Buildings', 'Mexico City Earthquake, Mexico, 1985']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124484/1010124484-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181018"
"asp4181016-marc","","Life on Mars. An interplanetary marriage. Episode 6","","5 minutes","['Life on Mars']","Six people are living in isolation for eight months on a volcano in Hawaii as part of a NASA-funded study to simulate human exploration of Mars. In the sixth episode of this 360-video series, we observe the challenges of an interplanetary marriage.","stream","[]","['Mars (Planet)']","['Astronomy', 'Extraterrestrial anthropology', 'Spouses', 'Social isolation', 'Long-distance relationships']","['Television news programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124483/1010124483-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181016"
"asp4181012-marc","","Step inside Bolivia’s psychedelic dream homes","","2 minutes","[]","Bolivian architect Freddy Mamani is gaining fame for his elaborate, electric style of architecture that he sees as part of a movement embracing local culture and traditions.","stream","['Mamani Silvestre, Freddy']","['Bolivia']","['Architecture', 'Architects']","['Documentary films', 'Short films', 'Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124481/1010124481-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181012"
"asp4181010-marc","","Hike to find the magic of Santorini","","1 minute","[]","Many visitors to Santorini come for its pristine beaches, but its open secret is the winding hiking trails that overlook the sea.","stream","[]","['Santorini Island (Greece)', 'Greece']","['Hiking', 'Trails']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124480/1010124480-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181010"
"asp4181006-marc","","Weaving around the world","","4 minutes","[]","From Venice to Addis Ababa, the West Bank to the Navajo Nation reservation, follow the process of weaving, which has been developed across cultures for thousands of years.","stream","[]","[]","['Weaving']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124478/1010124478-disc001-file001-frame00065-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181006"
"asp4181002-marc","","Skating through Tel Aviv's empty highways on Yom Kippur","","1 minute","[]","Tel Aviv's roads and highways are devoid of traffic on Yom Kippur, the holiest day of the Jewish year. While many people are at synagogues and at home with family, others explore the quiet on bikes and skateboards.","stream","[]","['Israel']","['Roads', 'Yom Kippur']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124476/1010124476-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4181002"
"asp4180996-marc","","Ai Weiwei puts up fences to promote freedom","","2 minutes","[]","Walk with Ai Weiwei through his newest outdoor art project in New York, “Good Fences Make Good Neighbors,” which tackles issues of immigration and inclusion.","stream","[]","[]","['Artists', 'Art, Modern']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124473/1010124473-disc001-file001-frame00020-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180996"
"asp4180994-marc","","Get lost in a giant bamboo labyrinth","","2 minutes","[]","The Labirinto della Masone, in Parma, Italy, is a dream come true of the Italian publisher Franco Maria Ricci, who set out to build the largest labyrinth in the world.","stream","[]","['Labirinto della Masone (Fontanellato, Italy)', 'Italy']","['Maze gardens']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124472/1010124472-disc001-file001-frame00080-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180994"
"asp4180992-marc","","Behind the scenes at the Natural History Museum","","2 minutes","[]","Look around the museum’s frozen tissue lab, paleontology collection, object conservation lab, and more on this virtual reality tour of the American Museum of Natural History.","stream","['American Museum of Natural History']","['New York (State)']","['Natural history museums']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124471/1010124471-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180992"
"asp4180990-marc","","Go hill bombing in San Francisco","","3 minutes","[]","Race down city streets with a crew of skaters as they weave in and out of traffic, pedestrians and intersections without stopping.","stream","[]","['California']","['Skateboarding injuries', 'Skateboarding', 'Skateboarders']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124470/1010124470-disc001-file001-frame00040-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180990"
"asp4180988-marc","","Women of color fight back","","2 minutes","[]","Sister Diaspora for Liberation, a feminist collective, hosted a self-defense workshop in the Bronx for and by women of color. The class worked to create safe space through sparring, meditation, and private dialogue.","stream","[]","[]","['Self-defense for women']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124469/1010124469-disc001-file001-frame00005-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180988"
"asp4180984-marc","","A hotel revival in Los Angeles","","2 minutes","[]","Step up to the bar or lounge by the pool in 360 degrees at some of the chic hotels that are inviting guests to a revitalized Los Angeles.","stream","[]","['California', 'Los Angeles (Calif.)']","['Hotels', 'Urban renewal']","['Documentary films', 'Short films', 'Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124467/1010124467-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180984"
"asp4180982-marc","","Prison through art, rap and VR","","2 minutes","[]","“State Property” is a Bronx-based art exhibition that looks at the American consumerism of prison labor.","stream","[]","['United States', 'New York (State)']","['Convict labor', 'Art', 'Prisoners', 'Prisons']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124466/1010124466-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180982"
"asp4180980-marc","","Climb a $150 million stairway","","2 minutes","[]","Watch the construction of “Vessel,” an interactive, 15-story sculpture that is the centerpiece of five acres of public space at the Hudson Yards development on Manhattan’s West Side.","stream","[]","['Manhattan (New York, N.Y.)', 'New York (State)']","['Interactive art', 'Sculpture, American', 'Monuments', 'Buildings']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124465/1010124465-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180980"
"asp4180976-marc","","Southern slavery, unsanitized","","2 minutes","[]","The Whitney Plantation became the only plantation museum in Louisiana with a focus on slavery when it opened to the public in 2014.","stream","['Whitney Plantation (Saint John the Baptist Parish, La.)']","['Louisiana']","['Museums', 'Historic sites', 'Plantations', 'Slavery']","['Television news programs', 'Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124463/1010124463-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180976"
"asp4180974-marc","","Protesting coal mining from a treehouse","","3 minutes","[]","For years, activists have been protesting the expansion of coal mining in the Hambach Forest in Germany by living in treehouses. A court ruling may soon change that.","stream","[]","['Germany']","['Coal mines and mining', 'Political activists', 'Protest movements']","['Television news programs', 'Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124462/1010124462-disc001-file001-frame00010-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180974"
"asp4180972-marc","","A year in bloopers. The making of The daily 360","","2 minutes","[]","Happy New Year from the Daily 360 team! We've made 435 videos in 426 days. Here are some of the moments that didn’t make the cut. Pro tip: If you can see the camera, the camera can see you.","stream","[]","[]","[]","['Outtakes']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124461/1010124461-disc001-file001-frame00050-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180972"
"asp4180970-marc","","A jeweler in Canada’s far North","","2 minutes","[]","Visit Aayuraa Studio in Northern Canada and listen to its founder, Mathew Nuqingaq, who was named to the Order of Canada, talk about the stories of the jewelry he makes.","stream","[]","['Canada, Northern']","['Jewelers', 'Jewelry making']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124460/1010124460-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180970"
"asp4180968-marc","","A year after a hurricane, stepping out of limbo in Haiti","","3 minutes","[]","The remote Haitian island of Île-à-Vache was devastated by Hurricane Matthew in October 2016. Some residents have been able to rebuild their homes. For others, it is taking longer.","stream","[]","['Haiti']","['Natural disasters', 'Emergency management', 'Hurricane Matthew, 2016']","['Documentary films', 'Short films', 'Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124459/1010124459-disc001-file001-frame00065-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180968"
"asp4180966-marc","","Explore Bears Ears through indigenous voices","","2 minutes","[]","Bears Ears National Monument is at the center of America’s public lands debate. Visit the area in 360 and hear from some of the people affected by the boundary change.","stream","[]","['Bears Ears National Monument (Utah)', 'Utah']","['Public lands', 'Boundaries, State']","['Documentary films', 'Short films', 'Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124458/1010124458-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180966"
"asp4180964-marc","","Muay Thai runs in the family","","2 minutes","[]","An experienced Muay Thai teacher is training his 16 children in the martial art to keep them off the streets and to help pay for their education.","stream","[]","[]","['Child rearing', 'Martial arts for children', 'Muay Thai']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124457/1010124457-disc001-file001-frame00025-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180964"
"asp4180962-marc","","Trying to save the corals of the Great Barrier Reef","","1 minute","[]","Faced with dying coral reefs, a team of researchers are breeding heat-resistant corals in an effort to restore the population.","stream","[]","['Australia']","['Coral reef conservation']","['Documentary films', 'Short films', 'Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124456/1010124456-disc001-file001-frame00045-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180962"
"asp4180960-marc","","New seven wonders in 360. The Colosseum","","1 minute","['New seven wonders in 360']","The largest amphitheater of the Roman Empire could hold up to 70,000 people.","stream","['Colosseum (Rome, Italy)']","['Italy']","['Amphitheaters', 'Curiosities and wonders']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124455/1010124455-disc001-file001-frame00010-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180960"
"asp4180958-marc","","Above the Keystone Pipeline oil spill","","1 minute","[]","Around 210,000 gallons of oil spilled onto the grasslands of South Dakota on Thursday. Get a 360-degree aerial view of the damage it left behind.","stream","[]","['South Dakota']","['Petroleum pipelines', 'Oil spills']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124454/1010124454-disc001-file001-frame00035-size-fit-1024x578.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180958"
"asp4180956-marc","","New seven wonders in 360. The ‘New seven wonders’ in 360 video","","1 minute","['New seven wonders in 360']","Experience the majestic sites, often called the ‘new seven wonders,’ during moments of solitude in 360 video.","stream","[]","[]","['Seven Wonders of the World', 'Curiosities and wonders', 'Historic sites', 'Monuments']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124453/1010124453-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180956"
"asp4180954-marc","","Visiting R.L. Stine. An apartment meant to give you ‘goosebumps’","","2 minutes","[]","R.L. Stine, the author of the “Goosebumps” children’s horror book series, takes us on a 360-degree tour of his apartment, where a skeleton, a three-foot-long cockroach and two ventriloquist dummies reside.","stream","['Stine, R. L']","[]","[]","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124452/1010124452-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180954"
"asp4180952-marc","","Visit an Austrian village, replicated in China","","2 minutes","[]","Enter Hallstatt, Austria, a small town in the Alps, and its replica in southern China in 360 video. Explore the towns’ more-than-similar architectural features.","stream","[]","['Hallstatt (Austria)', 'Hallstatt (China)', 'Austria', 'China']","['Architecture']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124451/1010124451-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180952"
"asp4180948-marc","","A dip in the living room pool","","1 minute","[]","In a slowing luxury real estate market, developers are investing in amenities to attract buyers. Explore Soori High Line, where more than half of the units come with private, saltwater pools.","stream","[]","['New York (State)']","['Condominiums', 'Housing development']","['Television news programs', 'Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124449/1010124449-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180948"
"asp4180946-marc","","Brains, hearts and heroin addiction. Medicine in VR","","2 minutes","[]","Addiction treatment, heart surgery and brain research are just some of the areas where virtual reality is helping to improve traditional approaches to treatment and training in medicine. Step inside a human heart or experience addiction treatment in VR.","stream","[]","[]","['Heart', 'Brain', 'Virtual reality in medicine', 'Compulsive behavior']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124448/1010124448-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180946"
"asp4180942-marc","","Food inequality in Venezuela. Children in crisis","","2 minutes","['Food inequality in Venezuela']","Food shortages and the lack of affordable goods has led to growing malnutrition rates in Venezuela. A nonprofit initiative provides community lunches for children in low-income neighborhoods in an attempt to alleviate the problem.","stream","[]","['Venezuela']","['Malnutrition', 'Food prices', 'Food security', 'Nonprofit organizations', 'School children', 'Poor children']","['Documentary films', 'Short films', 'Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124446/1010124446-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180942"
"asp4180940-marc","","Citizens mobilize after Mexico quake","","1 minute","[]","Volunteers are banding together to help rescue workers clear rubble and distribute resources after the 7.1 magnitude earthquake shook Mexico City on Tuesday.","stream","[]","['Mexico']","['Volunteer workers in search and rescue operations', 'Earthquakes']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124445/1010124445-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180940"
"asp4180938-marc","","17 shacks and a piece of Hudson history","","1 minute","[]","A cluster of century-old fishing shacks in Hudson, N.Y., once at risk of being demolished, is now being preserved. Step inside one of the shacks and wander around the site.","stream","[]","['New York (State)']","['Fishing huts']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124444/1010124444-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180938"
"asp4180936-marc","","Deconstructing the meaning of home","","2 minutes","[]","“Home — So Different, So Appealing” explores the universal concept of home through the works of Latino artists. The exhibition moves to the Museum of Fine Arts, Houston on Nov. 17.","stream","['Museum of Fine Arts, Houston']","[]","['Hispanic American art', 'Home in art', 'Art, Latin American']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124443/1010124443-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180936"
"asp4180934-marc","","New seven wonders in 360. Petra","","1 minute","['New seven wonders in 360']","The Nabateans built the city, now in modern-day Jordan, in a strategic spot located along early silk and spice trade routes.","stream","[]","['Petra (Extinct city)']","['Curiosities and wonders']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124442/1010124442-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180934"
"asp4180928-marc","","Murakami balances modernity and tradition in Boston","","1 minute","[]","The Museum of Fine Arts, Boston features works by Takashi Murakami, one of Japan's most famous contemporary artists, alongside traditional Japanese art.","stream","['Murakami, Takashi', 'Museum of Fine Arts, Boston']","[]","['Art, Japanese', 'Art, Modern']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124439/1010124439-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180928"
"asp4180926-marc","","The Louvre Abu Dhabi lets in light and, finally, the public","","1 minute","[]","After delays, the Louvre Abu Dhabi, created by architect Jean Nouvel, is about to open.","stream","['Louvre Abu Dhabi']","['United Arab Emirates']","['Art museums']","['Television news programs', 'Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124438/1010124438-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180926"
"asp4180922-marc","","See why New York’s ferries are so popular","","1 minute","[]","Ride down the East River from Astoria to Wall Street, and find out why New York’s new ferry service has been filled beyond early projections.","stream","[]","['New York (State)']","['Ferries']","['Television news programs', 'Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124436/1010124436-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180922"
"asp4180918-marc","","Which classroom setting suits you?","","2 minutes","[]","We visited three third-grade math classes to see different environments at work: Montessori, Waldorf and public education.","stream","[]","[]","['Waldorf method of education', 'Public schools', 'Elementary school environment', 'Teaching', 'Montessori method of education', 'Classroom environment']","['Documentary films', 'Short films', 'Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124434/1010124434-disc001-file001-frame00010-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180918"
"asp4180916-marc","","Biking with biosensors in New York City","","1 minute","[]","The city of New York has spent millions on improving bicycle safety, but a recent study by Multimer, a technology startup that monitored cyclists’ brainwaves while biking, highlighted the dangers that still exist.","stream","[]","['New York (State)']","['Bicycles', 'Biosensors', 'Cycling']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124433/1010124433-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180916"
"asp4180914-marc","","Fly over Colorado’s autumn colors in 360°","","1 minute","[]","Stands of aspen trees grow as a single organism, each changing to the same color at the same time. Visit White River National Forest and witness their colors firsthand.","stream","['White River National Forest (Agency : U.S.)']","['Colorado']","['Aspen', 'Fall foliage']","['Television news programs', 'Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124432/1010124432-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180914"
"asp4180912-marc","","Vows. A wedding amid Strand’s rare books","","2 minutes","[]","Adam J. Kurtz and Mitchell Kuga were married in the rare books room at the Strand Bookstore in New York. Their wedding day, Dec. 1, was the five-year anniversary of their relationship. Glimpse their wedding in 360 video.","stream","['Strand Bookstore']","['New York (State)']","['Same-sex weddings']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124431/1010124431-disc001-file001-frame00070-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180912"
"asp4180910-marc","","For the birds? Sure, it’s New York real estate","","2 minutes","[]","New Yorkers customize all sorts of spaces for their favorite pets. Visit Hunt Slonem’s art studio, where dozens of parrots live and inspire Mr. Slonem’s art.","stream","[]","['New York (State)']","['Cage birds', 'Parrots']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124430/1010124430-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180910"
"asp4180906-marc","","‘Handmaids’ protest nationwide","","2 minutes","[]","Drawing on imagery from Margaret Atwood’s novel “The Handmaid’s Tale,” the Handmaid Coalition organized demonstrations across the country to call attention to female reproductive rights.","stream","[]","[]","['Reproductive rights', 'Demonstrations']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124428/1010124428-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180906"
"asp4180900-marc","","Preparing for doomsday in a $1.5 million bunker condo","","2 minutes","[]","Take a step into an old missile silo that has been converted into expensive bunkers for wealthy survivalists.","stream","[]","[]","['Survival', 'Judgment Day', 'Guided missile silos', 'Condominiums', 'Emergency management', 'Survivalism']","['Documentary films', 'Television news programs', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124425/1010124425-disc001-file001-frame00040-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180900"
"asp4180898-marc","","Houston Astros’ first World Series parade","","1 minute","[]","Nine weeks after Hurricane Harvey hit Texas, the Houston Astros celebrated their first World Series title.","stream","['World Series (Baseball)', 'Houston Astros (Baseball team)']","['Texas']","['Hurricane Harvey, 2017', 'Baseball teams', 'Hurricane damage', 'Baseball']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124424/1010124424-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180898"
"asp4180892-marc","","See the New York City that never was","","2 minutes","[]","Visit the New York City that could have been in this 360 video and explore the exhibition at the Queens Museum called “Never Built New York,” showcasing hundreds of projects that could have dramatically changed the look of the city.","stream","[]","['New York (N.Y.)', 'New York (State)']","['Construction projects']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124421/1010124421-disc001-file001-frame00075-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180892"
"asp4180888-marc","","Life on Mars. Return to Earth","","8 minutes","['Life on Mars']","In the series finale of our 360 video series, ""Life on Mars,"" the six crew members living in isolation for a NASA-funded research study exit their habitat in Hawaii after eight months. Follow their return from Mars-like conditions and how they adjust to everyday life.","stream","[]","['Mars (Planet)']","['Social isolation', 'Astronomy']","['Television news programs', 'Documentary television programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124419/1010124419-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180888"
"asp4180886-marc","","A blind Syrian refugee finds his way in New York","","2 minutes","[]","After fleeing the Syrian regime, Amier Agha and his family settled in New York, where he has access to services for the visually impaired for the first time since he lost his sight.","stream","[]","['Syria', 'New York (State)']","['Syrians', 'Blind', 'Refugees']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124418/1010124418-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180886"
"asp4180882-marc","","Bleak refuge for Rohingya at Bangladesh camps","","4 minutes","[]","A new wave of violence in Rakhine State in western Myanmar has caused 270,000 Rohingya Muslims to flee to Bangladesh. Many Rohingya end up in limbo in a series of refugee camps near the Cox's Bazar area.","stream","[]","['Burma', 'Bangladesh']","['Refugees', 'Muslims', 'Violence', 'Refugee camps', 'Rohingya (Burmese people)']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124416/1010124416-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180882"
"asp4180876-marc","","Spelunking in search of antibiotics","","2 minutes","[]","It can take decades of research and more than a billion dollars to create a new antibiotic drug. Sometimes, the first step of the process starts underground, deep inside a mountain.","stream","[]","[]","['Antibiotics']","['Television news programs', 'Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124413/1010124413-disc001-file001-frame00065-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180876"
"asp4180874-marc","","A Brooklyn sugar factory’s transformation","","2 minutes","[]","Step inside what remains of Brooklyn’s Domino Sugar factory on the site of one of the latest developments changing the city’s waterfront.","stream","['Domino Sugar Factory (Brooklyn, N.Y.)']","['Brooklyn (New York, N.Y.)', 'New York (State)']","['Waterfronts', 'City planning', 'Sugar factories']","['Documentary films', 'Short films', 'Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124412/1010124412-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180874"
"asp4180872-marc","","Diversifying Fashion Week","","2 minutes","[]","Designer Tracy Reese’s show is among the most inclusive at New York Fashion Week. For several years, more than half of her models have been women of color.","stream","[]","[]","['Fashion shows', 'Diversity in the workplace', 'Fashion designers']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124411/1010124411-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180872"
"asp4180870-marc","","52 places to go. Marrakesh","","2 minutes","['52 places to go']","The painter Jacques Majorelle built the garden and the fashion designer Yves Saint Laurent preserved it. Both artists drew inspiration from the diverse plant life and bright blue architectural details throughout the garden.","stream","[]","['Marrakech (Morocco)']","['International travel']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124410/1010124410-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180870"
"asp4180860-marc","","Growing up in prison","","2 minutes","[]","Step into a nursery in Lima, Peru, where children play and learn within the confines of the Santa Monica de Chorrillos prison, where their mothers are inmates.","stream","[]","['Peru']","['Women prisoners', 'Children of women prisoners', 'Mother and child']","['Documentary films', 'Short films', 'Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124405/1010124405-disc001-file001-frame00025-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180860"
"asp4180858-marc","","36 hours in Madrid","","2 minutes","[]","Spend 36 hours in Madrid, Spain's vibrant capital.","stream","[]","['Madrid (Spain)']","['International travel']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124404/1010124404-disc001-file001-frame00020-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180858"
"asp4180856-marc","","52 places to go. Iceland","","8 minutes","['52 places to go']","Visit Iceland in virtual reality with The New York Times’ 52 Places Traveler, Jada Yuan, and the Frugal Traveler Lucas Peterson, as they tour the country’s breathtaking landscapes and bond over the joys, and difficulties, of solo traveling.","stream","[]","['Iceland']","['International travel']","['Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124403/1010124403-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180856"
"asp4180854-marc","","Dark island. Rebuilding Puerto Rico’s grid","","4 minutes","[]","Will Puerto Rico’s electric grid withstand another storm? Witness the vulnerability of the grid, and track the progress of its repairs and daily life still in the dark.","stream","['Puerto Rico Electric Power Authority']","['Puerto Rico']","['Electric power distribution', 'Electric power']","['Television news programs']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124402/1010124402-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180854"
"asp4180852-marc","","Remembering Emmett Till","","8 minutes","[]","In this virtual reality documentary, we explore how the Mississippi towns where Emmett Till’s murder took place more than six decades ago are trying to memorialize him.","stream","['Till, Emmett']","['Mississippi']","['Lynching', 'Murder victims', 'African Americans']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124401/1010124401-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180852"
"asp4180850-marc","","Speed down the luge course in 360","","1 minute","[]","Matthew Mortensen from the U.S. Men's Luge Olympic team explains the luge course. View it in 360 video.","stream","[]","[]","['Winter Olympics', 'Sledding']","['Educational films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124400/1010124400-disc001-file001-frame00065-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180850"
"asp4180848-marc","","Scenes of destruction in Florida’s panhandle","","1 minute","[]","In this 360 video, survey the widespread damage Hurricane Michael caused in Mexico Beach, Fla and its surrounding areas.","stream","[]","['Florida']","['Hurricane Michael, 2000', 'Natural disasters', 'Hurricane damage']","['Television news programs', 'Short films', 'Nonfiction films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124399/1010124399-disc001-file001-frame00010-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180848"
"asp4180846-marc","","Get down on the ice and start sweeping","","2 minutes","[]","Curling is a centuries-old sport played by delivering heavy granite rocks down a long sheet of ice. Learn how it's played with the U.S. Women’s Curling Olympic team.","stream","[]","['United States']","['Curling teams', 'Sports for women', 'Curling', 'Team sports']","['Educational films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124398/1010124398-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180846"
"asp4180844-marc","","Behind the scenes on the set of ‘Glow’","","2 minutes","[]","Join cast member Alison Brie on a 360 video tour during the filming of Season Two for the Netflix show.","stream","[]","[]","['Television']","['Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124397/1010124397-disc001-file001-frame00030-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180844"
"asp4180842-marc","","A 360-degree view of the March for our lives protest","","1 minute","[]","Witness the thousands who have gathered on Pennsylvania Avenue in Washington to protest gun violence in 360-degree video.","stream","[]","['United States']","['Gun control', 'Protest movements']","['Television news programs', 'Documentary films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124396/1010124396-disc001-file001-frame00010-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180842"
"asp4180772-marc","","Society. Ute Kanata","","3 minutes","['Society']","By adapting it to the reality of First Nations, this “O Kanata“ stands to be both a manifesto and a song rallying all peoples on the Canadian land.","stream","[]","['Canada']","['National songs', 'Indians of North America']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124164/1010124164-disc001-file001-frame00110-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180772"
"asp4180770-marc","","Society. Nous nous soulèverons","","5 minutes","['Society']","In an inspired and powerful text, the talented Innu poet Natasha Kanapé Fontaine invites us to rise up to bring light to the world.","stream","[]","['Canada']","['Indigenous peoples', 'Indians of North America']","['Poetry', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124163/1010124163-disc001-file001-frame00045-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180770"
"asp4180768-marc","","Society. Un nouveau souffle","","5 minutes","['Society']","Two young activist women investigate the self determination of the First Nations and meet this generation's leaders.","stream","[]","['Canada']","['Indians of North America', 'Self-determination, National']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124162/1010124162-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180768"
"asp4180766-marc","","Society. Indian time","","6 minutes","['Society']","Through electric blues, Matiu sings about the struggles of urban Indigenous people, torn between their disconnected reality and their nostalgic roots.","stream","[]","['Québec (Province)']","['Indigenous peoples', 'Indians of North America']","['Short films', 'Music videos']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124161/1010124161-disc001-file001-frame00150-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180766"
"asp4180764-marc","","Society. The routes","","4 minutes","['Society']","Riding on his bike, James McDougall explores his memories of disturbing events that have marked the community.","stream","[]","['Québec (Province)']","['Missing persons', 'Indians of North America', 'Cycling']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124160/1010124160-disc001-file001-frame00100-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180764"
"asp4180762-marc","","Society. Luj 051","","6 minutes","['Society']","A film inspired by a small First Nations community’s view on policing.","stream","[]","['Québec (Province)']","['Indians of North America', 'Police']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124159/1010124159-disc001-file001-frame00140-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180762"
"asp4180760-marc","","Society. Le chagrin des homess. Nekatenitamu napeu","","6 minutes","['Society']","Three Innu men share their pain after losing their unborn children; a bereavement they often have to face alone.","stream","[]","['Québec (Province)']","['Miscarriage', 'Indians of North America', 'Children', 'Fathers', 'Bereavement']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124158/1010124158-disc001-file001-frame00115-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180760"
"asp4180758-marc","","Society. Pinatakushkuess","","5 minutes","['Society']","Born of an Innu mother and a Chadian father, a young woman travels the world searching for her own identity.","stream","[]","['Québec (Province)']","['Identity (Psychology)', 'Racially mixed people', 'Indians of North America']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124157/1010124157-disc001-file001-frame00015-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180758"
"asp4180756-marc","","Society. Mon voyage. Ka kushpian","","4 minutes","['Society']","A young man recalls his initiatory canoe trip from Mani-Utenam to Schefferville.","stream","[]","['Québec (Province)']","['Canoes and canoeing', 'Indians of North America']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124156/1010124156-disc001-file001-frame00180-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180756"
"asp4180754-marc","","Society. Kitaskino","","5 minutes","['Society']","The importance of safeguarding the territory.","stream","[]","['Québec (Province)']","['Indians of North America', 'Logging', 'Environmental protection']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124155/1010124155-disc001-file001-frame00045-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180754"
"asp4180752-marc","","Society. Uprooting a nation. Airstrip","","4 minutes","['Society']","On the unceded Anishnaabe territory sits an old abandoned airstrip built without the consent of the Anishnaabe people.","stream","[]","['Québec (Province)']","['Assimilation (Sociology)', 'Indians of North America']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124154/1010124154-disc001-file001-frame00050-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180752"
"asp4180750-marc","","Society. La résistance innue. Blocus 138","","8 minutes","['Society']","This documentary depicts the events of March 9th, 2012 during the road block of the 138.","stream","[]","['Québec (Province)']","['Government, Resistance to', 'Indians of North America', 'Innu Indians']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124153/1010124153-disc001-file001-frame00080-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180750"
"asp4180748-marc","","Society","","6 minutes","['Society']","Evelyne Papatie visits the Ikepeng people in the forests of Mato Grosso in Brazil. The rites and customs of her distant brothers rekindle her pride in her own identity.","stream","[]","['Québec (Province)', 'Brazil']","['Ojibwa Indians', 'Txicaos Indians', 'Indians of North America', 'Indians of South America']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124152/1010124152-disc001-file001-frame00200-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180748"
"asp4180746-marc","","Society. Danger. Kushtakuan","","5 minutes","['Society']","Mining exploitation picks up again in the Innu community of Matimekush.","stream","[]","['Québec (Province)']","['Innu Indians', 'Indians of North America', 'Mineral industries']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124151/1010124151-disc001-file001-frame00085-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180746"
"asp4180744-marc","","Society. Kice iriniw acitc sipiriw","","5 minutes","['Society']","In this animated film, a young man is awakened by his grandfather who takes him on a magnificent journey on the river.","stream","[]","['Québec (Province)']","['Canoes and canoeing', 'Indians of North America', 'Indian youth', 'Rivers']","['Ethnographic films', 'Short films', 'Animated films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124150/1010124150-disc001-file001-frame00035-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180744"
"asp4180742-marc","","Society. Shipu (River)","","6 minutes","['Society']","Two young women remind us of the fundamental role of the rivers, ""the ancestors' highways"", as they are known by the Innu.","stream","[]","['Québec (Province)']","['Indians of North America', 'Rivers', 'Innu Indians']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124149/1010124149-disc001-file001-frame00100-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180742"
"asp4180740-marc","","Society. Terme désignant à la fois, terre innue et réserve. Innu-assit","","4 minutes","['Society']","Set to a music from Philippe McKenzie, “Innu-Assit“ compares yesterday's Innu territory and today's reserve.","stream","[]","['Québec (Province)']","['Indian reservations', 'Indians of North America', 'Innu Indians']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124148/1010124148-disc001-file001-frame00085-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180740"
"asp4180738-marc","","Society. Awaskinawason","","3 minutes","['Society']","An animated short calling on us to respect the great circle of life.","stream","[]","['Québec (Province)']","['Nature', 'Deforestation', 'Indians of North America']","['Short films', 'Animated films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124147/1010124147-disc001-file001-frame00115-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180738"
"asp4180736-marc","","Society. Je commence à m'ennuyer. Aci ni micta cikateriten","","4 minutes","['Society']","Sakay shares, through a poetic and sensitive testimony, the sudden disappearance of his brother.","stream","[]","['Québec (Province)']","['Missing persons', 'Brothers', 'Indians of North America']","['Ethnographic films', 'Short films']","https://d3crmev290s45i.cloudfront.net/frames/1010124xxx/1010124146/1010124146-disc001-file001-frame00110-size-exact-570x350.jpg","https://www.remote.uwosh.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;4180736"