Book Reviews

Film & History strives to publish timely, insightful reviews of scholarly books on film and history, broadly conceived. If a book on the list below catches your scholarly interest, please consider reviewing it for us.

Reviews should be between 500 and 1500 words, and offer a critical assessment of the book's value to scholars as well as an overview of its contents. Reviews may be submitted in any format, but are subject to editing to fit Film & History's house style. Film & History will consider unsolicited reviews for publication, provided they meet the journal's standards for length, style, and content.

Interested in reviewing for Film & History? Contact book review editor Paul Cohen at book.reviews.editor@filmandhistory.org

 

Books Currently Available For Review [PDF]

Books Available for Review in Film & History (1 June 2016)

Contact: book.reviews.editor@filmandhistory.org

1001 Movies You Must See Before You Die, Steven J. Schneider, Ian Haydn Smith

A Cinema of Poetry, Joseph Luzzi

A Companion to Martin Scorsese, Aaron Baker

A Companion to Robert Altman, Adrian Danks

A Companion to Wong Kar-wai, Martha P. Nochimson

A Cuban in Mayberry, Gustavo Pérez Firmat

A History of Narrative Film, David A. Cook

Africa, Blandine Stefanson & Sheila Petty

Africa in Stereo, Tsitsi Ella Jaji

André Bazin's New Media, André Bazin

Animating Film Theory, Karen Beckman

Anxiety Muted, Stanley C. Pelkey II & Anthony Bushard

Art Direction & Production Design, Lucy Fischer

At the End of the Street in the Shadow, Matthew Asprey Gear

Australian Film Theory & Criticism, Noel King and Deane Williams

Avant-Doc, Scott Macdonald

Awakening The Eye, George Kouvaros

Bad Seeds and Holy Terrors, Dominic Lennard

Barbara Koppel.Interviews, Gregory Brown

Berlin Replayed, Brigitta B. Wagner

Beyond the Bottom Line, Andrew Spicer, A.T. McKenna & Christopher Meir

Bigger than Ben-Hur, Barbara Ryan and Milette Shamir

Birth of an Industry, Nicholas Sammond

Black Male Frames, Roland Leander Williams Jr.

Bodies in Pain, Tarja Laine

Bollywood's India, Rachel Dwyer

Bondarchuk's War and Peace, Denise J. Youngblood

Borderland Films, Dominique Brégent-Heald

Brazilian Propaganda, Nina Schneider

Breaking Bad, David P. Pierson

Bringing History to Life Through Film, Kathryn Anne Morey

Britain 2, Neil Mitchell

Broadcasting Modernity, Yeidy M. Rivero

Buccaneer, Donald Dewey

Buddhism and American Cinema, John Whalen-Bridge and Gary Storhoff

C. Francis Jenkins:  Pioneer of Film and Television, Donald Godfrey

Captain America, Masculinity, and Violence, J. Richard Stevens

Captivating Westerns, Susan Kollin

Cartomancy and Tarot in film 1940-2010, Emily E. Auger

Casual Affairs, Maryellen Keefe

Caught on Camera, Christian Delage

Cecil Hepworth, Simon Brown

Censoring Racial Ridicule, M. Alison Kibler

Charlie Chaplin A Comedian Sees the World, Lisa Stein Haven

Cinema Approaching Reality, Victor Fan

Cinema at the Edges, Abigail Loxham

Cinema Civil Rights, Ellen C. Scott

Cinema In Service of the State, Lars Karl and Pavel Skopal

Cinema, Slavery, and Brazilian Nationalism, Richard A. Gordon

Cinematography, Patrick Keating

Classical Hollywood Cinema, James Zborowski

Climate Trauma, E. Ann Kaplan

Colonial Cinema in Africa, Glenn Reynolds

Comic Medievalism, Louise D'Arcens

Composing for Moving Pictures, Jason M. Gaines

Compound Cinematics: Akira Kurosawa and I, Shinobu Hashimoto

Critical Approaches to the Films of Robert Rodriguez, Frederick Luis Aldama

Crouching Tiger, Hidden Dragon: Sword of Destiny, Justin Hill

Cypriot Cinemas, Costas Constandinides & Yiannis Papadakis

Dance Floor Democracy, Sherrie Tucker

Designing Sound, Jay Beck

Desires for Reality, Benjamin Halligan

Devices of Curiosity, Oliver Gaycken

Directory of World Cinema China 2, Gary Bettinson

Directory of World Cinema India, Adam Bingham

Directory of World Cinema Scotland, Bob Nowlan & Zach Finch

Documenting Cityscapes, Iván Villarmea Álvarez

Downtown Film & TV Culture 1975-2001, Joan Hawkins

Dreaming of Cinema, Adam Lowenstein

East Asian Film Noir, Chi-Yun Shin and Mark Gallagher

Eastern Horizons, Elizabeth Rawitsch

Ecology and Contemporary Nordic Cinemas, Pietari Kääpä

Empire Films and the Crisis of Colonialism 1946-1959, Jon Cowans

Enemies To Allies, Brian C. Etheridge

Envisioning Freedom, Cara Caddoo

Extreme Cinema, Mattias Frey

Fantasy of Modernity, Aarti Wani

Farber On Film, Robert Polito

Fashion on Television, Helen Warner

Father Knows Best, Mary R. Desjardins

Fiery Cinema, Weihong Bao

Film and the City, George Melnyk

Film at Expo 67, Monika Kin Gagnon and Janine Marchessault

Forgotten Dreams, Laurie Ruth Johnson

From Empire to the World, Malini Guha

From Self-Fulfilment to Survival of the Fittest, Ewa Mazierska

Gender And The Uncanny, Anjeana K. Hans

Germaine Dulac, Tami Williams

Ghost Faces, David Greven

Girls Will Be Boys, Laura Horak

Hal Ashby and the Making of Harold and Maude, James A. Davidson

Hamilton Babylon a History of the McMaster Film Board, Stephen Broomer

Have Gun - Will Travel, Gaylyn Studlar

Hearths of Darkness, Tony Williams

Henry-Georges Clouzot, Christopher Lloyd

Heroines of Film and Television, Norma Jones, Maja Bajac-Carter, Bob Batchelor

Hidden In Plain Sight, Colin Williamson

Hitchcock's Stars, Lesley L. Coffin

Hollywood and the Holocaust, Henry Gonshak

Hollywood Frame by Frame, Karina Longworth

Hollywood Riots, Doug Dibbern

Hollywood, A Very Short Introduction, Peter Decherney

Home Movies, Claire Jenkins

Humor and Latina/o Camp in Ugly Betty, Tanya González and Eliza Rodriguez Y Gibson

Hybrid Heritage on Screen, Elena Oliete-Aldea

Imagining New York City, Christoph Lindner

Immigration Cinema in the New Europe, Isolina Ballesteros

Imperial Projections, Wolfgang Fuhrmann

Impersonal Enunciation, Or the Place of Film, Christian Metz

Impure Cinema, Lucia Nagib & Anne Jerslev

In Search of La Grande Illusion, Nicholas Macdonald

In the Aftermath of Trauma, Sabine Eckmann

Inside the Historical Film, Bruno Ramirez

Inside the Writers' Room, Christina Kallas

It's the Pictures That Got Small, Anthony Slide

James Cagney Films of the 1930's, James L. Neibaur

Jean Desmet's Dream Factory, Jaap Guldemond & Marente Bloemheuvel

Jim Jarmusch, Sara Piazza

John Lasseter, Richard Neupert

Justice Performed, Sarah Kozinn

Keepers of the Flame, Travis Vogan

Kiss the Blood Off My Hands, Robert Miklitsch

Knots Landing, Nick Salvato

Kurt Kren: Structural Films, Nicky Hamlyn, Simon Payne and A.L. Rees

Lady in the Dark, Robert Sitton

Last Features, Reinhild Steingrover

Lonely Places, Dangerous Ground, Steven Rybin & Will Scheibel

Making Asian American Film and Video, Jun Okada

Making Time, Maria Pramaggiore

Marc Karlin Look Again, Holly Aylett

Marilyn Monroe Day by Day, Carl Rollyson

Marx at the Movies, Ewa Mazierska & Lars Kristensen

Marxism and Film Activism, Ewa Mazierska & Lars Kristensen

Matinee Melodrama, Scott Higgins

Maverick, Dennis Broe

Maya Deren Incomplete Control, Sarah Keller

Menus for Movieland, Richard Abel

Merchants of Menace, Richard Nowell

Mexico on Main Street, Colin Gunckel

Mike Nichols, Kyle Stevens

Missing Reels, Farran Smith Nehme

Monstrous Adaptations, Richard J. Hand and Jay McRoy

Montgomery Clift, Queer Star, Elisabetta Girelli

Movie Journal, Jonas Mekas

Movie Migrations, Hye Seung Chung & David Scott Diffrient

Movies in the Age of Obama, David Garrett Izzo

Movies, Myth & the National Security State, Dan O'Meara, Alex Macleod, Frederick Gagnon, David Grondin

Multiplicities in Film & Television, Amanda Ann Klein and R. Barton Palmer

Muslim Women in French Cinema, Leslie Kealhofer-Kemp

New Approaches to Gone with the Wind, James A. Crank

Of Walking In Ice, Werner Herzog

On Slowness, Lutz Koepnick

Our Gang, Julia Lee

Our Own Image, Barry Barclay

Outside The Lettered City, Manishita Dass

Parallel Lines, Guy Westwell

Passing Interest, Julie Cary Nerad

Performance Projections, Stephen Barber

Peter Weir Interviews, John C. Tibbetts

Phantom Ladies, Tim Snelson

Picturing Argentina, Currie Thompson

Pocket Guide to Analyzing Films, Robert Spadoni

Poitier Revisited, Ian Gregory Strachan and Mia Mask

Polish Cinema, Ewa Mazierska & Michael Goddard

Political Fellini, Andrea Minuz

Politics in Popular Movies, John S. Nelson

Postfeminism and the Fatale Figure in Neo-Noir Cinema, Samantha Lindop

Post-Object Fandom, Rebecca Williams

Post-Soul Satire, Derek C. Maus and James J. Donahue

Post-Yugoslav Cinema, Dino Murtic

Producing, Jon Lewis

Projected Art History, Doris Berger

Quit India, Dror Izhar

Reading the Bromance, Michael DeAngelis

Realizing the Witch, Richard Baxstrom & Todd Meyers

Reconstructing Violence, Deborah E. Barker

Recycled Stars, Mary R. Desjardins

Red Alert, Ewa Mazierska and Alfredo Suppia

Referentiality and the Films of Woody Allen, Klara Stephanie Szlezák and D.E. Wynter

Reframing The Subject, Kelly Ritter

Remembering Bruce Lee, Jon T. Benn

Remote Control, Caetlin Benson-Allott

Representing 9/11, Paul Petrovic

Reverse Shots, Wendy Gay Pearson and Susan Knabe

Revisiting Film Melodrama, Dominique Nasta, Muriel Andrin & Anne Gailly

Road-Show!, Matthew Kennedy

Robert Altman: In the American Grain, Frank Caso

Rock 'N' Film, David E. James

Romanian New Wave Cinema, Doru Pop

Roots of Modern Hollywood, Nick Smedley

Rowan & Martin's Laugh-In, Ken Feil

Sam Peckinpah, Festival del film Locarno

Screen Culture and the Social Question, Ludwig Vogl-Bienek & Richard Crangle

Screening Images of Am. Masc. in Age of Postfeminism, Abele & Gronbeck-Tedesco

Seeing Sarah Bernhardt, Victoria Duckett

Selling the Silver Bullet, Avi Santo

Short Cuts:  International Politics and Film, Sean Carter & Klaus Dodds

Shot on Location, R. Barton Palmer

Showbiz Politics, Kathryn Cramer Brownell

Simultaneous Worlds, Jennifer Feeley & Sarah ann Wells

Smart Chicks on Screen, Laura Mattoon D'Amore

Social Class on British and American Screens, Cloarec, Haigron & Letort

Some of These Days, James Donald

Sounding the Modern Woman, Jean Ma

Spectacular Digital Effects, Kristen Whissel

Spoiler Alert!, Cornelia Klecker

Star Bodies and the Erotics of Suffering, Rebecca Bell-Metereau and Colleen Glenn

Stars in World Cinema, Andrea Bandhauer & Michelle Royer

Still In The Saddle, Andrew Patrick Nelson

Subjective Realist Cinema, Matthew Campora

Surviving Images, Kamran Rastegar

Television and the Modernization Edeal in 1980s China, Huike Wen

Terence Davies, Michael Koresky

The Atomic Bomb in Japanese Cinema, Matthew Edwards

The Autobiographical Turn in Germanophone Doc. and Exp. Film, Curtis & Fenner

The Battle of the Sexes, Noel Burch and Genevieve Sellier

The Cinema of Errol Morris, David Resha

The Cinema of Poetry, P. Adams Sitney

The Cinema of Robert Altman, Robert Niemi

The Cinema of Robert Rodriguez, Frederick Luis Aldama

The Cinema of Wong Kar Wai, Wong Kar Wai, John Powers

The Cinematic Voyage of The Pirate, Earl Hess & Pratibha A. Dabholkar

The Classical Mexican Cinema, Charles Ramirez Berg

The Cohen Brothers Encyclopedia, Lynnea Chapman King

The Comedy Offense, Rick DesRochers

The Cool and the Crazy, Peter Stanfield

The Danish Directors, Mette Hjort, Ib Bondebjerg & Eva Novrup Redvall

The Demons of Modernity, John Orr

The Documentary Film Reader, Jonathan Kahana

The Emergence of Film Culture, Malte Hagener

The Emergence of Video Processing Tools (2 v), High, Hocking & Jimenez

The Films  of Claire Denis, Marjorie Vecchio

The First King of Hollywood, Tracey Goessel

The Global Film Book, Roy Stafford

The Heist Film, Stealing with Style, Daryl Lee

The L Word, Margaret T. McFadden

The Liverpool Companion to World Science Fiction Film, Sonja Fritzsche

The Lord of the Rings, Lorna Piatti-Farnell

The Magic World of Orson Welles, James Naremore

The Maltese Falcon to Body of Lies, Robert Von Hallberg

The Many Lives of Cy Endfield, Brian Neve

The Mind Screen, Georg Schmid

The Nazi Past in Contemporary German Film, Axel Bangert

The Poitier Effect, Sharon Willis

The Politics and Poetics of Cinematic Realism, Hermann Kappelhoff

The Politics of Magic, Qinna Shen

The President's Ladies, Bernard F. Dick

The Sagebrush Trail, Richard Aquila

The Salome Ensemble, Alan Robert Ginsberg

The Sitcom Class Wars, Ray Starman

The Subject of Torture, Hilary Neroni

The Symbolism and Sources of Outlander, Valerie Estelle Frankel

The TV Detective, Helen Piper

The U.S.-Mexico Border in American Cold War Film, Stephanie Fuller

The Ultimate Stallone Reader, Chris Holmlund

The Use and Abuse of Cinema, Eric Rentschler

The Westerns and War Films of John Ford, Sue Matheson

The White Savior Film, Matthew Hughey

The Writers, Miranda J. Banks

They Live, D. Harlan Wilson

Thinking in the Dark, Murray Pomerance and R. Barton Palmer

Thinking Kink, Catherine Scott

Tom Cruise Performing Masculinity in Post Vietnam Hollywood, Ruth O'Donnell

Torture Porn in the Wake of 9/11, Aaron Michael Kerner

Transactions with the World, Adam O'Brien

Truman Capote, Tison Pugh

Twenty British Films, Brian McFarlane

Ukranian Cinema, Josua First

Uplift Cinema, Allyson Nadia Field

Videoland, Daniel Herbert

Virtual Memory, Homay King

W.C. Fields From Burlesque and Vaudeville to Broadway, Arthur Frank Wertheim

Warrior Women, Lisa Funnell

When the Machine Made Art, Grant D. Taylor

Whoniverse, Lance Parkin

Wicked Cinema, Daniel S. Cutrara

 


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