Book Reviews

Film & History strives to publish timely, insightful reviews of scholarly books on film and history, broadly conceived. If a book on the list below catches your scholarly interest, please consider reviewing it for us.

Reviews should be between 500 and 1500 words, and offer a critical assessment of the book's value to scholars as well as an overview of its contents. Reviews may be submitted in any format, but are subject to editing to fit Film & History's house style. Film & History will consider unsolicited reviews for publication, provided they meet the journal's standards for length, style, and content.

Interested in reviewing for Film & History? Contact book review editor Paul Cohen at


Books Currently Available For Review [PDF]

Books Available for Review in Film & History (1 November 2015)



1001 Movies You Must See Before You Die, Steven J. Schneider, Ian Haydn Smith

2 Prospectors:  The Letters of Sam Shepard & Johnny Dark, Chad Hammet

A Cinema of Poetry, Joseph Luzzi

A Cuban in Mayberry, Gustavo Pérez Firmat

A Society in Distress, Jan Culik

Africa, Blandine Stefanson & Sheila Petty

Africa in Stereo, Tsitsi Ella Jaji

African Video Movies and Global Desires, Carmela Garritano

After the Break, Marijke de Valck & Jan Teurlings

America's Mistress, The Life and Times of Eartha Kitt, John Williams

American History, Melvyn Stokes

An Archaeology of Sympathy, James Chandler

André Bazin's New Media, André Bazin

Animating Film Theory, Karen Beckman

Anxiety Muted, Stanley C. Pelkey II & Anthony Bushard

Appetites and Anxieties, Cynthia Baron, Diane Carson, Mark Bernard

Art Direction & Production Design, Lucy Fischer

Australian Film Theory & Criticism, Noel King and Deane Williams

Australian Film Theory & Criticism Vol 2 Interviews, Noel King and Deane Williams

Avant-Doc, Scott Macdonald

Bad Seeds and Holy Terrors, Dominic Lennard

Batman, Matt Yockey

Beyond the Bottom Line, Andrew Spicer, A.T. McKenna & Christopher Meir

Beyond the Looking Glass, Ana Salzberg

Birth of an Industry, Nicholas Sammond

Black Male Frames, Roland Leander Williams Jr.

Blossoms and Blood, Jason Sperb

Bodies in Pain, Tarja Laine

Bollywood's India, Rachel Dwyer

Bondarchuk's War and Peace, Denise J. Youngblood

Borderland Films, Dominique Brégent-Heald

Border Visions, Kazecki, Ritzenhoff, Miller

Brando's Smile, Susan L. Misruchi

Brazilian Propaganda, Nina Schneider

Breaking Bad, David P. Pierson

Bringing History to Life Through Film, Kathryn Anne Morey

Britain 2, Neil Mitchell

Broadcasting Modernity, Yeidy M. Rivero

Buddhism and American Cinema, John Whalen-Bridge and Gary Storhoff

Buffoon Men, Scott Balcerzak

C. Francis Jenkins:  Pioneer of Film and Television, Donald Godfrey

Captain America, Masculinity, and Violence, J. Richard Stevens

Captivating Westerns, Susan Kollin

Casual Affairs, Maryellen Keefe

Caught on Camera, Christian Delage

Censoring Racial Ridicule, M. Alison Kibler

Charlie Chaplin A Comedian Sees the World, Lisa Stein Haven

Cinema Approaching Reality, Victor Fan

Cinema at the Edges, Abigail Loxham

Cinema Civil Rights, Ellen C. Scott

Cinema Of The Dark Side, Shohini Chaudhuri

Cinema, Slavery, and Brazilian Nationalism, Richard A. Gordon

Cinematic Appeals, Ariel Rogers

Cinematography, Patrick Keating

Colonial Cinema in Africa, Glenn Reynolds

Comic Medievalism, Louise D'Arcens

Compound Cinematics: Akira Kurosawa and I, Shinobu Hashimoto

Contemporary Romanian Cinema, Dominique Nasta

Crime, History, and Hollywood, Willard M. Oliver & Nancy E. Marion

Critical Approaches to the Films of Robert Rodriguez, Frederick Luis Aldama

Cypriot Cinemas, Costas Constandinides & Yiannis Papadakis

Dance Floor Democracy, Sherrie Tucker

Devices of Curiosity, Oliver Gaycken

Devised and Directed by Mike Leigh, Bryan Cardinale-Powell

Dietrich & Riefenstahl, Karin Wieland

Direct Theory, Edward S. Small & Timothy W. Johnson

Directors Close Up 2, Jeremy Kagan

Directory of World Cinema India, Adam Bingham

Directory of World Cinema Scotland, Bob Nowlan & Zach Finch

Directory of World Cinema China 2, Gary Bettinson

Documenting Cityscapes, Iván Villarmea Álvarez

Doris Day Confidential, Tamar Jeffers McDonald

Downtown Film & TV Culture 1975-2001, Joan Hawkins

Dreaming of Cinema, Adam Lowenstein

Dreams in American Television Narratives, Cynthia Burkhead

Dream West, Douglas Brode

East Asian Film Noir, Chi-Yun Shin and Mark Gallagher

Eastern Horizons, Elizabeth Rawitsch

Eastwood's Iwo Jima, Rikke Schubart & Anne Gjelsvik

Ecology and Contemporary Nordic Cinemas, Pietari Kääpä

Education in the School of Dreams, Jennifer Lynn Peterson

Empire Films and the Crisis of Colonialism 1946-1959, Jon Cowans

Envisioning Freedom, Cara Caddoo

Fashion on Television, Helen Warner

Festen, C. Claire Thomson

Fictional Worlds, L.A. Alexander

Fiery Cinema, Weihong Bao

Film and the City, George Melnyk

Film at Expo 67, Monika Kin Gagnon and Janine Marchessault

Film Criticism in the Digital Age, Mattias Frey and Cecilia Sayad

Film, History and Memory, Jennie M. Carlsten, Fearghal McGarry

From Empire to the World, Malini Guha

From Self-Fulfilment to Survival of the Fittest, Ewa Mazierska

Frontiers of Screen History, Merivirta, Ahonen, Mulari, Mӓhkӓ

Gender And The Uncanny, Anjeana K. Hans

Generic Histories of German Cinema, Jaimey Fisher

Germaine Dulac, Tami Williams

Ginger Snaps, John Fawcett

Have Gun - Will Travel, Gaylyn Studlar

Hearths of Darkness, Tony Williams

Heroines of Film and Television, Norma Jones, Maja Bajac-Carter, Bob Batchelor

Hitchcock's Stars, Lesley L. Coffin

Hollywood and Hitler 1933-1939, Thomas Doherty

Hollywood Frame by Frame, Karina Longworth

Home Movies, Claire Jenkins

Humor and Latina/o Camp in Ugly Betty, Tanya González and Eliza Rodriguez Y Gibson

Hybrid Heritage on Screen, Elena Oliete-Aldea

Imagic Moments, Lee Schweninger

Imagining New York City, Christoph Lindner

Immigration Cinema in the New Europe, Isolina Ballesteros

Imperial Projections, Wolfgang Fuhrmann

Impure Cinema, Lucia Nagib & Anne Jerslev

In Search of La Grande Illusion, Nicholas Macdonald

In the Aftermath of Trauma, Sabine Eckmann

Inside the Historical Film, Bruno Ramirez

Inside the Writers' Room, Christina Kallas

Into the Woods, John Yorke

Italian Silent Cinema, Georgio Bertellini

It's the Pictures That Got Small, Anthony Slide

James Cagney Films of the 1930's, James L. Neibaur

Jean Desmet's Dream Factory, Jaap Guldemond & Marente Bloemheuvel

Jean-Luc Godard, Cineam Historian, Michael Witt

Jim Jarmusch, Sara Piazza

Joseph Cornell Versus Cinema, Michael Pigott

Justice Performed, Sarah Kozinn

Keepers of the Flame, Travis Vogan

Kiss the Blood Off My Hands, Robert Miklitsch

Knots Landing, Nick Salvato

Lady in the Dark, Robert Sitton

Last Features, Reinhild Steingrover

Late Goddard and the Possibilities of Cinema, Daniel Morgan

Leslie Howard The Lost Actor, Estel Eforgan

Lonely Places, Dangerous Ground, Steven Rybin & Will Scheibel

Making Asian American Film and Video, Jun Okada

Making Personas, Hideaki Fujiki

Making a Promised Land, Paula J. Massood

Making Time, Maria Pramaggiore

Marc Karlin Look Again, Holly Aylett

Marilyn Monroe Day by Day, Carl Rollyson

Marx at the Movies, Ewa Mazierska & Lars Kristensen

Marxism and Film Activism, Ewa Mazierska & Lars Kristensen

Maverick, Dennis Broe

Maya Deren Incomplete Control, Sarah Keller

Mediated Maternity, Linda Seidel

Merchants of Menace, Richard Nowell

Mexico on Main Street, Colin Gunckel

Mike Nichols, Kyle Stevens

Missing Reels, Farran Smith Nehme

Monster Culture in the 21st Century, Marina Levina and Diem-My T. Bui

Montgomery Clift, Queer Star, Elisabetta Girelli

Movies in the Age of Obama, David Garrett Izzo

Night and Fog, Sylvie Lindeperg

Not Hollywood, Sherry B. Ortner

On Slowness, Lutz Koepnick

Oscar Fischinger 1900-1967, Cindy Keefer & Jaap Guldemond

Parallel Lines, Guy Westwell

Parallel Plot, Matt Saunders

Passing Interest, Julie Cary Nerad

Performance Projections, Stephen Barber

Peter Weir Interviews, John C. Tibbetts

Phantom Ladies, Tim Snelson

Picturing Argentina, Currie Thompson

Pocket Guide to Analyzing Films, Robert Spadoni

Poitier Revisited, Ian Gregory Strachan and Mia Mask

Polish Cinema, Ewa Mazierska & Michael Goddard

Politics in Popular Movies, John S. Nelson

Popping Culture, Murray Pomerance

Portuguese Film, 1930-1960, Patricia Vieira

Post-Object Fandom, Rebecca Williams

Post-Revolution Nonfiction Film, Joshua Malitsky

Post-Soul Satire, Derek C. Maus and James J. Donahue

Projected Art History, Doris Berger

Queer Enchantments, Anne E. Duggan

Queer Males in Contemporary Cinema, Kylo-Patrick R. Hart

Reading the Bromance, Michael DeAngelis

Recycled Stars, Mary R. Desjardins

Reframing Reality, Alison Frank

Remembering Bruce Lee, Jon T. Benn

Remote Control, Caetlin Benson-Allott

Representing 9/11, Paul Petrovic

Reverse Shots, Wendy Gay Pearson and Susan Knabe

Revisiting Film Melodrama, Dominique Nasta, Muriel Andrin & Anne Gailly

Revolution and Rebellion in Mexican Film, Niamh Thornton

Romanian New Wave Cinema, Doru Pop

Room {1219}, Greg Merritt

Roots of Modern Hollywood, Nick Smedley

Rowan & Martin's Laugh-In, Ken Feil

Screen Culture and the Social Question, Ludwig Vogl-Bienek & Richard Crangle

Seeing Sarah Bernhardt, Victoria Duckett

Selling Sex on Screen, Karen A. Ritzenhoff & Catriona McAvoy

Selling the Silver Bullet, Avi Santo

Sensing the Past, Jim Cullen

Short Cuts:  International Politics and Film, Sean Carter & Klaus Dodds

Showbiz Politics, Kathryn Cramer Brownell

Smart Chicks on Screen, Laura Mattoon D'Amore

Some of These Days, James Donald

Sounding the Modern Woman, Jean Ma

Sovereign Screens, Kristin L. Dowell

Spectacular Digital Effects, Kristen Whissel

Stars in World Cinema, Andrea Bandhauer & Michelle Royer

Still, David S. Shields

Still In The Saddle, Andrew Patrick Nelson

Subjective Realist Cinema, Matthew Campora

Super Cinema, William Brown

Surviving Images, Kamran Rastegar

Television and the Modernization Ideal in 1980s China, Huike Wen

Terence Davies, Michael Koresky

The Ancient World in Silent Cinema, Pantelis Michelakis & Maria Wyke

The Aesthetics of Shadow, Daisuke Miyao

The Atomic Bomb in Japanese Cinema, Matthew Edwards

The Autobiographical Turn in Germanophone Documentary and Experimental Film, Robin Curtis and Angelica Fenner

The Battle of the Sexes, Noel Burch and Genevieve Sellier

The Cinema and It's Shadow, Alice Maurice

The Cinema of Errol Morris, David Resha

The Cinema of Poetry, P. Adams Sitney

The Cinema of Robert Rodriguez, Frederick Luis Aldama

The Cinematic Voyage of The Pirate, Earl Hess & Pratibha A. Dabholkar

The Classical Mexican Cinema, Charles Ramirez Berg

The Cohen Brothers Encyclopedia, Lynnea Chapman King

The Comedy Offense, Rick DesRochers

The Cool and the Crazy, Peter Stanfield

The Counter-Cinema of the Berlin School, Marco Abel

The Culture and Philosophy of Ridley Scott, Adam Barkman, Ashley Barkman, Nancy Kang

The Danish Directors, Mette Hjort, Ib Bondebjerg & Eva Novrup Redvall

The Demons of Modernity, John Orr

The Desiring Image, Gilles Deleuze

The Emergence of Film Culture, Malte Hagener

The Emergence of Video Processing Tools (2 volumes), Kathy High, Sherry Hocking & Mona Jimenez

The End of Cinema?, André Gawdreault and Philippe Marion

The Eyes Have It, Murray Pomerance

The Films  of Claire Denis, Marjorie Vecchio

The Global Film Book, Roy Stafford

The Great Recession in Fiction, Film, and Television, Kirk Boyle & Daniel Mrozowski

The Heist Film, Stealing with Style, Daryl Lee

The Journey of G. Mastorna, Federico Fellini

The L Word, Margaret T. McFadden

The Last Laugh, Murray Pomerance

The Last Western, Paul Stasi and Jennifer Greiman

The Liverpool Companion to World Science Fiction Film, Sonja Fritzsche

The Lives of Robert Ryan, J.R. Jones

The Lord of the Rings, Lorna Piatti-Farnell

The Magic World of Orson Welles, James Naremore

The Many Lives of Cy Endfield, Brian Neve

The Memory Effect, Russell J.A. Kilbourn, Eleanor Ty

The Nazi Past in Contemporary German Film, Axel Bangert

The Ned Kelly Films, Stephen Gaunson

The Orientation of Future Cinema, Bruce Isaacs

The Phoenix Picturehouse, Deborah Allison, Hiu M. Chan, Daniela Treveri Gennari

The Poitier Effect, Sharon Willis

The Politics and Poetics of Cinematic Realism, Hermann Kappelhoff

The Politics of Magic, Qinna Shen

The President's Ladies, Bernard F. Dick

The Private Eye Detectives in the Movies, Bran Nicol

The Psychology of Screenwriting, Jason Lee

The Red Lantern, Albert Capellani

The Sagebrush Trail, Richard Aquila

The Sitcom Class Wars, Ray Starman

The Sopranos, Gary R. Edgerton

The Sound of Music Companion, Laurence Maslon

The Sounds of the Silents in Britain, Julie Brown & Annette Davison

The Spike Lee Brand, Delphine Letort

The Subject of Torture, Hilary Neroni

The Symbolism and Sources of Outlander, Valerie Estelle Frankel

The Time of Our Lives, Yannis Tzioumakis and Sian Lincoln

The TV Detective, Helen Piper

The Ultimate Stallone Reader, Chris Holmlund

The Use and Abuse of Cinema, Eric Rentschler

The Utopia of Film, Christopher Pavsek

The White Savior Film, Matthew Hughey

The Writers, Miranda J. Banks

They Live, D. Harlan Wilson

Thinking Kink, Catherine Scott

This Much is True, James Quinn

Torture Porn in the Wake of 9/11, Aaron Michael Kerner

Transmedia Television, M.J. Clarke

Transnational Film Culture in New Zealand, Simon Sigley

Truman Capote, Tison Pugh

TV on Strike, Cynthia Littleton

Ukranian Cinema, Josua First

Undead in the West II, Cynthia J. Miller & A. Bowdoin Van Riper

Understanding Machinima, Jenna Ng

Uplift Cinema, Allyson Nadia Field

Veiled Desires, Maureen Sabine

Videoland, Daniel Herbert

Viewing America, Christopher Bigsby

W.C. Fields From Burlesque and Vaudeville to Broadway, Arthur Frank Wertheim

Wag the Dog, Eleftheria Thanouli

War on the Silver Screen, Glen Jeansonne & David Luhrssen

Warrior Women, Lisa Funnell

Of Walking In Ice, Werner Herzog

When the Machine Made Art, Grant D. Taylor

Whoniverse, Lance Parkin

Wicked Cinema, Daniel S. Cutrara

World Film Locations Prague, Marcelline Block


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