The 2012 Film & History Conference
REGISTRATION (password: Myth2012)
September 26-30, 2012
Hyatt Regency, Milwaukee (USA)
Call for Papers
Journal:
FILM & HISTORY (41.2: Fall 2011)Mailed to Subscribers
Book:
THE POETICS OF LOVE: Theory and Practice in Film and TelevisionSubmission Deadline Extended: February 1, 2012
News and Updates
• Issue 41.1 ("The Last American Century") has been mailed
• The 2008 Conference Proceedings CD is available for order
• Back issues of F&H will be available from Project MUSE later this year
Download the video of the award presentations and the introduction to Laura Mulvey: 80MB file
Contact Information
For general information regarding the Center or the Journal, please contact the Office Manager,
Carol Lassila, at lassilac@uwosh.eduFor information on film reviews or area-chair duties, please contact the Director of Communications,
Cindy Miller, at cymiller@tiac.net
For information on book reviews, please contact the Book Reviews Editor,
Paul Cohen, at paul.m.cohen@lawrence.edu
For information on major editorial or Center-related decisions, please contact the Director and Editor-in-Chief,
Loren Baybrook, at FilmandHistory@uwosh.edu
Libraries: Film & History is part of Project MUSE, included in its Standard, Basic Research, and Humanities Collections--the last "a subset of the Premium Collection...an interdisciplinary collection of high quality, peer-reviewed journals designed for institutions acquiring extensively in the humanities." See the Johns Hopkins University Press Web site for details. We are also proudly affiliated with EBSCO, WilsonWeb, ProQuest, and Gale.
Center for the Study of Film and History
Polk 305, University of Wisconsin
Oshkosh, WI 54901
920-424-0976
FilmandHistory@uwosh.edu
Editorial Staff and Advisory Board
F
H
The "&" in Film & History
Because Film & History recognizes the constructed nature of almost every film, even of documentaries, the journal publishes scholarship that understands both the aesthetic and the historical contexts of the work under study. A constructed world has both internal and external rules, which must be explained in relation to each other. Graphically and semantically, the “&” in Film & History represents this suture between aesthetic and historical scholarship.
