Bibliografía recomendada

Monografías:

Fane, Diane, ed. Converging Cultures: Art and Identity in Spanish America. New York: Harry N. Abrahams Inc., 1996.

Farango, Claire, ed. Reframing the Renaissance: Visual Culture in Europe and Latin America 1450-1650. New Haven and London: Yale UP, 1995.

Greenblatt, Stephen. Marvelous Possessions. Chicago. U of Chicago P, 1991.

Greenblatt, Stephen, ed. New World Encounters. Berkeley: U of California Press, 1993.

Gruzinski, Serge. Painting the Conquest. Paris, France: Flammarion, 1992.

Harley, J.B. Maps and the Columbian Encounter. Milwaukee: The Golda Meir Library University of Wisconsin, 1990.

Hill-Boone, Elizabeth and Walter Mignolo. Writing Without Words Alternative Literacies in Mesoamerica and the Andes. Durham and London: Duke University Press, 1994.

Jara, René and Nicholas Spadaccini, eds. Amerindian Images and the Legacy of Columbus. Minneapolis and London: U of Minnesota P, 1992.

Mills, Kenneth and William B. Taylor, eds. Colonial Spanish America: A Documentary History. Washington, Delaware: A Scholarly Resources Inc. Imprint., 1998.

Mirzoeff, Nicholas, ed. Visual Culture Reader. London, New York : Routledge, 1998.

Mitchell, W. J. Thomas. Picture Theory : Essays on Verbal and Visual Representation. Chicago : University of Chicago Press, 1994.

Robertson, Donald. Mexican Manuscript Painting of the Early Colonial Period. Norman and London: University of Oklahoma Press, 1984.

Scott, John F. Latin American Art: Ancient to Modern. Florida: UP of Florida, 1999.

Rabasa, José. Writing Violence on the Northen Frontier. Durham and London: Duke UP, 2000.

Tobin, Beth Fowkes. Picturing Imperial Power: Colonial Subjects in Eighteenth-Century British Painting. Duke: Duke University Press, 1999.

Young, Robert. Colonial Desire : Hybridity in Theory, Culture, and Race. London, New York : Routledge, 1999.

Artículos

General

Greenblatt, Stephen. "Introduction". Marvelous Possessions. Chicago. U of Chicago P, 1991. 1-25

Haraway, Donna. "The Persistence of Vision". The Visual Culture Reader. Ed. Nicholas Mirzoeff. New York : Routledge, 1998.191-198.

Mignolo, Walter. "Signs and Their Transmission: The Question of the Book in the New World."Writing Without Words Alternative Literacies in Mesoamerica and the Andes. Eds. Elizabeth Hill-Boone y Walter Mignolo.Durham and London: Duke University Press, 1994.220-270.

Mignolo, Walter. "When Speaking Was Not Good Enough Illiterates, Barbarians, Savages and Cannibals." Amerindian Images and the Legacy of Columbus. Eds. René Jara y Nicholas Spadaccini. Minneapolis: U for Minnesota P, 1992. 312-345.

Mills, Kenneth and William B. Taylor. "Christoph Widitz's Drawing of an Indian Woman of Mexico." Colonial Spanish America: A Documentary History. Washington, Delaware: A Scholarly Resources Inc. Imprint., 1998.71-73.

Mills, Kenneth y William B. Taylor. "Two Woodcuts Accompanying a 1509 German translation of Amerigo Vespucci's Letter to Prieto Soderini". Colonial Spanish America: A Documentary History. Washington, Delaware: A Scholarly Resources Inc. Imprint., 1998. 65-70.

Rogoff, Irit. "Studying Visual Culture". The Visual Culture Reader. Ed. Nicholas Mirzoeff. New York : Routledge, 1998. 14-26.

Todorov, Tzvetan. The Conquest of America. Norman: U of Oklahoma P, 1984

Young, Robert. "Culture and the History of Difference". (Chapter 2). Colonial Desire : Hybridity in Theory, Culture, and Race. London, New York : Routledge, 1999. 29-54.

Sobre el Códice Florentino

Gruzinsky, Serge. "Painting New Spain". Painting the Conquest. Paris, France: Flammarion, 1992. 140-169.

Hill-Boone, Elizabeth. "Aztec Pictorial Histories: Records Without Words." Durham and London: Duke University Press, 1994. 50-76.

Moffitt Watts, Pauline. "Languages of Gesture in Sixteenth-Century Mexico: Some Antecedents and Transmutations." Reframing the Renaissance: Visual Culture in Europe and Latin America 1450-1650. Ed. Claire Farango. New Haven and London: Yale UP, 1995.140-151.

Quiones Keber, Eloise. " (Re)discovering Aztec Images." Amerindian Images and the Legacy of Columbus. Eds. René Jara y Nicholas Spadaccini. Minneapolis: U for Minnesota P, 1992. 132-162.

Scott, John. "Colonial Art of the American Viceroyalties" (Chapter 5). Latin American Art: Ancient to Modern. Florida: UP of Florida, 1999.139-190

Todorov, Tzvetan. "Montezuma and Signs". The Conquest of America. Norman: U of Oklahoma P, 1984. 63-97.

Sobre Guaman Poma de Ayala

Adorno, Rolena. "Colonial Reform or Utopia? Guaman Poma's Empire of the Four Parts of the World". Amerindian Images and the Legacy of Columbus. Eds. René Jara y Nicholas Spadaccini. Minneapolis: U for Minnesota P, 1992. 346-373.

Adorno, Rolena. “Paradigms Lost: A Peruvian Indian Surveys Spanish Colonial Society” Studies in the Anthropology of Visual Communication.5 (1979): 78-96.

Cummins, Tom. "Representation in the Sixteenth Century and the Colonial Image of the Inca." Durham and London: Duke University Press, 1994. 188-219.

Gisbert, Teresa. "Art and Resistance in the Andean World". Amerindian Images and the Legacy of Columbus. Eds. René Jara y Nicholas Spadaccini. Minneapolis: U for Minnesota P, 1992. 629-677.

Mills, Kenneth and William B. Taylor. " Felipe Guaman Poma de Ayala's Appeal Concernning the Priests, Peru." Colonial Spanish America: A Documentary History. Washington, Delaware: A Scholarly Resources Inc. Imprint., 1998.153-164