Cinema Lighting

Cinema vs. Theatre Functions: the same Tools: the same Differences, subtle AND significant Scale: Large vs. Intimate Mistakes emphasized in close-ups Cinema: caters to a less forgiving "eye" The Eye vs. Image Media Eye: Very wide sensitivity range, 30-50 f-stops Starlight to desert sunlight Fraction of- to 10 million candlepower Great "latitude", ability to see into diferently lit areas simultaneously. Automatic and simultaneous color balancing. "Cinema"; Film, CCD, etc.: Fairly narrow range, about 5 f-stops "White set" must be set (can be automatic) More sensitive to intensity difference, Balance More sensitive to color differences BUT, Response is controllable Dim light can look bright; Bright can look dim Number of Luminares: Theatre: many instruments for a given scene, a plot must support whole show Longer setup in advance, then more static during performance. Cimena: fewer instruments per shot, but each shot a new setup Instruments set then struck each scene, more dynamic Theatre: uses color and dimmers more heavily to achieve effect. Cinema: uses balance and QUALITY of light for effect; intensity controlled with "color neutral" methods (scrims, screens, ND filters). EQUIPMENT: Cinema Luminaires: Instruments specialized for close-in rather than long-range use. Key Lights: Fresnels: workhorse of key lights. Prime fixtures: variable focus open face units. Lighter, brighter, less controlable than fresnels. Broads: very short range, intense, wide throw. Often used for background lighting. Fill Lights: Softlights: large reflective matte pan indirectly illuminating scene. Scoops: Longer range softlight effect, esp. in banks. Bounce lighting: key type lighting reflected from non-specular panels as fill. Show cards, foam core, white beadfoam, umbrellas Diffusion kits: large transluscent panels lit from behind. Diffusion media Silk screens Chimera boxes Home-made boxes Keno-flos Banks of color corrected florescent tubes. Walls-o'-Light BIG banks of florescent tubes. Grip equipment C-stands Dollies TECHNQUES: General Approach: Establish the Key Sets exposure for scene. Set the fill. Set relative to key. Add in enhansements Kickers, eye lights, backlight, etc. Light the environment
©2000, Mick Alderson


top of page This page maintained by: Mick Alderson
alderson@uwosh.edu
Last modified: Oct. 23, 2002
UW Oshkosh Home