English 332: Early Women Writers

Spring 2000

Liz Cannon Office: Radford 303

MWF 12:40-1:40 Office Phone: 424-0299

Clow 243 Home Phone: 231--4768

Office Hours: M 2-4; T 3-4 E-mail: cannon@uwosh.edu

And by appointment

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This course will explore women writers from the 15th to 18th centuries (Middle Ages, Renaissance, and Enlightenment periods). We will look at what common themes emerge and at the image of woman presented in each. We will also look at the obstacles that made the writing profession a difficult one for women to choose, maybe most importantly because of what their contemporary male counterparts were writing about women. In addition to the primary texts, we will also look at some of the literary criticism existing on these texts. Your task for this course is threefold: to develop an historical concept of women living in these times as well as of the literary context surrounding these works, to improve interpretative and writing skills, and to learn how to use secondary sources in your own writing.

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Required Texts:

Geoffrey Chaucer, The Wife of Bath

Margery Kempe, The Book of Margery Kempe

James Fitzmaurice et. al., Major Women Writers of Seventeenth-Century England

Aphra Behn, Oroonoko

Frances Burney, Evelina

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Course Requirements:

3 4-5 page papers on the texts alone--35% (2 at 10%, 1at 15%)

2 2-page summaries of critical articles--20% (10% each)

Final paper using secondary sources (@ 10 pages) and presentation--25%

Leading group discussion--5%

Scene in Play--5%

Participation: attendance, class discussion (can do journal instead of class discussion), in-class

assignments--10%

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Please do not hesitate to come see me if you have any questions or problems with this class. My office hours are listed above, but we can make an appointment if these are not convenient for you. Students with disabilities needing a reasonable accommodation should inform me as soon as possible.

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Calendar:

Jan 31--M: Introduction

Feb 2--W: Chaucer, from General Prologue (p. 42-43), Wife's Prologue lines 1-452 (p. 44-59)

4--F: Chaucer, Wife's Prologue lines 453-856 (p. 59--73)

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7--M: Chaucer, Wife of Bath's Tale (p. 73-85)

Student led discussion:

9--W: Chaucer Criticism (A: New Historicism, B: Marxist, C: Psychoanalytic)

11--F: Chaucer Criticism (D: Deconstruction, E: Feminist)

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14--M: Kempe, p. 33-109 (A: Proem, Chpt 1-5; B: Chpt 6-11; C: Chpt 12-17; D: Chpt 18-23;

E: Chpt 24-29)

16--W: Kempe, p. 110-161 (A: Chpt 30-33; B: Chpt 34-37; C: 38-41; D: 42-45; E: 46-49; Liz: 50-51)

Student led discussion:

18--F: Kempe, p. 161-214 (A: Chpt 52-55; B: Chpt 56-59; C: 60-63; D: 64-68; E: 69-72)

21--M: Kempe, p. 214-297 (A: Chpt 73-77; B: 78-82; C: 83-87; Liz: 88-89; D: BkII Chpt 1-5; E:

E: Chpt 6-10)

Student led discussion:

23--W: Kempe Criticism--Groups A, B--Summaries

25--F: Christine de Pizan, from The Book of the Cities of Ladies (handout)

Student led discussion:

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28--M: Paper #1 Due

16th Century Women Writers--no reading

Mar 1--W: Lanyer (Fitzmaurice), p. 23-31 (Intro., Author's Dream, Virtuous Reader)

Student led discussion:

3--F: Lanyer (Fitzmaurice), p. 32-38 (Salve Deus Rex Judaeorrum) (6 stanzas for each group A:

lines 1-32, 745-760; B: lines 761-808; C: lines 809-856; D: lines 857-904; E: lines 905-952)

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6--M: Cary (Fitzmaurice), Mariam--Acts I and II (Group A Scene)

8--W: Cary (Fitzmaurice), Acts III and IV (Group B Scene)

10--F: Cary (Fitzmaurice), Act V

Cary Criticism-- Group C, D--Summaries

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MARCH 11-19: SPRING BREAK

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20--M: Lady Mary Wroth

22--W: Wroth (Fitzmaurice), p. 126-145 (The Countess of Montgomery's Uranium) (A: Tale of the

Cephalonian Lovers; B: The Throne of Love; C: The Tale of Veralinda

and Leonia; D: The Tale of Lindamira; E: The Tomb of Love)

Student led discussion:

24--F: Cavendish (Fitzmaurice), p. 152-173 (Sociable Letters) (NOTE: for this assignment, read only

those letters assigned to your group--A: to her husband, #4, #5, #30;

B: #32, 34, #35, #36; C: #39, #42, #46, #47; D: #54, #56, #68, #113; E: #123, #164, #173)

Cavendish Criticism--Group E, A--Summaries

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27--M: Paper #2 Due

Katherine Philips

29--W: Philips (Fitzmaurice), p. 181-194 (Untitled Juvenila-Wiston Vault)

Student led discussion:

31--F: Philips (Fitzmaurice), p. 194-208 (Friendships in Emblem-To his Grace Gilbert)

Philips Criticism: Groups B, C --Summaries (don't have to read poems)

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April 3--M: Behn (Fitzmaurice), The Rover Acts I and II (220-246) (Group C Scene)

5--W: Behn (Fitzmaurice), Act III-Act IV. scene ii ( 246-274) (Group D Scene)

7--F: Behn, Act IV. scene iii-Act V (274-296) (Group E Scene)

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10--M: Behn, Oroonoko, Intro. p. 3-13 (Historical Context); and p. 32-66

12--W: Behn, p. 67-100

Student led discussion:

14--F: Behn, Part Two: Group A: Adaptations; B: Literary Context, C: West Africa in Triangle

Trade (assign different sections to different people)

Behn Criticism: Groups D, E--Summaries

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17--M: Paper #3 Due

Anne Finch

19--W: Finch (Fitzmaurice), p. 348-367 (Death of King James-Death of the Queen)

Student led discussion:

21--F: The Swetnam Controversy (Fitzmaurice), p. 373-385

Student led discussion:

24--M: Burney, Volume I, p. 51-177

26--W: Burney, Volume II, p. 177-308

Student led discussion:

28--F: Burney, Volume III, p. 308-436

Student led discussion:

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May 1--M: Conferences

3--W: Conferences

5--F: Conferences

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8--M: Final Paper Due

10--W: Presentations

12--F: Presentations