ENTERTAINMENT LAW
COURSE NUMBER: Theatre 433/ Comm 433
COURSE SYLLABUS
“Both,” Garp wrote, “were of the opinion
that the practice of law was vulgar, but the study of it was
sublime.” John Irving
Text:
Readings on D2L
Semester: Fall 2008 – Winter
Interim – January 2009
Date & Time: MTWThF –
9:00 am – 12:00 pm
Instructor: John S. Zarbano, J.D. M.A.
B.A.
Office – ACW 120 – Office Hours: 2:30 –
3:30 T-Th, or by appointment:
Telephone number: 920.235.2415 email: zarbanoj@uwosh.edu
Liberal Arts Statement
From the College of Letters and Science web page:
A liberal arts
education transcends preparation for specific careers. A liberal arts
education prepares students to be responsible citizens who understand
and contribute to the changing world in which they live. It exposes
students to a broad spectrum of knowledge about the human experience
and the natural world, from contemporary science to literature, music
and art. It enhances the skills of communication and critical thinking.
It challenges students to appreciate their cultural heritage, to be
sensitive to diverse traditions and opinions and to value truth. It
encourages students to develop a lifelong commitment to inquiry. In
sum, a liberal arts education develops the whole person who values
knowledge for its own sake as well as for the achievement of specific
objectives.
Course Description:
Entertainment Law provides a broad overview of law relating to the
entertainment industries and the arts; it exposes students to basic
legal principles inherent in radio, television, motion pictures,
theatre, fine arts, and music publishing and recording, such as First
Amendment right of free speech and the penumbral rights of privacy and
publicity; federal regulation of copyrights, trademarks, and trade
names, and the transfer of intellectual property rights; federal
regulation of radio and television industries.
Course General Rules:
This syllabus has been prepared for informational purposes
only. None of the statements, objectives, schedules,
assignments, or rules contained in this syllabus constitutes a
contract, express or implied. I may modify this syllabus
unilaterally, at my sole discretion, at any time, with or without
notice. All students are placed on their honor to
complete their own course work. Acts of plagiarism, cheating,
and deception are unacceptable and will not be
tolerated.
All students will strictly adhere to the time limits placed on course
assignments including but not limited to attendance, discussions, web
tasks, and examinations.
Note: When doing web tasks, you may wish to open the target website in
a new browser window so that you can review the questions easily as you
work on the assignment.
All students shall use Standard American English in their
writings. Slang, colloquialisms, and ellipses often fail to
communicate. In all discussions, students shall be polite and
courteous towards each other. Each student shall be
respectful of another student’s opinion and shall respond
only to the student’s stated contentions. Ad
hominem attacks are unprofessional and unacceptable.
Course Learning
Objectives:
- Using US Supreme Court
decisions, students will construct legal opinions applying the First
Amendment to hypothetical fact situations concerning: 1) Right to
Privacy, 2) Right to Publicity, 3) Defamation, 4) Obscenity, and/or 5)
Film Violence.
- Using the appropriate forms
from the United States Copyright Office website, students will prepare
mock copyright registrations on original works of their choice.
- Students will evaluate the
relationship between intellectual property and the entertainment
industries after negotiating and drafting mock contracts for the
acquisition of intellectual property rights,
- Using the appropriate forms
from the State of Wisconsin website, students will create mock industry
business organizations of their choice.
Course
Schedule: Please note that this schedule may change without
notice.
January 5
Course Introduction: Readings and discussion on the nature of law based
on readings from Philosophy of Law an Introduction to Jurisprudence and
students’ individual research on the death penalty or
National Security Agency warrantless wiretaps.
Assignment: Select a theory of jurisprudence (natural law, legal
positivism, legal realism, etc.) and, using the precepts of such theory
and your individual research, construct your position, either pro or
con, on either 1) the Eight Amendment and the death penalty, including
current methods of execution (lethal injection, electrocution, gas
chamber, hanging, or firing squad), or 2) National Security Agency
warrantless wiretaps.
January 6
Lecture and discussion on the nature of law
Assignment: Readings on constitutional issues on First Amendment topics
of Right to Privacy, Right to Publicity, Defamation, and Obscenity,
including case excerpts from Griswold v. Connecticut, Roe v. Wade, Doe
v. Bolton, the Restatement (Second) of Torts §558, New York
Times v Sullivan and progeny, Miller v. California and progeny, Midler
v. Ford Motor Company (Bette Midler case), Waits v. Frito-Lay (Tom
Waits case)
Web Tasks: Constitution - History and Text and US Supreme Court
January 7
Discussion on assignment and lecture and discussion on constitutional
issues on topics of Right to Privacy, Right to Publicity, Defamation,
and Obscenity
Assignment: Readings on statutory issues on copyrights, and
ownership/transfer of copyrights and the topics of: idea versus
expression, idea submission, and negotiated acquisition.
Readings on trademarks, trade names, and antitrust issues
Web Task: US Department of Justice - License
January 8
Lecture and discussion on statutory issues on copyrights, ownership and
transfer of copyrights and the topics of: idea versus expression, idea
submission, and negotiated acquisition.
Assignment: Readings on topics of trademarks, trade names, antitrust
issues, contracts and business organizations.
Web task: Mock registration of copyright through the US Copyright
Office and/or mock registration of Trademark through the US Patent and
Trademark Office.
January 9
Continuation of lecture and discussion on statutory issues on
copyrights, ownership and transfer of copyrights and the topics of idea
versus expression, idea submission, and negotiated acquisition Lecture
and discussion on trademarks, trade names, and antitrust issues Lecture
and discussion on contracts and business organizations
Review for midterm examination.
January 12
Mid-term Examination Assignment:
Assignment: Readings on television topics of the Federal Communications
Commission, the Commutations Act of 1934, Distribution Regulation,
Program Regulation, and television contracts.
Assignment: Web task from State of Wisconsin website on creating and
licensing of various business organizations: sole proprietorship,
general partnership, limited partnership, limited liability company,
and corporation. Web Task: FCC and Broadcast Television
January 13
Lecture and discussion on television topics of the Federal
Communications Commission, the Commutations Act of 1934, Distribution
Regulation, Program Regulation, and television
contracts.
Assignment: Readings on the topics of: acquisition of property rights
for motion pictures, producing films through the studio model and the
independent model, and distribution of films.
Web Task: Motion Picture Association of America and US Department of
Justice - Antitrust
January 14
Lecture and discussion on the topics of: acquisition of property rights
for motion pictures, producing films through the studio model and the
independent model, and distribution of films.
Assignment: Readings on topics of theatre, Actors Equity and Equity
contracts, production contracts and copyright consideration regarding
public performance, reproduction, adaptation, and royalties.
Web Task: Actors' Equity, LORT, League of American Theatres and
Producers, and Dramatists Guild of America
Conferences on re-write of midterm examination
January 15
Lecture and discussion on topics of theatre, Actors Equity and Equity
contracts, production contracts and copyright consideration regarding
public performance, reproduction, adaptation, and royalties.
Assignment: Readings on topics of music publishing: principal types of
agreements, including songwriter, administration, collection, and
management agreements; business relationships including agents,
accountants, and business managers. Also, topics of performing rights
including blanket licensing and split licensing, specific copyright
applications for musicians, and record industry contacts.
Web Task: NMPA, ASCAP, SESAC, and US Copyright Office - License
Conferences on re-write of midterm examination.
January 16
Lecture and discussion on topics of music publishing
Assignment: Readings on topic of sound recording.
Conferences on re-write of midterm examination.
January 19
Martin Luther King Jr. Day – No Class: Class time previously
used for individual conferences on Midterm Examination re-write.
Assignment: Readings on topics of the various business organizations:
sole proprietorship, general partnership, limited partnership, limited
liability company, and corporation.
January 20
Re-write of Midterm Examination due.
Lecture and discussion on topic of sound recording; Lecture and
discussion on the various business organizations: sole proprietorship,
general partnership, limited partnership, limited liability company,
and corporation. Assignment: Readings on topics of:
literary publishing and publisher-author contract, photographers and
visual artists, and electronic publishing. Assignment of
roles in the mock trial of Ruthless Records, Plaintiff, vs. Suzy
Sweetvoice and IONA Record Company, Defendants
Web Task: Authors Guild
January 21
Lecture and discussion on topics of literary publishing,
publisher-author contract, photographers, visual artists, and
electronic publishing
Assignment: Readings on topics of the Internet with its effect on
copyright and trademark, international protections, and cyber law
jurisdiction.
January 22
Lecture and discussion on topics of the Internet with its effect on
copyright and trademark, international protections, and cyber law
jurisdiction
Mock Negotiation of Industry Contracts.
Mock trial of Ruthless Records, Plaintiff, vs. Suzy Sweetvoice and IONA
Record Company, Defendants.
January 23
Final Examination
Course Requirements:
Students are assessed on the following requirements:
1. Prompt attendance and prepared
attendance are required unless absence is justified or
excused. Attendance and in-class participation, including
conferences and web tasks comprise 30% of the final grade and carry a
total point value of 300 points.
2. The midterm examination comprises 30%
of the final grade and carries a point value of 300 points.
The points for the midterm examination will be divided as follows: 200
points for the initial taking of the examination and 100 points for the
re-write of the examination.
3. The final examination comprises 40% of
the final grade and carries a point value of 400 points.
4. Depending upon the needs of the class
as a whole, optional extra credit may be extended. Extra
credit points may be assigned to each of the examinations and to other
tasks at my sole discretion.
The total points for the class equal 1000 and the grading
scale is based on a “percentage of points” system,
which translates to letter grades as follows:
A
93% to 100%
AB Less
than 93% to 87%
B
Less than 87% to 83%
BC Less
than 83% to 77%
C
Less that 77% to 70%
CD Less
than 70% to 67%
D
Less than 67% to 60%
F
Less than 60%