STAGE MANAGEMENT (Fall 2008)
THEATRE 330 - 001
Room AC/W 16
Tuesday/Thursday: 11:30am -1:00pm
Instructors:
Roy Hoglund
e-mail:
hoglund@uwosh.edu
Office: AC/W
103 - 424-7043
Office Hours:
M/W/F 10:15am- noon, or by appointment
Kathleen
Donnelly
e-mail: donnelly@uwosh.edu
Office: AC/W
220 - 424-7127
Office Hours: M/W
10:20-11:20am, Tues: 8:00 -9:00am or by appointment
TEXTBOOK: Stage Management (Eighth Edition):
Author:
Lawrence Stern
GOALS: The goals of this class are to develop in the student: 1. To have a broad knowledge of the
processes of theatrical production; 2. To be able to analyze and communicate a
dramatic text to an audience; 3. To
develop a commitment to the pursuit of artistic excellence and integrity.
Theatre is a collaborative creative process requiring a broad knowledge of
the human condition to be successful.
The importance of theatre in society is well documented, and
understanding the role it plays in society contributes to the development of a
well rounded citizen. Theatre, as
with all areas of the Liberal Arts, is most effectively employed when it is
built on a broad base of knowledge.
OBJECTIVE: The goals listed above will be achieved through the following objective:
the student will develop the techniques, skills and management style necessary
for successfully managing a theatrical production. The objective will be
achieved through lecture, discussion, projects and practical experience. It is
expected that, upon completion of this course, the student will be able to
successfully stage manage a production at UW Oshkosh.
LECTURES: The lecture outline included
in this syllabus indicates the dates when topics covered in the course text,
Stage Management, will be discussed. Students are expected to read these
chapters before class in order to effectively participate in class discussion.
Textbook material will be a departing point of the lecture.
DISCUSSION: Class discussion serves a dual purpose: 1) to share your thoughts on
topics with other members of the class; and 2) to develop interpersonal skills, which are important to
be a successful stage manager. Your participation in class discussion is vital
to your success in this class.
PROJECTS: Two projects are required in this class:
1) Prompt
Book: The
prompt book will be developed from the production you are assigned. This book should be neat and complete,
communicating as clearly as possible your cues, blocking, cast list, and all
other vital information as communicated in class lectures. The grading of
prompt books will be based on whether or not a) the proper information is
included; b) the information is arranged in a logical and accessible format;
and c) the book is neat, well organized and easy to understand. DUE: See schedule for specific production
Stage Mgmt Syllabus, p.2
2) Touring
Show: The
touring show project will consist of a hypothetical touring project for which
you are given specific information regarding the production, its size, budget,
and schedule. Then, based on the requirements of the production, you must work
up a strike plan, a changeover schedule, budget and an itinerary to enable this
cast and crew to tour to another theatre. The purpose of this project is to
develop skills in coordination, scheduling and production management. The
project will be graded on whether or not a) it contains a complete list of
information for budget considerations; b) the layout of the information is
clear, understandable and neat; and c) the plan is realistic and could be
followed for a touring show. DUE: 11/11/08
PRACTICAL EXPERIENCE: Every student is required tobe involved in practical application of
skills they have learned in this class. To fulfill this requirement students
are expected to work in a backstage capacity as a Stage Manager, Assistant
Stage Manager or Deck crew chief for one of the following shows: True
West, Pygmalion or OŐDell and Myrna. The
purpose of this is to provide the stage management student with practical
experience in the rehearsal and performance process. Grading will be based on
the studentŐs reliability, attitude, and involvement with the rehearsal process
and attendance. Production dates for these three options are listed below:
True West: September 15 - 19, and September 24 – 28
Pygmalion: November 12 – 16
OŐDell and Myrna:
December 4 - 6
QUIZZES/ CLASS EXERCISES: Quizzes or Class Assignments will be given covering
material from the class. These exercises and quizzes will be averaged for a
grade.
EXAMS: A midterm exam and a final exam will be given covering information from
the text, lectures, and discussions. Tests will be in a short essay format.
GRADES: Grading will be based on the
standard format of 95-100 (A);
90-94(AB); 85-89 (B); 80-84 (BC); 75-79 (C); 70-74 (CD); 60-70 (D); below 60
(F). The percentages for each course requirement are as follows:
Quizzes/Class
Assignments 10%
Prompt
Book 20%
Touring
Show 20%
Midterm
Exam 15%
Final
Exam 15%
Practical
Experience 20%
100%
Stage Mgmt
syllabus p.3
SEMESTER
SCHEDULE:
September
4 Intro to course
9 Ch. 2 Characteristics
of a good Stage Manager (pp.
11-21)
Ch. 5
Getting Acquainted with your Theatre
(pp. 59-80)
11 Ch. 4 Scheduling & Company
Rules (pp. 44-58)
16 Ch. 6 Expediting Auditions and
Readings (pp. 81-104)
18 Ch. 8 Rehearsal Procedures/ Ch. 9
Working with the Cast (pp.
113-122, 133-140, 149-162)
23 Ch. 3 & 8 The Prompt Script
& Blocking (pp. 22-43,
123-132)
25 Ch. 5 Stage ManagerŐs Kit (pp. 66 - 69)
How to
read a ground plan & taping the stage floor (p. 117)
30 Ch. 10 Department Mgmt:
Props/Costumes (pp. 163-176)/ Prompt
Script for True West
Due
October
2 Ch. 11 Props
& Scene Shifts (pp. 177-192)
Ch.
12 Technical Rehearsal / Dry and Full
(pp. 193-201)
7 Ch. 13 Running
the Show & Tech Back Scheduling
(pp. 202-215)
9 Ch. 14 Working
with the House Manager (pp.
216-228) /
14 Ch. 8 Safety (pp. 140-149)
16 Safety Practicum
21 MIDTERM EXAM
23 Ch. 16 & 17
Introduction of the Touring Project
(pp. 235-263)
28 Scene Shift Practicum
30 Sound Practicum
November
4 Special Effects
Practicum
6 Costumes /
Wardrobe Practicum
11 Conflict Management/ Touring
Project Due
13 Crisis Management
18 Stage Combat and Stage
Managing Musical Theatre/ Prompt Script for Pygmalion Due
20 Chap. 17 Actors Equity
25 Stage Hands Union (pp. 263-270)
27 THANKS GIVING BREAK
December
2 Chap.18
& 19 Correspondence and Getting a Job
(pp. 272-285)
4 Review of
Final Exam/ Resume workday
9 FINAL
EXAM / Prompt Script for OŐDell and Myrna Due
11 FINAL CLASS MEETING/
Return of Touring Projects