THEATRE PARTICIPATION
Acting/Directing
THEATRE 260
THEATRE 363
THEATRE 462
INSTRUCTORS;
MERLAINE ANGWALL
RICHARD KALINOSKI
DAN KATULA
Angwall@uwosh.edu
Office: ACW 120
Phone: 424-7050
OBJECTIVES:
These courses are designed to give the student practical experience on
stage as an actor, or experience directing a student production.
An audition for a production is required as an actor. The
director must apply to direct a production in the spring of the year
prior to production.
Theatre 260 is designed to be the first course in theatre
participation. If you have not worked in theatre on the college
level, you should be enrolled in this section.
Theatre 363 is designed for students who have either had 260 or have
acted in a production on the college level in the past.
Theatre 462 is an upper level course for advanced students. Prior
experience is highly desirable. A person enrolled under this
course number should possess a high skill level in acting and/or
directing; the acting role should be significant and if a director, the
production should be substantial.
COURSE REQUIREMENTS:
ACTING: The actor is
required to audition for the production. In addition, the actor
is required to attend all rehearsals and performances. The actor
should be on time to all rehearsals and calls. Further
requirements will be given to the student by the production director.
DIRECTING: An application
to direct should be completed the spring prior to the production.
Directors are required to conceive and maintain a rehearsal schedule,
attend production meetings, keep a prompt book, and meet with the
assigned faculty supervisor. The faculty supervisor will
articulate specific course requirements with student once the
production is determined.
GRADING CRITERIA:
Actors: Grading criteria is given by the director of the
production. In general, the student will be graded on the
following: attendance, character research, growth in the role,
character analysis, movement and vocal skills.
Directing: Grading criteria will be based upon the
following: Prompt book, research on the play, meetings with
faculty advisor, play concepts, attendance and execution of production
meetings, rehearsal log, rehearsal techniques and execution of the
concepts set forth by the director.
Participation and attitude and initiative are factors in grading for both the actor and the director.