| Categories | Title of Book | Author | # of Books | ||
| Essays & Critiques | 20th Century Interpretations: The Beggars Opera | Noble, Yvonne | |||
| Acting | A Book on the Open Theatre | Pasolli, Robert | 3 | ||
| A Climate of Creativity | Suppan, Adolph | ||||
| A Dance on the High Wire | Harris, Jed | ||||
| A Digest of 500 Plays | Shank, Theodore | ||||
| Directing | A Director Prepares | Stanley L. Glenn | |||
| Oral Interpretation | A Guide To Oral Interpretation | Scrivner, Louise | |||
| Poetry | A Pocket Book of Modern Verse | Walt Whitman, Dylan Thomas | |||
| Playwrighting | A Practical Manual of Screen Playwriting for Theater and Television Films | Herman, Lewis | |||
| Theatre Appreciation | A Primer for Playgoers | Wright, Edward | |||
| Biography | A Terrible Liar | Cronyn, Hume | |||
| A Touch of the Poet | O'Neill, Eugene | ||||
| Voice/Accents | A Voice for the Theatre | Hill, Harry | |||
| Essays & Critiques | A Writer's Reader | Emblen, D.L. | |||
| Styles of Theatre | Accelerated Grimace | Valgemae, Mardi | |||
| Acting | Acting An Introduction | Bowskill, Derek | |||
| Biography | Act One An Autobiography | Hart, Moss | |||
| Acting | Acting for the Camera | Barr, Tony | |||
| Acting | Acting from the Ultimate Consciousness | Morris, Eric | |||
| Improv | Acting Games | Cassady, Marsh | |||
| Acting | Acting in Person and In Style | Crawford, Jerry | |||
| Theatre Management | Acting is a Business | Joels, Merrill | |||
| Acting | Acting is Believing: A Basic Method | McGaw, Charles | 2 | ||
| Acting | Acting One | Cohen, Robert | 2 | ||
| Acting | Acting Onstage and Off | Barton, Robert | |||
| Acting | Acting Prfessionally | Cohen, Robert | 2 | ||
| Acting | Acting the Creative Process | Albright, Harde | |||
| Voice/Accents | Acting with an Accent | Stern, David Allen | 17 | ||
| Acting | Acting with Both Sides of Your Brain | Delgado, Ramon | |||
| Acting | Acting With Style | Harrop, John | 4 | ||
| Acting | Active Acting | Abbott, Leslie | |||
| Essays & Critiques | Actor and Architect | Joseph, Stephen | |||
| Biography | Adrienne Lecouvreur: The Actress and the Age | Richtman, Jack | |||
| Acting | Alexander Technique | Stevens, Chris | |||
| Essays & Critiques | All I Can Manage, More Than I Could: Samuel Beckett | Reid, Alec | |||
| Essays & Critiques | American Drama and It's Critics | Downer, Alan | |||
| Shakespeare | An Approach to Shakespeare | Traversi, D.A. | |||
| Communication; Reading Literature | An Introduction to the Phonetics of American English | Thomas, Charles | |||
| Styles of Theatre | An Introduction to Scenic Design | Gillette, A.S. | |||
| Theatre History | An Introduction to the Theatre | Whiting, Frank | 2 | ||
| Theatre Appreciation | Appreciating The Theater Cues for Theatergoers | Kaufman, Julian | |||
| Poetry | Aristotle on the Art of Poetry | Bywater, Ingram | |||
| Essays & Critiques | Barron's Simplified Approach to Ibsen | Barranger, Milly | 2 | ||
| Acting | Beginning Acting | Felnagle, Richard H. | |||
| Biography | Bertolt Brecht Great Plays | White, Alfred | |||
| Between Parent & Child | Ginott, Haim | ||||
| Theatre Management | Beyond Broadway The Quest for Permanent Theatres | Novick, Julius | |||
| Biography | Blessing Disguise | Guinness, Alec | |||
| Biography | Bohemian Girl: Blanche Yurka's Theatrical Life | Yurka, Blanche | |||
| Biography | Brecht As They Knew Him | Witt, Hubert | |||
| Biography | Brecht The Man and His Work | Esslin, Martin | |||
| Biography | Brecht:Bildbiographie | Fassmann, Kurt | |||
| Theatre History | British Drama Since Shaw | Roy, Emil | |||
| Theatre History | Broadway | Atkinson, Brooks | |||
| Voice/Accents | Building Your Best Voice | Jacobi, Henry | |||
| Biography | Cagney | Cagney | |||
| Essays & Critiques | Casebook on Waiting for Godot | Cohn, Ruby | |||
| Century of Innovation | Findlay, Robert | ||||
| Shakespeare | Character and Characterization | Kirschbaum, Lee | |||
| History--Asia | China On Stage | Snow, Lois | |||
| Theatre History | China's Imperial Past | Hucker, Charles | |||
| Biography | Clifford Odets | Weales, Gerald | |||
| Essays & Critiques | Comedy | Bergson, Henri | 2 | ||
| Coming to Our Senses | Rockefeller, David | ||||
| Communication; Reading Literature | Contradictory Characters | Bermel, Albert | |||
| Technical Theatre | Costumes and Styles | Hansen, Henny | |||
| Theatre History | Culture and the Crowd | Regin, Deric | |||
| Essays & Critiques | Curtains | Tynan, Kenneth | |||
| Musical Theatre | Dance in the Musical Theater | Schlundt, Christena | |||
| Biography | Dear Me | Ustinov, Peter | |||
| Styles of Theatre | Design for the Stage | Payne, Darwin | |||
| Voice/Accents | Developing Your Speaking Voice | Moncur, John | |||
| Theatre Education | Development Through Drama | Way, Brian | |||
| Biography | Diaghileff:His Artistic and Private Life | Haskell, Arnold | |||
| Oral Interpretation | Dialects for Oral Inerpretation | Johnson, Gertrude | 2 | ||
| Biography | Diary of a Mad Playwright | Kirkwood, James | |||
| Directing | Directing for the Theatre | Sievers, David | 2 | ||
| Directing | Directing Plays | Vaughan, Stuart | |||
| Biography | Don't pur your daughter on the stage | Webster, Margaret | |||
| Theatre Education | Drama as a Learning Medium | Wagner, Betty | |||
| Theatre Appreciation | Dynamics of Drama | Beckerman, Bernard | |||
| Biography | Edmund Kean Fire From Heaven | FitzSimons, Raymund | |||
| Biography | Edward Albee:Playwright in Protest | Rutenberg, Michael | |||
| Biography | Elia Kazan: A Life | Knopf, Alfred | |||
| Theatre History | Elizabethan Plays & Players | Harrison, G.B. | |||
| Biography | Enter Joseph Papp in search of a new american theater | Little, Stuart | |||
| The Essential Theatre | Brockett, Oscar | ||||
| Essays & Critiques | Essay's on Elizabethan Drama | T.S. Eliot | |||
| Biography | Eugene Ionesco A Study of His Work | Coe, Richard | |||
| Biography | Eugene O'Neill: The Man and His Plays | Clark, Barrett | |||
| Theatre History | European Theories of the Drama | Clark, Barrett | |||
| Biography | Events Leading Up to Comedy | Nugent, Elliott | |||
| Theatre Appreciation | Experiencing Theatre | Woods, Porter | 2 | ||
| Theatre Appreciation | Experimental Theatre | Roose-Evans, James | |||
| Theatre Appreciation | Form and Idea in Modern Theatre | Gassner, John | |||
| Styles of Theatre | From Script to Prodcuction | Saville, Jonathan | |||
| Directing | Fundamentals of Play Directing | Dean, Alexander | 2 | ||
| Biography | Georg Buchner | Hilton, Julian | |||
| Biography | Georg Buchner | Lindenberger, Herbert | |||
| Theatre History | Golden Ages of the Theater | Macgowan, Kenneth | |||
| Biography | Good Night Sweet Prince: John Barrymore | Fowler, Gene | |||
| Biography | Gordon Craig: The Story of His Life | Craig, Edward | |||
| Biography | Great Times Good Times | Kotsilibas-Davis, James | |||
| Essays & Critiques | Greek Tragedy | Kitto, H. D. F. | 2 | ||
| Theatre History | Greek Tragedy | Norwood, Gilbert | |||
| Essays & Critiques | Gunter Grass | Miles, Keith | |||
| Biography | Harold Pinter | Kerr, Walter | |||
| Essays & Critiques | Hazlitt On Theatre | Archer, William | |||
| Biography | Helen Hayes My Life in Three Acts | Hatch, Katherine | |||
| High Adventure | Hamilton, Edith | ||||
| Theatre History | History of the Theatre | Brockett, Oscar | |||
| Theatre History | History of the Theatre from 1800 to present | Hewitt, Barnard | |||
| How To Parent | Dodson, Fitzhugh | ||||
| Analysis | How to Write About Theatre and Drama | Hudson, Suzanne | |||
| Communication; Reading Literature | Human Communication The New Fundamentals | Harms, L.S. | |||
| Biography | I Lost It At The Movies | Kael, Pauline | |||
| Biography | If You Don't Dance They Beat You | Quintero, Jose | |||
| Improv | Improve With Improv! | Jones, Brie | |||
| Biography | In and Out of Character | Rathbone, Basil | |||
| Essays & Critiques | In Search of Theater | Bentley, Eric | 2 | ||
| Theatre Appreciation | Interpretation | Grimes, Mattingly | 2 | ||
| Styles of Theatre | Invitation to the Theatre | Kernodle, George | 2 | ||
| Biography | Ira Alderidge The Negro Tragedian | Marshall, Herbert | |||
| Acting | Irreverent Acting | Morris, Eric | |||
| Essays & Critiques | James Gibbons Huneker | Schwab, Arnold | |||
| Biography | Life with Lindsay & Crouse | Skinner, Cornella | |||
| Essays & Critiques | Literary Criticism | Gay, Allen | |||
| Communication; Reading Literature | Literature as Experience | Bacon, Wallace | |||
| Communication; Reading Literature | Literature for Listening | Brooks, Keith | |||
| Shakespeare | Macbeth Sparknotes | ||||
| Magic in the Web | Heilman, Robert | ||||
| Biography | Margaret Rutherford:A Blithe Spirit | Simmons, Dawn | |||
| Biography | Memoirs | Williams, Tennessee | 2 | ||
| Styles of Theatre | Metatheatre A new view of Dramatic Form | Abel, Lionel | |||
| Essays & Critiques | Mimesis | Auerbach, Erich | |||
| Acting | Modern Acting | Dillon, Josephine | |||
| Styles of Theatre | Modern Drama | Volumer XVI June 1973 | |||
| Theatre Appreciation | Modern Theatre Practice | Heffner, Hubert | |||
| Styles of Theatre | Modernism in Modern Drama | Krutch, Joseph | |||
| Voice/Accents | Modifying Vocal Behavior | Moncur, John | |||
| Acting | Movement for the Performing Artist | Penrod, James | |||
| Biography | Myself Among Others | Gordon, Ruth | |||
| Theatre Appreciation | Myth and Society in Attic Drama | Little, Alan | |||
| Theatre Appreciation | New Theatres of Old | Gorelik, Mordecai | |||
| Biography | Nikolai Gogol and Ivan Turgenev | Worrall, Nick | |||
| Acting | No Acting Please | Morris,Eric & Hotchkis, Joan | |||
| Theatre History | Off-Broadway The Prophetic Theater | Little, Stuart | |||
| Acting | On Dramatic Method | Granville-Barker, Harley | |||
| Acting | On Method Acting | Easty, Edward Dwight | |||
| Acting | On Mime | Enters, Angna | |||
| Poetry | On Poetry and Music | Aristotle | |||
| Theatre History | On Stage a history of theatre | Roberts, Vera | 2 | ||
| Essays & Critiques | On Stage Theatre Reviews 1920-70 | Beckerman, Bernard | |||
| Biography | O'Neill Son and Playwright | Sceaffer, Louis | 2 | ||
| Essays & Critiques | Opening Nights: Criticism of the Sixties | Gottfried, Martin | |||
| Oral Interpretation | Oral Interpretation | Campbell, Paul | |||
| Oral Interpretation | Oral Interpretation of Fiction | Thompson, David | |||
| Oral Interpretation | Oral Reading | Crocker, Lionel | |||
| Theatre History | Orghast At Persepolis | Smith, A.C.H. | |||
| Theatre History | Orientation to the Theater | Hatlen, Theodore | 2 | ||
| Playwrighting | Papers on Playmaking | Matthews, Brander | |||
| Acting | Performance Studies: The Interpretation of Aestetic Texts | Pelias, Ronald | |||
| Essays & Critiques | Perspectives on Drama | Calerwood, James | |||
| Directing | Play Directing | Hodge, Francis | |||
| Directing | Play Direction | Dietrich, John | 2 | ||
| Technical Theatre | Play Production | Nelms, Henning | |||
| Acting | Playing | Kuritz, Paul | |||
| Playwrighting | Playwriting The Structure of Action | Smiley, Sam | |||
| Voice/Accents | Practical Voice Training | Grim, Harriott | |||
| Biography | Praise for Gielgud: An Actor and His Time | Gielgud, John | |||
| Biography | Prince of Players | Ruggles, Eleanor | |||
| Theatre Appreciation | Principles of Theatre Art | Albright, Halstead, Mitchell | |||
| Technical Theatre | Producing The Play | Gassner, John | |||
| Theatre Management | Producting Theatre | Farber, Donald | |||
| Styles of Theatre | Programine Notes and Promptings | Goodman, Henry | |||
| Biography | Queen Elizabeth | Neale, J.E. | |||
| Essays & Critiques | Racine | Knight, R.C. | |||
| Communication; Reading Literature | Readers Theatre Handbook | Coger, Leslie | 2 | ||
| Oral Interpretation | Reading Aloud | Parrish, Wayland | |||
| Analysis | Reading Drama | Scanlan, David | |||
| Acting | Reading Literature Aloud | Mouat, Lawrence | |||
| Theatre History | Reason, Rule & Revolt in English Classicism | Gallaway, Francis | |||
| Biography | Represented By Audrey Wood | Wood, Audrey | |||
| Biography | Rex: An Autobiography | Harrison, Rex | |||
| Shakespeare | Richard Burton in Hamlet | Sterne, Richard | |||
| Shakespeare | Richard the Third | Kendall, Paul | |||
| Musical Theatre | Rock Opera | Nassour, Ellis | |||
| Biography | Sam Shepard | Shewey, Don | |||
| Biography | Samuel Phelps & Sadler's Wells Theatre | Allen, Shirley | |||
| Styles of Theatre | Scene Design and Stage Lighting | Parker, W. Oren & Smith, Harvey K. | |||
| Technical Theatre | Scenography and Stage Technology | Bellman, Willard | |||
| Biography | Scoundral Time | Hellman, Lillian | |||
| Analysis | Script Analysis for Actors, Directors, and Designers | Thomas, James | |||
| Essays & Critiques | Sean O'Casey | Kilroy, Thomas | |||
| Acting | Secrets of Screen Acting | Tucker, Patrick | |||
| Acting | Setting Free the Actor | Brebner, Ann | |||
| Shakespeare | Shakespeare & The Greek Romance | Gesner, Carol | |||
| Voice/Accents | Shakespeare Aloud | Brubaker, E.S. | |||
| Shakespeare | Shakespeare Memorial Theatre | Brown, Ivor | |||
| Shakespeare | Shakespearean Tragedy: It's Art and It's Christian Premises | Battenhouse, Roy | |||
| Shakespeare | Shakespeare's Comedies | Lerner, Laurence | |||
| Shakespeare | Shakespeare's English Kings | Saccio, Peter | |||
| Shakespeare | Shakespeare's Festive Comedy | Barber, C.L. | |||
| Biography | Shaw and the Ninteenth-Century Theater | Meisel, Martin | |||
| Biography | Show People | Tynan, Kenneth | |||
| Siddhartha | Hesse, Hermann | ||||
| Biography | Sir Larry | Kiernan, Thomas | |||
| Six Practical Lessons for an Easier Childbirth | Bing, Elisabeth | ||||
| Voice/Accents | Speaking Clearly | Modisett, Noah | 2 | ||
| Styles of Theatre | The Stage Manager's Handbook | Gruver, Bert | |||
| Voice/Accents | Speech Methods and Resources | Braden, Waldo | |||
| Directing | Stage Direction In Transition | Albright, Hardie | |||
| Theatre Appreciation | Stage Left | Williams, Jay | |||
| Stage Management | Stage Management, 6th Edition | Stern, Lawrence | |||
| Stage Management | Stage Management, 7th Edition | Stern, Lawrence | |||
| Styles of Theatre | Stage Scenery | Gillette | |||
| Directing | Stanislavsky Directs | Gorchakov, Nikolai | |||
| Musical Theatre | Stars of The American Musical Theater | Appelbaum, Stanley | |||
| Musical Theatre | Stories of the Great Operas | Newman, Ernest | |||
| Acting | Style for Actors | Barton, Robert | |||
| Styles of Theatre | Surrealism:Theater, Arts, Ideas | Sandrow, Nahma | |||
| Voice/Accents | Teach Yourself Transatlantic | Hobbs, Robert | |||
| Acting | The ABC's of Acting | Whelan, Jeremy | |||
| Biography | The Achievement of T.S. Eliot | Matthiessen, F.O. | |||
| Acting | The Act and the Image | Avram, Rachmael | |||
| Acting | The Actor and His Body | Pisk, Litz | |||
| Acting | The Actor and His Text | Berry, Cicely | |||
| Acting | The Actor at Work | Benedetti, Robert | 5 | ||
| Acting | The Actor in Training | Fishman, Morris | |||
| Acting | The Actor in You | Benedetti, Robert | |||
| Scenes/Monologues | The Actor's Book of Classical Monolouges | Rudnicki, Stefan | |||
| Scenes/Monologues | The Actor's Scenebook | Owen, Mack | |||
| Musical Theatre | The American Musical Theatre | Engel, Lehman | |||
| Acting | The Art of Acting | Goodman, Henry | |||
| Acting | The Art of Coarse Acting | Green, Michael | |||
| Oral Interpretation | The Art of Interpretative Speech | Woolbert and Nelson | |||
| The Art of Theatre | Sporre, Dennis | ||||
| Theatre Appreciation | The Art of Playgoing | Brown, John | |||
| Biography | The Autobiography of Joseph Jefferson | Downer, Alan | |||
| Acting | The Camera Smart Actor | Brestoff, Richard | |||
| Oral Interpretation | The Communicative Act of Oral Interpretation | Brooks, Keith | 2 | ||
| Musical Theatre | The Complete Singer-Actor | Balk, H. | |||
| Acting | The Composite Art of Acting | Blunt, Jerry | |||
| Theatre Appreciation | The Context and Craft of Drama | Corrigan, Robert | |||
| Acting | The Craftsmen of Dionysus | Rockwood, Jerome | 2 | ||
| Theatre Appreciation | The Creative Spirit | Arnold, Stephanie | 2 | ||
| The Deputy: Studies in Moral Responsibility | Schmidt, Dolores | ||||
| Directing | The Director in a Changing Theatre | Wills, Robert | 2 | ||
| Directing | The Director's Companion | Shapiro, Mel | |||
| The Dramatic Craftsmanship of Moreto | Casa, Frank | ||||
| Essays & Critiques | The Eating of the Gods | Kott, Jan | |||
| Theatre History | The Elizabthan Age | Stevenson, David | |||
| Biography | The Eminent Tragedian: William Charles Macready | Downer, Alan | |||
| Styles of Theatre | The Empty Space | Brook, Peter | |||
| Styles of Theatre | The Great Comedians Talk About Comedy | Wilde, Larry | |||
| Biography | The Greatest Fire | Steene, Birgitta | |||
| Theatre History | The Greeks | Kitto, H. D. F. | |||
| Biography | The Groucho Letters | Marx, Groucho | |||
| Theatre History | The High Design | Herndl, George | |||
| Biography | The House of Barrymore | Peters, Margot | |||
| Styles of Theatre | The Idea of a Theater | Fergusson, Francis | |||
| Essays & Critiques | The Imperfect Panacea | Perkinson, Henry J. | |||
| The Impossible Theater a Manifesto | Blau, Herbert | ||||
| Biography | The Incomparable Max | Beerbohm, Max | |||
| Theatre History | The Jacobean Drama | Ellis-Fermor, Una | |||
| Essays & Critiques | The Liberal Art of Interpretation | Long, Chester Playton | |||
| Theatre Appreciation | The Live Theatre | Hunt, Hugh | |||
| Theatre History | The Living Stage | Macgowan, Kenneth | 2 | ||
| Theatre History | The London Stage 1700-29 | Avery, Emmett | |||
| Theatre History | The Making of Theatre History | Kuritz, Paul | |||
| Theatre Appreciation | The McGraw Hill Theatergoer's Guide | Goldfarb, Alvin | |||
| Poetry | The Mentor Book of Major American Poets | Williams, Oscar | |||
| Theatre Appreciation | The Modern Theatre Reading and Documents | Seltzer, Daniel | |||
| Biography | The Moon's a Balloon | Niven, David | |||
| Theatre History | The New York Stage | Appelbaum, Stanley | |||
| Musical Theatre | The One Hundred and One Best Songs | Cable Company | |||
| The One-Act Play Today | Kozlenko, William | ||||
| Essays & Critiques | The Osier Cage | Evans, Robert | |||
| Acting | The Paradox of Acting: Masks or Faces | Diderot, Denis | |||
| Theatre Management | The Performing Arts: Problems and Prospects | Rockafeller Panel | |||
| Communication; Reading Literature | The Performing Voice in Literature | Beloof, Robert | |||
| Essays & Critiques | The Playboy of the Western World | Whitaker, Thomas | |||
| Essays & Critiques | The Plays of Thorton Wilder:Critical Study | Haberman, Donald | |||
| Playwrighting | The Playwright as Thinker | Bentley, Eric | 3 | ||
| Playwrighting | The Playwright's Handbook | Pike, Frank | |||
| Biography | The Playwrights Speak | Wager, Walter | |||
| The Prophet | Gibran, Kahlil | ||||
| Oral Interpretation | The Reader | Walters, Donald | |||
| Biography | The Real Isadora | Seroff, Victor | |||
| Essays & Critiques | The Scenic Art | James, Henry | |||
| The Season | Goldman, William | ||||
| Shakespeare | The Shakespeare Inset | Berry, Francis | |||
| Musical Theatre | The Singing Actor | Kosarin, Oscar | |||
| Acting | The Sound, Sense, and Performance of Literature | Foresman, Scott | 2 | ||
| Styles of Theatre | The Spirit of Tragedy | Muller, Herbert | |||
| Essays & Critiques | The Storm Over the Deputy | Bentley, Eric | |||
| Acting | The Student Actor's Handbook | Dezseran, Louis John | |||
| Theatre Appreciation | The Theater Experience | Wilson, Edwin | |||
| Theatre History | The Theater in Its Time | Peter Arnott | 2 | ||
| Essays & Critiques | The Theatre | Young, Stark | |||
| Theatre Appreciation | The Theatre Event | Wiles, Timothy | |||
| Theatre Appreciation | The Theatre in Search of a Fix | Corrigan, Robert | |||
| Theatre Management | The Theatre of Mixed Means | Kostelanetz, Richard | |||
| Biography | The Theatre of Revolt | Brustein, Robert | |||
| Styles of Theatre | The Theatre of the Absurd | Esslin, Martin | 2 | ||
| Theatre Appreciation | The Theatrical Image | Clay, James | |||
| Essays & Critiques | The Theatre Student | Tumbusch, Tom | |||
| Theatre Appreciation | The Theory of the Modern Stage | Bentley, Eric | |||
| Styles of Theatre | The Time is Ripe | Odets, Clifford | |||
| Communication; Reading Literature | The Tragic Vision | Krieger, Murray | |||
| Essays & Critiques | The Truth About Pygmalion | Huggett, Richard | |||
| Voice/Accents | The Use and Training of the Human Voice | Lessac, Arthur | |||
| The Theatre An Intorduction | Brockett, Oscar | ||||
| Theatre History | Theatre | Pickering, Jerry | |||
| Theatre | Smiley, Sam | ||||
| Theatre A View of Life | Cassady, Marsh | ||||
| Theatre History | Theatre and Drama In The Making | Gassner-Allen | 2 | ||
| Theatre Appreciation | The Theater Experience | Wilson, Edwin | 4 | ||
| Theatre History | Theatre in the Twentieth Century | Corrigan, Robert | |||
| Acting | Theatre Movement: The Actor and His Space | King, Nancy | |||
| Essays & Critiques | Theatre Notebook:1947-67 | Kott, Jan | |||
| Essays & Critiques | Theatre of War | Bentley, Eric | |||
| Theatre Profiles 6 | Ross, Laura | ||||
| Theatre, 2nd Edition | Wilson, Edwin | ||||
| Theatre, 2nd Edition | Cohen, Robert | ||||
| Theatre, 3rd Edition | Cohen, Robert | 2 | |||
| Theatre, 5th Edition | Cohen, Robert | ||||
| Theatre, 6th Edition | Cohen, Robert | ||||
| Theatre, 7th Edition | Cohen, Robert | ||||
| Theatre Appreciation | Theatre: The Human Art | Smiley, Sam | |||
| Theatre Appreciation | Theatre Past and Present | Barranger, Milly | |||
| Technical Theatre | Theatrical Style | Russell, Douglas | |||
| Essays & Critiques | Theories of Comedy | Lauter, Paul | |||
| Playwrighting | Theory and Technique of Playwriting | Lawson, John | |||
| Essays & Critiques | Theory of Poetry and Fine Art | Aristotle | |||
| Essays & Critiques | Total Theatre | Kirby, E.T. | 2 | ||
| Acting | Truth in Comedy | Halpern, Charna | |||
| Theatre Appreciation | Understanding Today's Theatre | Wright, Edward | 2 | ||
| Essays & Critiques | Up Against the Fourth Wall | Lahr, John | |||
| Theatre Appreciation | Welcome to the Theatre | Boyce, Sandra | |||
| Musical Theatre | Welsh Melodies | Williams, Gwynn | |||
| Biography | What They Did for Love | Flinn, Denny | |||
| Acting | Working A Scene | McGaw, Charles | |||
| Musical Theatre | Words with Music | Engel, Lehman | |||
| Analysis | Writing Themes About Literature | Roberts, Edgar | |||
| Theatre Management | Writing, Producing, and Selling your Play | Catron, Louis | |||